American Medical Association is again led by a Lexington doctor

June 30, 2015

Steven Stack, a 43-year-old Lexington emergency room physician, recently became the youngest president of the American Medical Association since 1854.

He will need all of the youthful energy he can muster.

The nation’s largest physician organization has some ambitious challenges, from helping sort out health care reform laws to rethinking medical education and trying to stem epidemics of diabetes and high blood pressure.

Stack is the second Lexington doctor to head the AMA in three years. Ardis Hoven, an infectious disease specialist, was AMA president in 2013. She now chairs the council of the World Medical Association.

“We live in the same Zip code,” Stack said. “But we never see each other in Lexington.”

Dr. Steven Stack, a Lexington emergency room physician, recently became the youngest president of the American Medical Association since 1854.  Photo provided

Dr. Steven Stack. Photo provided

Stack and his wife, Tracie, a physician and University of Kentucky graduate, moved to Lexington in 2006 to be closer to family in Ohio. He is from Cleveland and got his education from Holy Cross and the Ohio State University.

He is director of emergency medicine at St. Joseph East and St. Joseph Mt. Sterling hospitals. Before moving here, he directed emergency medicine at Baptist Memorial Hospital in Memphis.

When I caught up with Stack by phone Monday, he was relieved that the U.S. Supreme Court had rejected a technical challenge to the Affordable Care Act, popularly known as the ACA or Obamacare.

“If it had come out the other way,” he said, “there was the risk of over 6 million Americans losing their health insurance that they had just recently gotten and throwing the entire delivery system into a whole new type of chaos with no clear path forward.”

The AMA has been generally supportive of the ACA, especially its goal of increasing insurance coverage. That doesn’t mean doctors don’t think the law needs improving.

“But you have to be willing to want to correct it and make it better as opposed to just ripping apart and destroying it,” he said. “If we want to make some things better about it, then we need to focus on those things and not on trying to cut the whole law.”

The ACA has both good and bad aspects, Stack said. A bigger issue is how it and other health-reform laws do or don’t work together. Insurance companies also have regulation and bureaucracy that makes doctors’ jobs more difficult and interferes with patient care.

“We spend too much to provide care to too few people with results that are not as good as they need to be,” he said.

In 2012, the AMA identified several broad areas where it hopes to have an impact over the next decade.

One is medical education. Stack said the AMA has invested $11 million in 11 medical schools around the country to pioneer ways of incorporating new technology, new learning methods and new leadership skills in the training of doctors.

Another big initiative is addressing the diabetes and hypertension (high blood pressure) epidemics through early diagnosis and prevention.

About 86 million Americans are thought to be pre-diabetic, “and nine out of 10 of them do not know they are,” Stack said. With better diet and more exercise in proven intervention programs led by partner organizations such as the YMCA, many pre-diabetic people can be prevented from developing Type 2 Diabetes.

Early diagnosis and disease management also are critical for hypertension, which affects 70 million Americans, or 1 in three adults.

“Those are two of the most prominent and prevalent conditions of chronic health in the United States, and they cost over a half-trillion dollars a year in healthcare expenditures,” Stack said.

“If we can improve the care of those conditions … then we could profoundly improve the health and wellness of the nation, improve their capacity for work and fulfilling lives, and improve the economy of the nation all at the same time.”

Kentucky’s diabetes and hypertension rates are some of the nation’s highest, but Gov. Steve Beshear’s embrace of the ACA, by creating a state insurance exchange and expanding Medicaid, has helped get more Kentuckians treatment for a variety of health problems, Stack said.

Another AMA goal is to help “restore the joy to the practice of medicine,” he said.

Doctors “have so much intrusion from governments and private payers and other regulators in their lives,” he said. “If we want to have a healthier, happier nation, we have to have healthier, happier physicians to partner with patients to make that possible.”


History will remember this month of seismic social change

June 27, 2015
A Pride flag held by Michael Harrington of Berea is backlit by the sun during the Decision Day Rally, celebrating Friday's marriage equality ruling, at Robert Stephens Courthouse Plaza in Lexington. Photo by Matt Goins

Michael Harrington of Berea holds a pride flag during the Decision Day Rally, celebrating Friday’s marriage equality ruling, at Courthouse Plaza in Lexington. Photo by Matt Goins

 

Social progress can seem painfully slow. And then, almost out of nowhere, events bring public opinion and the law together to produce head-spinning change.

This month will go down in history as one of those epic tipping points on several issues that have simmered below the surface of American society for generations.

The U.S. Supreme Court ruled 5-4 Friday that same-sex couples in all 50 states have a constitutional right to marry. It was a landmark decision against discrimination that followed a seismic shift in public opinion toward gay rights.

Just a few years ago, gay marriage would have seemed unthinkable to most Americans. It was contrary to tradition and conservative religious beliefs, which were reflected in federal and state law.

But when the legal question finally reached the nation’s highest court, there was little doubt about the outcome. The legal arguments against same-sex marriage were almost laughably lame.

Equal protection under the law is one of this nation’s most cherished values. The Supreme Court majority correctly decided that gay people should not have their freedom to marry blocked by other people’s religious beliefs.

It was public opinion, not a court ruling, that swiftly turned the tide on another issue: state-sponsored veneration of the Confederacy, which has disrespected black people and fueled racial tensions since the Civil War.

Protests Tuesday at the South Carolina Capitol in Columbia. Associated Press photo.

Protests Tuesday at the South Carolina Capitol in Columbia. Associated Press photo.

Conservative politicians across the South were tripping over each other last week to call for removing Confederate flags from their state capitols, Confederate emblems from their state flag and license plates and statues of Confederate heroes from places of honor.

It was a stunning reversal. Many of these politicians, and others like them, had resisted this for years. Their predecessors helped erect these symbols, either to memorialize a mythical “Lost Cause” or to express defiance against federal civil rights legislation and court-ordered integration.

Then, suddenly, a heinous crime exposed these excuses and rationalizations for what they really were. A 21-year-old white man murdered nine black worshipers in a Charleston, S.C., church after touting his racism online with pictures of himself holding the Confederate flag.

Many white people defend Confederate symbols as expressions of “Southern heritage.” They view them as honoring the sacrifices of ancestors, most of whom did not own slaves and were fighting out of loyalty to their home states.

But these symbols have always had a different meaning for black people. Confederate leaders considered their ancestors to be less-than-human property, and they went to war to try to keep them enslaved.

Since the Civil War, white supremacists have often used Confederate imagery as a tool for trying to keep black people “in their place.” Celebrating the Confederacy for other reasons does not change that bitter fact.

That doesn’t mean every Confederate relic should be banished to a museum. But government, which serves all people in this increasingly diverse country, should be careful about how and where the Confederate legacy is enshrined.

Should Confederate President Jefferson Davis’ statue be moved from the state Capitol rotunda to a museum? Should statues of Lexington’s most prominent Confederate leaders, John C. Breckinridge and John Hunt Morgan, be removed from the old courthouse lawn and Cheapside?

A monument honoring the hundreds of slaves sold on the auction block at Cheapside or whipped on that courthouse lawn now seems more appropriate.

How do we preserve, acknowledge and learn from our complex history, while at the same time honoring values we want to shape our future? It is a delicate balance.

Pope Francis. Photo by Andrew Medichini / Associated Press.

Pope Francis. Photo by Andrew Medichini / Associated Press.

The last major tipping point this month has received less attention, but it was a watershed nonetheless.

Pope Francis issued a strongly worded encyclical to the world’s 1.2 billion Roman Catholics that clearly framed environmental stewardship, climate change and related topics of social justice and economic inequality as moral issues.

But the leader of the world’s largest Christian denomination will have a fight on his hands. His views are well-grounded in Christian theology, but they run counter to the way the world works.

Many powerful people worship a God found in bank vaults rather than Heaven. By shifting the moral conversation from sex to money, Pope Francis has made a lot of people nervous. It will be interesting to see what difference his leadership makes.

As the Rev. Martin Luther King Jr. famously said, “The arc of the moral universe is long, but it bends toward justice.”


Restored Gratz Park ‘kids’ return to James Lane Allen fountain

June 24, 2015

After a seven-month, $57,000 restoration, the bronze boy and girl who have graced the Gratz Park fountain since 1933 returned to their granite perches Wednesday.

Amanda Matthews and Brad Connell of Prometheus Foundry in Lexington did a major conservation of the statues, which have been damaged and improperly repaired many times.

“Everything went great with the repair,” Matthews said. “They should be good for another 100 years.”

A crane lifted the granite base and statues back into place, and Connell reattached a restored plaque stating that the fountain was a gift to the children of Lexington from author James Lane Allen.

The city and the Gratz Park Neighborhood Association financed conservation of the statues and reconstruction of the fountain, which had many structural and plumbing problems. The fountain, which cost $154,800 to rebuild, is expected to reopen in early July.

Amanda Matthews of Prometheus Foundary, right, and Rick Deaton of American Industrial Contractors discussed how to reattach the girl's statue in the James Lane Allen fountain at Gratz Park on Wednesday. The statues, erected in 1933 with a legacy left by Lexington author James Lane Allen, received a seven-month, $57,000 restoration at Prometheus over the winter.  Photo by Tom Eblen | teblen@herald-leader.com

Amanda Matthews of Prometheus Foundary, right, and Rick Deaton of American Industrial Contractors discussed how to reattach the girl’s statue in the James Lane Allen fountain at Gratz Park. Photos by Tom Eblen

 

Brad Connell, left, Amanda Matthews and Keith Spears of Prometheus Foundary on Wednesday replaced the refurbished plaque to author James Lane Allen on the Gratz Park fountain, which is nearing completion of a $211,840 restoration. Photo by Tom Eblen | teblen@herald-leader.com

Brad Connell, left, Amanda Matthews and Keith Spears of Prometheus Foundary replaced the refurbished plaque to author James Lane Allen.

Amanda Matthews, left, and Brad Connell, right, of Prometheus Foundary reattach the refurbished statue of the boy on the fountain at Gratz Park, which is nearing completion of a seven-month restoration. The fountain, built in 1933 with a legacy from Lexington-born author James Lane Allen, includes statues of a boy and girl symbolizing the wonder of youth. Allen donated money for the fountain in honor of the children of Lexington. At center is Mike Franz, operations manager of American Industrial Contractors. Photo by Tom Eblen | teblen@herald-leader.com

Amanda Matthews, left, and Brad Connell, right, reattach the refurbished statue of the boy on the fountain.

Staff members of Prometheus Foundry and American Industrial Contractors reattach the refurbished boy's statue on the James Lane Allen fountain in Gratz Park. Left to right are Mike Franz, Brad Connell, Amanda Matthews and Keith Spears. The fountain and statues, erected in 1933 with a legacy gift from author James Lane Allen, have received a seven-month restoration paid for by the city and the Gratz Park Neighborhood Association.  Photo by Tom Eblen | teblen@herald-leader.com

Staff members of Prometheus Foundry and American Industrial Contractors reattach the refurbished boy’s statue on the James Lane Allen fountain in Gratz Park. Left to right are Mike Franz, Brad Connell, Amanda Matthews and Keith Spears.

Mike Franz and Amanda Matthews helped reposition the girl's statue on the Gratz Park fountain Wednesday after Matthews and her partner, Brad Connell, restored the circa 1933 bronze statues.  The restored fountain is to reopen in early July.  Photo by Tom Eblen | teblen@herald-leader.com

Mike Franz and Amanda Matthews helped reposition the girl’s statue on the Gratz Park fountain.

Amanda Matthews of Prometheus Foundry inspected the girl's statue after it was reattached to the James Lane Allen fountain in Gratz Park on Wednesday. Matthews and her partner, Brad Connell, of Prometheus Foundry, restored the bronze statues, which had been damaged and "repaired" several times since being installed in 1933.  Photo by Tom Eblen | teblen@herald-leader.com

Amanda Matthews of Prometheus Foundry inspected the girl’s statue after it was reattached.

Anthony Williams, project manager with the City's Parks and Recreation Department, and Amanda Matthews of Prometheus Foundry inspected the reinstalled statues of the boy and girl on the James Lane Allen fountain in Gratz Park on Wednesday. Matthews and her partner, Brad Connell, removed the statues in November for refurbishing. They were erected in 1933 as part of a legacy gift to the children of Lexington from author James Lane Allen.  Photo by Tom Eblen | teblen@herald-leader.com

Anthony Williams, project manager with the City’s Parks and Recreation Department, and Amanda Matthews of Prometheus Foundry inspected the reinstalled statues of the boy and girl on the James Lane Allen fountain in Gratz Park.


John Carroll remembered as ‘a great editor and an even greater friend’

June 22, 2015

Norman Pearlstine, the top editor of Time Inc. and, before that, the Wall Street Journal and Bloomberg, stepped to the pulpit of Lexington’s First Presbyterian Church on Monday and got right to the point.

“John was our generation’s best, most respected, most beloved editor,” he said.

Anyone seeking confirmation of that had only to look out across the venerable old sanctuary. It was filled to capacity with John Sawyer Carroll’s family, friends and colleagues who flew in for his memorial service from as far away as China.

Carroll, 73, the former editor of the Los Angeles Times, Baltimore Sun and Lexington Herald-Leader, died June 14 at his Lexington home of Creutzfeldt-Jakob disease, a rare, rapidly progressive dementia that he was diagnosed with in January.

Lexington Herald-Leader Editor John S. Carroll spoke as the newsroom staff celebrated a Pulitzer Prize for investigative reporting on April 18,1986. Reporters Jeffrey Marx and Michael York won the prize for articles in 1985 about cash and gifts given to University of Kentucky basketball players by boosters, in violation of NCAA rules. Photo by Charles Bertram

Herald-Leader Editor John S. Carroll spoke as the staff celebrated a Pulitzer Prize for investigative reporting on April 18,1986. Reporters Jeffrey Marx and Michael York won the prize for articles in 1985 about cash and gifts given to University of Kentucky basketball players by boosters, in violation of NCAA rules. Photo by Charles Bertram

Pearlstine was a classmate of Carroll’s at Haverford College near Philadelphia. His eulogy was followed by two more, from Dean Baquet, the executive editor of The New York Times, and Bill Marimow, the editor of the Philadelphia Inquirer.

Maxwell King, another former Philadelphia Inquirer editor, read a prayer selected by Carroll’s widow, Lee. The Rev. Mark Davis offered words of comfort and spoke of a life well-lived that ended too soon. Singer Calesta Day filled the sanctuary with a stunning a cappella rendition of Amazing Grace.

Friends and colleagues came to pay tribute to Carroll for five decades of remarkable journalism that produced more than two dozen Pulitzer Prizes and significant government and social reforms.

Among them: legendary Philadelphia Inquirer editor Gene Roberts, who hired Carroll for his first editing job, and Frank Langfitt, a National Public Radio correspondent based in Shanghai who worked under Carroll at the Herald-Leader and flew 18 hours to get back for the service.

“He had such an influence on my life,” Langfitt said. “I had to be here.”

The service and a reception afterward at the Carnegie Center for Literacy and Learning drew a who’s who of Kentucky media and political figures, including Mayor Jim Gray; Rep. Andy Barr and his predecessor, Ben Chandler; and former Gov. Brereton Jones.

Those who eulogized Carroll spoke of an intellectually curious and demanding editor, an inspiring leader, a great mentor and a kind and modest man.

After editing the newspapers in Lexington and Baltimore, Carroll went to the Los Angeles Times in 2000 after a scandal in which the publisher cut a secret deal with advertisers that compromised ethical standards and demoralized the newsroom.

“What followed over the next several years should stand as one of the finest acts of leadership in a newsroom or anywhere else in modern times,” said Baquet, whom Carroll hired as his deputy in Los Angeles.

“John’s newsroom was fun and ambitious,” he said. “The key people who went to work for him came out different, with bigger, larger ideas and fewer limits. And with the belief in the power and the honor of journalism; that we were part of something much larger.”

Baquet said that when he was named the top editor of The New York Times a year ago, he spoke to his staff and described the kind of outstanding but humane newsroom he wanted to create. “John was deep in my head and in my heart when I said that,” he said.

Marimow, who became Carroll’s deputy in Baltimore after working for him in Philadelphia, told how his curiosity about a routine story about the scrapping of an aircraft carrier near Baltimore led to a Pulitzer Prize-winning investigative series about the human and environmental toll of the global ship-breaking industry.

“As an editor, John was a visionary who reveled in great work as well as quirky stories and quirky colleagues,” Marimow said. “He saw the forest clearly, while most of us, including me, were lost in the trees.”

There were plenty of funny stories, too.

Pearlstine told how, when they were college students in 1962, he got Carroll out of jail after he and a friend ran onto the field of Connie Mack Stadium during the seventh-inning stretch to try to shake hands with Willie Mays.

Baquet recalled, early in their working relationship, a long, racy story about how the drug Viagra was changing Los Angeles’ pornography industry. Afraid Carroll might not want to publish it, Baquet gave it a bland headline and submitted it for approval. After a long silence as he read the story, Carroll started to chuckle.

“Then he said, ‘Great story. But why’d you put this really dull headline on it?'” Baquet recalled. “Then he pulled out a pencil, and I swear it took one second, and he scrawled down a new one: Lights, Camera, Viagra. He was the best headline writer in the business.”

Marimow recalled the last time he saw Carroll, when their families got together a year ago on Nantucket Island off the coast of Massachusetts.

“John was tan, trim, vigorous and energetic; the picture of vitality,” he recalled. “It’s the way I’ll always remember him. A great editor and an even greater friend. An irreplaceable friend.”


Entrepreneur thinks he has a new angle for office furniture

June 21, 2015

Lexington software developer Wayne Yeager has spent a lot of time sitting in front of computers since he got his first one, a primitive Radio Shack TRS-80, at age 11.

“Thirty five years or so,” he said. “That’s a lot of sitting.”

Yeager knew studies have shown that sitting for long periods is unhealthy. It also became painful, so he looked for alternatives.

“I thought, I’ve got to get a standing desk; all the cool kids are getting them,” he said. “It was awful. I lasted about an hour.”

He tried sitting on a balance ball. Then he tried a standing desk with a treadmill, but found it hard to walk and concentrate on writing code at the same time.

Wayne Yeager demonstrates the LeanChair in his garage workshop. Photo by Tom Eblen

Wayne Yeager demonstrates the LeanChair in his garage workshop. Photo by Tom Eblen

“Then I saw where Hollywood actresses used to use these leaning boards between takes so they wouldn’t mess up their costumes,” he said. “I thought, that’s not a bad idea. I wonder if I can get any work done while doing that?”

After two years of tinkering, Yeager, 49, soon hopes to begin production of the LeanChair he designed. A user stands on an angled platform while leaning back and resting against a padded back and seat, which Yeager says takes about 25 percent of weight off the feet.

The pads are supported by two bent steel pipes with some spring. At arm level is a small, swing-out desk for a computer keyboard, mouse or writing pad. Yeager has his computer monitor on an adjacent standing desk at eye level.

The angle of lean is one of many things Yeager keeps experimenting with in prototypes he has made for himself and friends. So far, he hasn’t consulted with ergonomic experts.

“I have read three ergonomics textbooks, but that does not an expert make,” he acknowledged. “I am the world’s first guinea pig on this. I’ve been doing it for hours a day for a couple of years.”

Yeager launched a Kickstarter campaign to raise $25,000 to begin manufacturing the chairs, which he plans to sell through his website, LeanChair.com. He reached his 30-day fundraising goal in a week, but is still accepting backers. (More information: Kickstarter.com and search for “LeanChair”.)

Some of Yeager’s backers are friends from Lexington and Salvisa, his hometown in Mercer County. He also has promoted the campaign on social media, which paid off when the technology website Gizmag.com noticed and wrote about it.

Among Yeager’s early backers was Warren Nash, director of the Lexington office of the Kentucky Innovation Network at the University of Kentucky’s Gatton College of Business and Economics.

Nash saw the LeanChair campaign on LinkedIn and was intrigued. He said he knows Yeager, but he isn’t a client.

“I always try to back entrepreneurs in the community,” Nash said. “In this case, it hit home because I’ve got a back problem and I’ve been looking for a solution. I liked that he knows the problem he’s trying to solve and has done a lot of customer validation. I think he’s on to something.”

Yeager’s biggest challenges may be how to scale up manufacturing to meet demand and lower costs, and how to make the LeanChair adjustable and customizable to meet a variety of customers’ needs, Nash said.

Yeager, who said he has started and sold several small technology companies, plans to use his Kickstarter funding to buy more tools and supplies. He joined Kre8Now Makerspace, a shared membership workshop that opened recently at 903 Manchester St., and plans to work from there.

He is getting help from his wife, Karen, a Lexmark retiree with a master’s degree in manufacturing engineering. He also plans to outsource some aspects of production.

“I don’t know anything about upholstery or esthetics,” he said, noting that prototypes so far have used backs scavenged from office chairs.

Yeager wants to keep tweaking the design even after he begins manufacturing. In addition to experimenting with angles, he wants to look at padding, lumbar support and knee rests. He also wants to make the chair lighter so it can be more easily moved. He is taking advance orders for LeanChairs online, at $295 each.

“I imagine most of the users are going to be computer desk jockeys,” he said. But anyone who spends hours at a desk could be a customer.

“Robots haven’t replaced us yet,” Yeager said. “We still have to find a comfortable way to get work done.”


Chattanooga offers good lessons for Lexington’s downtown

June 16, 2015
In one of Chattanooga's most ambitious recent adaptive reuse projects, a former movie theater was transformed into The Block. The theater's garage is now faced with a 5,000-square-foot climbing wall, one of the nation's largest. The $6.5 million project is one of many that has transformed downtown Chattanooga from decay into a popular destination for both residents and tourists. Photo by Tom Eblen | teblen@herald-leader.com

A former movie theater has been transformed into The Block. The theater’s garage is now faced with a 5,000-square-foot climbing wall. The $6.5 million project is one of many that has transformed downtown Chattanooga from decay into a popular destination. Photos by Tom Eblen

 

Downtown has made a lot of progress in recent years. But when I travel to other cities in the region, I realize how much further and faster Lexington needs to go.

Each June, I meet more than a dozen friends from Lexington and Atlanta somewhere in between for a week of bicycling. We look for a place with scenic, bicycle-friendly rural roads, not far from an urban center with great restaurants and interesting places to visit after each day’s ride.

I was impressed two years ago with Asheville, N.C. I was even more impressed last year by Knoxville, Tenn., whose downtown has improved dramatically since I lived there in the 1980s. This year’s destination was Chattanooga.

Lookout Mountain has been a tourist attraction since the Civil War, but Chattanooga’s downtown was long known for industrial grime and urban decay. In the 1960s, it was one of America’s most-polluted cities.

Boy, has that changed. Outside magazine readers recently voted Chattanooga as America’s Best Town.

Since 2002, a $120 million effort called the 21st Century Waterfront Plan has transformed the city’s once-derelict riverfront into a local amenity and tourist destination. That, in turn, has attracted private construction, new business and jobs.

Chattanooga is a great example of the concept that smart public infrastructure investment attracts private capital. It’s the same idea behind Town Branch Commons, the proposed linear park through downtown Lexington.

The waterfront plan helped prompt Chattanooga’s Hunter Museum of American Art to invest in a $22 million expansion. The Hunter is an excellent museum, and its prominent spot on a downtown bluff makes it easy to visit, unlike Lexington’s good but well-hidden University of Kentucky and Headley-Whitney art museums.

The Hunter is one of Chattanooga’s many examples of historic buildings being restored and adapted for new uses. The original portion of the museum is housed in a 1905 Classic Revival mansion, which since 2005 has adjoined a beautiful piece of contemporary architecture.

Another example is the Walnut Street Bridge, a 2,376-foot steel truss span built in 1890 and closed to vehicular traffic in 1978. After 15 years of neglect, it was converted into a pedestrian bridge that has become a popular gathering place.

Like the Old Courthouse in Lexington, it might have been easier and cheaper to just tear down the bridge rather than restore it and find a creative new use for it. But it is obvious now that Chattanooga made the right choice.

Chattanooga’s most famous example of historic preservation and adaptive reuse is Terminal Station, the 1908 Beaux Arts train depot that in the 1970s was converted into the Chattanooga Choo Choo, a hotel and convention center.

The Choo Choo struggled over the years, but as surrounding old buildings have been converted into trendy restaurants and shops, the area is coming back to life. An $8 million project is underway to restore the rest of the old depot and create more commercial space.

One of Chattanooga’s newest adaptive-reuse projects is The Block, near the Tennessee Aquarium. The $6.5 million project transformed the old Bijou Theater into a fitness and climbing complex. The cinema’s renovated parking garage is now faced with a 5,000-square-foot climbing wall that is both an eye-catching piece of architecture and a popular tourist destination.

Some of Chattanooga’s most important new public infrastructure isn’t visible. In 2008, the city-owned electric utility defied the cable-company monopoly and installed a gigabit broadband system that has attracted high-tech jobs.

Chattanooga’s population is a little more than half that of Lexington (168,000 vs. 310,000), although its metro area is a bit larger (528,000 vs. 473,000). But Tennessee’s fourth-largest city offers Lexington some great examples of how public-private partnerships can invest wisely in infrastructure that can attract economic development.

Chattanooga set a clear vision: Clean up the environment; showcase natural amenities, such as the Tennessee River; preserve history and local culture; encourage outstanding contemporary architecture; make it easy for people to live and work downtown; promote outdoor activity; and invest in beauty and public art.

Meanwhile, back in Lexington, last week marked six months since the Webb Companies had two giant tower cranes installed at CentrePointe, where they have done nothing toward turning the block-square pit into an underground garage.

The Hunter Museum of American Art is a prominent downtown destination in Chattanooga, perched on a bluff above the Tennessee River. Originally located in Photo by Tom Eblen | teblen@herald-leader.com

The Hunter Museum of American Art is a prominent downtown destination.

Moccasin Bend of the Tennessee River, as seen from Lookout Mountain, with Chattanooga to the right. While Lookout Mountain has been a tourist attraction since after the Civil War, Chattanooga has made substantial improvements to its downtown in recent decades, making it popular with both residents and tourists.  Photo by Tom Eblen | teblen@herald-leader.com

Moccasin Bend of the Tennessee River, as seen from Lookout Mountain, with Chattanooga to the right. While Lookout Mountain has been a tourist attraction since after the Civil War, Chattanooga has made substantial improvements to its downtown in recent decades.


Third-generation Lexington clothier Carl Meyers expands his shop

June 7, 2015
Carl Meyers, whose family has been a clothing retailer in Lexington since 1920, is expanding his upscale women's wear shop on Clay Street.   Photo by Tom Eblen | teblen@herald-leader.com

Carl Meyers, whose family has been a clothing retailer in Lexington since 1920, is expanding his upscale women’s wear shop on Clay Street. Photo by Tom Eblen

 

Every time Carl Meyers thinks he is retiring from the clothing business, a new opportunity comes up.

That’s what happened five years ago when Meyers, 63, moved back from New York and opened what he planned as a temporary shop at 111 Clay Ave. for the 2010 Alltech FEI World Equestrian Games.

Instead of closing at the end of the Games, the shop became Carl Meyers Sophisticated Style for Ladies. He just finished doubling the shop’s size and will celebrate with an open house from 4 to 8 p.m. June 11.

“I just can’t seem to stop,” Meyers said. “I’ve always had retail in me.”

His grandfather, Emanuel Meyers, was one of 11 sons of a Louisville vest tailor. In 1920, he and his brother Edward moved to Lexington to sell World War I Army surplus from a store on North Mill Street.

Much of their business was selling surplus khaki pants and boots to horse farmers. Through that, they got to know a lot of saddle horse people and eventually began making and selling custom riding apparel.

From 1938 to 1967, Meyers’ was on West Main Street beside Purcell’s department store. Carl Meyers’ parents, Marvin and Sydelle, burnished the brand with fine men’s and women’s clothing. In 1967, the store moved further east on Main Street, to the corner of what is now Martin Luther King Boulevard.

“They had just terrific taste,” Meyers said. “My mother ran the designer department and my father was the menswear guy.”

From childhood, Meyers seemed destined to be a retailer.

“I was ‘selling’ out of my mother’s attic when I was like 6 years old,” he said. “I had a little store with a little cash register up there. All of our friends would come up and ‘buy’ something.”

A few years later, Meyers started hanging around the riding apparel tailors at the Main Street store, learning about sewing, patterns and suit construction. After earning a fine arts degree at Boston University, Meyers joined the business.

“Then downtown kind of went bust,” he said, as retailers went out of business or moved to the new suburban shopping malls.

Meyers’ opened stores in Fayette and Lexington malls, but the changing business landscape doomed them. The downtown store closed in 1982 and the mall stores followed two years later.

Carl Meyers then refocused on custom riding apparel from a shop he ran for two decades on Walton Avenue, later moving to Romany Road. His flair for adding style to traditional riding “habits” earned him an international clientele.

In 2007, Meyers decided to mostly retire. He moved to New York for three years to oversee the riding apparel factory and enjoy big-city life.

“When I was in New York, I worked with a lot of young designers who would come in and get their samples made through me,” he said. “I really enjoyed it a lot, but I wasn’t making a whole lot of money.”

He started a short-lived menswear line with Crittenden Rawlings, a Kentuckian who had been president of Oxxford Clothes, a prestigious men’s suit label. (Rawlings now has his own menswear line, which he sells at his store in Midway and at more than 40 other retailers around the country.)

Meyers eventually sold the factory to his former employees and moved back to Lexington to help care for his elderly mother, who died in 2013.

“I thought I had retired,” he said, but the store he opened for the Equestrian Games attracted a following. “The women I was dealing with liked what we were doing.”

Meyers soon started adding dresses to his sportswear lines. With the expansion, he will carry more designer clothing and add shoes and furs.

Clothing trends keep getting more casual. “But when people get dressed up today, they really want to do it right, like for Derby and other occasions,” he said. “That’s where we’re finding the growth in the business.”

At this point, Meyers has no plans to retire again. In fact, with his non-compete agreement up soon, he is thinking about getting back into riding apparel — so long as he doesn’t have to travel the horse show circuit again.

“I signed a five-year lease with another five year option, so we’ll see how it goes,” he said. “And there’s an upstairs here.”

 

Meyers' clothing store was at this Main Street location in Lexington from 1938 to 1967. Photo provided

Meyers’ clothing store was at this Main Street location in Lexington from 1938 to 1967.


New workshop offers tools, space for entrepreneurs and tinkerers

June 2, 2015
Rob Savard, left, Doug Clarke and Ben Van Den Broeck on Saturday will open Kre8now Makerspace in the Distillery District, a monthly membership workshop with tools and space for people who like to make things.  Photo by Tom Eblen | teblen@herald-leader.com

Rob Savard, left, Doug Clarke and Ben Van Den Broeck on Saturday will open Kre8now Makerspace in the Distillery District. Photo by Tom Eblen

 

People who like to make things often share a common problem: They never have enough tools or a big enough workshop.

Kre8Now Makerspace, which has its grand opening 11 a.m. to 5 p.m. Saturday at 903 Manchester Street, has a solution.

For $35 a month, members will have access to every tool in the 12,000-square-foot workshop they can demonstrate competency to safely use, from sewing machines and saws to 3-D printers and welding equipment.

“It’s like a gym membership for your creativeness,” said Doug Clarke, one of three partners in the business. “We want to have a creative community where people can learn new skills and get hands-on experience through collaboration.”

Kre8Now also offers individual work and storage space next to the shared shop at $1 per square foot. The business also has a shared lounge and a classroom.

“We’re going to be teaching classes for both members and the general public in anything and everything that has to do with making,” said Clarke, a welder, machinist and former project engineer.

The partners see the space as both a place for tinkerers to hang out and for people to start businesses. They have about 40 members so far, about one-fourth of their goal.

While the space is still coming together, there is a complete wood shop, a metal shop with welding and steel-cutting equipment, a shop for building and using 3-D printers, a costume-making shop, a shop for making drone aircraft, and a variety of tools for other uses.

Many of the tools so far belong to Clarke and his two partners, Rob Savard and Ben Van Den Broeck. They all ended up in this venture because, well, they needed more tools and workshop space.

“I had my own machine shop for the better part of two decades, but I was at the point where I was going to have to invest a small fortune to expand it,” said Savard, who makes prototypes for others in addition to his personal projects.

“I also have a background in woodworking,” he added. “So my wife is expecting some furniture out of this.”

Savard thinks Kre8Now’s success will depend a lot on fostering a creative community. “It’s good to come in and see what other folks are doing and get inspired,” he said.

Van Den Broeck said he was a visual effects artist for the Cartoon Network for seven years, where he learned to use 3-D printers for prototyping cartoon characters that might work as toys. He then started a 3-D printing business, making objects for various corporate clients. Now he makes 3-D printers for various uses.

The three partners began the business with 1,800 square feet in the Old Pepper Distillery complex, another piece of Manchester Street property owned by Distillery District developer Barry McNees.

As membership increased, they outgrew the space and rented their new space from McNees. It is a former wholesale food warehouse that also houses photographer Mary Rezny and The Grand Reserve, an events venue.

“I’ve spent a lot of money bringing this place up,” Clarke said. “But it’s a great location. I see a lot of potential in the Distillery District.”

The Grand Reserve and Rezny have bought their space from McNees, who is now trying to sell the former 1860s bourbon warehouse next door that used to be Buster’s night club.

McNees and his partners bought up a lot of vacant industrial property along Manchester Street nearly a decade ago, hoping to create a mixed-use entertainment district just west of Rupp Arena.

The turnaround has been slow, mostly because of the area’s antiquated public infrastructure,. But it has become more viable and popular in the past couple of years as businesses such as Barrel House Distillery and Ethereal Brewing opened.

“What’s happening now is what I hoped would happen in the first couple of years,” McNees said. “But at least it’s happening.”


With market opening, National Provisions fulfills ambitious plan

May 31, 2015
National Provisions owners Andrea Sims and Krim Boughalem, who are married, pose in their new market space, which opened May 21 and completed the buildout of their facility, which also includes a bakery, restaurant and beer hall. Photo by Tom Eblen | teblen@herald-leader.com

National Provisions owners Andrea Sims and Krim Boughalem, who are married, pose in their new market space, which opened May 21 and completed the buildout of their facility, which also includes a bakery, restaurant and beer hall. Photos by Tom Eblen

 

When Krim Boughalem and Andrea Sims opened National Provisions in a former soft-drink bottling plant at the corner of National and Walton avenues in late 2013, it was a gamble.

Would Lexington learn to love — and pay a bit more for — the kind of fresh, European-style food that Boughalem grew up with in France?

The married couple thought so. Their first two Lexington ventures, Wine + Market on Jefferson Street, which they sold, and the Table Three Ten restaurant on Short Street, which they still own, were successful.

But National Provisions was a much bigger play: 16,000 square feet of beautifully renovated space that now includes a bakery, brasserie-style restaurant, Beer Hall, wine shop and a large market with fresh, locally produced food and delicacies flown in from around the world.

The market, the last phase of the project, opened May 21. The couple said that, as with each of the previous phases, business already has exceeded their expectations.

“It’s been pretty constantly busy,” Sims said. “There has been a lot of traffic, and I think it helps that you can see the lighted cases through the window at night.”

The market has fresh produce and specialty cuts of meat. The cheese counter has more than 100 varieties, many imported from Europe. There is a section of charcuterie (prepared meats) and a section of ready-to-eat salads, sandwiches and meals for taking home, which have been especially popular.

There is a case of pastries from the bakery in the next room, and a selection of Kentucky products such as Weisenberger Mill flours and corn meal. A seafood section and oyster bar will be the last part of the market to open, in September.

The center of the market has long, tall marble tables where customers can sit or stand to casually eat food bought at the market counters.

One side door of the market leads to the bakery; another to the brasserie. The back opens into the Beer Hall. “With everything open now, the place really breathes well,” Sims said.

Boughalem, 49, is the food expert, having learned the restaurant business in New York and London. Sims, 46, a Lexington native, trained as an artist in New York and France.

National Provisions’ interior spaces reflect Sims’ sophisticated design skills.

The former industrial building has been transformed into a variety of spaces that are both rustically elegant and comfortable. The idea, Sims said, is to not just serve and sell good food and drink, but to create a memorable experience customers will want to repeat regularly.

“That’s what it’s all about, really,” she said. “You walk in the place and you just want to be there.”

Because National Provisions is located near downtown, just off Winchester Road near where it becomes Midland Avenue, it gets a lot of passing traffic. The couple said their biggest surprise has been the enthusiastic support of residents in the nearby neighborhoods of Mentelle, Bell Court and Kenwick.

“It’s a much more committed clientele than we had at Wine + Market,” Sims said. “People have been so excited each time another thing opened.”

Part of that may be because National Provisions is the flagship of Walker Properties’ mixed-use redevelopment of the National Avenue corridor, which last week was renamed Warehouse Block. It has received a lot of favorable publicity, including in The New York Times, which cited it as a good example of urban redevelopment.

One challenge National Provisions has faced is educating customers that they’re paying more because the food is fresher and of higher quality than they may be accustomed to.

“That is a challenge, but I don’t think it’s because they don’t understand,” Boughalem said. “They’ve just never seen it. That’s not the way American markets work anymore.”

Educating suppliers is a challenge, too. Meat processors aren’t used to the European cuts Boughalem wants. For example, he said, American butchers usually produce about 34 different cuts from a cow; in France, there are 92 cuts.

“People are used to seeing meat wrapped in plastic,” he said. “We’re going to show people what meat should look like. Our goal has always been to expand big enough to have our own full-time butcher and fishmonger.”

Added Sims: “What we’d really like is our own full-time farm.”

National Provisions co-owner Krim Boughalem prepares baked goods in the bakery, National Boulangerie, which was the first section of the complex to open at the corner of National and Walton avenues in December 2013. Photo by Tom Eblen | teblen@herald-leader.com

Boughalem prepares baked goods in the bakery, National Boulangerie.

National Provisions co-owner Andrea Sims helps a customer select cheese at the new market, which carries more than 100 kinds, many from Europe.. Photo by Tom Eblen | teblen@herald-leader.com

Sims helps a customer select cheese at the new market.

National Provisions began in December 2013 with a bakery. The new market space sells all kinds of food, including the baked goods. Photo by Tom Eblen | teblen@herald-leader.com

National Provisions began in December 2013 with a bakery.

National Provisions co-owner Andrea Sims walks through the Beer Hall in the food complex at National and Walton Avenues, which also includes a restaurant, bakery and now and international fine food market. Photo by Tom Eblen | teblen@herald-leader.com

Sims walks through the Beer Hall.

National Provisions' market, at left, opened May 21, the last piece of the food complex at National and Walton avenues, which also includes a bakery, restaurant and beer hall. In addition to international delicacies, the owners are stocking as much locally produced food as they can. Photo by Tom Eblen | teblen@herald-leader.com

In addition to international delicacies, the market stocks a lot of locally produced food.

National Provisions' market, at left, opened May 21, the last piece of the food complex at National and Walton avenues, which also includes a bakery, restaurant and beer hall. In addition to international delicacies, the owners are stocking as much locally produced food as they can. Photo by Tom Eblen | teblen@herald-leader.com

National Provisions’ market, at left, opened May 21, the last piece of the food complex.


National Avenue business district has new name: Warehouse Block

May 28, 2015
Greg Walker of Walker Properties announces the renaming of his family's redevelopment district along National Avenue as Warehouse Block. Behind him is his father, Randy Walker, left, and Mayor Jim Gray. Photo by Tom Eblen

Greg Walker announces the renaming of the district along National Avenue as Warehouse Block. Behind him are his father, Randy Walker, left, and Mayor Jim Gray. Photo by Tom Eblen

 

The mixed-use business district Walker Properties has been developing in a former industrial area along National Avenue has a new name: Warehouse Block.

The family-owned company announced the name, which was voted on by tenants, at a news conference Thursday. The name and a new logo will be used in signage and other branding for the district.

Warehouse Block has a diverse mix of tenants in its renovated buildings. The New York Times featured the development in a story earlier this year as an outstanding example of adaptive reuse and urban redevelopment.

“It’s not every day that Lexington gets in the New York Times,” Mayor Jim Gray said. “What the Walkers have done is a perfect example of creative place-making.”

Randy Walker, an electrical contractor, said he started buying and renovating buildings along National Avenue three decades ago, “at a time when the neighborhood was barely nice enough to be sketchy. Coming from the construction industry, I couldn’t stand letting these buildings go un-maintained and unused.”

Walker Properties worked with city planners to revise zoning codes to allow a return to the way cities used to before the mid-20th century trend of strict segregation of land uses. The company is now run by his sons, Greg and Chad.

Greg Walker said the Warehouse Block has been about much more than renovating old buildings. “We and our clients and tenants are building a community,” he said.

Walker said the company will sponsor the first Warehouse Block party Aug. 21. National Avenue will be closed off for live music and food vendors.


At age 81, renowned folk artist Minnie Adkins is busier than ever

May 9, 2015
Folk artist Minnie Adkins, 81, in her "museum" building beside her home in Elliott County.  Photos by Tom Eblen

Folk artist Minnie Adkins, 81, in her “museum” building in Elliott County. Photos by Tom Eblen

 

ISONVILLE — Minnie Adkins turned 81 in March, nine months after her second husband died. At a point in life when most people would be slowing down, the renowned Elliott County folk artist is busier than ever.

Adkins spent the long, snowy winter whittling and painting. Her work included 11 identical statues that will be presented next year to winners of the Governor’s Awards in the Arts, which she won in 1998.

She also made dozens of colorfully painted horses, pigs, possums, foxes and roosters — especially roosters. When I visited her last week, Adkins had a table filled with roosters, each whittled from a tree limb fork.

“As you can see, I ain’t lackin’ for roosters,” she said with a wry smile. “I never do have arthritis in my hands and I’ve whittled and whittled.”

Adkins will be in Lexington on Friday from 5 p.m. to 8 p.m. for Gallery Hop at the Carnegie Center for Literacy and Learning, 251 West Second Street.

Adkins carved Bright Blue Rooster for a children's book she did with writer and folksinger Mike Norris.

Adkins carved Bright Blue Rooster for a children’s book she did with Mike Norris.

She will be showing a range of her life’s work, including dozens of figures she made for photographs in three children’s books she has done with writer and folksinger Mike Norris of Danville: Bright Blue Rooster (1997), Sonny the Monkey (2012) and Mommy Goose, which the University Press of Kentucky will publish next year.

After Gallery Hop, Adkins will get ready for the Day in the Country Folk Art Fair on June 6. Adkins started the fair at her home years ago, but it became so popular the Kentucky Folk Art Center moved it to Morehead. It is now one of America’s largest folk art fairs, with more than 50 artists from 10 states.

Then, on July 18, Elliott County will put on its second annual Minnie Adkins Day in Sandy Hook with art, crafts, food and music.

“We have a really good time at Minnie Day,” Adkins said. “Of course, I’ve just been to one Minnie Day. But it was really good.”

Adkins began whittling as a child, making toys for herself and gifts for her parents. She started selling pieces at Avon bottle shows in the early 1970s in Dayton, Ohio, where she and her first husband, Garland, had moved to find work.

“I was selling them for 50 cents or $1, and was I ever tickled when I sold a whole batch of them,” she said. “I thought I had hit the big time.”

After moving back home in 1983, she accompanied her husband to Morehead one day. While he filed for unemployment benefits, she went into a craft gallery to look around. She told the owner she made things like what he was selling, and he asked to see some of them.

Adkins has been selling work ever since with help from folk art champions such as Adrian Swain and Larry Hackley. Grandson Greg Adkins helps market her work now when he isn’t busy coaching basketball at Elliott County High School.

Adkins has been featured in several folk art books, including Ramona Lampell’s 1989 best-seller, O, Appalachia: Artists of the Southern Mountains.

“That’s really what got me recognized,” Adkins said. “People began to come here, folk art collectors from all over the country, to find me.”

Her work is in dozens of private collections and several museums, including the Smithsonian and National Gallery of Art in Washington, D.C., and New York City’s American Folk Art Museum. In Lexington, her work is sold at Ann Tower Gallery and Clark Art & Antiques.

Garland Adkins helped whittle until his death in 1997. Three years later, she married Herman Peters, a metal worker who made steel sculptures of her figures. He died last June.

Adkins lives on more than 100 acres along Right Fork Newcombe Creek, which she calls Peaceful Valley, within sight of her childhood farmhouse.

She often whittles in the easy chair in her living room, where the walls are filled with awards, including an honorary doctorate from Morehead State University, and pictures of her family, which includes a son, three grandchildren and four great-grandchildren.

Adkins has no idea how many pieces she has made: “It would be wild to even think.”

She has a workshop in her barn, as well as a little museum. In recent years, she has bought back many of her early pieces — or been given them by collectors and their families who have become friends.

Some of her biggest pieces portray Bible stories, such as Noah’s Ark, Daniel in the Lions’ Den and Adam and Eve. She also has done paintings, quilts and painted furniture. But her favorite things to make are whimsical animals.

“We always had all kinds of animals on the farm,” she said. “After I got to making pigs and horses and roosters, then I went into foxes and bears.”

Some of Adkins’ animals defy description, such as one she bought back from a collector a few years ago.

“The woman said when she come to my house I was whittling on this and she said, ‘What is that?'” Adkins recalled. “I said, ‘I don’t know what it is and I don’t know who I’m making it for,’ so I called it a Who What.”

One of folk artist Minnie Adkins' biggest pieces has been this Noah's Ark set, which she sold years ago and recently bought back.

One of Adkins’ biggest pieces was Noah’s Ark, which she sold years ago and has bought back.


How would you #FillCentrePit? Water, trampoline, donuts and more

May 8, 2015

CentrePointeIllustrationIllustration by Chris Ware, photo by Faron Collins

 

If developer Dudley Webb can’t finish his long-stalled CentrePointe project, how would you fill the massive hole in the heart of Lexington?

That was my challenge in Wednesday’s column, and did you ever respond, on Twitter, Facebook and email. I quit counting suggestions after a couple hundred. But I read them all, and here are some of the best, most creative and most bizarre.

This game was prompted by city officials’ demand that Webb fill the hole with rock and dirt, since he had made little visible progress for nearly a year in filling it with the underground garage and mixed-use development that he has promised for seven years. City pressure seemed to prompt news Friday that Webb is talking with another, unidentified developer about partnering on the project. City officials have met with that developer and say they are optimistic.

But if things don’t work out, Lexingtonians have plenty of other ideas for this limestone pit, 35 feet deep and a full city block square.

The most popular suggestion by far is to finish the underground garage and put a park on top of it. So many people liked CentrePointe as a grassy meadow, which it was from 2009 to 2013 while Webb searched for financing.

Readers thought retired racehorses could graze there, and it would make a great place for pony rides. Or it could be Lexington’s version of New York’s Central Park, Chicago’s Millennium Park or San Francisco’s Union Square.

Commercial real estate folks say this block is too valuable for a park, and that what Lexington needs is a tax-generating complex of offices, apartments, restaurants and shops.

Several readers wanted to see a development with outstanding architecture, such as the CentrePointe design that Jeanne Gang, the Chicago architect and MacArthur Foundation “genius” award winner, created in 2011 but that was later discarded.

Others who wanted the parking garage completed had other ideas for the top: a huge grocery store, a public market, a new city hall, a symphony hall, a glass-domed aviary or butterfly house, a museum complex, an Imax theater or hanging gardens.

“And Christmas lights,” wrote Christian Thalacker. “Lots of Christmas lights.”

A retired University of Kentucky professor suggested turning the site over to UK administrators, who could quickly fill it with dormitories, since Webb had already torn down all of the block’s historic buildings for them.

Others wanted to make better use of the hole than as a place to park cars. It could become an amphitheater, sunken gardens or a sports arena.

Others suggested a below-ground horse-racing track, basketball and racquetball courts, a zoo, a giant sandbox, a skateboard park, a roller derby rink, a go-kart track, a giant Ferris wheel, the world’s largest burgoo pot or a fire pit for community marshmallow roasts.

More adventurous readers wanted to create the world’s largest plastic ball pit. Others wanted the hole filled with foam or blue Jell-O or Vaseline and glitter. Several suggested installing the world’s largest trampoline.

“Are the food trucks still looking for permanent spots?” Lara Bissett asked via Twitter. “#FillCentrePit with food smells and watch people fall in like lemmings.”

Noting that Webb had once proposed creating a “Lake Lexington” water feature, many readers wanted to see the pit filled with water.

CentrePointe could become a wave pool, fishing pond or swimming pool, complete with a resort-like water bar on the end near McCarthy’s Irish Bar. The idle construction cranes could stay on as diving platforms.

Melody Hughes Ryan suggested other local-themed water park features, including The Great Compromiser No Wave Pool, honoring Henry Clay, and the Belle Brezing Hot and Steamy Tub.

Some suggested a water slide coming off the roof of the Lexington Public Library or a zip line down from the top of Lexington Financial Center or a bungee slingshot from High Street.

“Fill it with North Lime donuts and West Sixth beer and let us swim in the deliciousness,” Matt Gordon tweeted.

Others wanted paddle boats, a Noah’s Ark replica or a riverboat casino on the lake.

Some suggested the pit as a place to put Webb, Congress, various other politicians, liberals, Republicans, Duke basketball fans and impudent newspaper columnists. Among readers with this line of thinking, Webb was the overwhelming choice.

“Fill it with all of Dudley’s broken promises,” tweeted Rob Morris, a blogger and car-repair shop owner who has been a longtime critic of CentrePointe. “Wait. We’ll need a much bigger hole.”


Tell me how you would #FillCentrePit if Dudley Webb can’t build

May 5, 2015

CentrePointeThe CentrePointe pit in downtown Lexington. Photo by Tom Eblen

 

Ronald Reagan: “Mr. Gorbachev, tear down this wall!”

Jim Gray: “Mr. Webb, fill in this hole!”

That historical reference, from a former colleague, is one of many quips and wisecracks I have heard since city officials notified CentrePointe developer Dudley Webb last week that they consider him in default.

Before the city gave Webb permission to excavate his long-stalled development’s underground garage, he had to pledge $4.4 million in December 2013 to restore the property to a grassy meadow if he stopped work for 60 days.

If Webb did not fill the hole, the agreement gave city officials the right to take out a mortgage on the property to pay for the work.

Although there has been no obvious progress since last summer, Webb disputes the city’s claim that work has stopped. He has demanded that city officials retract their default notice, and his attorney has threatened to sue if they don’t.

“We’ve made great progress,” Webb told the Urban County Council last Thursday. “We’re so close to getting this deal done.”

Council members listened politely but said nothing. After seven years of empty promises, Webb’s credibility is lower than the bottom of CentrePit.

If Webb and city officials can’t reach agreement, the issue will end up in court, which could make for an interesting discovery process. Who was the mysterious dead investor? Did he ever exist?

Nobody really expects the hole to be filled. That would make no sense. Lexington needs the underground garage — and a successful, tax-generating development on top of it.

The “restoration” agreement was an attempt to give the city some leverage to keep Webb on task — or force him to turn the property over to another developer if he can’t get the job done.

Until then, the fenced-off crater, where two tower cranes have stood idle since they were installed in early December, will continue hurting surrounding businesses and sucking life out of an otherwise rebounding downtown.

CentrePointe has become a Lexington joke, so we might as well have a few laughs. Here is my challenge to you: How would you fill this hole?

Post your suggestions on Twitter or Facebook, with the hashtag #FillCentrePit so I can find them. If you don’t use social media, send me an email at teblen@herald-leader.com. No phone calls, please.

I will write a follow-up column Saturday based on the best of your suggestions. I’m looking for humor and creativity more than practicality.

To kick off the conversation, here are some ideas I have seen and heard:

■ Many have suggested drilling a few feet sideways into the Town Branch Creek culvert and allowing CentrePit to fill with water. Then, Webb would have a version of the Lake Lexington water feature he proposed years ago. (Drill carefully; a major sewer line runs between the pit and Town Branch.)

■ A manipulated photograph making the rounds on social media shows CentrePointe restored to its fenced-meadow state with the People’s Bank building, which must be moved from South Broadway or it will be demolished, placed there.

■ Several people have suggested putting the Noah’s Ark replica proposed for a Northern Kentucky religious theme park, which has been controversial because of tax breaks it has received and requested, in CentrePit, either to float or be buried.

■ One friend suggested a public contest to guess how many dump truck loads of soil and rock it would take to fill the hole.

■ Another friend suggested filling CentrePit with water and renting paddle boats. A pay lake for fishing might be more appropriate. Every time I think about how Lexington got into this mess, the phrase “hook, line and sinker” comes to mind.

The best solution, of course, would be for Webb to get financing and get to work — or turn the block over to someone who can. Until then, we might as well laugh about CentrePointe. Otherwise, we’ll just want to cry.


Kentucky Typer is a high-tech guy, but his passion is old typewriters

May 3, 2015
Bryan Sherwood started his business, Kentucky Typer, two years ago. He repairs typewriters and buys, restores and resells them. Sherwood said many of his sales have been to 20-somethings who have discovered typewriters, a machine that all but disappeared from homes and offices after personal computers became popular in the 1980s. Photo by Tom Eblen | teblen@herald-leader.com

Bryan Sherwood repairs old typewriters and buys, restores and resells them. Photos by Tom Eblen

 

By day, Bryan Sherwood is an IT specialist for a Lexington accounting firm. But he spends most evenings and weekends in his garage, working on an older type of information technology.

Sherwood runs Kentucky Typer, one of the few businesses left that repairs typewriters, those clacking machines that were ubiquitous in offices and homes for nearly a century before computers replaced them.

He said he cleans, lubricates and repairs about four typewriters a week for customers all over the country. Sherwood also buys and refurbishes typewriters and resells them through his website, Kytyper.com.

“I like the fact that they do one thing but do it really well,” he said “You can’t surf the Internet. But you can put printed words on a page.”

His mechanical mind also appreciates old typewriters’ design and craftsmanship.

“I like seeing all the different ways designers of the past approached the same problem,” he said.

150429KyTyper0010Sherwood, 43, learned typewriter repair by studying old manuals and working with Ed Reed of Ed’s Office Machines in Winchester. Sherwood thinks he and Reed might be the last two typewriter repairmen in the state.

Kentucky Typer was launched two years ago, but Sherwood has seen a surge in business lately.

Many customers are older people who have used typewriters their entire lives and don’t want to learn computers. Other typewriter users like the romance of machines on which so much great 20th-century literature and journalism was produced.

Still others are people who write a lot and enjoy a more physical, mechanical experience than they can get with a laptop computer.

“What I hear a lot is there’s a different aspect to writing with a typewriter than on a computer,” he said. “It’s because they don’t have all the distraction of Facebook, email dinging in and all those kinds of things.”

A growing number of typewriter buyers are people in their 20s who were born after the computer age began. Their generation’s interest has pushed up prices, especially for manual portables made from the 1930s to 1960s. Those now sell for two or three times what they did just a few years ago.

Ironically, the Internet has fueled interest in typewriter use and collecting. It has made it easier for typewriter fans to connect with one another, find and buy machines and get parts and information.

That is how I discovered Kentucky Typer. My trusty 1941 Remington Deluxe Remette needed adjustment, and in searching for information I found a PDF of Remington’s 1940 portable typewriter manual on Sherwood’s website.

I have always been an early adopter of technology, from the Radio Shack TRS80 I bought in 1981 to the MacBook Pro I write on now. But I also love typewriters because, well, I just do.

I learned to type on my parents’ Royal desktop. They gave me an electric Smith-Corona portable to take to college, but it was such a noisy beast I ditched it for a 1920s Royal manual portable that I bought from my landlord.

I was later given a 1920s Underwood desktop, a formidable hunk of iron. For the past 15 years or so, my typewriter of choice has been the 1941 Deluxe Remette. That rugged model was said to be a favorite of World War II correspondents.

150429KyTyper0025Sherwood’s favorite typewriter is the IBM Selectric, which used a unique type ball. They were made at IBM’s Lexington plant from 1961 until production ceased in 1986.

Selectrics still are excellent machines and fun to work on, Sherwood said. But he also has other reasons for liking them: He learned to type on one in high school, and his father worked on IBM’s Selectric assembly line.

Sherwood services all kinds of typewriters, charging $79 for basic cleaning and repair, plus $40 an hour for major work.

He restores mostly Selectrics and post-World War II portables, most of which he sells for $100 to $200. Smith-Corona, Remington and Olympia manual portables from the 1950s are especially popular.

Sherwood isn’t ready to give up his day job at Dean Dorton Allen Ford any time soon for the typewriter business. But he and his wife, Heather, enjoy it as a hobby.

“It’s fun to help people get machines working that aren’t working,” he said. “And lots of places there’s just nobody left who will do it.”

 


A case of Pappy helps add glitz to Derby wine auction and gala

April 28, 2015

The Lexington Cancer Foundation will have its 10th annual Kentucky Bluegrass Wine Auction & Derby Gala at Donamire Farm on April 30. This photo was taken at the 2014 event. Photo Provided

The Lexington Cancer Foundation will have its 10th Kentucky Bluegrass Wine Auction & Derby Gala at Donamire Farm on Thurday. This photo was taken at the 2014 event. Photo Provided

 

A bottle of hard-to-find Pappy Van Winkle has become a hit at many Central Kentucky charity auctions, sometimes fetching bids of $1,000 or more.

So here is one reason the Lexington Cancer Foundation‘s Kentucky Bluegrass Wine Auction & Derby Gala is one of the state’s fanciest Derby parties: It will auction an age-mixed case of a dozen bottles of the high-priced bourbon, plus a limited-edition Scottish crystal decanter filled with even more.

Kristi Martin, the foundation’s executive director, wouldn’t say who donated the Pappy or how much she thinks it might sell for. But I would expect several five-figure bids from the 400 guests Thursday night. After all, tickets to this sold-out gala at Donamire Farm cost $700 per couple.

Other auction items may bring even more than the Pappy. There are University of Kentucky basketball season tickets; a U2 concert in Chicago; a breeding season with an Ashford Stud sire; a Breeders Cup package; golfing at Pebble Beach; and luxury trips to Rome, Argentina, Mexico, Napa Valley, Las Vegas and Wyoming.

The wine auction gala has become a popular fundraiser for the foundation, which by the end of this year will have made more than $3 million in grants and donations to cancer-fighting organizations throughout Kentucky since 2004, Martin said.

At least half the attendees will come from out-of-state, she said, including a large Silicon Valley contingent that includes Kevin Systrom, the founder and CEO of Instagram. Graham Yost, creator of the hit TV series Justified, also will be there.

But compared to some other Derby parties, this isn’t a star-studded event — unless you are a wine connoisseur.

“Some high-level groups are coming in now, and that’s wonderful,” Martin said. “But what we have found out over the years during Derby week a lot of celebrities want to be paid to come, and that’s something we would never do.”

Brenda Rice, the wife of Lexington attorney Brent Rice, started the foundation in 2004 after a family member was diagnosed with cancer. She talked with friends she had volunteered with for other causes over the years and discovered many of them also had been touched by the disease.

“I thought, how can we make the biggest impact?” Rice said. “I knew what these women were capable of when their hearts were in it.”

The foundation is run by a 50-member board of women volunteers, with help from another 50 “junior” board members. Each year since 2005, the foundation has made an average of more than $280,000 in grants to a variety of hospitals, researchers and cancer-related programs throughout Kentucky.

The private foundation receives no state or federal funds, but has attracted a long list of corporate and individual sponsors, whose donations significantly cut the cost of putting on the wine auction and gala.

A key to the event, Martin said, has been its ability to attract top vintners. Each year, more than a dozen wineries spend about $50,000 each from their marketing budgets to participate. This year’s vintner chair is Will Harlan of the Harlan Estates family in Napa Valley. He now has his own label, The Mascot.

“The event has grown over the years as word has gotten out,” Martin said. “The level of wineries that we’re able to attract is phenomenal.”

Festivities begin Wednesday with six private dinners for top sponsors at foundation patrons’ homes. Vintners have a trade fair for area restaurateurs and wine merchants Thursday morning to promote their products, which will be served that evening at the gala with food catered by The Apiary.

After a Friday breakfast at Keeneland, guests are offered tours of horse farms and Woodford Reserve Distillery before dinner for vintners and top sponsors at the Iroquois Hunt Club. For those who want to attend the Derby on Saturday, the foundation helps them arrange to buy tickets.

“They get a wonderful experience of Kentucky during the Derby season,” Martin said. “And they help us raise money for our mission.”

The foundation’s other major fundraiser this year will be the fourth annual Roll for the Cure, a bicycle tour Aug. 22 in partnership with the Bluegrass Cycling Club.


Can North Lexington revival avoid the pitfalls of gentrification?

April 24, 2015

Rand Avenue. Rock Daniels   Photo by Tom Eblen | teblen@herald-leader.comRecently renovated houses on Rand Avenue off North Limestone Street. Photo by Tom Eblen

 

My column last Monday about the quickening pace of renovations in the North Limestone corridor generated some heated discussions on social media about “gentrification.”

In case you aren’t familiar with the term, it was coined in the 1960s to describe the displacement of poor residents when people with more money move into a neighborhood, leading to higher property values, rents and taxes.

It is a politically charged word sometimes used to try to shame people interested in historic preservation, or who want to improve property in neighborhoods where they wish to live or invest.

As urban living has regained popularity in Lexington after decades of suburban sprawl, re-investment in old neighborhoods has led to worries about gentrification.

It is a legitimate issue, because business practices and trickle-down economic policies have created a widening gap between rich and poor. Many hard-working people struggle to make ends meet after years of stagnant wages.

But gentrification can be subjective and complicated, because it involves touchy issues of class, race and capitalism. There are no easy solutions.

Two thoughtful essays about gentrification in Lexington were written by Bianca Spriggs in Ace Weekly last June and Joe Anthony in North of Center in May 2012. Both are worth reading online.

Here’s my view:

Neighborhoods are not static. They are constantly changing for many reasons. Some of those changes are good and others are bad, depending on your perspective. I see a lot more good than bad happening in North Lexington these days.

Many of these neighborhoods were created a century or two ago for wealthy and middle-class homeowners. Suburban flight led to disinvestment, deterioration and crime. A lot of owner-occupied homes became low-income rentals owned by people who didn’t take care of their property.

There are many good houses and commercial buildings there worth preserving and reusing. There also is a lot of community fabric and culture worth respecting and nurturing.

The return of more owner-occupied housing in these neighborhoods is a good thing. It is a fact of life that homeowners have more political clout than renters. That often results in more investment, better policing and less crime in neighborhoods with a significant share of owner-occupied homes.

That doesn’t mean rental property is undesirable. In many neighborhoods, such as mine, renters contribute a lot to community life.

Thanks to investment by new residents, businesses, non-profit groups such as the North Limestone Community Development Corporation and some professional renovators, many of North Lexington neighborhoods are becoming safer and more economically diverse places to live.

That doesn’t mean I like every house-flipper’s craftsmanship or tactics. But some of them are doing good work.

It is inevitable that some renters will be displaced. But I think renovators and re-sellers have a moral obligation to treat people fairly and, when possible, help longtime residents stay in the neighborhood.

Lexington is still small enough that business people’s reputations precede them. Quality work and good ethics will pay off for those who practice it, especially if others in the community speak out about bad actors.

Some absentee landlords will be displaced, too, and that is a good thing. Poor people often pay high rents and utility costs for substandard housing — and then get kicked out if they complain to Code Enforcement.

There are better solutions to affordable housing than steadily deteriorating homes owned by absentee landlords. The Urban League, Community Ventures, Habitat for Humanity, AU Associates, churches and others have done a lot of good work on affordable housing over the past two decades.

This wave of private investment in North Lexington, and the city’s new affordable housing trust fund, provide a good opportunity to address some of these gentrification issues in new and creative ways.

For one thing, people who choose to live in urban neighborhoods rather than more homogenous suburbs are seeking cultural diversity. That’s because diverse neighborhoods are more interesting places to live.

How can the city, non-profit groups and developers work together to keep low-income people in these neighborhoods, while at the same time improving the quality of housing they can afford? How can neighborhood revitalization work for everyone?

Neighborhoods are like any natural environment: The more diverse they are, the more healthy they are and the more sustainable they will be over time.


New crop of ‘community supported art’ on sale this week

April 21, 2015

Central Kentucky’s farmers are just getting their plants in the ground, but a new crop of local art is ready for harvest.

For the fifth season, the Lexington Art League is selling 30 CSA “shares” of “community supported art” using a similar model to what local farmers have been doing for years with “community supported agriculture”.

csaThe 30 shares will be on sale through Thursday for $400 each. Each share includes an original piece by nine local artists: ceramics, paintings, leatherwork, screenprints and photography.

This year’s artists are Brian and Sara Turner of Cricket Press, Matthew D. Cook of Borderstate, Elizabeth Foley, Lennon Michalski, Joe Molinaro, Nadezda Nikolova, Brandon C. Smith and Melisa Beth.

The artists were chosen by the league’s curator, Becky Alley. Each artist is paid $600 for their work. Since the program began, the league says its CSA program has sold 1,890 pieces of locally produced art, providing $37,800 in income for local artists.

“CSA is a celebration of local talent and an investment in the artists whose creativity and unique abilities distinguish and enrich our community,” said Stephanie Harris, the league’s executive director.

Shares can be purchased online at Lexingtonartleague.org or by calling (859) 254-7024. Shares in future CSA “seasons” also are for sale.

The Lexington Art League, headquartered at Loudoun House in Castlewood Park, also sponsors the annual Woodland Art Fair each August.


Lafayette High celebrates school’s 75th anniversary this weekend

April 21, 2015

150420Lafayette750004Lafayette High School celebrates its 75th anniversary this Friday and Saturday. Below, banners honoring distinguished alumni, staff and school groups have been hung in the hallways recently. Photos by Tom Eblen

 

Lafayette High School’s 75th anniversary celebration this weekend will be tempered for me by the realization that it was not quite half that old when I was a student.

I met the current principal this week. He was born two years after I graduated.

At least I won’t be the oldest of the hundreds of alumni coming back to the school Friday and Saturday. Not by a long shot. There is a dedicated group of 80-something Lafayette Generals who graduated in the 1940s.

“We are a school that is deeply, deeply rooted in the community that surrounds us,” said Bryne Jacobs, 36, who is in his third year as principal.

“A lot of our students have parents who went here,” Jacobs said. “Some have grandparents. We even had a girl at freshman orientation last year whose great-grandmother attended Lafayette.”

Everyone is invited to attend the free festivities that begin at 5 p.m. Friday. Former faculty and staff members will greet alumni in the library. Then about 150 of the school’s 2,200 students will lead tours of the campus.

The main building dates to the school’s founding in 1939, but there have been several additions and at least two major renovations. After the tours and socializing, there will be a vintage sock-hop dance in the gym, featuring an all-alumni rock band organized by David Hinkle.

150420Lafayette750024On Saturday at 10:30 a.m., alumni will begin gathering by decade to visit before walking over to Ishmael Stadium at 1 p.m. for ceremonies and performances by Lafayette’s award-winning band, orchestra and chorus.

Former Govs. John Y. Brown Jr. (class of 1952) and Ernie Fletcher (class of 1969) will speak. Jacobs thinks Lafayette may be the only high school in the state with two former Kentucky governors as alumni.

The event’s master of ceremonies is Tom Hammond (class of 1962), a longtime NBC sportscaster. He is the voice of the Olympic Games and the Kentucky Derby, which he will be calling the next Saturday.

“For him to take time out of his schedule in the week before the Derby says a lot about his feelings toward our school,” Jacobs said.

Lafayette is the oldest active public school building in Fayette County, built on the grounds of a former orphanage that included an 1850s mansion, The Elms, which burned a few months after the school opened.

Lafayette replaced Picadome High School and was named for the Marquis de Lafayette, the French hero of the American Revolution who visited Lexington in 1825. Fayette County also is named for him.

Jacobs wants to use the anniversary to highlight the school’s history and distinguished alumni, including actors Harry Dean Stanton and Jim Varney, musician Ben Sollee and politician Gatewood Galbraith.

Lafayette also has produced many star athletes, including golfer Gay Brewer, sprinter Tyson Gay, Major League Baseball’s Austin Kearns and the NBA’s Dirk Minniefield. Retired basketball Coach Jock Sutherland is a Kentucky legend.

Banners have recently been put up in school hallways highlighting the accomplishments of alumni, staff and school groups.

Dwight Price, 84, principal from 1972-1987, thinks a big reason for Lafayette’s success has been its diversity of culture and family income. It was the first white school in Lexington to be integrated, in 1955.

“We have a cross-section of America,” Price said. “And the staff has been tremendous the whole time. The early teachers set a great example, and the rest of us tried to follow that.”

I have always felt like a beneficiary of that tradition. So much of my life was shaped by great Lafayette teachers, including Julie Dodd, J. Larry Moore, Loris Points and Anne Combs.

Band taught me everything about discipline and teamwork, plus a thing or two about music. Being editor of The Lafayette Times set me off on a rewarding journalism career.

Lafayette’s principal was raised in Memphis but graduated from the University of Kentucky. He and his wife, a teacher at Breckinridge Elementary, settled in the neighborhood and quickly came to appreciate Lafayette’s culture. So, after a dozen years at Dunbar High School, Jacobs jumped at the chance to lead Lafayette.

“I’m only the eighth person to sit in this chair, so there’s some opportunity for longevity,” he said. “If I could still be here when my boys come through these doors, in the classes of 2026 and 2028, I think that would be great.”

150422LafayetteHS1941Lafayette High School in 1941. It is the oldest active public school building in Lexington.


Rand Avenue renovations add to North Limestone renaissance

April 19, 2015

150416RandAve0008Real estate entrepreneur Rock Daniels has been buying, renovating and reselling former rental houses in the first block of Rand Avenue. His contractors are basically rebuilding many of the century-old bungalows, which were structurally sound and have nice architectural detals, but had badly deteriorated after years as rental units.   Photo by Tom Eblen

 

First it was downtown mansions. Then East Lexington bungalows. Now, North Lexington cottages. The popularity of in-town living has brought another wave to Lexington’s home renovation market.

With most of the antebellum houses and Victorian mansions redone and selling for more than $500,000, a good business has developed in complete renovations of homes built a century ago for working-class families.

The wave that started in neighborhoods such as Hollywood, Kenwick and Mentelle has washed up North Limestone.

150408RandAve0022Rock Daniels, a real estate agent who twice ran unsuccessfully for the Urban County Council, is buying and virtually rebuilding early 1900s houses in the first block of Rand Avenue, just north of Duncan Park, as well as some houses on nearby streets.

Laurella Lederer was doing the same thing before him. Having redone much of Johnson Avenue, she is now working on the second block of Rand.

Broken Fork Design has redone several houses and multi-family units, including the Fifth and Lime Flats. It was a much-needed renovation of an apartment complex built after the 1963 demolition of Thorn Hill, a circa 1812 mansion where Vice President John C. Breckinridge was born.

Chad Needham, who redid the old Spalding’s Bakery at East Sixth and North Limestone and the building that now houses North Lime Coffee & Donuts across from it, has done several other houses and commercial buildings in the area.

Needham’s most recent project is especially impressive: an early 1800s house at the corner of North Limestone and West Fifth Street that became commercial space long ago and had fallen into terrible shape. Beautifully renovated, it now houses Fleet Street Hair Shoppe.

Rand Avenue, created in 1892, still has most of its original houses. A notable exception is No. 264, a vacant lot since about 2001. It was the childhood home of Elizabeth Hardwick (1916-2007), whose father was a plumbing contractor.

Hardwick left Lexington for New York in 1939 and became a famous fiction writer, essayist and critic, a founder of the New York Review of Books and wife of poet Robert Lowell. She was recently inducted into the Kentucky Writers Hall of Fame.

Since the 1980s, though, Rand Avenue has largely been rental property. Broken Fork did one of the first renovations there — the house where the Spalding family started frying their famous donuts in 1929.

Daniels, who lives in the Hollywood neighborhood, saw Rand Avenue as a promising area for young professionals who wanted to live near downtown, wanted a house and yard rather than a condo, but couldn’t afford larger renovated houses.

The first house he renovated sold in November for $182,500. He is now doing nine more on Rand, three of which are already under contract, two to medical school residents and one to a physical therapist, he said.

Daniels showed me through one of them, a circa 1910 frame cottage with about 1,200 square feet. It had been a rental house for years. He bought it for $36,000, is investing about $80,000 in renovation and hopes to sell it for about $165,000. His nearby renovated houses are priced around $145,000.

With each house, his contractors install a new roof, take the house down to the studs and make any needed structural improvements. They preserve what historic fabric they can. But except for restored heart-pine floors, most things will be new: windows, wiring, plumbing, heating and air, insulation, kitchens and siding on the non-brick houses.

Many houses have small interior coal chimneys that can’t be reused. They are removed for a more open floor plan, but the bricks are reused for walks.

“We try to save and repurpose as much as possible,” said Daniels, who grew up in a National Register historic house in Bristol, Tenn.

Daniels wants to buy all of the rental houses he can on the street, he said, but none that are owner-occupied. In fact, he said, he has offered to make improvements on those houses at cost.

He will soon be building a new porch for homeowner Janice Hamilton and her husband. She has lived there since 1981 and likes what is happening on her street.

“When I first moved here it was a lot of older people, most of them homeowners,” Hamilton said. “And then a lot of them died out and it became rental property. So it became a little this and that.

“Now I’m glad to see it coming back to the way it used to be,” she said. “A lot of people give Rand Avenue a bad rap. We had some bad tenants years ago. But it’s quiet, it’s close to town. Everybody looks out for each other. I’m looking forward to new homeowners.”

Daniels sees a lot more potential for restoring North Lexington neighborhoods.

“Of course, we’re looking for what the next Rand Avenue is going to be,” he said. “There are so many people who want to move downtown.”

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New book chronicles colorful history of Lexington’s Iroquois Hunt

April 18, 2015

150329IroquoisHunt0115ADr. Jack van Nagell, joint-master of fox hounds for the Iroquois Hunt Club, leads the beginning of a hunt on his Fayette County farm March 29. Van Nagell is the current president of the national Masters of Fox Hounds Association, the first Iroquois club member to hold that post. Photos by Tom Eblen 

 

The Iroquois Hunt Club is one of those Lexington institutions most longtime residents have heard of, but few know much about.

It has always seemed like an odd bit of British tradition in the Bluegrass, these colorfully well-dressed equestrians who chase their barking hounds through the rugged farm fields along the Kentucky River.

Christopher and Glenye Oakford explain much of the mystery in their new book, The Iroquois Hunt: A Bluegrass Foxhunting Tradition (The History Press, $20). This thoroughly researched and well-written account describes the peculiarities of fox-hunting and traces the history of the third-oldest of the nation’s 160 hunt clubs.

Over the years, the club’s membership has been a who’s who of Lexington society. And the clubhouse is one of Fayette County’s oldest industrial buildings: Grimes Mill, built on Boone Creek in 1807.

“Even if you’re not interested in fox-hunting, we tell the story of these people who played a big part in the town,” said Christopher Oakford, a freelance writer who grew up around fox-hunting near Salisbury, England.

He met his wife, North Carolina native Glenye Cain Oakford, at a fox hunt in England. She is an equestrian journalist, longtime Lexington resident and Iroquois member since 1993.

The cover of "The Iroquois Hunt" by Christopher and Glenye Oakford.While people have hunted with hounds for centuries, fox-hunting acquired its now-traditional dress, lingo and complex etiquette in Victorian England as newly rich industrialists sought to create their own gentry, the Oakfords write.

The Lexington Hunting and Riding Club was founded in 1880 by Gen. Roger Williams, a businessman, soldier, buddy of Theodore Roosevelt and all-around character. The club’s name is thought to have been changed sometime in the 1880s to honor Iroquois, a horse that won the English Derby in 1881.

The club became inactive in 1914 while Williams was away on military duty, but it was restarted in 1926 by a group of prominent men. They included Maj. Louie Beard, later a founder of Keeneland, and Leonard Shouse, owner of the Lafayette Hotel, now city hall.

“We tried to give a glimpse of Lexington through several eras,” Glenye Oakford said, “and write about how fascinating some of these characters were.”

In 1928, the group bought Grimes Mill, thinking a clubhouse would give their organization the structure and longevity its predecessor lacked.

The rustically elegant building with three-foot-thick stone walls has lounging area on the first floor and a dining room on the second. Each member has a little padlocked cabinet in which to store liquid refreshment for after a hunt or during social events three times a month.

The Iroquois has hunts most Wednesdays, Saturdays and Sundays from fall through early spring, but this year’s snow played havoc with the schedule.

I got to attend the last hunt of the season, on a Sunday afternoon at the end of March. It was at the farm of Dr. Jack van Nagell, joint-master of fox hounds with the club since 1997 and current president of the national Masters of Foxhounds Association, the first Iroquois member to hold that post.

Some club members belong for the socializing, others for the riding. But dedicated hunters love to watch and listen to the hounds work as they chase the scent of a red fox — or, more commonly now, a coyote — across the landscape.

“It’s watching them work together, getting to do what they have been bred for centuries to do,” Glenye Oakford said.

What happens to a fox or coyote when it’s caught? Well, it doesn’t happen very often, she said. In fact, she has never seen it in her years of hunting.

But the hunt provides a service to farmers by keeping coyotes scattered, she said. When they get together in packs, they have been known to attack livestock and pets.

“The purpose of the hunt is to watch the hounds puzzle out the scent of a coyote’s line, and the hunt typically ends when the hounds can no longer follow that scent, either because the coyote has eluded them or because scenting conditions have become unfavorable,” she said.

Coyotes and foxes are often good at eluding their noisy pursuers, Oakford said, recalling the time she watched the start of a hunt in England.

“After the hunt moved off, we drove up the road and saw a big, beautiful red fox sitting by the road and watching the hounds and the field ride by across the road and down a hill,” she said. “That fox sat for a long time … then he trotted off very nonchalantly in the opposite direction.”

Click on each image to see larger photo and read caption:

 

Glenye Oakford’s video of the Iroquois Hunt Club:

Iroquois Hounds from Glenye Oakford on Vimeo.