National Avenue business district has new name: Warehouse Block

May 28, 2015
Greg Walker of Walker Properties announces the renaming of his family's redevelopment district along National Avenue as Warehouse Block. Behind him is his father, Randy Walker, left, and Mayor Jim Gray. Photo by Tom Eblen

Greg Walker announces the renaming of the district along National Avenue as Warehouse Block. Behind him are his father, Randy Walker, left, and Mayor Jim Gray. Photo by Tom Eblen

 

The mixed-use business district Walker Properties has been developing in a former industrial area along National Avenue has a new name: Warehouse Block.

The family-owned company announced the name, which was voted on by tenants, at a news conference Thursday. The name and a new logo will be used in signage and other branding for the district.

Warehouse Block has a diverse mix of tenants in its renovated buildings. The New York Times featured the development in a story earlier this year as an outstanding example of adaptive reuse and urban redevelopment.

“It’s not every day that Lexington gets in the New York Times,” Mayor Jim Gray said. “What the Walkers have done is a perfect example of creative place-making.”

Randy Walker, an electrical contractor, said he started buying and renovating buildings along National Avenue three decades ago, “at a time when the neighborhood was barely nice enough to be sketchy. Coming from the construction industry, I couldn’t stand letting these buildings go un-maintained and unused.”

Walker Properties worked with city planners to revise zoning codes to allow a return to the way cities used to before the mid-20th century trend of strict segregation of land uses. The company is now run by his sons, Greg and Chad.

Greg Walker said the Warehouse Block has been about much more than renovating old buildings. “We and our clients and tenants are building a community,” he said.

Walker said the company will sponsor the first Warehouse Block party Aug. 21. National Avenue will be closed off for live music and food vendors.


At age 81, renowned folk artist Minnie Adkins is busier than ever

May 9, 2015
Folk artist Minnie Adkins, 81, in her "museum" building beside her home in Elliott County.  Photos by Tom Eblen

Folk artist Minnie Adkins, 81, in her “museum” building in Elliott County. Photos by Tom Eblen

 

ISONVILLE — Minnie Adkins turned 81 in March, nine months after her second husband died. At a point in life when most people would be slowing down, the renowned Elliott County folk artist is busier than ever.

Adkins spent the long, snowy winter whittling and painting. Her work included 11 identical statues that will be presented next year to winners of the Governor’s Awards in the Arts, which she won in 1998.

She also made dozens of colorfully painted horses, pigs, possums, foxes and roosters — especially roosters. When I visited her last week, Adkins had a table filled with roosters, each whittled from a tree limb fork.

“As you can see, I ain’t lackin’ for roosters,” she said with a wry smile. “I never do have arthritis in my hands and I’ve whittled and whittled.”

Adkins will be in Lexington on Friday from 5 p.m. to 8 p.m. for Gallery Hop at the Carnegie Center for Literacy and Learning, 251 West Second Street.

Adkins carved Bright Blue Rooster for a children's book she did with writer and folksinger Mike Norris.

Adkins carved Bright Blue Rooster for a children’s book she did with Mike Norris.

She will be showing a range of her life’s work, including dozens of figures she made for photographs in three children’s books she has done with writer and folksinger Mike Norris of Danville: Bright Blue Rooster (1997), Sonny the Monkey (2012) and Mommy Goose, which the University Press of Kentucky will publish next year.

After Gallery Hop, Adkins will get ready for the Day in the Country Folk Art Fair on June 6. Adkins started the fair at her home years ago, but it became so popular the Kentucky Folk Art Center moved it to Morehead. It is now one of America’s largest folk art fairs, with more than 50 artists from 10 states.

Then, on July 18, Elliott County will put on its second annual Minnie Adkins Day in Sandy Hook with art, crafts, food and music.

“We have a really good time at Minnie Day,” Adkins said. “Of course, I’ve just been to one Minnie Day. But it was really good.”

Adkins began whittling as a child, making toys for herself and gifts for her parents. She started selling pieces at Avon bottle shows in the early 1970s in Dayton, Ohio, where she and her first husband, Garland, had moved to find work.

“I was selling them for 50 cents or $1, and was I ever tickled when I sold a whole batch of them,” she said. “I thought I had hit the big time.”

After moving back home in 1983, she accompanied her husband to Morehead one day. While he filed for unemployment benefits, she went into a craft gallery to look around. She told the owner she made things like what he was selling, and he asked to see some of them.

Adkins has been selling work ever since with help from folk art champions such as Adrian Swain and Larry Hackley. Grandson Greg Adkins helps market her work now when he isn’t busy coaching basketball at Elliott County High School.

Adkins has been featured in several folk art books, including Ramona Lampell’s 1989 best-seller, O, Appalachia: Artists of the Southern Mountains.

“That’s really what got me recognized,” Adkins said. “People began to come here, folk art collectors from all over the country, to find me.”

Her work is in dozens of private collections and several museums, including the Smithsonian and National Gallery of Art in Washington, D.C., and New York City’s American Folk Art Museum. In Lexington, her work is sold at Ann Tower Gallery and Clark Art & Antiques.

Garland Adkins helped whittle until his death in 1997. Three years later, she married Herman Peters, a metal worker who made steel sculptures of her figures. He died last June.

Adkins lives on more than 100 acres along Right Fork Newcombe Creek, which she calls Peaceful Valley, within sight of her childhood farmhouse.

She often whittles in the easy chair in her living room, where the walls are filled with awards, including an honorary doctorate from Morehead State University, and pictures of her family, which includes a son, three grandchildren and four great-grandchildren.

Adkins has no idea how many pieces she has made: “It would be wild to even think.”

She has a workshop in her barn, as well as a little museum. In recent years, she has bought back many of her early pieces — or been given them by collectors and their families who have become friends.

Some of her biggest pieces portray Bible stories, such as Noah’s Ark, Daniel in the Lions’ Den and Adam and Eve. She also has done paintings, quilts and painted furniture. But her favorite things to make are whimsical animals.

“We always had all kinds of animals on the farm,” she said. “After I got to making pigs and horses and roosters, then I went into foxes and bears.”

Some of Adkins’ animals defy description, such as one she bought back from a collector a few years ago.

“The woman said when she come to my house I was whittling on this and she said, ‘What is that?'” Adkins recalled. “I said, ‘I don’t know what it is and I don’t know who I’m making it for,’ so I called it a Who What.”

One of folk artist Minnie Adkins' biggest pieces has been this Noah's Ark set, which she sold years ago and recently bought back.

One of Adkins’ biggest pieces was Noah’s Ark, which she sold years ago and has bought back.


How would you #FillCentrePit? Water, trampoline, donuts and more

May 8, 2015

CentrePointeIllustrationIllustration by Chris Ware, photo by Faron Collins

 

If developer Dudley Webb can’t finish his long-stalled CentrePointe project, how would you fill the massive hole in the heart of Lexington?

That was my challenge in Wednesday’s column, and did you ever respond, on Twitter, Facebook and email. I quit counting suggestions after a couple hundred. But I read them all, and here are some of the best, most creative and most bizarre.

This game was prompted by city officials’ demand that Webb fill the hole with rock and dirt, since he had made little visible progress for nearly a year in filling it with the underground garage and mixed-use development that he has promised for seven years. City pressure seemed to prompt news Friday that Webb is talking with another, unidentified developer about partnering on the project. City officials have met with that developer and say they are optimistic.

But if things don’t work out, Lexingtonians have plenty of other ideas for this limestone pit, 35 feet deep and a full city block square.

The most popular suggestion by far is to finish the underground garage and put a park on top of it. So many people liked CentrePointe as a grassy meadow, which it was from 2009 to 2013 while Webb searched for financing.

Readers thought retired racehorses could graze there, and it would make a great place for pony rides. Or it could be Lexington’s version of New York’s Central Park, Chicago’s Millennium Park or San Francisco’s Union Square.

Commercial real estate folks say this block is too valuable for a park, and that what Lexington needs is a tax-generating complex of offices, apartments, restaurants and shops.

Several readers wanted to see a development with outstanding architecture, such as the CentrePointe design that Jeanne Gang, the Chicago architect and MacArthur Foundation “genius” award winner, created in 2011 but that was later discarded.

Others who wanted the parking garage completed had other ideas for the top: a huge grocery store, a public market, a new city hall, a symphony hall, a glass-domed aviary or butterfly house, a museum complex, an Imax theater or hanging gardens.

“And Christmas lights,” wrote Christian Thalacker. “Lots of Christmas lights.”

A retired University of Kentucky professor suggested turning the site over to UK administrators, who could quickly fill it with dormitories, since Webb had already torn down all of the block’s historic buildings for them.

Others wanted to make better use of the hole than as a place to park cars. It could become an amphitheater, sunken gardens or a sports arena.

Others suggested a below-ground horse-racing track, basketball and racquetball courts, a zoo, a giant sandbox, a skateboard park, a roller derby rink, a go-kart track, a giant Ferris wheel, the world’s largest burgoo pot or a fire pit for community marshmallow roasts.

More adventurous readers wanted to create the world’s largest plastic ball pit. Others wanted the hole filled with foam or blue Jell-O or Vaseline and glitter. Several suggested installing the world’s largest trampoline.

“Are the food trucks still looking for permanent spots?” Lara Bissett asked via Twitter. “#FillCentrePit with food smells and watch people fall in like lemmings.”

Noting that Webb had once proposed creating a “Lake Lexington” water feature, many readers wanted to see the pit filled with water.

CentrePointe could become a wave pool, fishing pond or swimming pool, complete with a resort-like water bar on the end near McCarthy’s Irish Bar. The idle construction cranes could stay on as diving platforms.

Melody Hughes Ryan suggested other local-themed water park features, including The Great Compromiser No Wave Pool, honoring Henry Clay, and the Belle Brezing Hot and Steamy Tub.

Some suggested a water slide coming off the roof of the Lexington Public Library or a zip line down from the top of Lexington Financial Center or a bungee slingshot from High Street.

“Fill it with North Lime donuts and West Sixth beer and let us swim in the deliciousness,” Matt Gordon tweeted.

Others wanted paddle boats, a Noah’s Ark replica or a riverboat casino on the lake.

Some suggested the pit as a place to put Webb, Congress, various other politicians, liberals, Republicans, Duke basketball fans and impudent newspaper columnists. Among readers with this line of thinking, Webb was the overwhelming choice.

“Fill it with all of Dudley’s broken promises,” tweeted Rob Morris, a blogger and car-repair shop owner who has been a longtime critic of CentrePointe. “Wait. We’ll need a much bigger hole.”


Tell me how you would #FillCentrePit if Dudley Webb can’t build

May 5, 2015

CentrePointeThe CentrePointe pit in downtown Lexington. Photo by Tom Eblen

 

Ronald Reagan: “Mr. Gorbachev, tear down this wall!”

Jim Gray: “Mr. Webb, fill in this hole!”

That historical reference, from a former colleague, is one of many quips and wisecracks I have heard since city officials notified CentrePointe developer Dudley Webb last week that they consider him in default.

Before the city gave Webb permission to excavate his long-stalled development’s underground garage, he had to pledge $4.4 million in December 2013 to restore the property to a grassy meadow if he stopped work for 60 days.

If Webb did not fill the hole, the agreement gave city officials the right to take out a mortgage on the property to pay for the work.

Although there has been no obvious progress since last summer, Webb disputes the city’s claim that work has stopped. He has demanded that city officials retract their default notice, and his attorney has threatened to sue if they don’t.

“We’ve made great progress,” Webb told the Urban County Council last Thursday. “We’re so close to getting this deal done.”

Council members listened politely but said nothing. After seven years of empty promises, Webb’s credibility is lower than the bottom of CentrePit.

If Webb and city officials can’t reach agreement, the issue will end up in court, which could make for an interesting discovery process. Who was the mysterious dead investor? Did he ever exist?

Nobody really expects the hole to be filled. That would make no sense. Lexington needs the underground garage — and a successful, tax-generating development on top of it.

The “restoration” agreement was an attempt to give the city some leverage to keep Webb on task — or force him to turn the property over to another developer if he can’t get the job done.

Until then, the fenced-off crater, where two tower cranes have stood idle since they were installed in early December, will continue hurting surrounding businesses and sucking life out of an otherwise rebounding downtown.

CentrePointe has become a Lexington joke, so we might as well have a few laughs. Here is my challenge to you: How would you fill this hole?

Post your suggestions on Twitter or Facebook, with the hashtag #FillCentrePit so I can find them. If you don’t use social media, send me an email at teblen@herald-leader.com. No phone calls, please.

I will write a follow-up column Saturday based on the best of your suggestions. I’m looking for humor and creativity more than practicality.

To kick off the conversation, here are some ideas I have seen and heard:

■ Many have suggested drilling a few feet sideways into the Town Branch Creek culvert and allowing CentrePit to fill with water. Then, Webb would have a version of the Lake Lexington water feature he proposed years ago. (Drill carefully; a major sewer line runs between the pit and Town Branch.)

■ A manipulated photograph making the rounds on social media shows CentrePointe restored to its fenced-meadow state with the People’s Bank building, which must be moved from South Broadway or it will be demolished, placed there.

■ Several people have suggested putting the Noah’s Ark replica proposed for a Northern Kentucky religious theme park, which has been controversial because of tax breaks it has received and requested, in CentrePit, either to float or be buried.

■ One friend suggested a public contest to guess how many dump truck loads of soil and rock it would take to fill the hole.

■ Another friend suggested filling CentrePit with water and renting paddle boats. A pay lake for fishing might be more appropriate. Every time I think about how Lexington got into this mess, the phrase “hook, line and sinker” comes to mind.

The best solution, of course, would be for Webb to get financing and get to work — or turn the block over to someone who can. Until then, we might as well laugh about CentrePointe. Otherwise, we’ll just want to cry.


Kentucky Typer is a high-tech guy, but his passion is old typewriters

May 3, 2015
Bryan Sherwood started his business, Kentucky Typer, two years ago. He repairs typewriters and buys, restores and resells them. Sherwood said many of his sales have been to 20-somethings who have discovered typewriters, a machine that all but disappeared from homes and offices after personal computers became popular in the 1980s. Photo by Tom Eblen | teblen@herald-leader.com

Bryan Sherwood repairs old typewriters and buys, restores and resells them. Photos by Tom Eblen

 

By day, Bryan Sherwood is an IT specialist for a Lexington accounting firm. But he spends most evenings and weekends in his garage, working on an older type of information technology.

Sherwood runs Kentucky Typer, one of the few businesses left that repairs typewriters, those clacking machines that were ubiquitous in offices and homes for nearly a century before computers replaced them.

He said he cleans, lubricates and repairs about four typewriters a week for customers all over the country. Sherwood also buys and refurbishes typewriters and resells them through his website, Kytyper.com.

“I like the fact that they do one thing but do it really well,” he said “You can’t surf the Internet. But you can put printed words on a page.”

His mechanical mind also appreciates old typewriters’ design and craftsmanship.

“I like seeing all the different ways designers of the past approached the same problem,” he said.

150429KyTyper0010Sherwood, 43, learned typewriter repair by studying old manuals and working with Ed Reed of Ed’s Office Machines in Winchester. Sherwood thinks he and Reed might be the last two typewriter repairmen in the state.

Kentucky Typer was launched two years ago, but Sherwood has seen a surge in business lately.

Many customers are older people who have used typewriters their entire lives and don’t want to learn computers. Other typewriter users like the romance of machines on which so much great 20th-century literature and journalism was produced.

Still others are people who write a lot and enjoy a more physical, mechanical experience than they can get with a laptop computer.

“What I hear a lot is there’s a different aspect to writing with a typewriter than on a computer,” he said. “It’s because they don’t have all the distraction of Facebook, email dinging in and all those kinds of things.”

A growing number of typewriter buyers are people in their 20s who were born after the computer age began. Their generation’s interest has pushed up prices, especially for manual portables made from the 1930s to 1960s. Those now sell for two or three times what they did just a few years ago.

Ironically, the Internet has fueled interest in typewriter use and collecting. It has made it easier for typewriter fans to connect with one another, find and buy machines and get parts and information.

That is how I discovered Kentucky Typer. My trusty 1941 Remington Deluxe Remette needed adjustment, and in searching for information I found a PDF of Remington’s 1940 portable typewriter manual on Sherwood’s website.

I have always been an early adopter of technology, from the Radio Shack TRS80 I bought in 1981 to the MacBook Pro I write on now. But I also love typewriters because, well, I just do.

I learned to type on my parents’ Royal desktop. They gave me an electric Smith-Corona portable to take to college, but it was such a noisy beast I ditched it for a 1920s Royal manual portable that I bought from my landlord.

I was later given a 1920s Underwood desktop, a formidable hunk of iron. For the past 15 years or so, my typewriter of choice has been the 1941 Deluxe Remette. That rugged model was said to be a favorite of World War II correspondents.

150429KyTyper0025Sherwood’s favorite typewriter is the IBM Selectric, which used a unique type ball. They were made at IBM’s Lexington plant from 1961 until production ceased in 1986.

Selectrics still are excellent machines and fun to work on, Sherwood said. But he also has other reasons for liking them: He learned to type on one in high school, and his father worked on IBM’s Selectric assembly line.

Sherwood services all kinds of typewriters, charging $79 for basic cleaning and repair, plus $40 an hour for major work.

He restores mostly Selectrics and post-World War II portables, most of which he sells for $100 to $200. Smith-Corona, Remington and Olympia manual portables from the 1950s are especially popular.

Sherwood isn’t ready to give up his day job at Dean Dorton Allen Ford any time soon for the typewriter business. But he and his wife, Heather, enjoy it as a hobby.

“It’s fun to help people get machines working that aren’t working,” he said. “And lots of places there’s just nobody left who will do it.”

 


A case of Pappy helps add glitz to Derby wine auction and gala

April 28, 2015

The Lexington Cancer Foundation will have its 10th annual Kentucky Bluegrass Wine Auction & Derby Gala at Donamire Farm on April 30. This photo was taken at the 2014 event. Photo Provided

The Lexington Cancer Foundation will have its 10th Kentucky Bluegrass Wine Auction & Derby Gala at Donamire Farm on Thurday. This photo was taken at the 2014 event. Photo Provided

 

A bottle of hard-to-find Pappy Van Winkle has become a hit at many Central Kentucky charity auctions, sometimes fetching bids of $1,000 or more.

So here is one reason the Lexington Cancer Foundation‘s Kentucky Bluegrass Wine Auction & Derby Gala is one of the state’s fanciest Derby parties: It will auction an age-mixed case of a dozen bottles of the high-priced bourbon, plus a limited-edition Scottish crystal decanter filled with even more.

Kristi Martin, the foundation’s executive director, wouldn’t say who donated the Pappy or how much she thinks it might sell for. But I would expect several five-figure bids from the 400 guests Thursday night. After all, tickets to this sold-out gala at Donamire Farm cost $700 per couple.

Other auction items may bring even more than the Pappy. There are University of Kentucky basketball season tickets; a U2 concert in Chicago; a breeding season with an Ashford Stud sire; a Breeders Cup package; golfing at Pebble Beach; and luxury trips to Rome, Argentina, Mexico, Napa Valley, Las Vegas and Wyoming.

The wine auction gala has become a popular fundraiser for the foundation, which by the end of this year will have made more than $3 million in grants and donations to cancer-fighting organizations throughout Kentucky since 2004, Martin said.

At least half the attendees will come from out-of-state, she said, including a large Silicon Valley contingent that includes Kevin Systrom, the founder and CEO of Instagram. Graham Yost, creator of the hit TV series Justified, also will be there.

But compared to some other Derby parties, this isn’t a star-studded event — unless you are a wine connoisseur.

“Some high-level groups are coming in now, and that’s wonderful,” Martin said. “But what we have found out over the years during Derby week a lot of celebrities want to be paid to come, and that’s something we would never do.”

Brenda Rice, the wife of Lexington attorney Brent Rice, started the foundation in 2004 after a family member was diagnosed with cancer. She talked with friends she had volunteered with for other causes over the years and discovered many of them also had been touched by the disease.

“I thought, how can we make the biggest impact?” Rice said. “I knew what these women were capable of when their hearts were in it.”

The foundation is run by a 50-member board of women volunteers, with help from another 50 “junior” board members. Each year since 2005, the foundation has made an average of more than $280,000 in grants to a variety of hospitals, researchers and cancer-related programs throughout Kentucky.

The private foundation receives no state or federal funds, but has attracted a long list of corporate and individual sponsors, whose donations significantly cut the cost of putting on the wine auction and gala.

A key to the event, Martin said, has been its ability to attract top vintners. Each year, more than a dozen wineries spend about $50,000 each from their marketing budgets to participate. This year’s vintner chair is Will Harlan of the Harlan Estates family in Napa Valley. He now has his own label, The Mascot.

“The event has grown over the years as word has gotten out,” Martin said. “The level of wineries that we’re able to attract is phenomenal.”

Festivities begin Wednesday with six private dinners for top sponsors at foundation patrons’ homes. Vintners have a trade fair for area restaurateurs and wine merchants Thursday morning to promote their products, which will be served that evening at the gala with food catered by The Apiary.

After a Friday breakfast at Keeneland, guests are offered tours of horse farms and Woodford Reserve Distillery before dinner for vintners and top sponsors at the Iroquois Hunt Club. For those who want to attend the Derby on Saturday, the foundation helps them arrange to buy tickets.

“They get a wonderful experience of Kentucky during the Derby season,” Martin said. “And they help us raise money for our mission.”

The foundation’s other major fundraiser this year will be the fourth annual Roll for the Cure, a bicycle tour Aug. 22 in partnership with the Bluegrass Cycling Club.


Can North Lexington revival avoid the pitfalls of gentrification?

April 24, 2015

Rand Avenue. Rock Daniels   Photo by Tom Eblen | teblen@herald-leader.comRecently renovated houses on Rand Avenue off North Limestone Street. Photo by Tom Eblen

 

My column last Monday about the quickening pace of renovations in the North Limestone corridor generated some heated discussions on social media about “gentrification.”

In case you aren’t familiar with the term, it was coined in the 1960s to describe the displacement of poor residents when people with more money move into a neighborhood, leading to higher property values, rents and taxes.

It is a politically charged word sometimes used to try to shame people interested in historic preservation, or who want to improve property in neighborhoods where they wish to live or invest.

As urban living has regained popularity in Lexington after decades of suburban sprawl, re-investment in old neighborhoods has led to worries about gentrification.

It is a legitimate issue, because business practices and trickle-down economic policies have created a widening gap between rich and poor. Many hard-working people struggle to make ends meet after years of stagnant wages.

But gentrification can be subjective and complicated, because it involves touchy issues of class, race and capitalism. There are no easy solutions.

Two thoughtful essays about gentrification in Lexington were written by Bianca Spriggs in Ace Weekly last June and Joe Anthony in North of Center in May 2012. Both are worth reading online.

Here’s my view:

Neighborhoods are not static. They are constantly changing for many reasons. Some of those changes are good and others are bad, depending on your perspective. I see a lot more good than bad happening in North Lexington these days.

Many of these neighborhoods were created a century or two ago for wealthy and middle-class homeowners. Suburban flight led to disinvestment, deterioration and crime. A lot of owner-occupied homes became low-income rentals owned by people who didn’t take care of their property.

There are many good houses and commercial buildings there worth preserving and reusing. There also is a lot of community fabric and culture worth respecting and nurturing.

The return of more owner-occupied housing in these neighborhoods is a good thing. It is a fact of life that homeowners have more political clout than renters. That often results in more investment, better policing and less crime in neighborhoods with a significant share of owner-occupied homes.

That doesn’t mean rental property is undesirable. In many neighborhoods, such as mine, renters contribute a lot to community life.

Thanks to investment by new residents, businesses, non-profit groups such as the North Limestone Community Development Corporation and some professional renovators, many of North Lexington neighborhoods are becoming safer and more economically diverse places to live.

That doesn’t mean I like every house-flipper’s craftsmanship or tactics. But some of them are doing good work.

It is inevitable that some renters will be displaced. But I think renovators and re-sellers have a moral obligation to treat people fairly and, when possible, help longtime residents stay in the neighborhood.

Lexington is still small enough that business people’s reputations precede them. Quality work and good ethics will pay off for those who practice it, especially if others in the community speak out about bad actors.

Some absentee landlords will be displaced, too, and that is a good thing. Poor people often pay high rents and utility costs for substandard housing — and then get kicked out if they complain to Code Enforcement.

There are better solutions to affordable housing than steadily deteriorating homes owned by absentee landlords. The Urban League, Community Ventures, Habitat for Humanity, AU Associates, churches and others have done a lot of good work on affordable housing over the past two decades.

This wave of private investment in North Lexington, and the city’s new affordable housing trust fund, provide a good opportunity to address some of these gentrification issues in new and creative ways.

For one thing, people who choose to live in urban neighborhoods rather than more homogenous suburbs are seeking cultural diversity. That’s because diverse neighborhoods are more interesting places to live.

How can the city, non-profit groups and developers work together to keep low-income people in these neighborhoods, while at the same time improving the quality of housing they can afford? How can neighborhood revitalization work for everyone?

Neighborhoods are like any natural environment: The more diverse they are, the more healthy they are and the more sustainable they will be over time.


New crop of ‘community supported art’ on sale this week

April 21, 2015

Central Kentucky’s farmers are just getting their plants in the ground, but a new crop of local art is ready for harvest.

For the fifth season, the Lexington Art League is selling 30 CSA “shares” of “community supported art” using a similar model to what local farmers have been doing for years with “community supported agriculture”.

csaThe 30 shares will be on sale through Thursday for $400 each. Each share includes an original piece by nine local artists: ceramics, paintings, leatherwork, screenprints and photography.

This year’s artists are Brian and Sara Turner of Cricket Press, Matthew D. Cook of Borderstate, Elizabeth Foley, Lennon Michalski, Joe Molinaro, Nadezda Nikolova, Brandon C. Smith and Melisa Beth.

The artists were chosen by the league’s curator, Becky Alley. Each artist is paid $600 for their work. Since the program began, the league says its CSA program has sold 1,890 pieces of locally produced art, providing $37,800 in income for local artists.

“CSA is a celebration of local talent and an investment in the artists whose creativity and unique abilities distinguish and enrich our community,” said Stephanie Harris, the league’s executive director.

Shares can be purchased online at Lexingtonartleague.org or by calling (859) 254-7024. Shares in future CSA “seasons” also are for sale.

The Lexington Art League, headquartered at Loudoun House in Castlewood Park, also sponsors the annual Woodland Art Fair each August.


Lafayette High celebrates school’s 75th anniversary this weekend

April 21, 2015

150420Lafayette750004Lafayette High School celebrates its 75th anniversary this Friday and Saturday. Below, banners honoring distinguished alumni, staff and school groups have been hung in the hallways recently. Photos by Tom Eblen

 

Lafayette High School’s 75th anniversary celebration this weekend will be tempered for me by the realization that it was not quite half that old when I was a student.

I met the current principal this week. He was born two years after I graduated.

At least I won’t be the oldest of the hundreds of alumni coming back to the school Friday and Saturday. Not by a long shot. There is a dedicated group of 80-something Lafayette Generals who graduated in the 1940s.

“We are a school that is deeply, deeply rooted in the community that surrounds us,” said Bryne Jacobs, 36, who is in his third year as principal.

“A lot of our students have parents who went here,” Jacobs said. “Some have grandparents. We even had a girl at freshman orientation last year whose great-grandmother attended Lafayette.”

Everyone is invited to attend the free festivities that begin at 5 p.m. Friday. Former faculty and staff members will greet alumni in the library. Then about 150 of the school’s 2,200 students will lead tours of the campus.

The main building dates to the school’s founding in 1939, but there have been several additions and at least two major renovations. After the tours and socializing, there will be a vintage sock-hop dance in the gym, featuring an all-alumni rock band organized by David Hinkle.

150420Lafayette750024On Saturday at 10:30 a.m., alumni will begin gathering by decade to visit before walking over to Ishmael Stadium at 1 p.m. for ceremonies and performances by Lafayette’s award-winning band, orchestra and chorus.

Former Govs. John Y. Brown Jr. (class of 1952) and Ernie Fletcher (class of 1969) will speak. Jacobs thinks Lafayette may be the only high school in the state with two former Kentucky governors as alumni.

The event’s master of ceremonies is Tom Hammond (class of 1962), a longtime NBC sportscaster. He is the voice of the Olympic Games and the Kentucky Derby, which he will be calling the next Saturday.

“For him to take time out of his schedule in the week before the Derby says a lot about his feelings toward our school,” Jacobs said.

Lafayette is the oldest active public school building in Fayette County, built on the grounds of a former orphanage that included an 1850s mansion, The Elms, which burned a few months after the school opened.

Lafayette replaced Picadome High School and was named for the Marquis de Lafayette, the French hero of the American Revolution who visited Lexington in 1825. Fayette County also is named for him.

Jacobs wants to use the anniversary to highlight the school’s history and distinguished alumni, including actors Harry Dean Stanton and Jim Varney, musician Ben Sollee and politician Gatewood Galbraith.

Lafayette also has produced many star athletes, including golfer Gay Brewer, sprinter Tyson Gay, Major League Baseball’s Austin Kearns and the NBA’s Dirk Minniefield. Retired basketball Coach Jock Sutherland is a Kentucky legend.

Banners have recently been put up in school hallways highlighting the accomplishments of alumni, staff and school groups.

Dwight Price, 84, principal from 1972-1987, thinks a big reason for Lafayette’s success has been its diversity of culture and family income. It was the first white school in Lexington to be integrated, in 1955.

“We have a cross-section of America,” Price said. “And the staff has been tremendous the whole time. The early teachers set a great example, and the rest of us tried to follow that.”

I have always felt like a beneficiary of that tradition. So much of my life was shaped by great Lafayette teachers, including Julie Dodd, J. Larry Moore, Loris Points and Anne Combs.

Band taught me everything about discipline and teamwork, plus a thing or two about music. Being editor of The Lafayette Times set me off on a rewarding journalism career.

Lafayette’s principal was raised in Memphis but graduated from the University of Kentucky. He and his wife, a teacher at Breckinridge Elementary, settled in the neighborhood and quickly came to appreciate Lafayette’s culture. So, after a dozen years at Dunbar High School, Jacobs jumped at the chance to lead Lafayette.

“I’m only the eighth person to sit in this chair, so there’s some opportunity for longevity,” he said. “If I could still be here when my boys come through these doors, in the classes of 2026 and 2028, I think that would be great.”

150422LafayetteHS1941Lafayette High School in 1941. It is the oldest active public school building in Lexington.


Rand Avenue renovations add to North Limestone renaissance

April 19, 2015

150416RandAve0008Real estate entrepreneur Rock Daniels has been buying, renovating and reselling former rental houses in the first block of Rand Avenue. His contractors are basically rebuilding many of the century-old bungalows, which were structurally sound and have nice architectural detals, but had badly deteriorated after years as rental units.   Photo by Tom Eblen

 

First it was downtown mansions. Then East Lexington bungalows. Now, North Lexington cottages. The popularity of in-town living has brought another wave to Lexington’s home renovation market.

With most of the antebellum houses and Victorian mansions redone and selling for more than $500,000, a good business has developed in complete renovations of homes built a century ago for working-class families.

The wave that started in neighborhoods such as Hollywood, Kenwick and Mentelle has washed up North Limestone.

150408RandAve0022Rock Daniels, a real estate agent who twice ran unsuccessfully for the Urban County Council, is buying and virtually rebuilding early 1900s houses in the first block of Rand Avenue, just north of Duncan Park, as well as some houses on nearby streets.

Laurella Lederer was doing the same thing before him. Having redone much of Johnson Avenue, she is now working on the second block of Rand.

Broken Fork Design has redone several houses and multi-family units, including the Fifth and Lime Flats. It was a much-needed renovation of an apartment complex built after the 1963 demolition of Thorn Hill, a circa 1812 mansion where Vice President John C. Breckinridge was born.

Chad Needham, who redid the old Spalding’s Bakery at East Sixth and North Limestone and the building that now houses North Lime Coffee & Donuts across from it, has done several other houses and commercial buildings in the area.

Needham’s most recent project is especially impressive: an early 1800s house at the corner of North Limestone and West Fifth Street that became commercial space long ago and had fallen into terrible shape. Beautifully renovated, it now houses Fleet Street Hair Shoppe.

Rand Avenue, created in 1892, still has most of its original houses. A notable exception is No. 264, a vacant lot since about 2001. It was the childhood home of Elizabeth Hardwick (1916-2007), whose father was a plumbing contractor.

Hardwick left Lexington for New York in 1939 and became a famous fiction writer, essayist and critic, a founder of the New York Review of Books and wife of poet Robert Lowell. She was recently inducted into the Kentucky Writers Hall of Fame.

Since the 1980s, though, Rand Avenue has largely been rental property. Broken Fork did one of the first renovations there — the house where the Spalding family started frying their famous donuts in 1929.

Daniels, who lives in the Hollywood neighborhood, saw Rand Avenue as a promising area for young professionals who wanted to live near downtown, wanted a house and yard rather than a condo, but couldn’t afford larger renovated houses.

The first house he renovated sold in November for $182,500. He is now doing nine more on Rand, three of which are already under contract, two to medical school residents and one to a physical therapist, he said.

Daniels showed me through one of them, a circa 1910 frame cottage with about 1,200 square feet. It had been a rental house for years. He bought it for $36,000, is investing about $80,000 in renovation and hopes to sell it for about $165,000. His nearby renovated houses are priced around $145,000.

With each house, his contractors install a new roof, take the house down to the studs and make any needed structural improvements. They preserve what historic fabric they can. But except for restored heart-pine floors, most things will be new: windows, wiring, plumbing, heating and air, insulation, kitchens and siding on the non-brick houses.

Many houses have small interior coal chimneys that can’t be reused. They are removed for a more open floor plan, but the bricks are reused for walks.

“We try to save and repurpose as much as possible,” said Daniels, who grew up in a National Register historic house in Bristol, Tenn.

Daniels wants to buy all of the rental houses he can on the street, he said, but none that are owner-occupied. In fact, he said, he has offered to make improvements on those houses at cost.

He will soon be building a new porch for homeowner Janice Hamilton and her husband. She has lived there since 1981 and likes what is happening on her street.

“When I first moved here it was a lot of older people, most of them homeowners,” Hamilton said. “And then a lot of them died out and it became rental property. So it became a little this and that.

“Now I’m glad to see it coming back to the way it used to be,” she said. “A lot of people give Rand Avenue a bad rap. We had some bad tenants years ago. But it’s quiet, it’s close to town. Everybody looks out for each other. I’m looking forward to new homeowners.”

Daniels sees a lot more potential for restoring North Lexington neighborhoods.

“Of course, we’re looking for what the next Rand Avenue is going to be,” he said. “There are so many people who want to move downtown.”

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New book chronicles colorful history of Lexington’s Iroquois Hunt

April 18, 2015

150329IroquoisHunt0115ADr. Jack van Nagell, joint-master of fox hounds for the Iroquois Hunt Club, leads the beginning of a hunt on his Fayette County farm March 29. Van Nagell is the current president of the national Masters of Fox Hounds Association, the first Iroquois club member to hold that post. Photos by Tom Eblen 

 

The Iroquois Hunt Club is one of those Lexington institutions most longtime residents have heard of, but few know much about.

It has always seemed like an odd bit of British tradition in the Bluegrass, these colorfully well-dressed equestrians who chase their barking hounds through the rugged farm fields along the Kentucky River.

Christopher and Glenye Oakford explain much of the mystery in their new book, The Iroquois Hunt: A Bluegrass Foxhunting Tradition (The History Press, $20). This thoroughly researched and well-written account describes the peculiarities of fox-hunting and traces the history of the third-oldest of the nation’s 160 hunt clubs.

Over the years, the club’s membership has been a who’s who of Lexington society. And the clubhouse is one of Fayette County’s oldest industrial buildings: Grimes Mill, built on Boone Creek in 1807.

“Even if you’re not interested in fox-hunting, we tell the story of these people who played a big part in the town,” said Christopher Oakford, a freelance writer who grew up around fox-hunting near Salisbury, England.

He met his wife, North Carolina native Glenye Cain Oakford, at a fox hunt in England. She is an equestrian journalist, longtime Lexington resident and Iroquois member since 1993.

The cover of "The Iroquois Hunt" by Christopher and Glenye Oakford.While people have hunted with hounds for centuries, fox-hunting acquired its now-traditional dress, lingo and complex etiquette in Victorian England as newly rich industrialists sought to create their own gentry, the Oakfords write.

The Lexington Hunting and Riding Club was founded in 1880 by Gen. Roger Williams, a businessman, soldier, buddy of Theodore Roosevelt and all-around character. The club’s name is thought to have been changed sometime in the 1880s to honor Iroquois, a horse that won the English Derby in 1881.

The club became inactive in 1914 while Williams was away on military duty, but it was restarted in 1926 by a group of prominent men. They included Maj. Louie Beard, later a founder of Keeneland, and Leonard Shouse, owner of the Lafayette Hotel, now city hall.

“We tried to give a glimpse of Lexington through several eras,” Glenye Oakford said, “and write about how fascinating some of these characters were.”

In 1928, the group bought Grimes Mill, thinking a clubhouse would give their organization the structure and longevity its predecessor lacked.

The rustically elegant building with three-foot-thick stone walls has lounging area on the first floor and a dining room on the second. Each member has a little padlocked cabinet in which to store liquid refreshment for after a hunt or during social events three times a month.

The Iroquois has hunts most Wednesdays, Saturdays and Sundays from fall through early spring, but this year’s snow played havoc with the schedule.

I got to attend the last hunt of the season, on a Sunday afternoon at the end of March. It was at the farm of Dr. Jack van Nagell, joint-master of fox hounds with the club since 1997 and current president of the national Masters of Foxhounds Association, the first Iroquois member to hold that post.

Some club members belong for the socializing, others for the riding. But dedicated hunters love to watch and listen to the hounds work as they chase the scent of a red fox — or, more commonly now, a coyote — across the landscape.

“It’s watching them work together, getting to do what they have been bred for centuries to do,” Glenye Oakford said.

What happens to a fox or coyote when it’s caught? Well, it doesn’t happen very often, she said. In fact, she has never seen it in her years of hunting.

But the hunt provides a service to farmers by keeping coyotes scattered, she said. When they get together in packs, they have been known to attack livestock and pets.

“The purpose of the hunt is to watch the hounds puzzle out the scent of a coyote’s line, and the hunt typically ends when the hounds can no longer follow that scent, either because the coyote has eluded them or because scenting conditions have become unfavorable,” she said.

Coyotes and foxes are often good at eluding their noisy pursuers, Oakford said, recalling the time she watched the start of a hunt in England.

“After the hunt moved off, we drove up the road and saw a big, beautiful red fox sitting by the road and watching the hounds and the field ride by across the road and down a hill,” she said. “That fox sat for a long time … then he trotted off very nonchalantly in the opposite direction.”

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Glenye Oakford’s video of the Iroquois Hunt Club:

Iroquois Hounds from Glenye Oakford on Vimeo.


A Lexington landmark saved, but Georgetown treasure may be lost

April 14, 2015

150410OddFellows0064Ben Kaufmann, left, and Rob Rosenstein joked with each other April 10 while inspecting the 1869 Odd Fellows Temple at 115-119 W. Main St., for the first time.  “As long as you’re smiling, I’m OK,” Rosenstein told Kaufmann. Photos by Tom Eblen

 

For people who care about Kentucky’s history, culture and irreplaceable architecture, the past week was one of highs and lows, thanks to two good guys and one who should be ashamed.

First, the good guys:

“Let’s chase the ghosts away!” Ben Kaufmann said as we entered the front door of the Odd Fellows Temple at 115-119 West Main Street last Friday morning, setting off a burglar alarm.

Kaufmann, a real-estate investor and financial adviser, had bought the 1870 Italianate and Second Empire-style building 10 days earlier at a Master Commissioner’s sale and was getting his first look inside the $750,000 investment.

150127OddFellows0006The building housed Bellini’s restaurant until it closed Jan. 1. The building and restaurant owner, NGS Realty, was in bankruptcy last year and neglected the building. In late January, city Code Enforcement officers stepped in to board up missing and broken windows to protect the building and passing pedestrians.

Kaufmann and Rob Rosenstein, former owner of Liquor Barn, plan to renovate this landmark, designed by noted Lexington architect Cincinnatus Shryock, and then rent it, mostly as restaurant space.

Over the decades, the building housed offices, restaurants, bakeries, bars and stores, most notably Skuller’s Jewelry, which was there for more than 70 years. Skuller’s recently restored sidewalk clock has been a downtown icon since 1913.

The building’s hidden treasure is the third-floor ballroom, which hasn’t been used publicly for years because it lacked an elevator and modern stairway. But it may be the best-preserved part of the building, whose last major rehab was in 2000.

The white ballroom is stunning: 40 feet wide and nearly 60 feet deep, with a vaulted ceiling 25 feet high and original plasterwork. Tall, arched windows look out on Main Street, although the view is now dominated by the idle CentrePointe pit.

A quick inspection revealed few structural problems in the building and only a couple of small roof leaks behind the ballroom, where interior walls had been torn out for a renovation that was never completed.

The first floor, where Bellini’s operated, has beautiful mosaic tile floors, vintage tin ceilings and two long, handsome bars. The second floor also had been partially stripped out for renovation. It originally housed law firms and, in recent years, apartments.

“Watch out what you wish for, you might get it,” Kaufmann joked as he added up renovation costs in his head.

“As long as you’re smiling, I’m OK,” Rosenstein kept saying with a laugh.

These guys enjoy teasing each other, but they realize the Odd Fellows Temple is a diamond in the rough. When polished, it should be a hot property. Old downtown buildings have become the preferred location for upscale restaurants and bars.

Kaufmann and Rosenstein are good businessmen looking for a profit. But they also are doing Lexington a favor by saving one of its architectural gems, a place that holds generations of memories and should create many more in the future.

“This is an important building,” Kaufmann said. “I want to restore it to its original beauty.”

Lexington is lucky to have these guys. If only Georgetown were so lucky.

Sanders-Kocher copyScott County is about to lose its first brick house, a Georgian mansion that early Thoroughbred breeder Robert Sanders built on Cane Run Creek south of town in 1797. The house has been on the National Register of Historic Places since 1973.

The property’s condition has deteriorated since a company owned by Kenneth A. Jackson of Kentuckiana Farms acquired it in 2007. The Scott County PVA values the house at $121,120 and its 25.5 acres at $202,299, according to the Georgetown News-Graphic. United Bank of Georgetown holds a mortgage on the property.

Preservationists say Jackson has rebuffed their attempts to help him protect the house or find a buyer at a reasonable price. Jackson recently sold adjoining parcels for development. A salvage crew has been removing fine interior woodwork — the house’s most distinguished feature — with demolition scheduled to follow.

Efforts to save the house did not appear to be fruitful by late Tuesday afternoon, said Jason Sloan, director of preservation for the Blue Grass Trust for Historic Preservation.

All indications are that the house will be torn down Wednesday, Sloan said.

Some people would say this is Jackson’s property and he should be able to do with it as he pleases. But when someone buys a National Register house of this significance, I think he assumes a responsibility to Kentucky’s heritage, whether he likes it or not.

To neglect this house for years and then demolish it in the hope of pocketing a bigger profit may be legal, but it’s not right.

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Studying great art can help improve everyday observation skills

April 13, 2015

150330ArtPerception0088Gray Edelen, left, an art history student from Bardstown, talked with medical students Taylor Gilbert of Lexington, center, and Amanda Pursell of Louisville about Robert Tharsing’s 2011 painting “A Natural History of Kentucky”, which hangs in the University of Kentucky Chandler Medical Center. Photos by Tom Eblen

 

On a recent afternoon, small groups of University of Kentucky students huddled around paintings and sculptures on display at UK’s Chandler Medical Center.

As you might expect, some were art history majors. But they were there to help 17 medical students.

The medical students weren’t really there to learn about art, but to observe it — very closely — and then describe what they saw and what they thought it meant.

The goal was to improve the medical students’ observation and communications skills to make them better at diagnosing patients’ illnesses.

“It’s good to learn how to see the bigger picture by looking at the details,” said Taylor Gilbert, a medical student from Lexington.

The exercise grew out of a presentation by Amy Herman, a lawyer and art historian who travels around speaking about what she calls “the art of perception.” In early February, Herman spoke to a packed classroom at UK’s College of Medicine.

Herman began this work more than 15 years ago when she was education director at the Frick Collection, an art museum in New York City. She had heard how art historians at Yale and the University of Texas worked with medical students to improve their perception skills, so she set up a similar program at the Frick for the nearby Cornell University medical school.

Amy Herman. Photo provided

Amy Herman. Photo provided

When a friend heard what Herman was doing, she suggested that these skills could help other professionals, too. Homicide detectives, for example. Herman contacted the New York Police Department and, within six months, she was training every newly promoted captain.

A Wall Street Journal reporter wrote about the program in 2005 and, Herman said, “My world exploded.” She left the Frick to start her own consulting business. In addition to medical students and New York cops, she now trains agents for the FBI, CIA and even Navy SEALs.

As Herman began showing slides of paintings to the UK medical students and asking them to describe them, she forbid the use of two words: obviously and clearly.

“We work and live in a complex world, and very little obvious and even less is clear,” she said. “No two people see anything the same way, and we have to understand and enrich our appreciation for that fact.”

Herman showed what appeared to be an abstract painting, but was really a picture of a cow. Few saw the cow until she brought attention to it. She then drew lessons from landscapes, still life paintings and portraits of “handsome women of the 18th century” that held subtle clues about their lives.

“Perception goes both ways,” she said. “How do patients perceive you when you walk into the room? Do you put them at ease? Is it easy to ask questions? Your patients may have an entirely different perspective than you do.”

Herman said people often make mistakes by trying to “solve” problems too quickly, before they have taken time to assess a situation.

“Before you decide what to think and what to do, you need to say out loud what the issue is,” she said, adding that some of those things may seem too obvious or be embarrassing to mention but can be vital details.

Herman showed a painting of an elderly, obese and naked woman sitting on a sofa. When asked to talk about it, an audience member began by describing the sofa’s upholstery.

“You need to say what you see and not dance around it,” Herman said. “I always tell police officers you will never get in trouble for saying what you see. Saying what you think is an entirely different story.

“Raise the issue, even if you can’t explain it,” she added. “Raise any inconsistency, because with more information somebody else may be able to answer the question for you. Also think about what’s missing. What should be there but isn’t?”

Herman said she recommends that child abuse investigators ask a child to smile. Seeing whether a child’s teeth are clean says a lot about the care they are receiving.

“Small details can provide volumes of information,” she said. “Body language and facial expression tell us a whole lot.”

When describing observations, choose words carefully to be precise. And don’t make assumptions. The three most important questions to ask when problem-solving: What do I know? What don’t I know? What more do I need to know?

“There are often things hiding in plain sight that you are consciously or unconsciously not seeing,” said Herman, who gave an embarrassing personal example.

Several years ago, while running in New York, she noticed a man in a wheelchair walking a puppy. She loves puppies, so she asked him if she could pet it. After playing with the puppy for several minutes, they parted. Within minutes, she realized that the man had looked familiar. It was Chuck Close, a famous artist she admired but had never met.

“He’s one of my favorite artists in the world, but I was so focused on his puppy that I didn’t even notice the man was a captive audience right in front of me,” she said. “Don’t miss what’s right in front of you.”

150330ArtPerception0095Christina Romano left, an art education major from Louisville, talked with medical students Katie Donaldson, center, of Independence, and Amy Chen of Davis, Calif., about Warren Seelig’s stainless steel and fabric mesh sculpture, “Gingko”.


It’s wildflower season, if you can find them amid the honeysuckle

April 7, 2015

flower1Peter Rapoport cuts bush honeysuckle around Jessamine Creek Gorge near Wilmore on April 5, 2014, after a wildflower walk led by Julian Campbell, a botanist and expert in native Kentucky plants. Campbell is trying to organize small groups of volunteers to fight the invasive species in sensitive areas of the Kentucky River Palisades region. Below, a dutchman’s breeches flower, and Campbell holds a rare snow trillium. Photos by Tom Eblen

 

This is high season for wildflower hikes along the Kentucky River Palisades, where plants found few other places in the region put on a colorful show.

It also is the time when keepers of these natural areas take a break from months of battle against invaders determined to choke out these delicate native species.

The Palisades have suffered widespread damage in recent years from invasive plants such as garlic mustard, wintercreeper euonymous, Chinese privet, and, most vicious of all, Asian bush honeysuckle.

flower2“I tell people that honeysuckle is why this tree-hugging environmentalist became a mass murderer,” said Clare Sipple, who manages the Lower Howard’s Creek Nature and Heritage Preserve in Clark County. “No telling how much of that stuff I’ve killed.”

Sipple said honeysuckle is a big problem in the 338-acre preserve.

“We have a dedicated group of volunteers who work nine months a year clearing honeysuckle, and they have made a huge difference,” she said. “Once you get the invasives out, the natives start coming back.”

Fayette County’s Raven Run and Floracliff nature preserves wage similar efforts.

“We work on it from August to February full-time at least two or three days a week,” said Beverly James, the manager of Floracliff. “It’s not something you can clear once and walk away from. It’s a continual battle.”

When some plants and animals are transplanted from one continent to another, they can go wild because they have no natural predators. Among the most famous is kudzu, the fast-growing Asian vine that is swallowing the South.

Asian bush honeysuckle was brought here from China as an ornamental plant in the late 1800s, but has been a growing threat in this region since the 1970s, said Julian Campbell, a botanist and authority on Kentucky native plants.

flower3Ironically, bush honeysuckle is now an endangered species in Japan, where it was native. But it is taking over forests in Kentucky, Ohio and Indiana.

Honeysuckle is mainly spread by birds, who eat its red berries and then scatter the seeds across the landscape in their droppings. Invasives also have been brought into the Palisades region each time a new road was built or a building constructed there.

As we were hiking through underbrush along Cane Run Creek several years ago, looking for stands of native cane, Campbell pointed out how the ground beneath big stands of honeysuckle was bare.

“There must be some kind of underground chemical warfare going on,” he said. “Nothing grows around it.”

The most common way people attack honeysuckle is to chop or saw it off just above ground level and spray the exposed wood with a strong solution of a herbicide such as glyphosate, commonly known by the brand name Roundup.

That kills the plant, but it won’t stop another from sprouting up next to it. It’s a never-ending task.

Campbell has been pondering ways to effectively battle honeysuckle, especially in the Bluegrass region’s most sensitive environmental areas. “We know how to kill it,” he said. “What we don’t have is a method. It’s a human organization problem.”

He has been thinking about ways to organize small groups to fight it on a continual basis. He also thinks more research is needed on permitting cattle, sheep or goats to browse honeysuckle and wintercreeper in some wooded areas during fall and winter, as deer do.

“It’s less in the deepest woods, which is a glimmer of hope,” he said of honeysuckle. “Shade and browsing seem to reduce it.”

Campbell has begun his own small effort as part of hikes he leads at least monthly in Central Kentucky natural areas. Participants pay $10, which is donated to regional conservation organizations, or they can spend some time that day with him cutting and spraying honeysuckle. For more information, email: campmeet@gmail.com.

Despite the invasion, there are plenty of beautiful wildflowers to see this time of year, including rare snow trillium, dutchman’s breeches, bloodroot and native phlox.

Floracliff and Lower Howard’s Creek have wildflower hikes this weekend, as well as later in the month. More information: Floracliff.org and Lowerhowardscreek.org. Also, the Kentucky Native Plant society has Wildflower Weekend events Friday through Sunday at Natural Bridge State Park. More information: Knps.org.


Newton’s Attic teaches kids engineering through fun and games

April 5, 2015

150401NewtonsAttic0023Kate Golden, 10, rode The Device, which sling-shots riders down a 125-foot-long track at Newton’s Attic.  The non-profit company uses hands-on fun and games to teach kids engineering, technology and physics. Photo by Tom Eblen 

 

When Bill Cloyd was growing up on a Lexington farm in the early 1980s, he enjoyed building go karts and mini bikes from spare parts and testing the laws of physics.

He erected an 80-foot-tall tripod from old TV antenna towers and practiced free-falling into a circus net. He made a human catapult to launch friends into a pond. And he created a centrifugal “vomit express” ride that quickly taught him the importance of putting an “off” switch within easy reach.

Making those toys inspired Cloyd to become a mechanical engineer.

“But I realized I was learning as much about engineering by building stuff as I was in the classroom,” he said. “And building stuff was a lot more fun.”

150401NewtonsAttic0230After teaching high school physics for two years, Cloyd started the non-profit company Newton’s Attic in 1998. He began by making resource materials for teachers, but soon developed facilities and programs where kids could learn engineering, physics and technology by creating their own toys.

Cloyd and his wife, Dawn, a businesswoman and former language teacher, have operated Newton’s Attic since 2012 from a five-acre former tractor dealership off Versailles Road just past Blue Grass Airport. They offer summer, spring break and after-school classes for kids ages 6 to 18.

Last week, when Fayette County Public Schools were on spring break, Newton’s Attic was a beehive of adolescent creative energy:

Kids and their instructors were hurling pumpkins with a giant ballista catapult. They were building and flying drones. They were using wood, metal, PVC pipe and power tools to create robots. And they were learning about gravitational force by riding the Sling Shot, a 125-foot, bungee-powered roller coaster.

“It’s a lot of fun,” said Kate Golden, 10, as she built a robotic arm she designed to pick up tennis balls. “Nobody tells you exactly what you have to make. You can invent it yourself.”

This summer, Newton’s Attic plans 28 classes in such things as robotics, computer programming and building your own 3-D printer. There also is Camp Catapult and Camp Chemistry. During the past three years, summer camp enrollment has grown from 183 students to 730, and Dawn Cloyd expects more this year.

150401NewtonsAttic0091“The whole idea is fun with physics,” she said. “Play is the ultimate learning tool.”

Newton’s Attic has worked on programs with many Central Kentucky school districts, UK, Berea College and the Christian Appalachian Project. Cloyd said they hope to offer professional development training for science teachers in the future.

The facility also hosts school field trips, scouting events and birthday parties. Private tutoring is available, as is a “mobile engineering center” that can take programs to other locations. More information: Newtonsattic.com.

The business is supported by student tuition, donations and grants from companies such as Messer Construction, which recently gave several thousand dollars to improve the shop facilities.

“We have kids as young as 6 using power tools,” Dawn Cloyd said. “It’s amazing how responsible kids become when they get to do it.”

Everyone wears safety glasses when using power tools, and there is plenty of supervision and help from instructors, both adults and older teens. Some instructors started coming to Newton’s Attic as kids and are now studying engineering and related subjects at the University of Kentucky.

Blaise Davis, 13, has been coming to Newton’s Attic for several years from Cincinnati and staying with his grandparents. He has built a go kart and last week was making a PVC cannon to mount on it to shoot tennis balls in competitive engineering games.

Rikki Gard’s son Dexter, 10, started attending Newton’s Attic classes four years ago. She said he has learned to build and fly drones, studied several computer programming languages and is already considering a career in computer science.

Her daughter, Maura, 6, began classes last summer.

“I don’t know what we would have done if Newton’s Attic didn’t exist,” Gard said. “You can’t find electives like that anywhere else. I guess he would have had to get books and study on his own.”

The family recently moved to Cleveland, where both kids will be going to Menlo Park Academy, a public school for gifted kids. “I’m sure Newton’s Attic will be the thing they miss most about Lexington,” she said.

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Gardenside Plaza bus shelter being restored, 3 new ones coming

April 4, 2015

150405ArtInMotion0008The Gardenside bus shelter when it was new, circa 1960. Herald-Leader File Photo

 

The Gardenside Plaza bus shelter, with its 30-foot brick tower and sea-green neon letters, has been an Alexandria Drive landmark since 1959 — a bit of Miami Beach in Bluegrass suburbia.

In recent years, the mid-century modern shelter has looked pretty sad: burned-out letters, cracked concrete, dingy brick. But over the next few months, it will get a $41,700 makeover in one of Lexington’s most unusual historic preservation efforts.

The stainless steel letters spelling “Gardenside Plaza” were sent off for repair over the winter. They will soon be reinstalled with their neon lighting replaced by energy-efficient LEDs.

The white brick tower and its stainless steel crown will be cleaned and rewired. The concrete bench will be repaired and its angled roof patched and painted.

And there will be a new element: a period-appropriate ceramic mosaic mural on the back wall designed by Guy Kemper, a renowned local glass artist.

“I’m really excited about the partnerships that have come together for this,” said Yvette Hurt, founder of Art in Motion, a non-profit organization that since 2008 has worked with partners to build five Lextran bus shelters that are functional works of public art.

This is shaping up to be Art in Motion’s biggest year, with construction of three new shelters on Southland Drive, Leestown Road and Georgetown Street.

The Gardenside Neighborhood Association and Urban County Council member Peggy Henson approached Art in Motion about the Gardenside Plaza shelter in 2011.

Money for the restoration came from city “corridors” funding, Lextran, Gardenside Plaza owner Pierson-Trapp Co. and the philanthropic group Lexington Directions.

Art in Motion also is working with historian Karen Hudson at the University of Kentucky to compile an oral history of the shopping center and shelter. If you have memories to share, email: khudsonlexky@gmail.com.

Something built in the 1950s may not seem “historic” to many people. But high-quality mid-century modern architecture has gained a big following in recent years.

Architects say that, in many ways, it was the first American architectural style that took its inspiration from the future rather than the past.

Inspired by vacations in Miami Beach, Lexington developer David Trapp spent $8,500 in 1959 to build the sign and shelter for his shopping center. Public transportation was a big deal then.

“When the suburbs were opening up, women were basically trapped out there because most families, if they had a car, had only one,” Hudson said. “Women were the ones campaigning to get bus service” to new suburbs such as Gardenside, Meadowthorpe and Southland.

Between 1956 and 1972, as automobile registration in Fayette County more than quadrupled, the private bus company lost 36 percent of its paying passengers and went out of business. It was replaced by Lextran, a public agency, in 1973.

Public transportation is getting renewed interest because it is more environmentally friendly, reduces traffic congestion and is essential to many low-wage workers.

Hurt, an environmental lawyer, started Art in Motion as a volunteer project in 2006 because Lextran needed more bus shelters, she liked public art, and studies showed that transit systems that used public art in their facilities had higher ridership.

AIM built its first shelter, Bottlestop, using Ale-8-One bottles, on Versailles Road in 2008. Then came East End Artstop on Elm Tree Lane, Bluegrass shelter on Newtown Pike and Gardenstop on Euclid Avenue. AIM also helped the Columbia Heights Neighborhood Association with BankStop on the other end of Euclid.

AIM will begin work this month on Industrial Oasis, a shelter on Southland Drive in front of Good Foods Co-op. Contributors include Good Foods and shopping center owner Sanford Levy. It was designed by architect Adam Wiseman of Pohl Rosa Pohl and features steel work by sculptor John Darko.

When it is finished, work will begin on Chimneystop on Leestown Road at Townley shopping center with help from developer Dennis Anderson. Chimneystop was designed at UK by Justin Menke, Chad Riddle, Martin Steffen and Ryan Hargrove.

Marrillia Design & Construction will build both shelters, which will cost a total of $198,600. Funding comes from federal transportation grants, Lextran and partner donations.

Also this year, AIM will build a music-theme shelter on Georgetown Street at Lima Drive. It was designed by Gary Murphy of Prajna Design & Construction. Its $37,000 cost will come from city funds.

These shelters are designed to be functional, beautiful and durable. But Hurt said she has received some criticism about their cost.

“What I would argue is that we are creating work for local designers, craftsmen and firms that supply the materials,” she said. “Plus, we are creating both public art and basic amenities for public transit. It’s a good investment.”

Click on each image to see larger photo and read caption:


NoLi CDC gets $550,000 grant to turn bus station into public market

March 31, 2015

NoLiRichard Young, left, and Kris Nonn of the North Limestone Community Development Corp. stand in front of the former bus station near the corner of North Limestone Street and West Loudon Avenue that the NoLiCDC hopes to acquire from LexTran and turn into a community market.  Photo by Tom Eblen

 

The nonprofit North Limestone Community Development Corp. will get a $550,000 grant to help turn a former Greyhound bus station into a public market and local food hub focused on the surrounding neighborhood.

The John S. and James L. Knight Foundation is announcing the grant Tuesday as part of its first Knight Cities Challenge.

The foundation split $5 million among 32 projects it thinks can attract talent, improve economic opportunity and increase civic engagement in 12 of the 26 cities where the Knight ­brothers once owned newspapers, ­including the Lexington Herald-Leader. Winners were chosen from 125 finalists culled from 7,000 proposals.

The goal of the NoLi CDC project is to make locally grown food more available in the low-income neighborhood, which has been experiencing a renaissance in recent years with an influx of young, entrepreneurial and community-minded residents.

The market also would provide stalls and shared ­infrastructure for “makers” and other entrepreneurs in the neighborhood who want to start businesses, said Richard Young and Kris Nonn, the NoLi CDC’s two staff members.

The NoLi CDC has shown the potential for a public market in the neighborhood by sponsoring a monthly Night Market on the lower block of Bryan Avenue, between West Loudon and North Limestone.

Several thousand people came out to each of the festival-like markets last year, and about half the merchants and vendors were from the neighborhood. The first Night Market of 2015 will be 7 to 10 p.m. Friday.

Bahia Ramos, a program director with the Miami-based Knight Foundation, said she “really had a blast” when she attended a Night Market last year.

“There was such a diverse cross-section of people, and a genuine outpouring of good energy and creativity,” she said. “We wanted to be a catalyst to help grow that out.”

The NoLi CDC’s focus has been creating entrepreneurial opportunities for people to live and work in the North Limestone corridor.

Another of its projects is the York Street “makers spaces” — renovated 1920s shotgun houses where makers can live and work. That project, which is applying for a new type of city zoning, received a major grant last year from ArtPlace America, which focuses on encouraging “creative placemaking” in communities.

NoLi CDC hopes to put its public market and food hub in a huge Art Deco building on West Loudon Avenue, a block from the Night Market site. The only problem is that it doesn’t own the vacant building, which has nearly 104,000 square feet on 2.4 acres.

Built in 1928, it was the headquarters of Southeast Greyhound Lines until 1960. The building is now owned by the Lexington Transit Authority, which wanted to demolish it for a new headquarters. Lextran later decided to build a facility nearby, and the old building has been added to the National Register of Historic Places.

Lextran officials wrote a letter supporting the NoLi CDC’s grant application. Lextran plans to solicit sealed bids for the building within six months, spokeswoman Jill Barnett said

Acquiring and then renovating the building, which will cost several million dollars, are some of the challenges to be overcome, Young and Nonn said. But the Knight grant will give them working capital to get the project started.

Multi-tenant public markets have been very successful in many cities, Young said, noting such examples as Findlay Market in Cincinnati and Mercado La Paloma in Los Angeles.

“A lot of times you hear people talk about starting a business as ‘taking the plunge,'” Nonn said. “This would mitigate the risk associated with that” by providing shared facilities, a shopper base and other support services.

Theoretically, these projects would allow a neighborhood resident to start a business in his or her home, graduate to a market stall and eventually grow enough to have a shop in the neighborhood.

Young and Nonn worked closely with Ashton Potter, the city’s new local food coordinator, to make plans for the public market to also serve as an aggregation, processing and sales point for Central Kentucky farmers. It would include a commercial kitchen that entrepreneurs could rent to test or produce food products.

“This building that is going to be coming up for sale can go to a use that is incredibly beneficial for the neighborhood,” Young said. “Lifting the access barrier to entrepreneurial activity is something that’s really important.”


Who’s protecting abusive payday lending? Follow the money.

March 29, 2015

Legislation to rein in payday lenders, who trap some of Kentucky’s most vulnerable people in cycles of debt, died last week in the state Senate, but federal regulators are now stepping up to the plate.

payday-loanSen. Alice Forgy Kerr, a Lexington Republican, sponsored a bill that would limit payday loan interest rates, which can approach 400 percent, to 36 percent, the limit the U.S. Department of Defense sets for loans to military personnel.

The bill was supported by consumer advocates, as well as by both liberal and conservative church groups on moral grounds. But it died in the State and Local Government Committee. Wonder if that had anything to do with the payday lending industry’s campaign contributions to some legislators?

Last Thursday, President Barack Obama and the U.S. Consumer Financial Protection Bureau announced plans for a federal crackdown on payday lenders.

U.S. Rep. Andy Barr, a Lexington Republican who has received several hundred thousand dollars in contributions from financial services companies, issued a press release March 19 about proposed legislation to curb the CFPB’s “reckless regulatory overreaches.”

Looks more like an attempt to muzzle a watchdog that protects citizens from Barr’s corporate benefactors.


If Congress, state won’t raise minimum wage, Lexington should

March 29, 2015

The minimum wage has a big impact on low-wage workers, many of whom must rely on public assistance to make ends meet, as well as the overall economy, which is driven largely by consumer spending.

The $7.25 federal minimum wage hasn’t been raised since 2009. Its value adjusted for inflation has lost more than 25 percent since its peak in 1968.

Congressional Republicans have refused to raise the federal minimum wage. But many states and cities have raised theirs, realizing its importance to both low-wage workers and local economies.

The Democrat-led Kentucky House recently approved a state minimum-wage increase that was rejected by the Republican-led Senate. Louisville’s Metro Council in December approved a gradual minimum-wage increase to $9 over three years, which is being challenged in court.

Urban County Council member Jennifer Mossotti has proposed gradually raising Lexington’s minimum wage to $10.10 an hour by July 2017 and tying future increases to the consumer price index. The proposal also would gradually raise the $2.13 minimum wage for tipped workers, who haven’t seen an increase since 1991, to $3.09 over three years.

Council members are unlikely to consider the issue before June. But when they do, Jason Bailey, director of the Kentucky Center for Economic Policy, has put together a good report about the low-wage Lexington workers who would be affected.

Among the highlights: An increase would directly lift wages for about 20 percent of Lexington workers, 90 percent of whom are older than 20 and 30 percent of whom are 35 and older. Fifty-seven percent are women, 54 percent work full-time and 26 percent have children at home. Read the full report at: Kypolicy.org.

Businesses usually oppose minimum-wage increases — if not the very idea of a minimum wage — saying that increasing labor costs forces them to put people out of work and raise prices. Studies have generally shown those effects to be negligible, and the economic impact to be positive.

A minimum-wage increase is long overdue. If federal and state officials won’t do it, Lexington should join other cities and states that are.


Land-use decisions in rural Fayette County require delicate balance

March 28, 2015

BooneCreekBurgess Carey rides a zip line at his controversial canopy tour, which city officials shut down. The dispute prompted a three-year examination of ways to add more public recreation and tourism opportunities in rural Fayette County which is ongoing. Photo by Tom Eblen

 

A tightly managed, three-year effort to expand public recreation and tourism opportunities in rural Fayette County started coming unwound Thursday as the Planning Commission prepared to vote on it.

Several commission members expressed concern that the proposed zoning ordinance text amendment, or ZOTA, which they and the Urban County Council must approve, would be too restrictive.

They started offering amendments, then put off the matter for more discussion until May 21 and a possible vote May 28. The delay was wise, because these complex zoning decisions have implications far beyond recreation.

The challenge with the ZOTA is striking the right balance of private property rights, public access and the long-term preservation of horse farms, other agriculture and an environmentally sensitive landscape that the World Monuments Fund has recognized as one of the most special and endangered places on earth.

It is important to note that the ZOTA wouldn’t change rules about what property owners can do on their land for their own enjoyment. It affects only new public recreation and tourism-related land uses, both commercial and non-profit.

Part of the problem with the ZOTA process has been that it grew out of a nasty dispute between Burgess Carey and some of his neighbors in the Boone Creek area off old Richmond Road.

Carey has a permit to operate a private fishing club on his property in Boone Creek Gorge. But he expanded it into a public canopy tour business, in which people toured the gorge from treetop platforms using zip lines and suspension bridges.

Neighbors opposed the business, and city officials shut it down.

Carey’s aggressiveness antagonized officials and made it easy for opponents to brand him an outlaw rather than debate the merits of having a canopy tour on Boone Creek. That’s a shame, because it is a well-designed, well-located facility that the public should be able to enjoy.

The Boone Creek dispute prompted the ZOTA process and made it contentious from the beginning. One result was that the city task force created to study the issue wasn’t as open as it should have been to public participation and diverse viewpoints. Hence, last week’s Planning Commission fireworks.

Suburban sprawl is incompatible with animal agriculture, especially high-strung racehorses. Development takes the Inner Bluegrass region’s valuable agricultural soils out of production.

That is why Lexington in 1958 became the first U.S. city to create an urban growth boundary. Without it and other rural land-use restrictions, horses and farms could have been crowded out of Fayette County years ago.

Farmers are understandably concerned about any nearby commercial development. But some other people think it is unfair for traditional agriculture to have a monopoly on rural land use.

The balancing act gets even more complicated in the environmentally sensitive and ruggedly beautiful land along the Kentucky River Palisades. It is an ideal place for low-impact outdoor recreation and environmental education. But most public access is restricted to the city’s Raven Run Nature Sanctuary.

Preserving these natural areas is complicated, because they need constant care to stop the spread of invasive plant species, especially bush honeysuckle and wintercreeper euonymus, which choke out native vegetation. It is a huge problem.

Much of the land along the river is owned by people dedicated to its care and preservation. Many spend a lot of money and effort fighting invasive species.

But, as a matter of public policy, it is risky for Lexington to count on landowners’ wealth and good intentions forever. It makes sense to give them some business opportunities to help pay for conservation, especially since much of this land is not suitable for traditional agriculture.

Most Fayette County rural land is zoned “agriculture rural.” The ZOTA proposal would create a new “agriculture natural” zoning option along the river with some different permitted uses.

Much of the debate about the ZOTA’s treatment of both zones is about what land uses should be “primary” by right and which should be “conditional,” requiring approval by the city Board of Adjustment. The conditional use process allows for more site-specific regulation, but it can be cumbersome for landowners.

Carey’s lawyer, John Park, who lives on adjacent property along Boone Creek, points out that poor farming practices in that area can be more environmentally destructive than some commercial and recreational uses. But state law gives farmers a lot of freedom from local zoning regulations.

One criticism of the ZOTA proposal — and other parts of Lexington’s zoning code, as well — is that in trying to regulate every conceivable land use to keep “bad” things from happening, the rules aren’t flexible enough to allow “good” things to happen.

These are complicated issues with a lot of good people and good points of view on all sides. More frank and open discussion is needed to reach something close to a community consensus.

Increasing public access to rural recreation and tourism is important, both for Lexington’s economy and quality of life. But it also is necessary for preservation.

People protect what they love. Finding more ways for people to connect with this irreplaceable landscape and agrarian-equine culture will nurture that love.