Kentucky workshop for photojournalists shows power of storytelling

October 28, 2014

141029MtnWorkshop02 copySophomore Mackenzie Alexander is one of four girls enrolled in agricultural power and mechanics classes at Madison Southern High School. To keep the girls’ hair clear of flames during welding instruction, teacher Brent Muncy will often french-braid it for them. His skills impressed another student so much, she asked him to braid her hair for the homecoming parade. During the 39th annual Mountain Workshops last week in Berea, photojournalist Melissa Ripepi of Blacksburg, Va., did a photo story about Muncy. Photo by Melissa Ripepi. 

 

BEREA — Each October, I spend a week in a different Kentucky town with three dozen of the nation’s best photojournalists. We help 75 or so students discover and tell the stories of people who live there.

I got back from Berea on Sunday after five days of hard work and little sleep. The amazing results of those students’ work are gradually being posted on MountainWorkshops.org. A 116-page book was produced on-site and will be published next year.

I keep volunteering for this nonprofit educational enterprise because it’s my annual reminder of the power of storytelling — and of why honest and intimate photojournalism still matters in a media-saturated world.

The Mountain Workshops began as a class field trip in 1976, when I was a freshman at Western Kentucky University. I didn’t get to go, because I was studying to be a writer, not a photographer. But several of my friends were among the small group of photojournalism students who accompanied two professors to the mountains of Eastern Kentucky to document the state’s last remaining one-room schoolhouses.

The next year, the project focused on a poor neighborhood in Bowling Green. Then it began traveling to a different small town each year. WKU started bringing in top professionals as photo coaches. The workshop was then opened to photo students from other universities, as well as professional news photographers who wanted to go beyond daily assignments and learn to tell deeper visual stories.

I joined the workshop faculty in 1995, when writing coaches were added. Workshop organizers realized that even the best photographs need well-crafted words to complete the story. Since then, workshops in picture editing, video storytelling and time-lapse photography have been added.

This year, there was a new workshop in data visualization — print and online techniques for turning complex sets of numbers into graphics that help people understand information.

141029MtnWorkshop01 copy

Mary and Neil Colmer own Weaver’s Bottom Craft Studio in Berea. A shared love of art and craft have been an important part of their long marriage. During the 39th annual Mountain Workshops last week, their story was told by photojournalist Marc Ewell, who lives in Hong Kong. Photo by Marc Ewell.

Coaching at the Mountain Workshops has allowed me to get to know many of the nation’s best photojournalists, people who work for The New York Times, the Los Angeles Times, MediaStorm, the Washington Post, Time magazine and National Geographic. The all-volunteer crew frequently includes Pulitzer Prize winners, some of whom have unglamorous behind-the-scenes support roles.

One of my most memorable fellow coaches was the late Charles Moore. He made those iconic Life magazine photos of Birmingham police arresting the Rev. Martin Luther King Jr. and turning dogs and fire hoses on civil rights protesters in 1963.

The 39th annual Mountain Workshops in Berea was headquartered in the former Churchill Weavers factory, a light-filled 1920s complex that is on the National Register of Historic Places. Now called Churchill’s, it is being renovated into a beautiful event space. Thanks to the workshop’s corporate sponsors, the building was temporarily filled with computers and camera gear for everyone to use.

Workshop organizers had identified and contacted dozens of potential story subjects in Madison County, and participants literally drew them out of a hat. As they got to know their subjects over the next few days, more complex and interesting stories emerged, as they always do. By Saturday morning, the photographers had told those stories with candid images made as they tried to blend into the background of their subjects’ daily lives.

An award-winning photojournalist from New York City and I coached a team of six participants. They all found stories richer and more complex than what was on the slips of paper they drew from the hat.

An assignment about a beauty school turned into a story about the school’s only male student. The young man’s mother had recently been killed in an accident, prompting him to focus on achieving his dream of becoming a hair stylist.

A story about a couple with a craft shop turned into an intimate portrait of a long marriage nurtured by a shared love of the arts. Another participant profiled a high school farm mechanics teacher who is the kind of mentor his students will remember for the rest of their lives.

For nearly four decades, the Mountain Workshops have created an unparalleled documentation of small-town Kentucky life. But its impact has been much broader.

Each year, instructors who years earlier were participants talk about how the workshop changed their lives and careers, and how it continues to influence the way they photograph big stories around the world.

They talk about having become more thorough, accurate and compassionate storytellers, all because of an intense week they spent focused on “ordinary” Kentuckians who turned out to be anything but ordinary.


Frontier Nursing University marks 75 years, from horse to Internet

October 7, 2014

141001FrontierU0003

A Frontier Nursing Service nurse visits a family in the 1930s. Photo provided. Below, Frontier Nursing University President Susan Stone. Photo by Tom Eblen

 

HYDEN — In her 1952 autobiography, Wide Neighborhoods, Mary Breckinridge told how she started Frontier Nursing Service here in 1925 to show how nurses also trained as midwives could make a big difference in rural health care.

Breckinridge, who died in 1965 at age 84, could not have imagined just how wide her old neighborhood would become.

The nurse-midwives she sent out on horseback to remote cabins in the mountains of Leslie and Clay counties were trained in England until World War II made travel there impossible. So, in 1939, Breckinridge started a small school for midwives, who deliver babies.

That school is now Frontier Nursing University, which is celebrating its 75th year as the nation’s oldest and largest school for nurse-midwives. Its graduates work in all 50 states and seven foreign countries.

Frontier also is marking 25 years as a distance-learning institution. It pioneered many of the online methods now beginning to revolutionize all higher education.

Many students, faculty, alumni and supporters were in Kentucky over the weekend for anniversary festivities. Events included a gala in Lexington, where Frontier has its administrative offices, and tours of the campus in Hyden, which coincided with the town’s annual Mary Breckinridge Festival.

The celebration not only marked an illustrious past, but also a promising future.

141001FrontierU0008Mary Breckinridge would seem an unlikely pioneer of health care for the rural poor. She was a society lady, born into one of Kentucky’s most distinguished families. Her father was a congressman and ambassador to Russia; her grandfather was Vice President John C. Breckinridge, whose statue stands in Lexington’s Cheapside Park.

But Breckinridge was living in rural Arkansas when her two children died young, and she blamed inadequate medical services. Already trained as a nurse, she volunteered in France after World War I and saw the difference nurse-midwives made there.

Breckinridge went to England for midwife training, then dedicated the rest of her life to improving public health in Eastern Kentucky by focusing on young children and their mothers.

Because there were few good roads here then, Frontier Nursing Service’s uniformed nurse-midwives rode horses to places such as Confluence, Cutshin and Hell-for-Certain. They carried medical equipment in their saddle bags, delivered babies and staffed community clinics. For serious cases, there was a doctor at the small hospital Breckinridge helped build on Thousandsticks Mountain overlooking Hyden.

After World War II, Eastern Kentucky’s population declined as the region modernized. Jeeps replaced the last Frontier horses in the 1960s. After the area hosted clinical trails for the birth-control pill, the birth rate plummeted.

By the 1980s, Frontier nurses mostly provided home health care to elderly people and staffed Mary Breckinridge Hospital, which was sold to Appalachian Regional Healthcare in 2011. The school for midwives struggled until it ventured into distance learning in 1989.

Susan Stone was a student in that first distance-learning class for midwives. She became a faculty member in 1993, remembering how she was told to buy a bigger mailbox because distance learning then meant a lot of packages and postage.

Stone has been president of Frontier Nursing University since 2001, and she has led dramatic growth made possible by the Internet, an expansion of degree programs and an increased demand for graduates.

Frontier had about 4,000 graduates in the first 75 years. Now it has 1,500 students enrolled in several master’s and doctoral nursing programs in addition to midwifery. Annual admissions have had to be capped at 700.

The average Frontier student is a 35-year-old registered nurse. More than 90 percent are women, and 70 percent live in rural areas. They come to the Hyden campus only two or three times: for a few days of orientation, a few days of clinical simulations and, if they wish, for their graduation ceremony.

“Our target is nurses who live in rural areas and want to stay and serve in those areas but want a graduate degree,” Stone said.

Students study online with 96 faculty members scattered across the country and do clinical work in their own communities. “We’ve been able to recruit a high-quality faculty because we don’t make them move,” Stone said.

Stone thinks the demand for nurse-practitioners and nurse-midwives will continue to increase because of trends in the health care industry. She sees Frontier continuing to change to meet needs.

“One of the things we teach our students is entrepreneurship,” she said. “Sometimes what is needed is just not there and you have to create it.”

For example, one of Stone’s future goals is to offer training for psychiatric nurses, who are in big demand but short supply in rural America.

“Mary Breckinridge’s whole idea was that this would be a pilot project and there would be replications,” Stone said. “It’s just amazing when you look at what our graduates are doing. They really are going to change the face of health care.”

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Uniquely Kentucky: Closing essay from Friday’s special section

September 30, 2014

abeEduardo Kobra’s mural of Abraham Lincoln in downtown Lexington, with the moon over his shoulder. Photo by Tom Eblen

 

Kentucky has always been at a crossroads. Buffalo came looking for food and water. Native Americans came looking for buffalo. Pioneers and settlers came looking for land and opportunity.

Originally the Western frontier, Kentucky has been more or less at the center of the country geographically since the 1830s. Culturally, though, it remains a place unto itself. Many places, actually.

Early settlers came to the Bluegrass for fertile land and pure water to produce hemp, tobacco, strong-boned horses and good whiskey. Eastern Kentucky developed a rich, complex Appalachian culture as newer immigrants joined Anglo-Saxon settlers when railroads opened the mountains for timber and coal harvesting.

Communities along the Ohio River, long nourished by commerce, have created personalities all their own, as have those amid the farms of Southern Kentucky. Western Kentucky rolls out like a rumpled green carpet to the Jackson Purchase, encompassing many unique local cultures.

Ask someone in China what they know about Kentucky and they are likely to reply, “Kentucky Fried Chicken.” I went to church once with friends in a small Australian town and was introduced to the minister afterward. He immediately said, “Ah, the Kentucky Derby!”

The recent popularity of bourbon has given Kentucky another international claim to fame. Jimmy Russell, the master distiller at Wild Turkey, told me that when he travels to Asia, Europe and Australia he is treated like a rock star. As he should be.

Kentuckians know how to eat well. Nothing is better than Western Kentucky barbecue in the summer or spicy burgoo in the winter. Any morning that begins with country ham and biscuits is a good morning.

Louisville has the calorie-packed Hot Brown sandwich, otherwise known as “heart attack on a plate.” Want something lighter? Try benedictine, a cucumber spread long popular with Louisville ladies who lunch.

Immigration continues to enrich Kentucky’s culture and palate: Mexican, Indian, Chinese, Thai, Vietnamese and African. The newest menu item at the 134-year-old Fancy Farm Picnic in Graves County is barbecue nachos.

Abraham Lincoln was born in Kentucky, as was his Confederate counterpart, Jefferson Davis. America’s greatest sports car, the Corvette, is made in Bowling Green. The stoplight was invented Garrett Morris, a black man from Paris.

Country music owes much of its sound to old-time Kentucky fiddlers and the hard-charging mandolin of Kentuckian Bill Monroe. And don’t forget Loretta Lynn, Jean Ritchie, Ricky Skaggs and Sam Bush.

Lexington’s Carnegie Center for Literacy and Learning has started calling Kentucky the “literary capital of mid-America.”  Sure, it’s a big boast. But consider the evidence: Robert Penn Warren, James Still, Wendell Berry, Harriette Arnow, Bobbie Ann Mason, Barbara Kingsolver, Sue Grafton, Jesse Stuart, Silas House, William Wells Brown, Hunter S. Thompson, C.E. Morgan and too many more to mention. Outsiders may still joke that Kentuckians don’t wear shoes, but we sure can write.

That’s the good news. Now for some bad news: Kentucky lags most other states in many measures of health, education, social welfare and economic innovation.

Kentuckians tend to cling to what worked in the past rather than leveraging their unique assets, heritage, culture, location and know-how for a brighter future. We carelessly spoil beautiful landscape with strip mines and strip malls. We focus on fears instead of possibilities.

Remember what I said about Kentucky being at a crossroads?  It has never been more true than today.


Yes, I wrote this column while sitting on my porch

July 8, 2014

When I traveled the upper South for The Atlanta Journal-Constitution years ago, I noticed a lot of statues of Confederate soldiers on courthouse lawns. I always thought Willis H. Carrier would have been a better choice to memorialize.

After all, the inventor of air conditioning helped make the region comfortable and prosperous, turning the Sleepy South into the Sun Belt. But Carrier’s invention had a drawback, too. Southerners started building houses without porches.

I have lived most of my life in houses built since 1950. One had a patio. Another had a breezeway between the house and garage. Another had a “decorative” front porch too narrow to be of any use.

A couple of my houses had decks. The large deck I built on the back of my 1950s Atlanta home was especially nice. But decks are inferior to porches. There is no roof, and deck railings are rarely as elegant as porch columns and balusters.

porchMy current house was built in 1907. It has a long, wide front porch and a large screened-in back porch, both equipped with ceiling fans. For most of three seasons each year, they are my favorite places to sit and relax. And on cool, low-humidity weekends like this past one, they can be little corners of heaven.

Front porches and back porches are very different places.

My front porch is a public extension of the living room. There is a spring-cushioned swing and two antique rocking chairs I bought cheap from people who thought, as my wife did when I brought them home, that they were worn out.

Both came with caned bottoms and seats that had seen better days. One was re-caned for me by a friend who is an excellent craftsman, in addition to being a retired physician and Air Force general. The other chair may be beyond hope, as the wooden frame looks as bad as the splintered seat and back. It is reserved for skinny visitors.

Old porch rockers have a design feature that makes them superior to those now sold at places such as Home Depot and Cracker Barrel: the back rails are steam-bent just above the seat. As President John F. Kennedy famously discovered, this bend tilts the back to the optimum angle for comfort, whether you are trying to run the world or simply watch it go by.

Front porches are all about watching the world. They are places for getting to know those who live around you, as well as for keeping the neighborhood safe and secure by providing what the urban analyst Jane Jacobs called “eyes on the street”.

I have a tradition with a fellow journalist who lives at the end of my street. About once a week, around 6 p.m., one or the other of us will hear the familiar “ding” of an iPhone text message. “Beer on porch?”

On either my porch or his, we discuss life and solve the world’s problems. An award-winning poet recently moved in around the corner, and I have invited him to join us. That should elevate the conversation a notch or two.

Rather than a living room, my back porch is more like an outdoor den, shielded from neighbors and screened from mosquitoes. Becky and I each have a pillowed wicker chair, and there is a dining table barely big enough for two. It is where we go to escape the world rather than to engage or watch it.

We read the newspaper on the back porch most mornings and have dinner there many evenings. It is a great place to relax, if we can ignore the fact that the back yard needs weeding, pruning or watering. Chores should never be visible from a porch.

My porches are cozy places to watch a rain shower, if the wind isn’t blowing too hard. They are ideal for listening to birds and tree frogs — and enjoying the aroma of roasting peanuts from the nearby Jif peanut butter factory.

During this past winter-from-hell, I got a surprise one morning when I looked out at the back porch. The wind had been so strong overnight that an inch of fine snow had been sifted through the screens, covering wicker chairs and all.

So, after I shoveled my sidewalk and front steps, I shoveled my screened-in porch, thinking how funny that would seem come July.


NY photographer explores historic Bluegrass homes in new book

May 24, 2014

140525KyBook0009The walled garden and orchard at Gainesway Farm was added by owner Antony Beck, a longtime friend of photographer Pieter Estersohn.  Beck suggested that Estersohn do the book, Kentucky: Historic Houses and Horse Farms of Bluegrass Country, which has just been published.  Photo by Pieter Estersohn / Courtesy of Monacelli Press

 

Central Kentucky’s grand mansions and horse farms have been fodder for pretty picture books for more than a century, at least since Thomas A. Knight’s Country Estates of the Bluegrass came out in 1904.

Of the many books I have seen, the best has just been published: Pieter Estersohn’s Kentucky: Historic Houses and Horse Farms of Bluegrass Country (Monacelli Press, $60).

The photographs are stunning, as they should be. Estersohn, 53, is one of America’s top “shelter” magazine photographers. He has shot covers for Architectural Digest, Elle Décor, Southern Accents, Metropolitan Home and many other big magazines. This is his 23rd book.

140525KyBook0008What makes this book especially interesting and authentic are the places Estersohn chose to photograph. There are only a few of the usual suspects, too important to omit: Waveland, Shaker Village at Pleasant Hill, and Ashland, the Henry Clay Estate.

Many of the other 15 properties are not well-known, even to many Kentuckians, but they are some of the most precious architectural gems of the Bluegrass. That didn’t happen by accident. Estersohn had inside help.

In a telephone interview, Estersohn said he and Antony Beck, owner of Gainesway Farm, have been best friends since they were 19. The New York-based photographer said he and his son, Elio, 10, have been visiting the farm regularly for years.

“It’s sort of like our home away from home,” he said. “It’s just such a magical environment to be on that farm. Antony’s landscaping is amazing.”

Beck suggested the book, and Estersohn quickly agreed. For more than a year, the photographer made quick trips to Kentucky between other jobs, scouting locations and making pictures. The initial focus was on equine culture, but the emphasis soon shifted to the much-loved examples of historic preservation Estersohn found.

“I wanted to find a balance,” Estersohn said, “between some things that were more humble and some things that were more extravagant and some things that were really over the top.”

Beck opened doors for Estersohn, and his key local contact was antiques dealer Gay Reading, owner of The Greentree Tea Room. Reading, who wrote the book’s well-informed introduction, has a curator’s eye and extensive local connections.

“He wanted a variety of styles and periods, and I chose places I thought were special and different,” Reading said. “Unless you’re a friend, you don’t get to see many of these gems. They are places where people are really living.”

140525KyBook0006Estersohn said he was charmed by the houses he photographed, their owners and the houses’ varied stages of restoration. He was especially impressed by Ward Hall in Georgetown, one of the nation’s largest and finest Greek Revival mansions.

Other highlights were Walnut Hall, where Margaret Jewett has preserved the ornate Victorian decorations her grandfather put there in the 1890s, and Elley Villa, an elegant Gothic Revival mansion near the University of Kentucky campus that was condemned before being lovingly restored by James and Martha Birchfield.

“I loved Mary Lou’s place,” Estersohn said of the 1792 farmhouse restored in the 1960s by horsewoman and socialite Mary Lou Whitney. “It’s sort of like a time piece. It’s a very specific expression of decoration, which I think is amazing.”

Other featured properties include Gainesway Farm; the Simpson Farm in Bourbon County, built in 1785 as a pioneer station; Welcome Hall near Versailles; Clay Lancaster’s Warwick estate in Mercer County; Overbrook Farm; the Alexander Moore and Thomas January houses downtown; and Liberty Hall in Frankfort.

Estersohn photographed Botherum as its new owners, garden designer Jon Carloftis and Dale Fisher, were beginning their restoration. And he was moved by the much- damaged Pope Villa, the most significant house designed by America’s first great architect, Benjamin Latrobe.

“For Pope Villa, I hope we can elicit some financial attention so that it can be further renovated,” Estersohn said. “It is a very, very, very important piece of American architecture.”

Estersohn said he photographed the houses with a large-format digital camera. He used mirrors to even out natural light and illuminate dark corners and cavernous rooms.

Each chapter is accompanied by text that is well-researched and tightly written. Inexplicably, though, there is no text with the final chapter to explain the Iroquois Hunt Club.

“I thought the biggest challenge was going to be enrolling people to have their private residence shot, which is oftentimes the issue shooting for magazines in New York,” Estersohn said. “But I think there was such a regional pride and appreciation. Every single person was enthusiastic and wanted to contribute to the book.”

The photographer said what he enjoyed most about this project was “developing a very intimate experience” with the Bluegrass.

“I really feel like I know the area,” he said. “I can get around there very easily now. I know all the pikes. I know how to say Versailles.”

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Baby Health Service celebrates 100 years of caring for kids

May 12, 2014

140407BabyHealth0038Alivia Cooper, 3, coughed so Dr. Tom Young, a pediatrician who has volunteered at Baby Health Service for 30 years, could listen to her chest with his stethoscope. The child’s mother brought her in because of respiratory problems. Photos by Tom Eblen. Old photos courtesy of Baby Health Service.

 

Baby Health Service has spent a century caring for some of Central Kentucky’s most vulnerable residents — and outgrowing its name.

A group of Lexington women started the Baby Milk Supply Association in 1914 to provide free milk to infants and toddlers of poor families, regardless of race. But Margaret Lynch, the first chief nurse, was soon making thousands of home visits and overseeing a free weekly clinic with volunteer doctors in an old downtown house.

The clinic was seeing 1,600 children a year by 1928 and 5,800 a year by 1957. The charity’s mission had grown so far beyond “milk supply” that the name was changed to Baby Health Service in 1959.

140407BabyHealth0006That name only begins to cover the scope of the organization that will celebrate its 100th anniversary May 31 with a fundraising dinner at Keeneland.

“The staying power of Baby Health speaks volumes, that we have been around for 100 years providing a service that is unique in our community,” said Kathleen Eastland, who chairs the organization’s board. “We can’t find another service quite like this in the United States.”

While America’s social safety net for low-income families has expanded over the years, most recently with the Affordable Care Act, there are still many children and teens who fall between the cracks. They include many refugees and immigrants.

Baby Health Service tries to fill those health care gaps. Last year, the organization served about 2,100 young people, from infants through age 17. Patients’ families must be low-income and not covered by private or government health insurance.

140407BabyHealth0002“You have a lot of people in between,” said Dr. Tom Young, a 30-year volunteer pediatrician at Baby Health who is now the organization’s chief executive. “We’re kind of a safety valve.”

Working on a shoestring budget, the mostly volunteer organization provides an impressive array of health services from basement space in an old office building beside Saint Joseph Hospital on Harrodsburg Road.

A small paid nursing staff and eight regular volunteer doctors have a clinic each weekday morning to treat sick children and do well-child exams. Several physician specialists donate their services when needed. Through various arrangements, the clinic also can provide free X-rays, lab tests and medications.

Baby Health’s 59 board members — all of whom are women —volunteer at least 12 two-hour shifts each year to do all of the clerical work and patient scheduling.

“It’s not written in the bylaws ‘no men,’ but in my years on the board it’s been all women,” said Eastland, whose mother was on the board before her. “I think it would be interesting to see if any men would break the barrier.”

Baby Health’s offices have a stash of clothing for children and adults and a book giveaway and lending program. The book program was started by a board member’s daughter and has been supported by the University of Kentucky law school.

Donations following the death of a board member allowed Baby Health in January to restart a monthly dental clinic with help from volunteer dentists and dental hygiene students at Blue Grass Community and Technical College.

Through a partnership with Save-a-Lot Food Stores, patients’ families can get $10 monthly vouchers for fresh fruits and vegetables. Baby Health nurses and volunteers do a lot of health education with families, including a fitness program for children and teens identified as in need of physical activity.

Baby Health soon hopes to start a telephone triage service, staffed by on-call nurses, to advise patients after-hours so they don’t just go to a hospital emergency rooms.

Thanks to all of the donated time and services, Baby Health’s annual budget is only $191,000, Eastland said. The organization gets no federal funding, and this year didn’t receive city support as it has in the past. Most of its funds come from grants and donations solicited by board members.

Although Young has been with Baby Health for 30 years, the senior volunteer physician is Dr. William Underwood, who has been a regular since 1966. Young said he introduced several of the other regular volunteers to Baby Health when they were residents working under him.

“Anybody who starts here usually continues here,” Young said. “That’s why we go into pediatrics, to take care of kids. And the families here really appreciate what we do for them.”

IF YOU GO

What: Baby Health Service’s 100th anniversary celebration

When: 6 p.m., May 31

Where: Keeneland

Cost: $125

More information: Babyhealthlexington.org, (859) 278-1781

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Story magazine founder wanted to tell Kentucky stories

May 4, 2014

story1 Julie Wilson is founder, publisher and editor of Story magazine. Photo by Tom Eblen

 

How does a woman born in Detroit become the founder, editor and publisher of a magazine dedicated to telling Kentucky stories? Well, there’s a story there.

Julie Wilson’s father was born into a big family in the Harlan County community of Pathfork. Like thousands of Kentuckians after World War II, he migrated north to seek his fortune. And, like many of those thousands, he eventually got homesick and returned to Kentucky.

Wilson, who has lived in Lexington since she was 4 years old, thinks her father’s experience nurtured her love for Kentucky in all its diversity. She now shares that love in each quarterly issue of Story magazine.

“There are so many unique stories in Kentucky,” Wilson said. “And every time we go out and talk to somebody, we get two more story ideas.”

With nearly two years of publication under their belts, Wilson and her partners are expanding Story magazine into a broader brand built around Kentucky culture and pride.

Kentucky Educational Television on May 14 will show the first episode of backStory, a quarterly program about the making of the magazine. Story is producing the show with Lexington-based Locker Public Relations.

Another project in the works, called Sessions, will feature collaborations of Kentucky musicians from a variety of genres. For that, Wilson is partnering with the magazine’s National Avenue neighbor, Duane Lundy of Shangri-La Productions.

story2Musicians scheduled up for the first session, on June 25, include Willie Breeding of The Breedings; Mark Heidiger of Vandaveer; and Stephen Trask, composer of the 1998 rock musicalHedwig and the Angry Inch, a revival of which opened recently on Broadway.

Wilson said a limited number of tickets for each session will be sold through The Morris Book Shop. An edited video will be posted online soon afterward. Event details will be available soon at Storythemagazine.com.

Wilson, 43, is a graduate of the University of Kentucky journalism program who worked as a free-lance writer for the Herald-Leader and a reporter for the Richmond Register. Then she spent a decade learning the magazine business at Host Communications, where she edited business-to-business magazines for the tour and spa industries.

After a year and a half as publisher of Kentucky Bride magazine, Wilson got to thinking about all of the interesting Kentucky stories she heard about but wasn’t seeing in other publications.

The cover of Story magazine’s first issue, which Wilson wrote, was a profile of Ashley Brock, a successful young model who travels from her home in Leslie County to do photo shoots in Europe and Asia.

“We look for how we can tell stories about Kentucky that are debunking the myths that are out there,” Wilson said.

She seeks out stories about Kentuckians doing cutting-edge things. Some are famous, such as the current issue’s cover subject, the late Louisville-born journalist Hunter S. Thompson. But many stories are about people whom readers might never have heard about otherwise, such as Dr. Joseph Yocum, a Nicholasville veterinarian who is a pioneer in animal stem-cell therapy, or Tim Hensley and Jane Post, gourmet mushroom farmers in Madison County.

story3Regular features focus on successful Kentucky expatriates, artists and craftsmen, musicians, philanthropists and people doing good things in their communities. Wilson said she tries to include features from across the state “so people won’t think we’re just a Lexington and Louisville magazine.”

She developed Story’s concept with Tim Jones, who as creative director oversees the magazine’s sophisticated design, and Laurel Cassidy, the associate publisher, who focuses on advertising sales. Bart Mahan is chief operating officer, and Allison May and Sara Plummer are account executives.

Wilson said the business is close to breaking even. The magazine has a distribution of about 18,000 copies and 2,200 paid subscribers, many of them Kentuckians living out of state. Eventually, she hopes to publish bimonthly.

Wilson’s husband, David Wilson, is chief operating officer of Yonder Interactive Neighborhoods, a sustainability education consultant. They have a daughter, who turns 9 this week.

“And, yes, her name is Story,” Julie Wilson said. “She says she was the first Story — but we didn’t name the magazine after her.”

The Lexington chapter of the National Association of Women Business Owners recently gave Wilson an award as small business owner of the year.

“It has been more rewarding than I ever expected,” she said of the magazine’s first two years. “But I’m just doing this by the seat of my pants. I hope they know that.”


Derby Day at Keeneland: all that was missing was live horses

May 3, 2014

140503Keeneland-DerbyTE0124Derby Day at Keeneland was a laid-back affair. Photos by Tom Eblen

 

Billy Hargis of Danville got to Keeneland early on Kentucky Derby Day to stake out a bench and start studying the program in the hope of picking a winner.

“I’ve been coming to Keeneland for a long time, since I was 16,” said Hargis, 64, adding that it is his favorite place to be on Derby Day because of the family atmosphere and smaller crowd.

“I went to Louisville once,” he said. “All I saw was a horse’s tail.”

Before long Saturday, Hargis had plenty of company. A picture-perfect day brought 19,344 people to the Lexington racetrack, which had everything a Kentucky Derby fan needed — except actual horses.

The horses were on TV screens, including the big one across the track in Keeneland’s infield. Spectators gathered in the stands and on the plaza benches below, picnicked in the paddock and tailgated in tents and RVs outside the gates at perhaps the world’s largest Kentucky Derby party outside Churchill Downs.

Jeff and Lisa Kayes have been coming to Kentucky from the Buffalo, N.Y., area each first Saturday in May for 18 years to catch the Derby action. Only four of those years were actually spent at the Derby in Louisville.

“We’ve done that; the riff-raff in the infield gets old,” Jeff Kayes said of Churchill Downs. “This is more laid-back.”

Keeneland has long allowed people to gather at the track for Derby, but it started making a bigger event of it in 1995. Now, as many as 20,000 fans come each year, wearing fancy hats and toting picnic supplies.

There was a hat contest, children’s activities and plenty of beer, mint juleps, other refreshments and souvenirs for the adults. For $5 admission, it was quite a show for both horse fans and people-watchers.

Debbie and Bill Viney of Georgetown set up a family picnic in the paddock with son, Tom, who lives in Louisville, and his daughter, Allie, 10. They were all dressed up, enjoying the sunshine and games of corn hole until it was time to eat.

“This is great,” Tom Viney said. “I’ll come to Keeneland seven days out of seven vs. going to Churchill.”

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Kentucky Derby’s little sister has her own style

May 3, 2014

140502KyOaks0020A giant, new video screen at Churchill Downs emphasizes the feeling that the 140th Kentucky Oaks on Friday is like one big reality television show.  Photos by Tom Eblen

 

LOUISVILLE — Whenever friends from out-of-state complain about how Kentucky Derby tickets are expensive and hard to get, I tell them about the Kentucky Oaks.

Both races have been run for 140 years, but until a few years ago, the Friday event for 3-year-old fillies was a secret Kentuckians kept to themselves.

The Oaks is no longer a secret. The crowd of 113,071 that saw the favorite, Untapable, win by 4½ lengths Friday, was the third-largest ever. But the Oaks is still a less costly, less crowded and less crazy day at the races.

Neither Oaks nor Derby may be the same again, though, thanks to Churchill Downs’ newest addition. The Big Board is a 90-foot-wide video screen that rises 170 feet above the backside and is visible throughout the track. When the sound is cranked up on its 750 speakers, the multimedia experience can almost rival the human and equine circus that surrounds it.

Several months ago, my younger daughter called wanting advice about getting Derby tickets. Shannon lives in New York now but was coming home to meet up with Lisa Currie, her pen-pal of 20 years, who was flying in from Australia.

Lisa wanted to go to the Derby, but was easily persuaded that the Oaks might be more fun. It is the same with Australia’s famous Melbourne Cup, she said. She and other locals prefer to go on one of the preliminary race days.

Walking around Friday, I found a lot of people who have discovered the Oaks’ charm.

“I like the Oaks better, although we’ll be here tomorrow, too,” said Denise Needham of Long Island, N.Y., who was here for her fourth Oaks-Derby weekend. “It’s just as much fun, but less crowded. And it’s for a good cause.”

She was referring to Churchill Downs’ partnership with the Susan G. Komen organization, which has made Oaks Day an annual celebration of breast cancer survival and awareness.

Before the big race, there is a parade down the track of breast cancer survivors chosen from all over the country. Almost all of them wore pink. But, anymore, almost everyone wears pink to the Oaks.

“I get to wear pink and not get judged,” Rickey Spanish of Des Moines, Iowa, said with a laugh. He was wearing a pink shirt, pants and feather boa, and his Iowa friends were similarly attired.

“Today is all flash,” Spanish said. “Tomorrow, I’ll just wear a regular old suit to Derby.”

All of that pink has helped make the Oaks as good a people-watching event as Derby Day.

“The horses are OK, but the people are more interesting,” said Kitty McKune of Louisville, who stood people-watching as her husband, Mike, filmed the paddock crowd with a small video camera.

“Derby weekend brings out the best in everybody,” said Mike McKune, who shocked his wife by buying and learning how to tie a bow tie to go with this suit.

Frequently overcast skies and temperatures that barely broke into the 60s caused many men to lose their suit coats to women who draped them over their fancy dresses. Gusty winds had many women keeping at least one hand on their big hats.

“It was supposed to be warm!” said Katie Daniel of Louisville, who walked through the paddock wearing Daniel Nusbaum’s suit coat.

The weather definitely put a dent in beer sales, said Andre Williams, who said he has been hawking cold ones at Churchill Downs on Derby weekends for more than 10 years.

“They keep saying it’s too cold to drink cold beer,” Williams said, noting that his fellow vendors selling champagne and vodka “Lily” cocktails seemed to be doing better. “But it will pick up some the later the day goes.”

Judging by all of the crushed beer cans I walked over after the big race, he was right. By Saturday morning, though, they will all be gone so an even bigger, crazier crowd can leave many more beer cans. Derby Day is supposed to be much warmer.

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State Street lessons could help city, UK save other neighborhoods

April 12, 2014

StateStreetCrowds celebrate March 28 in the State Street area. Photo by Jonathan Palmer

 

How much longer must national acclaim on the basketball court be accompanied by national embarrassment in neighborhoods around the University of Kentucky campus?

Thanks to good preparation and policing, the mayhem on State Street after UK’s NCAA tournament games this year wasn’t as bad as in 2012. But it was still unacceptably violent and destructive.

This year’s toll is an embarrassment to both UK and Lexington: more than 60 injuries requiring treatment; more than 50 arrests; more than 125 fires, including a couple dozen couches.

“It’s a miracle that more people and property didn’t get hurt,” said Diane Lawless, who has represented that area on the Urban County Council since 2009. “This isn’t a spontaneous celebration. Goodwill says they come in and buy every piece of upholstered furniture they have. This is a planned riot, period.”

UK sports celebrations started getting out of hand in 1996, when some of the 10,000 fans gathered at Woodland and Euclid avenues to celebrate the national basketball championship smashed car windows and overturned a TV news van, which caught fire. There were fewer problems after the 1998 championship.

Things got ugly in 2007, when crowds in the student rental neighborhood around State Street celebrated UK’s football victories over Louisville and LSU by adopting West Virginia University’s noxious tradition of couch burning.

Five years later, when Kentucky beat Kansas for the NCAA championship, State Street went wild. There were dozens of injuries from fires and flying beer bottles, damaged vehicles and nearly 100 arrests.

It is worth noting that the vast majority of students and others who celebrate after UK games don’t hurt people or damage property. The crowd that partied this year along South Limestone didn’t become destructive.

The problem is that State Street is a very different kind of neighborhood. Some students and outside trouble-makers see it as a place where they can become violent and destructive without consequences.

Both UK and the city helped create this problem. Demand for student housing in recent decades led investors to buy former single-family houses in older neighborhoods around campus. Those houses were demolished and replaced by cheaply built apartment complexes, or they were fitted with barn-like additions and crammed with students. Yards were graveled for parking lots.

Some neighborhoods fought back, using tools including historic overlays to limit the damage. But State, Crescent, Elizabeth and other streets north of Waller Avenue and west of Limestone were overwhelmed. Homeowners and families that were stabilizing influences in those neighborhood fled. City officials took more than a decade to limit further damage to the neighborhoods by student-rental landlords.

UK officials made the problems worse in 1997 by banning alcohol from fraternity and sorority houses. With students essentially prohibited from drinking on campus, they rented “party houses” in adjacent neighborhoods. Social media made it easier for students to find those parties and evade police efforts to shut them down.

Police have refined their tactics, both to try to prevent destructive behavior and violence and to document lawbreaking for prosecution. From all accounts, they handled this year’s State Street mayhem as well as could be expected.

City code enforcement officers have tried to crack down on violations in student-rental neighborhoods, but sanctions remain minimal. The city also is working on better data collection and sharing methods to make it easier to spot troubling trends in neighborhoods before they become problems.

Because existing student-rental properties were grandfathered in when city restrictions were tightened, it’s hard to reverse much of the damage, said Derek Paulsen, the city’s planning commissioner.

“I hate to say State Street is lost, but when it gets to that level, about the only thing you can do is call the police in,” Paulsen said. “From a planning perspective, the question may be, how do we transition that neighborhood out of what it is now to something more productive?”

UK officials have taken some positive steps, including construction of new on-campus residence halls. Last May, President Eli Capilouto appointed a work group of UK and city officials to look at student alcohol habits and policies and their effect on the campus and surrounding neighborhoods. The group completed its report in December, but UK has not yet released its findings and recommendations.

Because sports-related mayhem is largely fueled by alcohol, UK’s next steps will be crucial. But there is more the city could do as well. These safety and town-gown issues are hardly unique to Lexington; other places have dealt with them for years. Here are some things UK and the city should consider:

■ Accept the fact that college students drink. Make campus alcohol policies more lenient in ways that teach students who choose to drink and are of legal age to do it responsibly.

■ Extend the student code of conduct to off-campus behavior, as is done with UK athletes. That would require more information-sharing and coordination between UK and the city, but students might be less likely to engage in destructive behavior off-campus if they knew the consequences would be more serious. When expectations are high, most people will rise to meet them.

■ UK, city and neighborhood residents should put more emphasis on integrating students into the neighborhoods, from social events to beautification projects. If students feel as if they belong in a neighborhood, they will be less likely to destroy it.

■ City officials and police should more aggressively channel celebrations away from State Street to South Limestone or other commercial districts, which can be more effectively policed. Maybe State Street should be closed on big game nights to people who can’t prove they live there.

■ The city must get tough with problem landlords. That could include stricter rules on zoning, building permits and code requirements, with bigger penalties for violations. There also might be ways to hold landlords accountable for tenants’ destructive behavior.

“There are some good landlords out there,” Lawless said. “But there also are a lot of student landlords who couldn’t care less except for stuffing their pockets.”

■ UK and the city should buy some houses in campus neighborhoods that are near the tipping point of too many student rentals. Those houses could be rented or sold with restrictions to faculty, staff and city employees. That would help stabilize those neighborhoods, and it would provide affordable housing for lower-paid employees near their workplaces.

“We still have some very good, viable neighborhoods around the university,” Paulsen said. “We need to learn the lessons of State Street to keep them that way.”  


Making a second career from publicizing Kentucky’s ‘map dots’

March 16, 2014

mapdotCory Ramsey and his car’s license plate. Photos by Tom Eblen

 

Cory Ramsey was a governor’s scholar who went on to earn a broadcasting and political science degree from Western Kentucky University. Then he discovered there was more money to be made welding truck frames at a factory in Bowling Green.

But in 2009, when the economy was on the ropes and Ramsey was given a layoff he knew would last only two months, he had some time to explore another passion — Kentucky’s outdoors.

CoryRamsey grew up in Hickman, a small county seat that hugs the Mississippi River at the far western edge of Kentucky. He spent his youth fishing, hunting and hiking.

Those two months off made him think there might be a way to use his communications skills to turn his love for Kentucky’s outdoors into a business opportunity.

Since then, Ramsey has built his own little media enterprise while crisscrossing the state to visit all 120 counties and every state parks.

Ramsey writes about his adventures and offers hiking advice for the state tourism department’s Outdoor Adventure blog (Getoutky.com). He posts videos on his own website (Coryramseyoutdoors.com). And he does monthly outdoor video segments for WBKO-TV in Bowling Green and radio shows for little stations across the state.

“My emphasis is on exploration made easy,” he said recently when he passed through Lexington after spending a weekend hiking in Red River Gorge. “I tell people the best places to go for a fun day outdoors.”

His latest media venture explores another passion — Kentucky’s crossroads communities and small towns, which he calls “Map Dots.” Last August, he launched the Map Dot, Kentucky Facebook page to celebrate them.

“I wanted to prove that if you take a back road you’ll see things you never knew about,” said Ramsey, who visits and photographs each place he features on the page. “What makes it work is the personal touch.”

Ramsey said he hopes to eventually cover every “Map Dot” in Kentucky, “although that may take me a few years.”

Recent Map Dots he has visited include Glendale in Hardin County, Tomahawk in Martin County, Irvington in Breckinridge County, Danville in Boyle County, Rowletts in Hart County and Columbus Belmont State Park in Hickman County.

“My message is, I have seen so much more in Kentucky than horses and bourbon and Daniel Boone and Lincoln,” he said. “You’re brought up in Kentucky with state pride, but many folks are ignorant of so much the state has. They have never taken the time to explore even the next county over.”

The Map Dot, Kentucky Facebook page so far has gotten more than 5,500 “likes.” It has steady interaction from regular readers, most of them in Kentucky or originally from the state.

“I would like to be able to travel all the time,” Ramsey said, but added that he hasn’t yet figured out how to turn his media business into a career that pays much more than enough to cover the cost of his gas.

To do that, Ramsey will have to find more freelance opportunities, sell more Map Dot T-shirts and figure out new ways to generate revenue.

Until then, he plans to keep welding for Bowling Green Metalforming, a division of Magna International that makes Explorer frames for Ford’s Louisville assembly plant. That business is booming, which has meant a lot of overtime pay for Ramsey but less time for him to explore and share the wonders of Kentucky.


Like much of local black history, 1920s blues song a surprise

February 23, 2014

February is Black History Month, and this is the third year I have written one column a week during the month about Kentucky black history.

I’ve always found history interesting, but working on these pieces has been a special treat, because much of this information is new to both me and most Herald-Leader readers.

While I do some of the research myself, I get a lot of help from professional and amateur historians, both black and white. Like me, they have become fascinated with this rich vein of history that until recent years was rarely explored or publicized.

Special thanks this year to these sources for research, ideas and other information:

  • Yvonne Giles, an amateur historian who has become an authority on Lexington black history. Her extensive research on the Lexington Colored Fair was invaluable.
  • Maureen Peters, a Lexington architect, who pointed me to outstanding research that she and her friend, the architectural historian Rebecca McCarley, had done on brick mason and entrepreneur Henry Tandy and his son, architect Vertner Woodson Tandy.
  • Thomas Tolliver, a former Herald-Leader reporter who lives in the East End and is passionate about preserving its history.
  • Former State Sen. Georgia Powers of Louisville, who generously shared her own story and information about how the 1964 March on Frankfort was organized.
  • Former State Sen. Joe Graves of Lexington, another March on Frankfort organizer, who candidly discussed how the civil rights movement influenced his life and the white community.
  • The Kentucky Historical Society.

As a postscript, Kakie Urch, an assistant professor in the University of Kentucky’s School of Journalism and Telecommunications and a radio host on WRFL, sent me a 1920s blues song I had never heard of before: The Lexington Kentucky Blues, by Papa Charlie Jackson.

Click on the video below to hear Jackson singing about coming to Lexington to play at the Colored Fair, seeing the great racehorse Man O’ War, going to the races, spending time on Limestone Street and meeting J. Rice Porter, the Colored Fair’s president from 1926-28. It sounds as if he had a great time.

Like much of local black history before I started this project, the Lexington Kentucky Blues was new to me.

 

 


New film marks centennial of Kentucky Governor’s Mansion

January 11, 2014

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Gov. Steve Beshear and his wife, Jane, are shown on a video monitor in circa 1914 formal attire Jan. 5 during filming of a re-creation of the gala ball that opened the then-new Governor’s Mansion 100 years ago this month.  Members of Lexington Vintage Dance performed ballroom dances from the period. Photo by Tom Eblen 

 

FRANKFORT — The Governor’s Mansion turns a century old this month, and preservationists have organized a bipartisan celebration to raise money to help keep “the people’s house” in good shape for another hundred years or more.

Events begin this week with the premiere of a film about the mansion’s role as both a temporary home for governors and a venue for public hospitality and economic development. The film is narrated by ABC News anchor Diane Sawyer, a Kentucky native.

A symposium about the mansion is planned Jan. 22. There will be a reception March 5 after festivities marking the 50th anniversary of the Rev. Martin Luther King Jr.’s 1964 march on Frankfort. And a Centennial Gala ball is planned June 7. For details and event tickets, go to: Governorsmansion.ky.gov.

The documentary, Kentucky Governor’s Mansion: A Century of Reflection, was produced by Lexington filmmaker Michael Breeding and paid for by Marion Forcht of Corbin and the Forcht Group. It premieres Jan. 15 at the Grand Theatre in Frankfort and Jan. 16 at the Kentucky Theatre in Lexington.

140105GovsMansion0022“I wanted the film to tell the inside story of what has gone on in that mansion over the years,” Breeding said. “There’s a lot of history and stories, and part of it is a restoration story.”

The film opens with a re-enactment of the ball Gov. James McCreary gave Jan. 20, 1914 to open the mansion. That scene was filmed last Sunday evening with a cast of amateur actors in period attire. They included Gov. Steve Beshear, his wife, Jane, and members of Lexington Vintage Dance.

The Beshears seemed to have as much fun as everyone else, dressing up in vintage clothing to “party” in front of cameras. “I guess it’s OK to be seen having makeup put on now that I don’t have to run for re-election,” the second-term governor joked.

The film includes interviews with the Beshears and 30 other former governors, their family members and mansion staff. The full interviews will be preserved at the Kentucky History Center.

I sat in on part of the interview with Steve Collins and Marla Collins Webb, children of Martha Layne Collins, Kentucky’s first and only female governor, 1983-87.

“We all worked together as a family,” Steve Collins said, noting that his father, dentist Bill Collins, handled his duties as Kentucky’s “first man” with good humor and hosted “varmint” dinners for outdoorsmen. “They even roasted a raccoon one time,” Collins recalled.

One memorable event was a lavish but secretive dinner Gov. Collins gave in 1986 for Toyota executives when she was trying to get the assembly plant for Georgetown. The secret got out to everyone in Frankfort when the event concluded with a fireworks show.

140112GovMansion-Stock0022McCreary, for whom McCreary County is named, was the first of 24 governors who have lived in the mansion. He also was the last to use a horse and buggy. The film recalls that his successor, Augustus O. Stanley, preferred a newfangled automobile. But the mansion’s location on a steep bluff east of the Capitol proved problematic.

One Sunday morning as the Stanleys were getting ready for church, a staff member brought the sedan to the mansion’s back door and left it running unattended. Within minutes, the car rolled backward over the cliff.

Stanley is said to have walked out, looked down at what was left of his car and stoically said, “There’s another $1,500 gone to hell.”

Mansion construction began in 1912 after the General Assembly appropriated $75,000 to replace the previous governor’s home, built in downtown Frankfort in 1798. Five years ago, the old mansion got a $1.5 million, privately financed renovation and is now used as a state guest house.

Architect brothers C.C. and E.A. Weber of Fort Thomas designed the new mansion in the Beaux-Arts style, mimicking the Petit Trianon villa at Versailles (France, not Kentucky). Clad in Bowling Green limestone, the 18,428-square-foot mansion came in $20,000 over budget, so landscaping was postponed for years to save money.

The mansion, decorated with a rotating collection of borrowed fine art, is one of only a few state governors’ homes regularly open for public tours. Because more than 12,000 people visit each year, the mansion gets a lot of wear and tear.

The first major renovation began in 1982 during Gov. John Y. Brown Jr.’s administration after a fire marshal declared the place unsafe. Phyllis George Brown raised private money for much of the work and elegant furnishings, as Glenna Fletcher did 25 years later when the mansion needed another updating.

Jane Beshear and David Buchta, state curator of historic properties, thought the centennial was a good opportunity to both celebrate the mansion and raise money for an endowment to help with upkeep. Their goal is to raise $1 million for the non-profit Kentucky Executive Mansions Foundation before the Beshears move out.

Mike Duncan and Terry McBrayer, Kentuckians who have held top jobs in the national Republican and Democratic parties, co-chair the Mansion Centennial Celebration Committee.

Among its fundraising efforts is the “county seats” project. Each county is being asked to give at least $1,000 toward 120 new ballroom dining chairs that are being made by student artisans at Berea College. So far, Buchta said, nearly half the state’s counties have agreed to contribute.

“This is so much more than the governor’s house,” said Ann Evans, the mansion’s executive director. “It has become an important tool for economic development, tourism and just making people feel welcome in Kentucky.”

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Berea College archive preserves the sounds of Appalachia

December 29, 2013

131120Eblen-Berea0006

Renfro Valley radio show cast at the old barn stage in the early 1950s. Left to right are Ray Sosbyee, Linda Lou Martin, Claude Sweet and Glenn Pennington. Photo courtesy Berea College Special Collections and Archives.

 

BEREA — As soon as sound recording equipment became small enough to fit in a car trunk in the 1950s, academics began racing around the mountains, trying to preserve the music and stories of a disappearing Appalachian culture.

Now archivists at Berea College are in another race against time: to preserve those old recordings for the 21st century and beyond and make them more widely available through the Internet.

Over the past eight years, sound archivists John Bondurant and Harry Rice have digitized more than 3,000 hours of recordings. Bondurant figures they are about halfway through the archives’ current holdings.

Some of that material, as well as a more limited collection of digitized video and photos, can be seen and heard on the archives’ website:Libraryguides.berea.edu/soundarchivesguide.

131120Eblen-Berea0001The collection includes an impressive array of traditional Appalachian music, oral-history interviews, ballads, folk tales, old radio programs and black and white religious music. Plus, there are recordings of events, speakers and performances at the college going back to at least the 1960s.

Many of the recordings came from a collection started by Loyal Jones, who from 1970-1993 headed the college’s Appalachia Center, which is now named for him. But, over the years, many more collections have been donated to the college, providing a rich tapestry of authentic, one-of-a-kind sound.

The Appalachian music archives includes collections of fiddle, banjo and dulcimer tunes, band performances and recordings of Berea’s annual Celebration of Traditional Music, which began in 1974. Several collections focus on religious music, from Old Regular Baptist hymns to gospel music radio performances and Sacred Harp singing in rural black churches.

The archives also include broadcasts of John Lair’s Renfro Valley Barn Dance and related radio programs, which were broadcast between the late 1930s and the late 1950s on Cincinnati’s WLW-AM, Louisville’s WHAS-AM and the CBS Network. Although less famous than the Grand Ole Opry on Nashville’s WSM-AM, the shows had a huge impact on the development of country music.

131120Eblen-Berea0002Much of the radio collection was donated to Berea in the 1980s, when WHAS changed ownership and moved studios after the breakup of the Bingham family’s Louisville media empire.

“They called here and offered us these, implying that if we didn’t take them they would be thrown out,” Bondurant said. That archives included 1,500 16-inch transcription disc from the 1930s through the 1950s that were meant for short-term rebroadcast or advertiser verification.

“Like most media, it was never intended to be saved,” Bondurant said, so the transcription discs have been a challenge to copy before they disintegrate. “For most of these old programs, these are the only copies that exist.”

Those discs included episodes of Circle Star Ranch, a children’s radio show from the 1940s that featured a cowboy singer and the predecessor of WHAS-TV’s famous kids’ show, T-Bar-V Ranch, which had a loyal following among Louisville baby boomers.

Bondurant works in a tiny studio with a reel-to-reel tape player and a specially a specially modified turntable with a variety of sizes of phonograph styluses. Both are hooked up to a computer with digital sound software.

“Some of these materials, you have one shot; we play it to copy it and it should never be played again,” he said. “I’m trying to get the cleanest signal so it sounds like the original document.”

Bondurant, an amateur guitar player, worked in music licensing for Broadcast Music Inc., better known as BMI, in Nashville before earning a master’s degree in library science at the University of Kentucky.

Bondurant said the digital technology he uses to copy archival recordings has improved dramatically since he joined Berea College in 2005. And, unlike other preservation methods, digital copying makes it safe and easy to share material with researchers and other interested listeners more widely.

That’s the good news. The bad news is that digital technology is changing so fast, it will be a constant challenge to keep material preserved and accessible.

“The digital life cycle is a lot shorter than the analog life cycle,” Bondurant said. “We can still play recordings that are century old easier than we can play some DAT (digital audio tape) recordings from the 1990s that have essentially erased themselves.”

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Harrodsburg home tour features variety of architecture

December 3, 2013

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Janette and Carter Johnson’s circa 1896 home in Harrodsburg was a former funeral home. Janette Johnson loves to decorate for holidays.  Photos by Tom Eblen

 

HARRODSBURG — When Carter and Janette Johnson retired and sold their tourist hotel on the Polynesian island of Tonga, they decided to move half a world away and begin restoring old Kentucky homes.

Janette Johnson is from Australia, but her husband is from Laurel County. They first moved to Danville, fixed up an old house, sold it and went looking for another. They ended up in Harrodsburg, where they have restored three houses, doing most of the work themselves.

The largest of those places is the circa 1896 Queen Anne mansion at 538 Beaumont Ave., where they now live. For 54 years before the Johnsons bought it in 2002, the house was a funeral home.

“As soon as I walked in, I knew exactly what I wanted to do,” Janette Johnson said. “We worked on it 10 hours a day, six days a week for 17 months.”

The former embalming room is now a luxury kitchen; the casket storage area has a pool table and guest suite. The rest of the house has been restored to its original Victorian splendor, as it looked a century ago when former owners Frank and Louise Curry entertained Harrodsburg society with frequent teas, balls and candlelight dinners.

The house is one of seven historic buildings open Saturday during Harrodsburg’s 22nd annual Holiday Home Tour. The tour is an annual benefit for the Harrodsburg Historical Society and the James Harrod Trust.

Harrodsburg has only 8,500 residents. But as the oldest permanent English settlement west of the Allegheny Mountains, established in 1774, the seat of Mercer County has an amazing variety of architecture.

While the Johnsons’ home is finished, the 200-year-old home of Seth and Matthew Singleton at 222 E. Lexington St. is still a work in progress. When they bought it in June 2012, the building had housed the offices of a regional mental health agency for three decades.

Known as The Old Tavern, the much-altered timber-frame house was a tavern and inn for many years under many different names, including the Rough and Ready House, The Union House, Yates Tavern and the Wright House. In 1851, the inn advertised 15 “comfortable” guest rooms.

It also may have been Harrodsburg’s first drive-through business. According to the late historian George Chinn, a tavern patron once rode his horse through the front door and up to the bar, ordered his drink and rode back out.

Seth Singleton is a University of Kentucky law student and his partner, Matthew Singleton, works for a Lexington law firm. They moved to Harrodsburg because they are originally from Mercer and Boyle counties, and because real estate there is much cheaper than in Lexington.

“We knew it needed a lot of TLC,” Seth said of The Old Tavern, whose last major renovation in the 1880s included the addition of an Eastlake Victorian porch. “But it was just a lot of cosmetic work. The core of the house is pretty solid.”

The Singletons have furnished their home with family pieces and antiques from other Harrodsburg historic homes that they bought at estate sales.

Also on the tour are the homes of Kathy and Danny Mobley, 825 Southgate Dr., and Judy and Rod Helton, 497 Beaumont Ave.; Mt. Pleasant Presbyterian Church, 446 Mt. Pleasant Pike; and the Old Mud Meeting House on Dry Branch Road, three miles southwest of Harrodsburg. That circa 1800 building was the first Low Dutch Reformed Church in the West.

The tour also includes a gem in the rough that the James Harrod Trust is raising money to polish. Earlier this year, the Trust became the 31st owner of the Pawling House, which deed records show was built before 1828.

While the house needs a lot of work, it is in remarkably sound after years of neglect. The solid-brick walls are Flemish bond, and the original hardwood floors are in excellent shape. The house has beautiful original woodwork that may have been carved by the famous local artisan Matthew P. Lowery.

Thanks to holes that have yet to be repaired in some walls and ceilings, visitors can see more of the Pawling House than in typical on an old-house tour.

“It’s like an onion: You keep peeling back the layers,” said Amalie Preston, who works with the Trust. “With a new house in the suburbs, there is no mystery.

IF YOU GO

Harrodsburg Holiday Homes Tour

When: 1 p.m.—8 p.m. Dec. 7

Cost: $15, $11 for seniors and each person in groups of 20 or more. Buy tickets in advance or at a location on the self-guided tour.

More information: Harrodsburg Historical Society (859) 734-5985, Tourism Commission (800) 355-9192, or Harrodsburghistorical.org.

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John Egerton chronicled the South, from civil rights to barbecue

November 23, 2013

For a young Southern journalist getting started in the 1980s, there was no better role model and mentor than John Egerton, who died unexpectedly last Thursday at his home in Nashville. He was 78.

I got to know John while I was covering Tennessee for The Associated Press. When I started traveling the upper South for The Atlanta Journal-Constitution, he became a friend and valuable resource.

As a freelance journalist since 1971, John’s award-winning books and hundreds of magazine and newspaper articles chronicled in-depth so many things that fascinated me about Southern history, culture, politics and food.

I often called John for information and advice, which he modestly dispensed in a soft drawl. And I knew that if he was in town whenever I came to Nashville, he would take me to some memorable hole-in-the-wall for a delicious breakfast or lunch.

JohnEgerton-webJohn was born in Atlanta but his family soon moved to Cadiz, Ky.. He graduated from the University of Kentucky, which inducted him into its Journalism Hall of Fame and Hall of Distinguished Alumni. UK Libraries honored him last April with its Award for Intellectual Achievement.

I first knew John through two of his early books, A Mind to Stay Here (1970) and The Americanization of Dixie: The Southernization of America (1974). When we met he had just published Generations: An American Family (1983), the engrossing story of nine generations of Kentucky’s Ledford family.

The book that made Egerton famous was Southern Food, a combination cookbook, travel guide and social history that was named the 1987 book of the year by the International Association of Culinary Professionals.

John had spent more than a year eating his way across the South without adding much weight to his tall, lanky frame or, he said, raising his cholesterol. His book chronicled the evolution and role of food in Southern culture, including the substantial contribution of black culture.

I wrote one of the first articles about the book, for the Journal-Constitution. We met for the interview at Hap Townes, a long-gone Nashville “meat and three” where musicians, executives and factory workers sat elbow-to-elbow enjoying house specialties that included stewed raisins.

“If I had been braver, I would have called the book The Stomach of the South; I think W.J. Cash would have understood,” he told me, referring to the author of the 1941 classic, The Mind of the South.

John followed Southern Food with, Side Orders: Small Helpings of Southern Cookery and Culture (1990). He helped start the Southern Foodways Alliance, and he edited the first volume of Cornbread Nation 1: The Best of Southern Food Writing (2002). But John was always amused at his fame as a food writer, claiming his only culinary expertise was eating.

He published several other books: a history of Nashville, an exploration of Tennessee’s 19th century utopian communities and a collection of his magazine essays that explored the South’s complexity.

His masterpiece was the 700-page book Speak Now Against The Day: The Generation Before The Civil Rights Movement in the South (1994). It drew on his nearly three decades of reporting on Southern race relations, beginning in 1965 for the magazine Southern Education Report. It won the Robert F. Kennedy Book Award, and it deserved a Pulitzer Prize.

John’s soft voice, gentle humor and modest demeanor masked a moral compass that compelled him to speak out against things he believed were wrong.

When the Tennessee Valley Authority condemned his Trigg County farm and others in the 1960s to build the Land Between the Lakes outdoor recreation area, John became the lead plaintiff in a federal court battle. With Justice William O. Douglas dissenting, the U.S. Supreme Court declined to hear his appeal.

In 2006, John wrote a book of political satire, Ali Dubyiah and the Forty Thieves. He described it, only half seriously, as his only work of fiction.

John’s most popular writing celebrated what was good about the South, but his biggest contribution as a journalist and historian was his examination of what held the region back: race, class, poverty, inequity and corruption. He was a masterful storyteller who had the courage to not only report facts, but explain what those facts added up to.

 


A beautiful state, forever challenged to live up to its potential

September 28, 2013

Indian Fort Mountain, Berea. Photo by Tom Eblen

The view from Indian Fort Mountain near Berea. Photo by Tom Eblen

 

Every state is unique. So what makes Kentucky so special?

To begin to answer that question, you must go back to 1750, when the first land-hungry white Virginians crossed the Appalachian mountains to see what was on the other side. What they found created quite a buzz.

John Filson, who published the first book about Kentucky in 1784, boasted that it was “the new Eden … like the land of promise, flowing with milk and honey.” A frontier preacher is said to have explained heaven to his flock as “a Kentucky of a place.”

Of course, this was long before strip mining and strip malls.

Still, people continue to be awed by Kentucky’s beauty: lush mountains, rolling meadows, scenic rivers, vast limestone caves and manicured horse farms.

Kentucky’s fertile land has always made it an agriculture powerhouse. The Bluegrass region’s karst geology and calcium-rich soil is the foundation for two signature industries: strong-boned horses and pure water for bourbon whiskey.

Originally, Kentucky was considered the West. When the Civil War came, this citadel of slavery remained in the Union. Once the Union won, many Kentuckians sided with the Confederacy. Go figure.

But Kentucky has often been a paradox. For example, 95 percent of all bourbon whiskey (and, really, all that’s worth drinking) is made in Kentucky. Yet, you can’t legally buy it in more than one-third of the state’s 120 counties. Of course, that doesn’t mean a lot of it isn’t consumed there.

Kentuckians love to eat, too, from spicy Western Kentucky barbecue to the delicately flavored cucumber spread of Louisville known as benedictine. Ask people on the other side of the world what they know about Kentucky and they are likely to reply: “Ah, Kentucky Fried Chicken!”

Kentuckians tend to be friendly, independent, fun-loving, stubborn and resistant to change. The local cultures we have created vary widely from the Cumberland mountains to the Jackson Purchase. The common denominator seems to be a passion for basketball.

Unless we are from one of the state’s larger cities, Kentuckians tend to identify themselves by their native county. And we have more and smaller counties than almost any state.

But we still love our little towns. We have given many of them colorful names, such as Red Bird, Hi Hat, Cutshin, Mousie and Fancy Farm. Occasionally, imagination has failed us and we have copied the names of European cities, but we have insisted on pronouncing them differently.

During its first decades of statehood, Kentucky was often a national leader and innovator. But the state seems never to have fully recovered from the Civil War and the human slavery that caused it. For a century and a half, Kentucky’s progress has always seemed like three steps forward, two steps back.

Still, some of us think Kentucky is capable of being a national leader rather than a persistent laggard. Kentuckians are hard workers, blessed with a central location, abundant resources and a beautiful place to live — when we don’t insist on messing it up.

The name Kentucky is derived from languages of the American Indian tribes we took this land from, but nobody is sure what it really meant. Some say it meant “dark and bloody ground.” Others say, “the land of tomorrow.” While a lot has happened to support the first theory, I choose to believe the second.

Now, would somebody please pass the barbecue and freshen my bourbon? We have a lot of work to do after dinner.

 


New book showcases Kentucky’s antebellum decorative arts

September 15, 2013

Gigi Lacer

SIMPSONVILLE — When journalists Genevieve Lacer and Libby Howard began collecting Kentucky antiques more than a decade ago, they were surprised by how little information was readily available.

A few monographs had been written and some museum catalogs published. The Museum of Early Southern Decorative Arts in Winston-Salem, N.C., had collected some scholarship. The Magazine Antiques had featured Kentucky pieces in special issues in 1947 and 1974.

But there were no comprehensive books about Kentucky-made furniture, silver and textiles, even though they were some of the finest produced anywhere in antebellum America.

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Libby Turner Howard, left, and Genevieve Baird Lacer. Photo by Tom Eblen. Photos from their book by Bill Roughen.

What the friends soon discovered was that considerable scholarship had been done on early Kentucky decorative arts, but most of that knowledge resided in the heads and notebooks of a few dozen passionate collectors.

That prompted Lacer and Howard to write and publish Collecting Kentucky 1790-1860. The 360-page book is detailed and exacting, yet readable and beautifully designed, with 600 illustrations by Lexington photographer Bill Roughen. State historian James Klotter wrote the forward.

“The book gives you a visual entryway into things you’ll never see, because they’re in private homes,” Lacer said, and only a few pieces from historic house museums are included “because we literally ran out of room.”

The book’s 270 “subscribers,” who paid $275 early in the process to get leather-bound special editions, receive their books Sunday at a private reception. A $75 “collector’s” edition goes on sale Monday at bookstores and antique shops around the state (for more information, go to Collectingkentucky.com).

Lacer, who lives in Shelby County, wrote an award-winning 2006 biography of Swiss artist Edward Troye, who painted America’s greatest racehorses in the mid-1800s. Howard, who lives in Henry County, is a former editor of Kentucky Homes and Gardens magazine.

In approaching their book project, Lacer and Howard wanted to document Kentucky antiques and explore their histories, relationships and craftsmen. They also wanted to explain the goals and objectives of serious collectors they knew about, all of whom live in Kentucky.

“These are people who have spent 30, 40, 50 years refining a viewpoint about their collections,” Howard said. “They all have a focus. We became fascinated with how, visually, they are telling the story of antebellum Kentucky as they understand it.”

Book Jacket w-flaps_cmyk.inddTen major collections are profiled in separate chapters. Objects from 40 more private collections are gathered by object type in an 83-page “archive” at the back. Between each chapter is a small essay that tells an interesting story about an object, its maker or the time and place in which this work was created.

Only one collection is identified with its owners’ names, because it is the only major collection now in the public domain. Over three decades, Garrard County natives Bob and Norma Noe assembled one of the most impressive collections of early Kentucky antiques. They recently donated it to the Speed Art Museum in Louisville.

The Speed is now closed for a major renovation and expansion. But when it reopens in 2016, the Noe Collection will be the foundation of a new Center for Kentucky Art, the first permanent museum space devoted to Kentucky works.

Bob Noe encouraged Lacer and Howard to write Collecting Kentucky as both a primer and a reference book, and he said in an interview that he is pleased with the result.

“I think the book will do wonders to add context in an area too often neglected,” Noe said. “Kentuckians need to know more about our early culture.”

The six decades covered in this book were exciting times in Kentucky. After statehood in 1792, Kentucky transitioned from America’s frontier to being a prosperous and influential region of agriculture and trade.

Prosperity created demand for decorative art and utilitarian items that were both beautiful and functional. Because Kentucky had little colonial tradition, early decorative arts often featured motifs of patriotism, and native flora and fauna.

Craftsmen in all parts of Kentucky produced remarkable work. Some, such as silversmith Asa Blanchard and cabinetmaker Porter Clay (brother of Henry), created pieces as fine as anything then being made on the East Coast.

The book features many outstanding examples of chests, cupboards, desks, case clocks, tables and chairs made of native cherry and walnut with poplar inlay, as well as imported mahogany. The authors tried to pull together available research on the craftsmen who made these items, linking pieces to regional styles.

Early Kentucky silver, often made from melted coins, has long been prized. Lacer said one of the most fun experiences in compiling the book was when several collectors brought more than $1 million worth of silver to her home to be photographed. Roughen was able to create images comparing large groups of work that had never been brought together before.

The book includes a section about one of Kentucky’s most famous products of the era: the long rifle. Kentucky rifles were not only accurate and dependable weapons; they often were highly decorated works of art.

Lacer and Howard said they hope their book will spark more public interest and scholarship in early Kentucky decorative arts.

“We just scratched the surface,” Lacer said. “We left out big collections we know about, and I can only imagine the ones we don’t know about. This is a lot bigger idea in our state than I ever dreamt.”

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Kentucky poet Maurice Manning gains a national reputation

August 20, 2013

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 Poet Maurice Manning lives in an 1850s farmhouse on 20 acres near Springfield, fulfilling a pledge he made when he was in graduate school in Alabama. Photos by Tom Eblen

 

SPRINGFIELD — Clouds were gathering for an early evening shower as Maurice Manning leashed his three big dogs and took off down one of the mowed paths that criss-cross almost 20 acres behind his 1850s farmhouse.

“One of my vows when I was in grad school in Alabama was that if I ever made any money from writing, I would buy land in Kentucky,” he said as we ambled through woods, past a stream and across meadows of wildflowers in full August bloom.

“Most farmers wouldn’t think much of what I’ve done with the place,” Manning said of his land, which was grazed and cultivated before nature started reclaiming it. Manning’s daily two-mile walks help his mind harvest a different kind of Kentucky crop.

Manning, 47, who pronounces his first name “Morris,” is attracting national attention as a poet. His first book, Lawrence Booth’s Book of Visions, won the prestigious Yale Series of Younger Poets Award in 2001. His fourth book, The Common Man, was a finalist for the Pulitzer Prize in poetry in 2010.

Manning3Manning was a National Book Awards poetry judge last year and has been a Guggenheim fellow. His poems have appeared in The New Yorker, The Southern Review and The Virginia Quarterly Review. His fifth poetry collection,The Gone and the Going Away, was published in April to good reviews.

The Danville native, whose ancestors helped settle Clay and Rockcastle counties, had divided his time between the Washington County farm he and his wife, Amanda, bought in 2001 and Indiana, where he taught English at Indiana University and, before that, DePauw University.

“For a long time, I felt like I had one foot in Kentucky and one foot in Indiana,” said Manning, who earned his undergraduate degree from Earlham College, a Quaker school in Richmond, Ind.

So two years ago, Manning gave up the security of tenure at Indiana to become an English professor at Transylvania University. He also is a writer in residence, along with another distinguished Kentucky poet, Richard Taylor.

“I love teaching, and teaching at Transy is especially enjoyable because the classes are small and you can get into intense conversations with students,” he said. “I knew I wanted to teach Kentucky students for a variety of reasons. I just feel like I owe a debt to this state since everything I write about is Kentucky.”

The poems in Manning’s most recent book are like tiny short stories with colorful characters from “Fog Town Holler” in the Kentucky of his imagination. His carefully crafted verse is filled with wry humor, evocation of traditional ways of life and a reverence for nature.

“There’s something about the organized rhythm of a poetic line that is a real source of meditation,” said Manning, who plays guitar and is learning the banjo.

Manning has finished another book of poetry, as yet untitled, that includes “intense descriptions of the natural world,” he said. “The motive for that is recognizing how thoroughly we are destroying the natural world.”

Manning said he began writing poetry privately in junior high. He assumed that nobody else was still writing poetry, because all of the poets he studied in English class were dead. That changed when poet Denise Levertov visited a class he was taking at Earlham.

“It made everything seem less mysterious,” he said. “She wasn’t an aloof, obscure person.”

Later, Manning got to know James Still, the celebrated Eastern Kentucky writer and poet, when he was in his 80s. And he found ways to connect with dead poets whose work he admired. In 2009, Manning visited England and walked the landscape that inspired the Romantic poets William Wordsworth and Samuel Coleridge.

Another inspiration was fellow Kentuckian Robert Penn Warren, the only person to win Pulitzer Prizes for both poetry (twice) and fiction. On April 24, Manning was invited to the Library of Congress in Washington to read Warren’s poetry during a celebration of what would have been Warren’s 108th birthday.

Manning said Warren was one of the last prominent American poets who thought poetry was a place for philosophical meditation, for asking profound questions about life. That, he said, is where he hopes his own poetry is heading.

“One of the nice things about being a poet is there’s no money in it,” Manning said. “Believe it or not, that gives you a lot of freedom.”

Manning2Maurice Manning has cut four miles of walking paths through his 20-acre farm. 

 


Using technology to find the hidden history beneath our feet

May 21, 2013

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Ed and Kay Thomas watched as Scott Clark used a metal detector around an old bur oak near a circa 1810 farmhouse they are restoring in Bourbon County. Photos by Tom Eblen

 

PARIS — I always thought it would be fun to have a metal detector. I wasn’t so much interested in hunting for buried treasure as finding bits of history hidden a few inches beneath my feet.

Scott Clark, an Internet business consultant in Lexington, has similar interests. An avid metal detectorist since 1985, he has become quite skilled at it — and increasingly passionate about improving the ethics and image of his hobby.

Metal detecting doesn’t have the best of reputations, thanks to “treasure hunters” who look for relics on Civil War battlefields or pock-mark parks in search of lost valuables. Many historical archaeologists view detectorists about as favorably as a brain surgeon would a witch doctor.

130430Detectoring-TE0074But serious detectorists are trying to change that. Earlier this year, Clark was part of a group that worked with archaeologists to explore James Madison’s Montpelier estate in Virginia. Clark co-authored an article with Montpelier archaeologist Matthew Reeves on the blog of the Society for Historical Archaeology about how the two groups can work together and literally find common ground.

Clark has a blog at Detecting.us and often writes about best practices in the hobby. Those include always asking landowners’ permission before detecting, sharing finds with them and digging carefully so grounds are not damaged. He also avoids truly historic areas, such as battlefields.

Clark often donates his services to people who have lost valuables outside. Last month, he found a wedding band for a Versailles man after it slipped off his finger while he was mowing his yard.

Clark said he never accepts payment or rewards, but people often thank him by arranging access to interesting sites he can search. “The currency of the hobby is permission, which requires being trustworthy and transparent,” he said.

Clark detects to relax and for the love of history rather than profit. He said he has never sold anything he found — and even if he did, it wouldn’t begin to cover the thousands of dollars he has invested in detecting equipment.

Mostly, Clark finds old shoe buckles, keys, buttons, tools and coins. His most valuable find? A silver 1838 half-dime, worth a couple hundred dollars.

130430Detectoring-TE0408Clark said he likes to detect in places where people would have gathered a century or more ago — and lost things out of their pockets. That includes the grounds around old homes, schools, churches and stores.

Clark offered to show me how detecting works, then asked if I knew of a good hunting place. I immediately thought of Kay and Ed Thomas.

The Thomases live in a beautiful home in Bourbon County that her ancestors built in 1792. While restoring the place, the fun-loving couple delighted in finding interesting objects from the past. They are now restoring another place nearby — a circa-1810 brick farmhouse that her family bought in the 1940s.

As I suspected, the Thomases jumped at the chance to have Clark search their yards. Ed Thomas tagged along with Clark for the better part of three days while he carefully went over the ground with his detector, watching its dials and listening to its beeps, squawks and squeals.

To the untrained ear, the detector sounded like an arcade video game. But to Clark, the tones and gauges indicated the presence of objects in the ground — how big they were, what kind of metal they were made of and how deep they were, indicating how long they had been there.

Clark’s most interesting find on the Thomases’ property was a coin silver filigree bracelet with ivory cameos, which Kay Thomas thinks a long-dead relative bought on a European tour. He also found a few old coins, including an 1868 penny; spoon bowls of silver and pewter; a 1937 American Legion fob; old livestock tags and pieces of horse tack; and the remains of tools.

“Normally, I find three times this much stuff,” Clark said, clearly disappointed.

But the Thomases were thrilled — and not surprised that he didn’t find more.

“My relatives were frugal people!” Kay Thomas said. “If they had lost a gold ring, they would have been out here 24/7 until they found it.”

Ed Thomas also found something: a new hobby. For his birthday last Friday, his wife gave him a metal detector.

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