The Bluegrass and Beyond

In case you missed them, the Herald-Leader carried two excellent op-ed columns Sunday and Monday from two of Lexington’s most knowledgeable and passionate advocates for smart growth and preservation of what’s special in the Bluegrass.

Here’s the Sunday piece by Knox van Nagell, executive director of The Fayette Alliance.

Here’s the Monday piece by Hayward Wilkirson, who was a founding board member of Preserve Lexington, which last year opposed destruction of a historic block that’s now a downtown meadow.

I wrote Sunday about last week’s Shakertown Roundtable, which featured former Federal Reserve Chairman Paul Volcker and included more than 50 of Kentucky’s most influential leaders in business, government, academia and philanthropy.

Given the complexity of the topic — economic crisis and recovery — and the caliber of the panel and participants, there was a lot to discuss and think about.

Here are a few additional notes from last Thursday afternoon’s conference in one of Kentucky’s most scenic settings, Shaker Village at Pleasant Hill:

■ One executive I found insightful was Paul Varga, president and CEO of the Louisville-based liquor giant Brown-Forman Corp. In stressful times like these, he joked, “You’ll all understand why I’m happy to be in the business I’m in.”

Varga said he understood some executives’ worries about a backlash of too much taxation and regulation after a period many people think had too little. Liquor has always been an easy mark for higher taxes, he said, adding that “our industry once had the ultimate government intervention: Prohibition.”

He noted that much of the economic crisis was caused by what people did with other people’s money and an abandonment of traditionally sound business practices. Varga said future prosperity will require companies to not just achieve revenue growth, but create value.

Brown Forman — and the entire bourbon industry — has remained relatively healthy by not taking on too much debt and by searching out new markets overseas and developing spinoffs such as the Bourbon Trail initiative around distillery tourism.

■ In response to a question, Volcker said ideology and economics don’t mix well. That’s because unpredictable human behavior can have a big effect on the economy.

“It’s not a rational activity,” he said of economics, adding that this crisis showed that free markets with little regulation can lead to greed, manipulation and disaster.

■ Louisville Mayor Jerry Abramson, who is running for lieutenant governor on Gov. Steve Beshear’s re-election ticket, reminded executives who criticized government spending on the social safety net that many average Americans are hurting.

“We have real families and real children who are going through some real difficulties,” Abramson said. The nation needs to take care of them, he said, not only because it’s the right thing to do but because they are the workers who will be needed to build the future.

■ Centre College President John Roush said most aging baby boomers won’t be able to enjoy the leisurely retirement they expected because our old economy and lifestyle expectations weren’t sustainable.

“We’re not going to get to go fishing every day,” said Roush, 59, who said he likes to fish.

But Roush said he is encouraged that today’s college students have different expectations. “They have a sense of possibility and optimism,” he said.

■ University of Kentucky President Lee Todd said America needs to renew its focus on research and development, advanced manufacturing and high-quality education. Kentucky students need more math and science — and more confidence in their abilities.

With the right education and training, Kentucky students can compete with anyone, said Todd, himself the product of a small town in Hopkins County. As an example, he mentioned UK students’ strong showing last week in the international solar house design competition in Washington, D.C.

Kentucky students need to start their own businesses, not just expect to work for someone else. And the state needs to emphasize entrepreneurship and business development, not just attracting employers from elsewhere.

“Kentucky people who start companies will stay in Kentucky,” Todd said. “We’ve got to create our own jobs.”

Kentucky Educational Television videotaped the Shakertown Roundtable and will show an edited version on Nov. 23 at 8 p.m. and at other times.

Paul Volcker, who was chairman of the Federal Reserve under presidents Jimmy Carter and Ronald Reagan and is a top adviser to President Barack Obama, has earned a reputation as one of the rarest of creatures: a straight-talking economist.

Volcker was true to form Thursday, when he came to Kentucky to speak at the Shakertown Roundtable, a gathering of about 60 of the state’s most influential leaders in business, government, education and philanthropy.

The 82-year-old economist was blunt in his assessment of what caused this economic crisis and what’s needed to fix it. And he brought things back into focus when some executives tried to point fingers, shift blame and complain about recovery strategies.

“We spent, as a nation, more than we were producing,” Volcker said. Mix that with a real-estate bubble, reckless financial manipulation and too little government oversight, and it was a recipe for disaster.

“We were leveraging the economy … and then it all unraveled,” he said, adding that the recovery will be a “considerable slog” that could take years.

Volcker has advised Obama to restore legal restrictions, enacted after the Great Depression but repealed in the 1990s, that separated investment and commercial banking and prevented banks from becoming “too big to fail.”

The Obama administration has balked at Volcker’s suggestions amid industry opposition. But Volcker warned that without such reforms the nation could face a repeat of its current crisis in a few years.

After Volcker’s remarks, the 11 other panelists gave their views on the economy and the proper relationship between business and government. They included Gov. Steve Beshear, Louisville Mayor Jerry Abramson, the presidents of the universities of Kentucky and Louisville and several business leaders.

David Grissom, president of Mayfair Capital in Louisville, said he was depressed at the quality of national leadership. He complained about the huge amounts of money government is using to try to rescue the economy.

Julie Janson, president of Duke Energy in Kentucky and Ohio, lamented new government regulations on energy and utilities.

Churchill Downs Chief Executive Robert Evans warned this was a bad time to raise taxes and increase government regulation of business.

U of L President Jim Ramsey cited sobering statistics about Kentucky’s economic “blood bath,” such as the decline in manufacturing jobs in the past decade from 310,000 to 200,000 and the fact that Kentucky spends $9,000 a year on each public school student, $6,000 on each college student — and $19,000 on each prison inmate.

As each panelist took his or her turn, things turned gloomier. Then the last panelist, the governor, spoke.

Beshear said he thinks Kentucky is in better shape economically than many states and, with smart strategy and investment, the state could position itself to take advantage of future economic opportunities, such as advanced manufacturing.

“Until I heard from the governor, I was in a state of desperation,” Volcker deadpanned, adding that he agrees with Beshear’s optimism.

But, Volcker said, Kentucky and the nation must see the economic crisis as a “wake-up call” and make some fundamental changes.

Volcker also agreed with comments by UK President Lee Todd, who emphasized the need for more rigorous math and science education and more technology research that can be commercialized to create jobs.

Todd criticized the recent emphasis on the service economy: “We can’t create wealth by serving hamburgers to each other.”

In the best line of the day, Volcker said Americans need to shift away from “financial engineering” and focus once again on civil, mechanical and electrical engineering.

We need to regain our leadership in technology development and manufacturing, he said, rather than churning out so many business school graduates who are focused on making big, quick and easy profits by manipulating money.

If there’s one thing this year’s Shakertown Roundtable made clear, it is this: Economic recovery will require us to figure out how to prosper in a new and different global economy, rather than simply trying to get back what we have lost.

Centre College President John Roush, commenting from the audience, perhaps said it best: “I think we are going back to a place of well-being. But it’s a different place.”

Readers of Conde Nast Traveler magazine recently voted the 21C Museum Hotel in Louisville as the nation’s best hotel.

It was in the news last week and discussed on NBC’s Today Show this week.

“It sounds like the idea behind this is brilliant,” said Today Show host Matt Lauer, who seemed barely able to hide his surprise that Kentucky could be on the cutting edge of anything.

The 90-room luxury hotel that houses a public, all-hours contemporary art museum really is brilliant, and the Today Show and Conde Nast Traveler are just the most recent examples of the positive buzz it has created for Louisville.

The 21C was the brainchild of Laura Lee Brown and Steve Wilson, who worked with Lexington-based Gray Construction to create the museum/hotel by renovating and connecting four century-old buildings.

The complex is not far from developer Bill Weyland’s Glassworks art and office complex and Louisville Slugger factory and museum. They are all on Louisville’s West Main Street, in renovated old buildings that less imaginative developers would have demolished.

These attractions have sparked a vibrant entertainment district popular with locals and visitors alike. Last year, the American Planning Association named West Main Street as one of the nation’s 10 best streets.

Gray Construction’s chairman, Lexington Vice Mayor Jim Gray, worked closely with Brown and Wilson to create 21C - and it wasn’t easy. Some of the buildings needed new foundations and steel reinforcement. “There was one day when we almost lost one of them,” he said.

But Brown and Wilson never considered tearing down the old buildings, Gray said. And it wasn’t just because the $180-a-square-foot cost of renovation was cheaper than new construction.

“They knew that the character of the old buildings was what would inspire and create the energy for the project,” Gray said. “Within the frame of the old buildings they were going to create something new and contemporary and inspiring.”

Last year, during Lexington’s debate over the now-stalled CentrePointe project, Gray often mentioned 21C as an alternative approach to the generic skyscraper developer Dudley Webb planned. Webb could create something special by saving some of the 14 old buildings he wanted to tear down and weaving them into a quality piece of contemporary architecture.

Webb wasn’t interested. The old buildings weren’t worth saving, he said, even though renovation would have been cheaper than new construction.

So, here we are more than a year later. The block has been cleared of 180 years of Lexington history. CentrePointe is stalled and probably dead. Louisville has 21C and a lot of national buzz. Lexington has a pasture in the middle of town and a missed opportunity.

But it’s not Lexington’s only opportunity.

A few blocks away, developer Barry McNees is scraping together money to create the Lexington Distillery District. His vision is to renovate two abandoned bourbon distilleries and other industrial buildings in one of the city’s long-neglected neighborhoods. They would become the nucleus for a mixed-use neighborhood reflecting Lexington’s heritage and authentic culture.

The Distillery District is struggling amid the credit crunch. Still, the 150-year-old Old Tarr Distillery warehouse has become Buster’s, a popular nightclub. Galleries and artists’ studios are sprouting nearby.

“You clean that place up and it’s a destination,” Gray said of the Distillery District. “There’s nothing like it in Lexington, and that’s what appeals to people.”

So here’s the question for May Jim Newberry’s administration and Lexington’s business leadership: Where should this city place its bet? Will a prosperous future look more like what’s happening on Louisville’s West Main Street, or what’s been happening for 30 years on Lexington’s West Main Street?

Tuesday is the National Day on Writing. Do you have a sentence or two to contribute?

If so, the Carnegie Center for Literacy and Learning wants to hear from you. To celebrate this day, the center is putting together what it calls the “longest short story ever written.”

The center is seeking contributions from average folks and from established local authors, including Ed McClanahan and Bobbie Ann Mason. First lady Jane Beshear plans to finish the story during an event at 5:30 p.m. at the Carnegie Center in Gratz Park.

The idea is to put together a snapshot of Lexington and what’s going on in people’s lives this day, said Neil Chethik, the Carnegie Center’s writer-in-residence.

People can add their contributions by stopping by the Carnegie Center from 9 a.m. to 5 p.m. or at the following places and times: Starbucks in Chevy Chase, 7-9 a.m.; Starbucks downtown, Third Street Stuff or the Eagle Creek Library, 9-11 a.m.; Joseph Beth Booksellers or Barnes & Noble, 11 a.m. to 1 p.m.; The Morris Book Shop, Waldenbooks or Northside Library, 1-3 p.m.; or the Village Branch and Central libraries or Common Grounds Coffee, 3-5 p.m.

Ed McClanahan

McClanahan has started the story with these two sentences: “I found her sitting on a bench in Woodland Park. She looked up when my shadow fell on the letter she was writing.”

McClanahan, whose books include The Natural Man, said he doesn’t know what will come from this community story.

“It will generate some interest among people (in writing), I’m sure,” said McClanahan.

He said writing is a useful exercise for anyone. “It is an opportunity to examine one’s life and experiences and thinking processes. It’s a way of looking at yourself and what’s going on in the world.”

This community story will be written on butcher paper, the pieces of which will be taped together into a big scroll. Excerpts will be published online, including on www.galleryofwriting.org, the Web site of the National Council of Teachers of English, which sponsors the National Day on Writing.

It sounds like a fun project. I’m just glad I don’t have to edit it.

“I’m glad I don’t have to, either,” McClanahan said.

I’ve always found it ironic that Kentucky was considered more innovative and successful in the early 1800s, when it was on the edge of the American frontier, than during the past century, when it was at the geographic center of a booming nation.

Maybe success isn’t so much about where you are physically as where you are mentally.

The Kentucky Long-Term Policy Research Center’s annual conference in Louisville on Thursday looked at the usual problems that vex this state: health, education and economic development.

But much of the discussion focused on new ways of thinking about and tackling those problems.

Doug Henton, a Versailles-born author and consultant who heads a California company called Collaborative Economics, said Kentucky’s economic future could be much different than its past.

Natural resources, such as rivers and mineral wealth, will be less important in the future. What will be much more important is how human resources are developed.

Globalization of the economy is changing the importance of place and the strategies that states must use to create economic success.

Economic development strategies that focus on tax breaks, cheap labor and low-cost energy will no longer work. That’s because industries that depend on those things have either moved work offshore or eventually will.

What will be important is “quality of life” — creating a place where the best and brightest people want to live and the most innovative companies want to set up shop.

That makes a clean environment important, as well as smart land use and growth strategies, good urban planning and good transportation systems.

The most successful businesses now tend to be small- and medium-size companies that embrace change and are good at networking. Because collaboration is important, companies tend to cluster in areas where ideas can feed off one another.

Local and state governments are often either too little or too big to effectively address issues that will be important in the future, such as growth strategies and transportation, Henton said.

Breaking down old political barriers and promoting regional collaboration will become essential.

Northern Kentucky has had some success with regional cooperation, as has the Louisville area since metro consolidation. Central Kentucky? Not so much.

From his work around the country, Henton said, he has observed that the most successful regional initiatives are bottom-up and collaborative. They are ones in which leaders from government, business, universities, non-profits and citizen groups work together across traditional political boundaries.

“Focus on people and relationships, and not organizations and structures,” Henton said. “It’s about group creativity and regional stewardship, and the regions around the country where this happens seem to have more vibrant economies.”

The basic foundation for any region’s success in the future will be a well-educated population that is able to seize economic opportunities.

“We need well-rounded people who are creative as well as having the basic skills,” he said.

Kentuckians must become more comfortable with change, and more innovative in how they deal with it. One good example is in the way Kentuckians approach energy and the environment.

Peter Meyer, an environmental expert and University of Louisville professor, said climate change is real, and further worldwide restrictions on the burning of coal are inevitable, whether we like it or not.

But while Kentucky faces many challenges, it also has some opportunities.

Kentucky state government is doing good work in improving energy efficiency, especially with the construction of new public schools. The state’s first “net zero” energy use school building will open in Bowling Green next fall.

But state government could be doing more to promote those projects as examples, he said.

Rather than pledging $300 million in state funds for a coal-liquefaction demonstration project, Kentucky officials should put that money toward conservation efforts.

Home electricity consumption is 24 percent above the national average, which means we have a lot of opportunities to do better.

But it will involve a mental shift from Kentucky’s devotion to coal — and to doing things the way they’ve always been done.

“We need to become risk-takers in this environment,” Meyer said.

The old building doesn’t look like much, standing across East Third Street from a demolition site and the King Cobras motorcycle club. A small sign in a window behind a steel-bar security door says: LOT Parrish Rash.

Since early this year, it has been the Land of Tomorrow, an occasional gallery, and the workshop of Parrish Rash & van Dissel, a small company with big ambitions.

PR&vD hopes to encourage artists and industrial designers around the world to innovate by creating new and more profitable ways for them to produce and market their work.

At the company’s workshop last week, there were three projects under way: A high-design chaise being made of Styrofoam and urethane for a Vienna art museum; a stage set for The xx, a British rock band; and another UK professor’s project that involves creating a LED lighting system for a large model of a planned community in China that will be exhibited in Germany.

Upcoming work includes a piece for a show at the Pompidou Centre in Paris and two pieces for a show at the Art Institute of Chicago.

Later this month, LOT will bring collectors from across the country together with an international group of designers represented by the NOUS Gallery of London, England. The event will include a mixed-media show called Boys and Their Toys, which will be on display from Oct. 30 to Nov. 8. The opening reception Oct. 30 at 7 p.m. is open to the public.

Why would these collectors and designers travel thousands of miles for an event in Lexington?

“High-end collectors are looking for new places to discover work,” said LOT founder Drura Parrish. The event will include a dinner, an afternoon at Keeneland and plenty of bourbon. “You sell the destination, not the art.”

It also didn’t hurt that one of the British gallery’s principals, designer Melissa Woolford, is originally from Evansville, Ind., across the Ohio River from Parrish’s hometown of Henderson.

Good connections and a “why not?” attitude have enabled Parrish and his business partner, Rives Rash, to build an international reputation over the past six years by working with contemporary artists and architects to produce their designs. Their work has appeared at such venues as New York’s Museum of Modern Art, Vienna’s MAK Center and the San Francisco Museum of Modern Art.

Parrish and Rash are faculty members at the University of Kentucky’s College of Design. They’re also workshop wizards who never outgrew playing with sticks and glue.

“The reputation got out there that if you wanted to do something crazy, there’s these guys from Virginia and Kentucky who will help you do something crazy,” said Parrish, who, like Rash, earned a graduate degree from the Southern California Institute of Architecture.

During the past 15 years, technology has revolutionized architecture and design. Parrish, 33, and Rash, 30, have created a niche by exploring the possibilities of new design geometries and materials.

The company’s newest partner, Bart van Dissel, 55, a former Harvard Business School professor and McKinsey & Co. consultant, sees an opportunity for PR&vD to change the economics of design by connecting designers, manufacturers and customers.

That means working with designers to build prototypes and figure out manufacturing processes and costs. PR&vD would do some manufacturing itself and outsource some work to other Kentucky manufacturers.

In addition to fine art, PR&vD is interested in making furniture and household items — really, any object that might be improved by innovative design.

“There needs to be a democratization of design,” Parrish said. “People used to not give a damn about design because they couldn’t afford it.” That is changing as high-design items show up on the shelves of such retailers as IKEA and Target.

Designers haven’t been well-served by traditional retail models, where mass production and big sales volume are necessary and retailers get as much as 60 percent of the price. It gives designers little incentive to innovate or take risks.

For that reason, PR&vD also is interested in exploring new retail models, from online sales to distribution through museum stores.

“The key point is to shift the way the designers do business,” Parrish said. “Our paradigm is simple: Put designers first, and they become the brand.”

PR&vD has begun making several products for sale on www.etsy.com, an arts and crafts site. They include flatware, lamps, chairs and decorative items made from a mix of urethane and tree limbs salvaged from last winter’s ice storm.

There are limits to what can be made in PR&vD’s rented workshop, which also must accommodate the building owner’s bass boat. It is moved around the room as space is needed.

“It adds soul to the workshop,” Parrish said of the bass boat.

“And it reminds us that we don’t go fishing enough,” van Dissel added.

Parrish thinks Kentucky is an ideal place for the kind of creative, specialized manufacturing that PR&vD has in mind. The state has a wealth of aluminum and plastics fabricators who located here for the auto industry but could use more work.

“Kentucky, more than any place I know, is tied to making and doing,” he said. “If we don’t do it as a profession, we often do it as a hobby. It’s just what we do.”

After all, look what PR&vD has done so far with limited equipment in an old building on East Third Street. In the land of tomorrow, what’s important are ideas — and people with the knowledge and connections to make them work.

Remind me never to schedule an overseas vacation again during the annual Idea Festival in Louisville. There are just too many interesting things going on there to miss.

Idea Festival founder Kris Kimel sent me this photo today, which was taken during the festival late last month. It shows a sidewalk painting by Julian Beever, a Belgian-based chalk artist. He did this work on a Louisville sidewalk during the festival. Amazing.

Our plan was to ride Kentucky from top to bottom, but Mother Nature had other plans.

Storms on Friday forced organizers of the Governor’s Autumn Bicycle Ride Across Kentucky to cancel the first day’s journey — 60 miles from the Ohio River at Carrollton to Frankfort.

A few brave souls did it anyway. “We came to ride, so we rode,” said John O’Cull, a Vanceburg dentist. He and three buddies arrived in Frankfort soaking wet.

The other 65 of us started Saturday morning from the Grand Theatre in downtown Frankfort. The annual ride began in 2004 to raise money for the Grand’s restoration. This year, it became part of Gov. Steve Beshear’s “adventure tourism” initiative.

We spent Saturday night at a church camp near Campbellsville, where a truck had ferried our luggage. We left from there Sunday morning and finished the ride by dipping our wheels in Dale Hollow Lake on the Tennessee line.

Saturday’s ride was 90 miles or so; Sunday’s was 70 or so. I say “or so” because some of us missed a couple of the orange Gs that had been spray-painted on the road to mark turns, so we unintentionally enjoyed a few extra miles of Kentucky scenery.

We avoided big highways whenever possible. Many roads we traveled barely rated mention on a map.

The rain stopped early Saturday, but most of the weekend was cloudy, cold and breezy.

I never know how to dress when biking this time of year. I was burning up in a light fleece jacket as we climbed a big hill Sunday on Little Cake Road in Adair County, but I felt good a couple of miles later as we passed Bearwallow Cemetery. Then I was cold as we flew down a hill on Bull Run Lane.

Only two hills got me off my bike: One was Saturday, too soon after a delicious lunch of fried chicken, corn and apples that I wanted to keep. The other was a steep, milelong climb Sunday. I made it three-fourths of the way up, but I had to stop long enough to get my heart out of my throat so I could resume pedaling.

I enjoy the camaraderie of riding with old friends and making new ones. I also like the challenge of going from place to place under my own power. Bicycle touring is like hiking, only the scenery changes faster. By the end of a long ride, my legs are burning and my butt is getting numb, but I feel as if I’ve accomplished something.

Kentucky always seems more beautiful when viewed from a bicycle. There’s nothing between you and the passing landscape. The only noise is your own heavy breathing as you go uphill and the smooth spin of your freewheel as you go down.

After Sunday brunch at Lindsey Wilson College in Columbia, we saw a chapel designed by architect E. Fay Jones, an apprentice of Frank Lloyd Wright. It’s a piece of world-class modern architecture that you don’t expect to find in small-town Kentucky.

Most of the ride’s sights were more subtle, and 15 miles an hour was slow enough to study them.

Tire swings hung from front-yard trees, and wood stoves were getting back to work. There was a hint of smoke in the air, and long stacks of split logs waiting to be devoured.

Golden tobacco hung from barn rafters. Amish buggies sat parked in sheds. Pumpkins were arranged in yards, and Halloween ghosts made of white trash bags dangled from trees and porches.

Morning mist blanketed still-green pastures and fading fields of cornstalks. Red sumac and yellow walnut trees stood waiting for the rest of the forest to catch up.

Old farmers and children called out and waved. Dairy cows stood and stared. Dogs watched, too, or gave chase, depending on their age, temperament and how many cyclists they had already gone after.

Riding back roads makes you realize how much of this state is made up of small farms, modest rural homes and crossroads communities barely big enough to support a store or church.

As you roll quietly from one little town to the next, there’s so much to see. Then your burning legs remind you that there’s a hill coming up and, beyond it, another colorful piece in the patchwork that is Kentucky.

When Brian and Sara Turner finished their first concert poster in 2003, they wanted to sign it with the name of their studio.

Trouble was, the Lexington couple didn’t have a studio, although it was a dream beginning to form.

What they had was a small workspace in their damp basement, which was infested with crickets.

In a moment of whimsy, a word people sometimes use to describe their distinctive, colorful and eye-catching art, Cricket Press was born.

Now, you can see Cricket Press’ posters and other artwork all over Lexington — and across the country — promoting concerts, small music gigs, festivals, businesses and even weddings.

“Once our work got out there, other bands and venues started contacting us, and it took off from there,” Sara said. “Lexington has been very good to us.”

Cricket Press will be featured in a segment of Kentucky Educational Television’s Kentucky Life show Oct. 17-24. And The Morris Book Shop on Southland Drive will host an event 6 p.m. to 8 p.m. Nov. 13 where the Turners will sign a book of their art.

Cricket Press is what can happen when two people combine their personal and artistic passions and figure out a way to make both a life and a living.

Sara, 32, a Lexington native, and Brian, 34, of Frankfort, met when they were fine-arts photography students at the University of Kentucky. After graduation and their marriage in 2000, they got good corporate jobs as graphic artists. “We were creating stuff, but we weren’t satisfied,” Brian said.

In addition to art, they loved music, especially indie rock, punk and jazz. They also loved riding bicycles, which are frequently a theme in Brian’s art. As music fans, the Turners came to admire gig poster art and figured out how to make prints using silk screens.

“They taught screen printing at UK, but we never took it,” she said.

The Turners usually begin a piece with a pen-and-ink sketch, which is then digitally scanned and refined. Each piece is hand printed, with a minimum order of 50 pieces. Job prices begin at about $300.

The Turners say they rarely collaborate on pieces. Each has his and her own style and interests, although they say their styles have become more similar.

“I’ve heard people say they can tell a Brian poster from a Sara poster,” he said.

Cricket Press is still a home-based business. In addition to the basement work space, the enterprise has taken over much of their home, with his and her computers in one bedroom, a printing press in another. Print-drying lines are strung across the upstairs hall, and a downstairs room is used for mailing, storage and cleaning screens.

So much work was coming in by 2005 that Brian quit his job to devote himself full time to Cricket Press. Sara works part-time as a graphic artist but doesn’t think it will be long before the business can fully support them both.

In addition to the orders for custom work, the bulk of their business, the Turners sell art prints and note cards through their Web site, www.cricket-press.com, and www.etsy.com, a site for art and craft sales.

Because their personal and artistic relationship is such an important part of Cricket Press, the Turners don’t want their business to get too big for the two of them.

Eventually, though, they would like to have their home back and move Cricket Press into a separate studio.

They want a studio with more room to print larger pieces, and a storefront that would be more convenient for local customers. But no crickets, thank you.

Earlier this year, there was a national celebration of the 200th birthday of Abraham Lincoln, the most famous of all Kentuckians.

But this is also a landmark year for perhaps the second-most famous Kentuckian — Daniel Boone, who was born 275 years ago this month.

Like many Kentuckians, I’ve always been fascinated by Daniel Boone.

When I got too old for Captain Kangaroo, my favorite TV show was Daniel Boone, where coonskin cap-wearing Fess Parker was always blazing trails and fighting Indians. I could only imagine how his Kentucky was so much different than mine. When I started first grade, I proudly carried a new Daniel Boone lunch box.

Of course, most of what we all think we know about Daniel Boone is wrong.

A celebration is planned next weekend at Fort Boonesborough State Park to mark Boone’s birth. Perhaps some of the reenactments, pioneer crafts, performances and talks by Boone authors will dispel the myths.

Unlike the tall, handsome TV actor, Boone was a rather ordinary-looking man who stood 5 feet, 8 inches. He hated coonskin caps and never wore one.

Boone fought Indians, but only when necessary. He once said he knew of only three Indians he killed, and he regretted that because Indians had often been nicer to him than white people, even though they killed his brother and two of his sons.

Some of Boone’s best friends were Indians. Once, while a prisoner of the Shawnee, Boone was adopted as the son of Chief Blackfish.

Boone was a hunter and explorer at heart. But at various times in his life, he also was a military leader, a surveyor, a tavern keeper, a land speculator, a farmer, a slave owner, a Virginia legislator and a Spanish government bureaucrat in Missouri. Unlike many frontiersmen, he could read and write. His favorite books were the Bible and Gulliver’s Travels.

Boone was also America’s first celebrity, thanks to John Filson, whose 1784 book, The Discovery, Settlement and Present State of Kentucke, contained a long appendix said to be the autobiographical adventures of Daniel Boone.

Filson, who would have been a great choice for Kentucky’s first commissioner of tourism or economic development, was a colorful writer. His account of Boone’s exploits created a sensation across the young nation and throughout Europe.

“Boone became a legend in his own time because he had a good PR man,” state historian James Klotter, a history professor at Georgetown College, said of Filson. “But Boone was important in his own right, and his story is worth telling.”

Boone was born in Pennsylvania on Oct. 22 or Nov. 2 (calendars changed in 1752) and raised in North Carolina. He was a loner who also could be a leader when needed.

Boone first came to Kentucky in 1769 and, four years later, led his first group of settlers here. The next year, he was hired to blaze the Wilderness Road through Cumberland Gap for the Transylvania Co., which hoped to make a killing on Kentucky land speculation.

He built Fort Boonesborough from 1775-78 as a way station for settlers. He later moved several places in Kentucky — including Maysville and Fayette and Greenup counties — but lost all of his land in legal disputes and went into debt. He moved to Missouri in 1799 and died there in 1820, a month short of his 86th birthday.

Boone was a wanderer who, from his teenage years until well into his 80s, would disappear into the wilderness for monthslong hunting expeditions. “That wanderlust was part of him, just like it has been part of the American spirit,” Klotter said.

“In one sense, he represented the common people who settled Kentucky,” he said. “He’s an everyday man often thrust into difficult circumstances and responding in mostly honorable ways. He’s kind of what we want our heroes to be.”

While Boone has been the subject of endless fascination, Klotter would like to know more about his wife of 57 years, Rebecca Bryan Boone.

She had 10 children of her own, took in six more to raise and kept the family together despite her husband’s long absences. No images of her exist, and there are only a few written descriptions.

“She was a heroine in her own right,” Klotter said. “The story that hasn’t been told is the story of the women on the frontier.”

A good place to begin separating the real Daniel Boone from his myth is at Ft. Boonesborough State Park, where a generally accurate fort was built in 1974, up the hill from the flood-prone original site that historians hope someday to fully excavate.

About 40,000 people visit the fort each year to see costumed craftsmen make soap, pottery, fabric and firearms using authentic frontier tools.

Bill Farmer has been coming to work at the fort for a decade in homespun clothing and period steel-framed spectacles. Besides being the fort’s manager, he is an accomplished blacksmith.

“The truth about Boone is even better than the fiction … if people would take the time to find out the person he really was,” Farmer said.

Not far from the fort’s small museum is a surveyor’s office, where performer Scott New, 45, has portrayed Boone for a decade.

“This man is one of our founders, but his life is drowned in myth and fiction and nonsense,” said New, who will be performing next weekend along with Michael Fields as Chief Blackfish. “We need to make the road straight, as it were.”

Still, Daniel Boone can never fully escape his myth. Even in his own fort, the gift shop is well-stocked with coonskin caps.

“That’s one of those things that goes to the bottom line,” Farmer said with a sigh. “I couldn’t tell you how many hundreds of those we sell in a season.”

At least 104 of Kentucky’s 120 counties will close a major street for several hours Sunday afternoon and invite people to come out and exercise: run, bike, walk, jog, skate — whatever they like.

In Lexington, Main and Short streets between Rose Street/Elm Tree Lane and Broadway will be closed from about 2 to 7 p.m.

More than 75 local organizations have activities planned around Second Sunday in Lexington — everything from dance classes to bike polo demonstrations. Plus, Biggest Loser TV show finalist Mark Kruger will speak about how he lost 129 pounds by exercising more and eating less.

For details, go to the city’s Web site, www.lexingtonky.gov and click on the Second Sunday icon. For statewide information, go to www.2ndsundayky.com.

It will be a big afternoon. But what happens after that?

In Lexington, a smaller version of Second Sunday will become a monthly event.

Beginning Nov. 8, organizers plan to sponsor a police-escorted bicycle ride on the second Sunday of each month, said Urban County Councilman Jay McChord.

“For a year we’ve been talking about how to make Second Sunday a once-a-month thing, and eventually a once-a-week thing,” McChord said. “This is a start.”

McChord has been one of Second Sunday’s biggest boosters, seeing it as a way to curb Kentucky’s horrible health statistics, which include being a national leader in heart disease, diabetes and obesity. The hope is that these events will inspire people to exercise regularly and adopt healthful lifestyles.

The new monthly 10- to 12-mile bike rides for cyclists of all abilities who are at least age 12 will begin at Cheapside. Each month, the ride will go to a different Lexington park or neighborhood.

The November ride will begin at 2 p.m. and go out Harrodsburg Road to the Beaumont neighborhood, where old farm roads have become trails. Details of each monthly ride will be posted on the city’s Web site, including cancelation information if the weather turns nasty.

Each event will cost organizers about $750 for a police escort, money that will be covered by sponsors. November’s ride is being sponsored by downtown developer Phil Holoubek and his wife, Marnie. Future sponsors include the Legacy Center and Pedal the Planet bike shop.

“The idea is to showcase the bike lanes and trails we already have and the ones we are building,” said Wendy Trimble, co-owner of Pedal the Planet. “We want to get people out more often and maybe give them the confidence in a group setting to get out later on their own. We also hope it will make people realize that 10 miles on a bike isn’t really that far.”

Holoubek said Mayor Jim Newberry and Lexington police officials have been very supportive of the effort. Eventually, the monthly escorted rides could lead to other activities that will get people outside and exercising all year around.

“We can really change the health culture of Kentucky,” McChord said.

Martha Jane Stone was a freshman at Transylvania University when a prominent professor asked if she could be the substitute organist on Easter Sunday at the small country church where he preached.

Stone was on a music scholarship, so she felt obligated.

The job seemed to suit her. Within a few months, Stone was the regular organist at New Union Christian Church — a role she has filled now for more than 71 years.

Last Sunday, the Disciples of Christ church at Old Frankfort Pike and Browns Mill Road in Woodford County celebrated its 175th anniversary. For more than 40 percent of that time, Stone has been right there, seated at the keyboard.

Stone has been through two church buildings, three organs and five ministers. She looks at least a decade younger than her age, which she would rather not have published.

In addition to her work at New Union, Stone plays cello in the Lexington Philharmonic, where she has been a member for 36 years. Before that, she played with the old Lexington Symphony and taught piano and organ at Transylvania.

“She just has so much energy,” said George Zack, who retired last year after 37 years as the Philharmonic’s music director. “She is the kind of person who will do whatever is asked of her.”

Zack said that whenever the Philharmonic travels around Kentucky to give concerts, people in the audience will come up afterward to find Stone. “They all seem to know her,” he said.

Several years ago, church members got together and created a continuing-education scholarship for Philharmonic musicians in honor of Stone.

In her spare time, Stone, who never married, makes tatting pieces for gifts. She has written a cookbook and several books about the genealogy of her family, whose members included the late Pulitzer Prize-winning Kentucky author Robert Penn Warren.

But if there has been a constant in Stone’s life, it has been New Union Christian Church. Formed in 1834 in a split from nearby Mount Vernon Baptist Church, the Disciples of Christ congregation has always been small, but well-educated and influential. Most of its pastors have been academics.

“This church has always had a commitment to progressive Christian thinking,” said the Rev. Nancy Jo Kemper, the church’s minister since 1996 and the recently retired executive director of the Kentucky Council of Churches.

Stone said she tries to please everyone in the congregation by choosing a variety of music. There are old standards such as Amazing Grace, a favorite of former Keeneland president Ted Bassett, and classics by such composers as Bach and Charles-Camille Saint-Saëns, which Stone prefers.

When Kemper was a student at Transy, she studied under Stone for a semester. Stone admitted that she was skeptical when her former student became her minister.

“She told people that if they hired a woman minister, she would quit,” Kemper recalled.

That’s true, Stone said. She had never heard a woman preach before, and she didn’t know whether she would like it. But she quickly came around to Kemper.

“She has made me feel very useful and that I was making a contribution to the service,” said Stone, who now plays two solos each Sunday, rather than simply preludes and hymns. “Since she’s been here, I’ve had the freedom to choose the music. We work together very well.”

Asked whether she has any plans to let someone else take her seat at the organ, Stone’s constant smile quickly turns to a frown of mock horror.

“No, I don’t plan to retire!” said Stone, noting that women in her family tend to live well into their 90s. “I don’t think retirement is good for people.”

It’s no wonder people are frustrated by the debate over health care reform.

The issues are complex. None of the proposed solutions is perfect. And, more often than not, the arguments seem to dissolve into emotional oversimplification.

Besides, there’s a lot of money at stake. Whole business models have been built around the inefficiency of America’s health care industrial complex.

Last Thursday, the Lexington Forum hosted one of the better discussions I’ve heard on the subject.

The panelists were Dr. Michael Karpf, the University of Kentucky’s executive vice president for health affairs; Dr. John White, president of the Kentucky Medical Association; and Melodie Schrader, executive director of the Kentucky Association of Health Plans.

Some points of view weren’t represented, and the discussion lasted only an hour — not nearly long enough to do the subject justice. Still, it was enlightening.

Here’s what I took away:

The key issues are access, cost and quality. Some people want to change the entire health care system. Others want to preserve the status quo — or at least their current coverage or company’s profits.

But the key is figuring out how to control costs, maintain the quality of care and provide access to more of the millions of Americans with little or no access to affordable health care.

Karpf noted that a significant portion of uninsured Americans are young working people. That’s because employer-sponsored health insurance is becoming more scarce because of costs.

America has too few doctors, especially in small towns and rural areas. White estimated that Kentucky needs 2,300 additional doctors to meet national standards.

Many of us will have to give up something. Increasing access and controlling costs will mean people who have insurance now will have less freedom to choose expensive procedures that have little proven effectiveness.

They also won’t be free to forgo coverage. Schrader said the only way to guarantee that everyone can get access to insurance is to require everyone to have it.

Health care companies and insurers must give up some profits. For example, White said, Medicare Advantage programs — enacted during the Bush administration and criticized as government subsidies for insurance companies — should be eliminated, with the money going directly to pay for more Medicare patient care.

Malpractice litigation must be addressed. Republicans see tort reform as a panacea; Democrats dismiss it as insignificant. But the fact is many doctors feel compelled to order expensive tests and treatments of questionable value for fear they’ll be sued if they don’t.

A better balance must be found between protecting patients from medical malpractice and forcing doctors to practice costly “defensive” medicine.

We can’t be distracted by sideshows. For example, some reform critics warn that government bureaucrats will overrule doctors’ medical judgment. White said that is done too often now by insurance-company bureaucrats.

Another sideshow is the debate over coverage for illegal immigrants. As Karpf said, they’ll be treated one way or another to some degree — and somebody will pay for it. They’ll come to emergency rooms after accidents, when they are about to deliver babies or when suffering with serious illnesses or communicable diseases.

We must take more personal responsibility. Karpf noted that the health care economy now is based on fee-for-service, rather than prudent management. That encourages more spending.

Plus, he said, there’s not enough incentive for patients to live healthy lifestyles and make wise choices.

One key to lowering health care costs is to make the cost structure more transparent — and personal. People will use health care services more wisely if they see it’s in the best interest of their own pocketbooks.

For a little boy in the early 1960s, a shopping trip in Lexington could be an adventure.

It was a world of big buildings filled with interesting things and friendly faces, from the elevator operator at Hymson’s Tots & Teens to the A&P manager who always took time to chat with me.

But nothing could top Howard Curry Shoes on Southland Drive.

Going to Howard Curry meant sitting in upholstered chairs that were just my size, peering in aquariums filled with colorful fish and visiting the Enchanted Forest, where mechanical elves made shoes and an owl popped out of his knot hole every so often to give a hoot.

The highlight was the Talking Tree. It had an expressive face and a cheerful but staticky voice that I eventually figured out came from a hidden clerk with a microphone.

Since 1958, the Talking Tree has been an icon of Lexington childhood. And, over the years, a lot of grown up kids have wandered into Howard Curry just to see if he was still there.

“Or they would bring in a spouse who couldn’t believe that such as thing existed,” said Ruby Stockwell, who has run the store with her daughter-in-law, Beverly, since her son, Todd, bought it from the Curry family in 1991.

Now, the Talking Tree is getting a facelift and new home.

Versailles artist Damon Farmer restored the Talking Tree. Photo by Tom Eblen

This summer, Howard Curry moved out of its Southland Drive store and took down the classic neon sign, which was attracting bird nests and needing repair.

While a new store was being built at the corner of Nicholasville Road and Moore Drive, Howard Curry set up shop in temporary space. The Talking Tree was sent off for restoration and the store posted a sign saying he was on summer vacation. “The kids seemed to understand that,” Beverly Stockwell said.

The Talking Tree and the rest of the Enchanted Forest were made by Corman & Associates, a Lexington fixture company that once did elaborate store displays for clients all over the country. The Talking Tree was fashioned from a big piece of red cedar driftwood that Dan Corman and Stanley Baugh hauled out of Herrington Lake.

The job of restoring the tree fell to Versailles artist Damon Farmer, who grew up in Berea seeing the tree in Howard Curry advertisements. He removed old varnish, repaired limbs, added leaves and new eyes and fixed the tree’s broken nose.

“Over 50 years, there had been so many attempts to repair it that it was something of a mess,” Farmer said of the tree. “The old nose was on a spring and kids were kind of rough with it.”

Howard Curry’s new store is smaller than the old one, so there wasn’t room for the Enchanted Forest and cobbler elves. They were sent back to Corman’s and put in storage. Vice President Dwight Kelley doesn’t know what he will do with them, but they have a special place in his heart.

Kelley said he helped make the elves as a young Corman’s employee, and his children got their shoes at Howard Curry. “That’s one of the few pieces of our work that people in Lexington are familiar with,” he said.

The aquariums left Howard Curry in the 1990s — Ruby Stockwell got tired of cleaning them. But the child-size benches have been recovered by David Hicks, whose father did the original upholstery. John Leininger, whose father built Howard Curry’s original cash register console, made cabinets for the new store.

At its new location, Howard Curry shares space with the Stockwells’ other store, Dance Biz. It sells children’s dance shoes and apparel and has some special design touches of its own. Interior designer Deborah Drury put together a shoe-fitting area that has a stage, dance bar, mirrors and curtains.

When I stopped by the new Howard Curry store last week, employees were racing around, trying to get it ready to open. Boxes were everywhere, Farmer was painting a mural and the Talking Tree was waiting patiently for a sly clerk to give him voice.

The Talking Tree may only be a dressed-up piece of driftwood. But I’ll bet I’m not the only big kid glad to see him still around, standing ready to make some child’s shopping trip an adventure.

I returned to Lexington this week after a long vacation to find that CentrePit had been transformed into a grassy meadow, and workers were installing a classic horse-farm fence around the perimeter.

The past half-century of Lexington’s growth has been defined by grassy meadows and horse-farm fences giving way to homes, office buildings and shopping centers.

Dudley Webb may go down in history as the only Lexington developer to do just the opposite. And he did it in the center of town, on a block that has been developed urban space since the 1700s.

Seriously, though, I have to give Webb credit. I’ve always thought his CentrePointe development was poorly conceived and not in the community’s best interests. The fact that he can’t seem to find financing for the $250 million project speaks to some of its issues.

But in this instance, Webb is doing the right thing: Making his demolition site look attractive until he and landowner Joe Rosenberg decide the block’s ultimate fate.

Other local developers of stalled projects, such as at the corner of Richmond Road and Man O’ War Boulevard, and abandoned eyesores, such as Lexington Mall, should follow his lead.

Thank you, Dudley Webb.

Fencing is installed around the CentrePointe block. Photo by David Perry