From hand-me-downs to high fashion, Bella Rose owner celebrates 35 years in business

November 16, 2015
Betty Spain, owner of Bella Rose, is celebrating her 35th year in business. Virtually all of that time, the women's clothing shop has been at the corner of West Maxwell and South Upper streets. Photo by Tom Eblen | teblen@herald-leader.com

Betty Spain, owner of Bella Rose, is celebrating her 35th year in business. Photos by Tom Eblen

 

Betty Spain grew up in Wolfe County, the eighth of 12 children in a family of little means.

“Never had a new pair of shoes until I was 12,” she said. “I wore lots of hand-me-downs.”

So it is with a mix of pride and amazement that Spain is celebrating her 35th year as the creator and owner of Bella Rose, a Lexington dress shop that has developed a national clientele for its stylish, sophisticated apparel.

Not that she has had time to celebrate. Spain said her shop at the corner of West Maxwell and South Upper streets had strong sales during Keeneland and Breeders’ Cup. Last week, some of her seven employees were busy decorating for the holidays, when Bella Rose does a big business with “wish list” suggestions many regular customers leave for the men in their lives.

Spain prides herself on being able to find the right dress for any woman, regardless of her age. Customers include two and three generations of some families.

Betty Spain

Betty Spain

One big attraction is the shop’s large inventory, which includes a basement showroom with more than 800 dresses by designers such as Nicole Miller, Kay Unger and Badgley Mischka.

“You go in so many specialty stores and they have a few items and you’re afraid almost to touch them,” Spain said. “For me, it’s come in and kick off your shoes and stay awhile, and let’s get you in the right dress.”

Spain, who travels to New York frequently to scout merchandise, does a big business in dresses for special occasions, from proms to the Country Music Awards. She also does personal shopping for several women who trust her to choose clothing that will make them look good.

“I have a client in Los Angeles that I ship a box to every month,” she said. “I have a lady in Florida that I ship a box to every month and she takes what she likes and sends back the rest. I’ve been doing this for her for 25 years.”

Bella Rose has been featured in Women’s Wear Daily and several fashion magazines. Spain’s awards include one from the National Association of Women Business Owners.

“Color, style, I just have an eye for it,” she said. “I think that my repeat clientele validates that fact. It is my gift from God.”

Spain also credits her talented staff, which includes store manager Allison Herrington, who has been with her for a decade, and Spain’s daughter, Haley Williams, the mother of two of her seven grandsons.

Spain didn’t set out to create a high-end dress shop. After high school, she moved to Lexington to work as a dental assistant. Then disaster struck. She was living at Clays Ferry when the great Kentucky River flood of December 1978 left her house filled with seven feet of water.

The only clothing that survived was what Spain was wearing. She went back to Campton, to a used clothing store where she had spent many hours as a child shopping with her mother. Forty dollars later, she had a new wardrobe.

“I started wearing those ’40s-style blazers to work with skinny jeans and patients were asking me where I got that,” she said. “I literally sold some things off my body. And some of those women still shop with me today.”

Encouraged about her apparent sense of style, Spain, then 23, started a vintage clothing store. She was open evenings and weekends for three years while she kept her day job as a dental assistant. After a few months on Clay Avenue, she moved to the location where she has been ever since.

Spain made the shop her full-time job after buying a warehouse filled with vintage clothing, some of which she wholesaled to boutiques in New York and Los Angeles.

“This warehouse is what put me in business,” she said. “I also found a resource that had antique kimonos, and I was having dresses made out of them that were one of a kind.”

Spain’s shop was called Déjà vu, which was a great name for a vintage clothing shop until a strip club with the same name opened on New Circle Road.

“We were getting phone calls of, ‘How much are table dances?’ and I was screaming, ‘I’m a mother! Don’t call here!'” she said.

Spain renamed her shop Bella Rose and took her inventory in a new direction. While stylish clothing is her business, customer service is what keeps her successful.

“I’m in the business of cheering up women,” she said. “I hear a lot of ‘Betty work your magic.’ To watch that woman put on the right dress and light up like a light bulb, it’s all worth it.”

Bella Rose owner Betty Spain, right, and her daughter, Haley Williams.

Bella Rose owner Betty Spain, right, and her daughter, Haley Williams.

 

Betty Spain, who has owned Bella Rose women's clothing store for 35 years, said part of her success has been the ability to dress women of all ages. Three regular customers are Jan Marks, left; her granddaughter, Sophi Clarke, center; and their friend, Laura Adams. Photo by Tom Eblen | teblen@herald-leader.com

Spain said part of her success is the ability to dress women of all ages. Three customers are Jan Marks, left; her granddaughter, Sophi Clarke, center; and their friend, Laura Adams.

 

Betty Spain, owner of Bella Rose, packs a lot of inventory into her small women's clothing shop. The basement room has more than 800 dresses. Photo by Tom Eblen | teblen@herald-leader.com

Bella Rose’s basement room has more than 800 dresses.

 

 

 


Foster Pettit’s posthumous memoir offers interesting history, lessons in good government

November 10, 2015

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A big reason Lexington has prospered over the past 40 years is a gutsy decision by politicians and voters in the early 1970s to create a non-partisan merger of city and county governments.

As recounted in Foster Pettit’s posthumous memoir, that process was mostly about people of different political persuasions putting the common good above their self-interest. But it also involved behind-the-scenes intrigue, courtroom fights and a mayoral election so close it was decided by a spider’s web.

“The Spider Election: The Dramatic Story of Lexington’s Closest Mayoral Election” (Amelia Press, $25) is now on sale at Fosterpettit.com. Pettit, who was city government’s last mayor and merged government’s first one, finished the manuscript shortly before his death last Nov. 22. He died at age 84 from injuries suffered in a boating accident.

Journalist Al Smith, who wrote the forword, and Pettit’s daughter-in-law, Herald-Leader reporter Linda Blackford, who helped edit the book and wrote an afterward, will sign copies Saturday at the Kentucky Book Fair in Frankfort along with one of Pettit’s sons, Gregory, a public relations executive.

Pettit began working on the book in 2011 and interviewed 16 of his political supporters and opponents from that era. He got literary help from Blackford and Neil Chethik, director of the Carnegie Center for Literacy and Learning, “so it wouldn’t read like a deposition,” Gregory Pettit said.

Pettit2Pettit, who descended from some of Lexington’s most prominent settlers, loved history and a good story. But he also wanted to write this book to remind people how beneficial merged government has been for Lexington, Gregory Pettit said.

The merger improved government services and saved taxpayers money by making their delivery more efficient. It all but eliminated party politics, and the system of 12 district Council members opened opportunities for more leadership diversity.

Lexington was the 19th place in the nation to merge city and county governments, and in the four decades since then that number has risen only to 43, including Louisville-Jefferson County in 2003. Despite the many advantages of merger, few cities and counties are willing to upset the political status-quo.

Lexington had a long history of partisan, machine politics. Then local legislators Bart Peak and Bill McCann got the General Assembly to pass a revolutionary bill in 1970 allowing Lexington and Fayette County voters to decide whether they wanted merged government.

Pettit, a Democratic lawyer, wrote that he and a group of pro-merger men tried to find a candidate to run for mayor in 1971 to pave the way for a referendum. When more than a dozen people turned them down, he agreed to do it on a slate with four City Council candidates.

The slate won, and they found an ally in Robert Stephens, the Fayette County judge, even though merger would cost them all their elected offices. When merger was put to voters in 1973, it won by a 70 percent margin.

But the main story in Pettit’s book is what happened next.

In the election to choose the first mayor of the Lexington Fayette Urban County Government, Pettit was opposed by a popular judge, Jim Amato. On election night, Amato was declared the winner by 112 votes out of more than 40,000 cast.

But while pursuing a recount, Pettit’s campaign lawyer, George Mills, was alerted to an irregularity in the Aylesford precinct. A clerk’s error in loading ballot cards in the voting machine resulted in Pettit’s and Amato’s totals being switched. In reality, the courts determined, Pettit won by 54 votes.

One question for the court, though, was whether the voting machine had been tampered with after the election. Circuit Judge James Park Jr. determined that it had not, and his most conclusive evidence was an undisturbed spider’s web and egg sac inside the machine that any tampering would have destroyed.

When Pettit decided not to run for a second term in 1977, Amato was elected mayor.

Pettit’s tragic death turned this memoir into something of a memorial. I was honored to be among 14 friends, including Amato, asked to write tribute blurbs.

Pettit was a forward-looking statesman, and his low-key, inclusive leadership style set a tone for Lexington’s merged government that continues today.

In contrast to the ideology and partisan politics that have all but paralyzed state and national government, Lexington leaders debate issues on their merits and build sometimes-odd coalitions to get good things done. That may be Pettit’s greatest public legacy, and his book explains some fascinating stories behind how it happened.


Lexington’s first Breeders’ Cup was a big success; how could the next one be even better?

November 7, 2015
At the Breeders' Cup. Photo by Tom Eblen

At the Breeders’ Cup. Photo by Tom Eblen

 

Kip Cornett said he and his wife were at an airport in June when he read on his cellphone a column by Barry Weisbord, president and co-publisher of Thoroughbred Daily News.

Weisbord wrote that he opposed a decision by his fellow Breeders’ Cup board members to bring Thoroughbred racing’s annual world championship here. He thought Keeneland and Lexington were simply too small to handle it.

After he finished reading, Cornett, president of Lexington’s Cornett Integrated Marketing Solutions, called Weisbord. “Just watch us,” he said.

Weisbord published a follow-up column last Wednesday.

“I have three words to say: I was wrong,” wrote Weisbord, who resigned from the Breeders’ Cup board last summer. “Oh, wait… three more: It was spectacular. In fact, I couldn’t be more impressed with how Keene land, the Breeders’ Cup and Lexington handled the event.”

After lavishing praise on everything about last weekend’s Breeders’ Cup in Lexington, Weisbord ended his column with this: “So… when are we going back?”

The consensus seems to be that Lexington hit a home run last weekend. That doesn’t mean everything went perfectly. Mistakes were made and lessons were learned for next time. But most people assume there will be a next time.

With the exception of a messy logistical screw-up Friday at the Maker’s Mark Bourbon Lounge, Keeneland’s performance was nearly flawless, from the races themselves to traffic management and customer service.

Nobody sweats the small stuff better than Keeneland. For example, by the end of each Kentucky Derby, patrons at Churchill Downs in Louisville are wading through a sea of trash. But throughout each day of Breeders’ Cup, Keeneland’s army of green-uniformed employees quietly walked around cleaning up. “Are you finished with your plate, Sir?”

Even though there were a record 50,155 people on the grounds Saturday and 44,947 Friday, it felt less crowded than a Bluegrass Stakes Day. One reason was that Keeneland spent $5 million adding a lot of temporary seating and hospitality space.

Even though track attendance was down 3,217 from last year’s Breeders’ Cup at Santa Anita, ticket revenue more than doubled because of the demand for high-end accommodations at Keeneland. On-track handle was $20,611,114, up slightly from last year.

For the outside world watching Breeders’ Cup on television, NBC Sports’ gorgeous telecast amounted to a two-hour commercial for Lexington.

“I’m incredibly pleased,” VisitLex President Mary Quinn Ramer said. “I heard from a lot of people that they were blown away by our hospitality. I feel like we have made lifelong friends as a result of this event.”

Some downtown restaurants, bars and food trucks grumbled that they had hoped to do better than they did, but others who planned well were quite pleased.

“We had a great experience,” said Ben Self of West Sixth Brewery, which released a Breeders’ Cup Brown ale and hosted a beer dinner and “Beers and Bets” event.

Deborah Long, who owns Dudley’s on Short, hosted a private event Friday that filled her restaurant. She offered a price fixe menu Saturday night.

“We were very pleased,” Long said. “I think the city did a great job. Keeneland did a spectacular job. From our perspective, I don’t see how it could have been improved.”

Long said her business was slow Monday and Tuesday nights. Rainy weather was partly to blame, she thinks, but a lot of the reason may have been that Breeders’ Cup visitors started arriving later than many people assumed.

Cornett, who chaired the Breeders’ Cup Festival, agrees. They may have planned too many events to try to entertain visitors and involve Lexington residents in Breeders’ Cup. After all, the week also included Halloween and the Wildcats’ football game with Tennessee.

“We maybe over-prepared by about 30 percent,” he said. “It wasn’t as needed as we thought it would be.”

Still, many of those events were well-attended, such as the Feeders’ Cup food truck event, which sold out its 3,000 tickets, and three Lyric Theatre performances of Frank X Walker’s play about the great black jockey Isaac Murphy.

Cornett said organizers also could have spent less time recruiting private homes for visitors, some of which went unused. Many visitors who came on private jets spent less time in Lexington than expected. Others found their own accommodations through Airbnb.com.

As with the Alltech FEI World Equestrian Games in 2010, the Breeders’ Cup showed that Lexington can host a big international event with aplomb.

“There are a lot of things everyone learned that will make it easier the next time around,” Cornett said. “But everyone in Lexington should be proud of what they did. We did everything we could to show we’re a world-class city, and it worked.”


Faces at the races: photos from Saturday’s Breeders’ Cup

October 31, 2015

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Brothers’ Mongolian Saturday wins colorfully at Breeders’ Cup

October 31, 2015
Dressed in traditional costume, brothers Tserenjigmed Dagvadorj, left, CEO of the Mongolian conglomerate Max Group, and his brother, horse trainer Ganbaatar Dagvadorj were there to root for their horse Mongolian Saturday in the Breeders Cup at Keeneland on Saturday. Photo by Tom Eblen | teblen@herald-leader.com

Dressed in traditional costume, brothers Tserenjigmed Dagvadorj, left, CEO of the Mongolian conglomerate Max Group, and his brother, horse trainer Ganbaatar Dagvadorj were there to root for their horse Mongolian Saturday in the Breeders Cup at Keeneland on Saturday. Photos by Tom Eblen | teblen@herald-leader.com

The most colorfully dressed owner and trainer at Saturday’s Breeders’ Cup were brothers Tserenjigmed and Ganbaatar Dagvadorj, whose horse Mongolian Saturday won the Turf Sprint.

Wearing traditional Mongolian dress, they and their party of about 20 people from Mongolia attracted a lot of attention in the grandstands.  The brothers run Max Group, a major business conglomerate in Mongolia. Ganbaatar Dagvadorj also is a successful horse trainer in a nation known for talented horses and riders.

The brothers began trading skins and furs underground in the late 1980s during the last years of Soviet domination, according to Forbes magazine. Now, their company includes supermarkets, fast-food franchises, hotels and construction companies.

Wearing traditional dress, Mongolian wrestler Dambii Ragchaa used a smart phone to videotape a race Saturday at the Breeder's Cup. He was among about 20 people from Mongolia there to root for Mongolian Saturday in the Turf Sprint. Photo by Tom Eblen | teblen@herald-leader.com

Wearing traditional dress, Mongolian wrestler Dambii Ragchaa used a smart phone to videotape a race Saturday at the Breeder’s Cup. He was among about 20 people from Mongolia there to root for Mongolian Saturday in the Turf Sprint.

 

Dressed in traditional costume, brothers Tserenjigmed Dagvadorj, right, CEO of the Mongolian conglomerate Max Group, and his brother, horse trainer Ganbaatar Dagvadorj were there to root for their horse Mongolian Saturday in the Breeders Cup at Keeneland on Saturday. The gold medallions on Ganbaatar's sash represent gold medals in Mongolian horse races. Photo by Tom Eblen | teblen@herald-leader.com

Dressed in traditional costume, brothers Tserenjigmed Dagvadorj, right, CEO of the Mongolian conglomerate Max Group, and his brother, horse trainer Ganbaatar Dagvadorj were there to root for their horse Mongolian Saturday.

 


Hitches seem few as Keeneland shines during its first Breeders’ Cup

October 30, 2015
An outrider and police officer exchange glances in the Keeneland paddock before the first race on Breeders' Cup day Friday. Photo by Tom Eblen | teblen@herald-leader.com

An outrider and police officer exchange glances in the Keeneland paddock before the first race on Breeders’ Cup day Friday. Photos by Tom Eblen

 

Keeneland, which has spent 79 years building an international Thoroughbred sales and racing powerhouse, earned the final jewel in its crown Friday by hosting the 32nd Breeders’ Cup World Championships.

The first of two days of racing came off with few hitches under mostly cloudy skies with temperatures in the 50s.

Breeders’ Cup purple replaced Keeneland green as the color of the day, but bright fall leaves offered some competition.

Keeneland spent $5 million to add temporary buildings and seating for an extra 10,000 spectators, and that kept the track from being uncomfortably crowded during its biggest day of racing ever.

A record number of fans for the first day of a Breeders’ Cup, 44,947, came to the track and to hospitality areas on Keeneland’s grounds. The crowd is expected to be even larger Saturday, when the most prestigious races are scheduled.

Customer service seemed to be at Keeneland’s usual high level, with one big exception: A reserved-seating mixup at the Maker’s Mark Lounge left some early arrivals angry when Kentucky state troopers were brought in to ask them to move.

Traffic, parking and shuttle systems operated smoothly for the most part.

“Honestly, it was easier than a normal day at Keeneland,” said Nyoka Hawkins of Lexington. “I think they’ve done a fabulous job. I bought a parking pass, and we just drove right in. It was shocking.”

Lexington received high marks from out-of-town visitors, said VisitLex president Mary Quinn Ramer. They especially enjoyed being able to get close to famous horses and tour farms while they were here. “Our four-legged celebrities are being well-adored this week,” she said.

Ramer said people from 16 nations attended the media party Thursday night. From the grandstand seat where she was hosting Garden & Gun magazine publisher Nancy Carmody, dozens of private jets could be seen parked across Versailles Road on the Blue Grass Airport tarmac.

“I’ve talked to horsemen and horsewomen from all over the world, and they’ve said our hospitality has been second to none,” Ramer said. “It’s a really big deal for Lexington to host this global audience, and we seem to be right good at it.”

Alex Lloyd-Baker, an insurance executive from London, England, agreed. He flew in Thursday from Santiago, Chile, and was staying with Lexington friends Tony and Debbie Chamblin. He planned to leave Sunday to fly to Australia for the Melbourne Cup, that nation’s biggest race.

“I’m having a wonderful time here,” said Lloyd-Baker, who attended the 2014 Kentucky Derby but had never seen a race at Keeneland. “This is just fantastic. It’s a beautiful race course, everyone is so friendly, and it’s the top quality of racing in the world.”

Several floors below Lloyd-Baker’s table overlooking the paddock, along the track rail in the general admission section, Rob Krebs of Berkeley, Calif., and Peter Valencic of Cleveland sat on a bench that they arrived early to snag.

The old high school buddies had decided a little more than a week ago to come to the Breeders’ Cup, and they easily found $100 general admission tickets online.

“Keeneland is a great place; they know how to do it right,” Valencic said. “It’s great they’re finally getting to host the Breeders’ Cup.”

Valencic said he was at the 1973 Kentucky Derby when Secretariat won the first leg of his Triple Crown. He and his friend were eager to see American Pharoah, the first Triple Crown winner in 37 years, run in Saturday’s Breeders’ Cup Classic.

Martha and Tony Rezeli of Saylorsburg, Pa., had been to Keeneland before and were excited to return for the biggest weekend in its history.

“We just got back from Las Vegas and said, ‘Let’s go to Breeders’ Cup!” she said. “We didn’t do so well there, so we’re hoping to do better here.”

Nick Nicholson, retired Keeneland president, said he was impressed by how things went, even though he had nothing to do with it. “They worked together so well with the Breeders’ Cup, and the winner is the fans,” Nicholson said. “I’m proud of us.”

 

Martha and Tony Rezeli of Saylorsburg, Pa., checked out the program Friday at Keeneland, where they were attending their first Breeders' Cup. "We just got back from Las Vegas and said, 'Let's go to Breeders' Cup!" she said. "We didn't do so well there, so maybe we'll do better here." Photo by Tom Eblen | teblen@herald-leader.com

Martha and Tony Rezeli of Saylorsburg, Pa., checked out the program Friday at Keeneland, where they were attending their first Breeders’ Cup. “We just got back from Las Vegas and said, ‘Let’s go to Breeders’ Cup!” she said. “We didn’t do so well there, so maybe we’ll do better here.” 

Margalee Conlee of Lexington, left, takes a selfie of her and Melissa Turner of Prestonsburg at Keeneland on Friday during the first day of Breeders' Cup. The two are hat designers. Their business is called Headturners. Photo by Tom Eblen | teblen@herald-leader.com

Margalee Conlee of Lexington, left, takes a selfie of her and Melissa Turner of Prestonsburg at Keeneland on Friday during the first day of Breeders’ Cup. The two are hat designers. Their business is called Headturners. 

 

 


Crowds begin pouring into Keeneland for Breeders’ Cup

October 30, 2015
As soon as Keeneland's gates opened Friday morning, fans began posing at the Breeders' Cup statue installed in the paddock for the two-day world championship of Thoroughbred racing. Photo by Tom Eblen | teblen@herald-leader.comSoo

As soon as Keeneland’s gates opened Friday morning, fans began posing at the Breeders’ Cup statue installed in the paddock for the two-day world championship of Thoroughbred racing. Photo by Tom Eblen | teblen@herald-leader.com

Keeneland usher Ezra Click of Lexington waited the crowds early Friday morning during the first day of the Breeders' Cup. Photo by Tom Eblen | teblen@herald-leader.com

Keeneland usher Ezra Click of Lexington waited the crowds early Friday morning during the first day of the Breeders’ Cup. Photo by Tom Eblen | teblen@herald-leader.com

Rob Krebs, left, of Berkeley, Calif., and Peter Valencia of Cleveland, Ohio, snagged a bench in the general admission section of Keeneland from which to watch the first day of Breeders' Cup. The avid horse players have been friends since high school. Photo by Tom Eblen | teblen@herald-leader.com

Rob Krebs, left, of Berkeley, Calif., and Peter Valencia of Cleveland, Ohio, snagged a bench in the general admission section of Keeneland from which to watch the first day of Breeders’ Cup. The avid horse players have been friends since high school. Photo by Tom Eblen | teblen@herald-leader.com


Transylvania University biology students study bats around campus; No, this isn’t a Halloween joke

October 27, 2015
Transylvania University biology student Kelli Carpenter makes notes while she and two other students work with instructor Josh Adkins to detect bats on Transylvania's campus. Photo by Tom Eblen | teblen@herald-leader.com

Transylvania University biology student Kelli Carpenter makes notes while she and two other students work with instructor Josh Adkins to detect bats on Transylvania’s campus. Photos by Tom Eblen

 

When I heard that biology students were studying bats that fly around the Transylvania University campus, I knew there had to be a good Halloween column there. Could a punch line be much easier?

But what struck me was the fascinating technology used for this research. It is an example of how new and relatively inexpensive digital devices are revolutionizing science.

It was a dark and spooky night when I met Transylvania biology teacher Joshua Adkins outside a classroom building. We were soon joined by three biology majors: juniors Kelli Carpenter and Devin Rowe and sophomore Brandon Couch.

Kentucky has 16 species of bats. Many live in colonies in remote caves and forests. But other, more solitary species like city life, where street lights attract an endless buffet of insects for them to eat.

“A lot of basic, fundamental questions are unknown about many species of bat because they’re small, they’re nocturnal, they live in places you can’t easily access and they pretty much avoid or ignore people,” Adkins said.

Adkins and his students knew there were bats on campus. In their search for nooks in which to hide, bats occasionally wander in an open window. One flew into the orchestra room Sept. 9, causing quite a stir.

“I go to lacrosse games, which are usually at night,” Couch said. “I’ve seen a lot of them swooping over the athletic fields.”

Despite their creepy appearance and fictional association with vampires, bats are nice to have around, because they eat mosquitoes and other insect pests. Last year, Rowe and a student environmental group raised money to build two bat shelter boxes on campus.

“The idea really was to get a sense of where bats are most active and then use that information to place bat boxes in the most effective places,” Adkins said.

But since bats are small, dark and avoid people, how could the students figure out their favorite campus hangouts?

Luke Dodd, a bat ecologist who teaches at Eastern Kentucky University, told Adkins about a new $400 microphone that can detect the sounds bats make as they fly, most of which can’t be heard by the human ear.

150922TransyBats-TE061The Echo Meter Touch, made by Wildlife Acoustics Inc., plugs into an iPad and comes with software that records and can identify the species of nearby bats with about 80 percent accuracy.

Adkins got money from Transylvania’s David and Betty Jones Fund for Faculty Development to purchase a couple of microphones and iPads. One night a week since June, his three students have made three-minute recordings at a dozen locations around campus, and they have found a lot of bat activity.

Transylvania’s campus seems to have five species of bats: big brown, hoary, silver haired, Eastern red and evening bats.

On the night I walked around campus with them, they may have found a sixth. At one listening station, Rowe’s iPad detected a long-legged myotis bat, which normally is found in western North America.

“I’m not sure about that, but bats are migrating now,” Adkins said. “Maybe it could be lost.”

“Maybe he’s on vacation,” Carpenter joked. “Checking out Martha’s Vineyard.”

One species the students probably won’t find on campus is Rafinesque’s big-eared bat, which, like its namesake, prefers to live in forests.

Constantine Rafinesque was an eccentric biologist who was on the Transylvania faculty from 1819 until President Horace Holley fired him in 1826 because he was always off in the woods doing research and rarely on campus teaching.

Legend has it that Rafinesque put a curse on Holley, who was forced out of Transylvania and died the following year. Rafinesque died in 1840 in Philadelphia, but his body was dug up in 1924 and reinterred in Transylvania’s Old Morrison Hall. Rafinesque’s tomb is a popular campus attraction, especially at Halloween.

The students’ bat research will be winding up soon, because bats hibernate after the first frost of winter kills most insects. Adkins hopes to get funding to continue their work next year, and to expand it to include a study of campus insects that bats eat.

“Given that we’re a college right in the middle of Lexington, this is a perfect setting to determine what are some general patterns of bat activity in a city,” Adkins said. “Once these guys collect more data and present their results, I hope it will help take away that negative stereotype bats have.”

Carpenter, left to right, Brandon Couch and Devin Rowe stood with biology instructor Josh Adkins, right, outside the Haupt Humanities Building, one of a dozen campus locations where they have been surveying urban bat populations using a high-tech microphone hooked up to an iPad.

Carpenter, left to right, Brandon Couch and Devin Rowe stood with biology instructor Josh Adkins, right, outside the Haupt Humanities Building, one of a dozen campus locations where they have been surveying urban bat populations using a high-tech microphone hooked up to an iPad.

Adkins, left, works with Carpenter, Couch and Rowe to listen for and record bat sounds using a high-tech microphone hooked to an iPad.

Adkins, left, works with Carpenter, Couch and Rowe to listen for and record bat sounds.


New phone app gives architectural tour of downtown Lexington

October 20, 2015

Richard Greissman remembers sitting in the State Theatre one Saturday in March 2008 as several hundred citizens urged developer Dudley Webb not to demolish 14 old downtown buildings for his ill-fated CentrePointe project.

“We’re all sitting there going, ‘How did CentrePointe happen? How do we prevent it?'” said Greissman, who was then a University of Kentucky administrator. “I’m thinking, what’s my small part in this?”

He decided that if more people knew about the architectural and cultural significance of Lexington’s historic buildings they would be more interested in finding ways to adapt and reuse rather than demolish them.

So Greissman, who has photographed downtown for years, emailed a picture of an elaborate stone cornice on a Main Street building to a colleague, cultural geographer Karl Raitz, and asked what he could write about it.

“Twenty minutes later I get back a perfectly formed essay,” he said. “We went out to lunch and I said, ‘What do you think?’ and he said, ‘When do we start?'”

The LexArch photo app for iPhone and Android will provide a virtual architecture tour of Lexington's historic buildings. The app was developed by Richard Greissman and Karl Raitz. Photo by Tom Eblen | teblen@herald-leader.com

Seven years later, Greissman and Raitz are launching LexArch Tour, an interactive architectural tour of downtown. The free app for iPhone and Android phones is now available for download. A launch event is planned for noon Wednesday at the Fifth Third Pavilion at Cheapside Park.

The app’s initial version includes photos, text and narration about the old Fayette County Courthouse and a dozen surrounding buildings, which are pin-pointed on a GPS map. The app also has hotlinks to a glossary of architectural terms.

“We see this as just a first version, what could be done practically in time for Breeders’ Cup,” Greissman said, adding that material is almost ready for another 20 buildings.

Greissman took the photos and Raitz wrote the text, which he narrates in small sections that can be chosen depending on the listener’s level of interest in each building. They each donated their time to the project. Beyond that, they had a lot of help. The app was built by Lexington-based Apax Software, and Prosper Media Group recorded Raitz’s narration. The $40,000 project, which includes money for updates and development over the next four years, was paid for by the mayor’s office and VisitLex, the Lexington Convention and Visitors Bureau. Another partner is the Blue Grass Trust for Historic Preservation.

The app is designed for both tourists and locals, and the creators have big plans for expanding its functionality. “I’m hoping a lot of it is developed by folks saying, ‘What about doing this?'” Greissman said.

One model they have in mind is Street Museum, an app developed by the Museum of London in Great Britain. It allows users to hold their smart phone up to a location and see historic photos of what that place looked like over time.

The next step, they said, is to develop platforms that will let app users share their photographs and memories of downtown buildings on social media.

By next spring, they plan to have an update with many more downtown buildings, as well as historic photographs of those buildings and ones there before them. They eventually want to add video clips where appropriate.

Greissman and Raitz are talking with local game developers about how to integrate scavenger hunts and other interactive games into the app to make it more appealing to young people.

Raitz said one purpose of the app is to help people understand how cities such as Lexington are put together and evolve over time. They also want to increase architectural literacy among people who are interested in preservation but don’t know much about it.

“We want to get people out looking at Lexington in a different way,” Greissman said. “And then there’s the public knowledge and political capital it could provide for the next time some guy comes along and says, ‘Let’s tear this down.'”


Lexington one of six ‘university cities’; can it take advantage of it?

October 18, 2015
Mayor Jim Gray, right, greeted University of Kentucky President Eli Capilouto at a Lexington Forum luncheon on Jan. 24, 2012. Photo by Pablo Alcala.

Mayor Jim Gray, right, greeted University of Kentucky President Eli Capilouto at a Lexington Forum luncheon on Jan. 24, 2012. Photo by Pablo Alcala.

 

Lexington has been a college town for more than 200 years. But when Scott Shapiro, a top aide to Mayor Jim Gray, was benchmarking local data against other cities recently, he discovered something interesting: Lexington was one of six U.S. cities whose numbers place them in a unique category.

This group, which he calls “university cities,” have distinct characteristics that make them different from smaller college towns or major cities with big research universities. And those characteristics translate into big economic development opportunities in the 21st century’s knowledge-based economy.

“This is one of those ah-ha moments,” Gray said of the analysis.

So, how can Lexington capitalize on this insight? We’ll get to that in a moment.

First, let’s see what Shapiro discovered about university cities, which he defined as metropolitan areas of between 250,000 and 1 million people with students making up at least 10 percent of the population.

Each city has a diversified economy closely tied to a major urban research university. In addition to Lexington, the cities are Madison, Wis.; Ann Arbor, Mich.; Fort Collins, Colo.; Durham-Chapel Hill, N.C.; and Lincoln, Neb.

Each city has an abundance of attributes that naturally come with universities, including educated people, talent, openness to new ideas, innovation, entrepreneurialism and a lot of arts and culture.

These cities seem to have more of these attributes than college towns, in short, because they are big enough that many students can stay after graduation rather than moving on to find economic opportunity.

But unlike major cities with universities, these six university cities have a lower cost of living, less crime and, in many ways, a higher quality of life.

Shapiro’s analysis found, for example, that 42 percent of adults age 25 and older in university cities have at least a bachelor’s degree, compared to 29 percent nationwide.

High education levels seemed to have a big influence on productivity and wages. When adjusted for the cost of living, Shapiro found that the median annual salary in university cities is only about $700 below that of the nation’s 15 largest cities.

Unemployment rates from 2009 to 2013 averaged 6.3 percent in university cities, compared with 8.7 percent in other similar-sized cities and 8.8 percent in the nation’s largest 15 cities.

Business starts averaged 16.3 percent higher in university cities than in similar-sized cities, and only slightly below the rate for the nation’s largest cities. The number of non-profit organizations, which often drive social entrepreneurship and improve quality of life, was almost double that of similar-sized cities.

University cities are much safer. Violent crime averaged 36 percent lower in the six university cities than in similar-size cities and 40 percent lower than in the nation’s 15 largest cities.

And university cities are more fun. They have 47.2 percent more arts, recreation and entertainment places per thousand residents than the average of similar-size cities. And while they average fewer cultural assets than the 15 largest cities, they have more of them per thousand residents — 25.7 percent more.

One key attribute of a university city is being the “right” size to balance economic opportunity, cost of living and quality of life. And therein lies a danger. While Austin is what many university cities aspire to become, the Texas capital has lost some luster as housing costs and traffic headaches have risen.

Shapiro has started a blog (Universitycities.org) to share news and ideas about university cities, and he is talking with the University of Kentucky about hosting a national symposium on the topic next year.

This subject isn’t just of interest to academics; it has a lot of practical application.

Lexington’s mayor sees the university city model as an important lens through which to view many things, from business recruiting efforts and workforce-development strategies to land-use planning and infrastructure investment.

“I think it helps us in the sorting and filtering process,” Gray said. “When you know who you are, you have a better chance of getting where you want to go.”

For one thing, he said, it shows that Lexington’s economic development strategy should be mainly built around leveraging assets that grow out of the presence of UK, Transylvania University and other education centers.

It also underscores the importance of making sure affordable housing is available and traffic doesn’t get out of control. It means Lexington should nurture cultural institutions and other quality-of-life infrastructure that talented, educated people and the companies that want to hire them look for in a city.

The next step, Gray said, is to benchmark Lexington’s data against the five other university cities to assess strengths and weaknesses.

“I think we’re poised for exploiting the knowledge economy in a better way than the industrial cities have been,” Gray said. “It’s a question of how do you really take advantage of that.”


New book explains history, mystery of the Bluegrass’ ancient trees

October 17, 2015
This bur oak on Gainesway Farm near Lexington is thought to be several hundred years old, pre-dating the first white pioneers and settlers in Central Kentucky. Photo by Tom Eblen | teblen@herald-leader.com

This bur oak on Gainesway Farm near Lexington is thought to be several hundred years old, pre-dating the first white pioneers and settlers in Central Kentucky. Photos by Tom Eblen

 

Most of us pay little attention to Kentucky’s oldest living residents. They are huge, but to the untrained eye they seem to just blend into the landscape.

Central Kentucky and Middle Tennessee may be the only places on Earth with this unique assortment of centuries-old bur, chinkapin and Shumard oak, blue ash and Kingnut hickory trees.

When Daniel Boone blazed his trail into the Bluegrass in 1775, many of the same trees we see today were already here, and big enough to offer him shade.

We seem to know little about how to care for and preserve these rare trees, which are rapidly disappearing from the landscape. But with Tom Kimmerer’s new book, Venerable Trees: History, Biology and Conservation in the Bluegrass (University Press of Kentucky, $39.95), we can know a lot more.

Kimmerer is a forest scientist, former University of Kentucky professor and one of only two tree physiologists in the state. Now a consultant, science journalist and photographer, he founded a Lexington-based non-profit organization, also called Venerable Trees. It seeks to protect these old-growth species and promote the planting of native trees in the region.

While deeply grounded in science, this book is written with a general audience in mind. It is easy to understand and filled with interesting information and stories, plus useful maps, illustrations and dozens of Kimmerer’s beautiful photographs of the trees.

Tom Kimmerer, a Lexington forest scientist and author of the book, Venerable Trees. Photo by Tom Eblen | teblen@herald-leader.com

Tom Kimmerer

Kimmerer explains why this mix of old trees is found only in the Inner and Outer Bluegrass regions of Kentucky and the Nashville Basin region of Middle Tennessee.

While some of these trees were part of forests, most grew up in pastures above deep limestone deposits. The largest remaining specimens are about 7 feet in diameter and more than 100 feet tall. Many are between 300 and 500 years old.

Why did these trees thrive here? For one thing, Kimmerer writes, crevices in the underground limestone allowed the trees’ roots to grow deep to reach groundwater and survive periodic droughts.

Another reason is that huge herds of bison once roamed the Bluegrass, before they were hunted to near extinction in the early 1800s. The bison’s periodic grazing helped keep the woodland pastures from becoming forests.

Early Kentucky settlers wrote about the enormous trees they found, many of which they cut down to build their structures. Lexington’s first building, a blockhouse where the downtown Hilton is now, was made from a giant bur oak felled by 21-year-old Josiah Collins in April 1779.

While settlement and development decimated many North American forests, hundreds of giant trees in Bluegrass pastures were kept to shade livestock or decorate the estates of wealthy landowners.

That explains Lexington’s many urban specimens. The finest collection of venerable trees is in Lexington Cemetery, where they have been nurtured since the 1850s. These trees escaped the fate of hundreds more like them cut down by 20th century real estate developers.

151018VenTrees001Kimmerer tells the story of what he calls the St. Joe Oak. It is the largest of what was once a grove of ancient trees that between the 1950s and 1970s became the St. Joseph Hospital complex. After neighbors protested plans to cut down the huge bur oak, it was surrounded by a concrete parking structure that may yet kill it.

But the author offers a hopeful example of how builders are beginning to view these distinctive trees as neighborhood signatures and amenities rather than obstacles.

Ball Homes hired Kimmerer to develop a preservation plan for what he calls the Schoolhouse Oak, a bur oak about 500 years old that dominates a hill over Harrodsburg Road at South Elkhorn Creek. Previous development plans for that property by other companies had called for the tree’s destruction.

Efforts to reproduce these tree species have met little success for many reasons, including urbanization and a lack of modern herds of grazing bison. Climate change will make this even more difficult.

Kimmerer offers good suggestions for preserving our venerable trees and replacing them with these and other native species that are more suitable than what is often planted.

Venerable Trees will likely become a classic among books about Kentucky’s natural history and environment, because it covers so much new information in such an accessible way.

These magnificent trees are as much a part of the Bluegrass landscape as horses, rock walls and four-plank fences. Whether or not you paid much attention to them before, this book will give you a greater appreciation of Kentucky’s oldest living residents.

If you go

Venerable Trees

What: Author Tom Kimmerer discusses and signs his book

When: 2 p.m., Oct. 18

Where: The Morris Bookshop, 882 East High Street.

More information: Venerabletrees.org


With Breeders’ Cup coming, black jockey Isaac Murphy gets his due

October 13, 2015

The most celebrated jockey in Lexington this month won’t be riding in Keeneland’s fall meet, or afterward at the Breeders’ Cup.

In fact, he died 119 years ago.

Isaac Burns Murphy, a black Kentuckian who was the most successful jockey in Thoroughbred racing history, will be the focus of a series of free public programs and events Oct. 20-24.

Murphy

Isaac Murphy. Keeneland Library photo

The celebration begins Tuesday with a lecture at the Lyric Theatre by Pellom McDaniels III, an Emory University professor, former professional football player and author of the 2013 biography The Prince of Jockeys.

The Kentucky Horse Park on Thursday will unveil a newly engraved tombstone for Murphy, who is buried there. Later that afternoon, new interpretive panels will be unveiled at the Isaac Murphy Memorial Art Garden in the East End.

I Dedicate This Ride, former Kentucky poet laureate Frank X Walker’s play about Murphy, will be performed at the Lyric Theatre on Friday and Saturday nights. Also on Saturday, a new memorial will be dedicated at Murphy’s original gravesite at African Cemetery No. 2 on East Seventh Street.

Each day that week, McDaniels will be speaking at the Lyric to local school groups and showing them an exhibit of photo and text panels about Murphy. The panels will remain on display in the theater’s gallery through Dec. 11.

“Isaac Murphy is a wonderful figure in history, for a lot of reasons,” McDaniels said.

Murphy was born into slavery in Frankfort four days after the Civil War began in 1861. After his father died in Union Army service in 1865, Murphy was raised in Lexington by his mother and grandfather.

Murphy became a jockey at age 14 and rode in the Kentucky Derby 11 times, winning three of them, in 1884, 1890 and 1891. By his calculations, Murphy won 628 of his 1,412 races, a 44 percent victory rate that has never been equaled. In 1955, Murphy was the first jockey to be inducted into the National Racing Museum and Hall of Fame. He died of pneumonia in 1896.

McDaniels, 47, is from San Jose, Calif., and played for the NFL’s Kansas City Chiefs and Atlanta Falcons. After retiring from football, he earned a master’s degree and Ph.D. in American studies from Emory University in Atlanta, where he is now an associate professor of African American studies.

McDaniels said he discovered Murphy while working on his doctoral dissertation about the role of black athletes in the 20th century, when racism made sports one of the few areas where black men could advance.

In looking at the roots of that phenomenon, he discovered black athletes in the 19th century who were revered by white Americans before the Jim Crow era led to systematic discrimination.

Pellom McDaniels III, an associate professor of African American studies at Emory University and former professional football player, is the author of The Prince of Jockeys, a biography of Lexington native Isaac Burns Murphy. Photo provided

Pellom McDaniels III. Photo provided

The star among them was Murphy, a celebrity described in the white press as an “elegant specimen of manhood.” He was lionized for his good looks, his intellect and his gentlemanly behavior.

“I thought it was very interesting that this man coming out of slavery would be in newspapers being represented as this quintessential man,” McDaniels said.

By the end of Murphy’s career, though, discrimination was marginalizing accomplished blacks who had made gains during Reconstruction, including athletes.

Previous biographers speculated that Murphy’s polish came from his association with whites in the horse industry. But McDaniels thinks a more likely explanation was Lexington’s black community, which was quite advanced for that time.

“The community was thriving,” he said. “There were businesses and very well-educated people there, lawyers and doctors.”

McDaniels thinks Murphy’s life story is a great teaching opportunity, especially for young people.

“Sports history is an opportunity to teach, especially young men, about these different nuances of social and economic and racial history,” he said

Murphy was a professional athlete who knew how to handle success with grace and responsibility — something rare now as it was then. His success brought fortune as well as fame, and Murphy and his wife, Lucy, lived in a Third Street mansion about where the Isaac Memorial Art Garden is now.

“He and Lucy had plenty of opportunities to leave Lexington and go to California and New York and Chicago, but he kept coming back home,” McDaniels said. “I think he came home because the people in Lexington knew him. They were his family and they helped him maintain his rootedness.”


Emerge Contracting sees opportunity in urban infill, redevelopment

October 12, 2015
Smith Town Homes, a townhouse development on Smith Street being developed by Emerge Contracting. Photo by Tom Eblen | teblen@herald-leader.com

Smith Town Homes, a townhouse development on Smith Street. Photos by Tom Eblen

 

When Bob Eidson and Matt Hovekamp were roommates 15 years ago at the University of Kentucky, they talked about starting a real estate development company together. Then they went their separate ways.

Eidson joined the Army and served in Iraq, earned an MBA from UCLA and worked in banking and finance. He also helped start The Bourbon Review magazine.

Hovekamp spent a dozen years as Ball Homes’ purchasing manager.

The college roommates got back together in 2008 as Lexington’s infill and redevelopment market was beginning to emerge. They raised capital to buy property, started doing construction work for others and began making development plans for when the economy recovered.

Bob Eidson

Bob Eidson

Emerge Contracting’s focus is on infill development and renovation ventures in Lexington’s walkable, urban neighborhoods — roughly between Midland Avenue and Newtown Pike, Loudon Avenue and Maxwell Street.

The company’s first big project is Smith Town Homes, a row of five market-rate townhomes near the West Sixth Brewery.

With that project almost finished, the partners broke ground Oct. 2 for a very different venture: Wilgus Flats, a 12-unit apartment cluster aimed at low-income workers and retirees in the East End. They plan to own and operate the complex.

“We want to do mixed-use, mixed-income projects and affordable housing,” Eidson said. “We feel like now the industry trends and growth are pretty sustainable.”

Emerge Contracting was one of the first developers to file applications with the city’s new affordable housing trust fund. But their initial project was designed to appeal to professionals and empty-nest baby boomers seeking an urban lifestyle.

Emerge Contracting co-owner Matt Hovekamp. Photo by Tom Eblen | teblen@herald-leader.com

Matt Hovekamp

Smith Town Homes are on five narrow lots on Smith Street, between West Fifth and West Sixth streets, one block east of Jefferson. It is a low-income neighborhood with many old shotgun houses. Eidson and Hovekamp said that when they bought the property in 2008, it included two vacant houses without indoor plumbing, which they demolished.

The Lexington architecture firm Alt32 designed the contemporary townhomes, which have brick and galvanized metal exteriors. Each unit has 10-foot ceilings and polished concrete floors on the first level. The units are designed to save energy costs, with heavy insulation, high-efficiency systems and LED lighting.

Four units have three bedrooms, and one unit has two. They range in price from $199,000 to $245,000. The two cheapest units are now listed as under contract.

“Our value proposition is modern, multi-generational, energy-efficient housing downtown below $120 a square foot,” Eidson said.

The partners said they aren’t trying to “gentrify” Smith Street, but create new development that will add income diversity and make the neighborhood more stable. Next door, they bought a vacant old building they plan to remodel and rent as four low-income apartments.

When I stopped to see Smith Town Homes under construction in June, Lexington Police Officer Charles Burkett happened by. He said he had spent 13 years patrolling the area, which in the past has suffered from disinvestment and high crime, even though it is only a block from the mansions of Fayette Park.

“I’m impressed,” Burkett said. “That’s what this neighborhood has needed for a lot of years.”

Across town, Wilgus Flats, on two vacant lots on East Third Street, will have 12 apartments with monthly rents in the $600 range. First-floor units will be designed to accommodate disabled and elderly people.

“They came to us and said, ‘What would be good for the neighborhood?'” East End activist Billie Mallory said. “A lot of people are just sitting on land around here. I’m glad somebody is going ahead and doing something.”

Wilgus Flats is across East Third from Wilgus Street, whose oldest property is the circa 1814 home of Asa Wilgus, a prominent builder in early Lexington. His work included the 1811 Pope Villa on Grosvenor Avenue, which was designed for a Kentucky senator by Benjamin Latrobe, America’s first professional architect and designer of the U.S. Capitol.

Eidson and Hovekamp see a lot of potential in revitalizing urban neighborhoods in Lexington that suffered from decades of neglect during the decades when suburban development was the rage. Both live with their wives near downtown; the Hovekamps on South Upper Street, the Eidsons on West Sixth.

“We like the diversity of downtown,” Hovekamp said. “It’s something you don’t get in the suburbs.”

Emerge Contracting recently broke ground for Wilgus Flats, a 12-unit affordable housing apartment development in the East End.

Emerge Contracting recently broke ground for Wilgus Flats, a 12-unit affordable housing apartment development in the East End.


PRHBTN festival shows the potential for more murals in Lexington

October 10, 2015
Meg Salesman's mural "Common Threads" dominates the side wall of a former school in Philadelphia being converted into 56 high-end apartments in a development called Mural Lofts. Photo by Tom Eblen | teblen@herald-leader.com

Meg Saligman’s mural Common Threads dominates the side wall of a former school in Philadelphia being converted into 56 high-end apartments called Mural Lofts. Photos by Tom Eblen

 

On a recent trip to Philadelphia, I saw what Lexington’s PRHBTN festival could grow up to become.

I love PRHBTN. The festival, organized by John and Jessica Winters, has made a huge contribution to Lexington in its first five years. It has brought some of the world’s best street muralists here to cover blank city walls with impressive works of art.

This year’s festival, which has been going on for the past week, added four new murals to our civic collection. Go see them at 266 Jefferson Street, 431 Jersey Street, 350 Short Street and 185 Elm Tree Lane.

My favorite this year is Portuguese artist Sergio Odeith’s image of the late jazz trumpeter Louis Armstrong on a 30-by-70-foot wall of Lighthouse Ministries at Elm Tree Lane and Corral Street. It is a warm smile for the whole East End.

My all-time favorite PRHBTN mural is the colorful rendering of Abraham Lincoln on the back wall of the Kentucky Theatre. It has been a local icon since Brazilian artist Eduardo Kobra’s spray paint dried two years ago.

I don’t like all of the PRHBTN murals; a few of them just seem creepy. My least favorite is the enormous piece depicting an “outlaw” street artist that was painted on the Old Pepper warehouse on Manchester Street last year.

That mural was done by European artist MTO, who seems to like creating controversy as much as art. While technically excellent, the mural strikes me as self-indulgent; a vanity piece that missed an opportunity to relate to its setting.

But those are just my opinions. I was discussing PRHBTN with a friend last week, and it turned out the murals I dislike are among his favorites. And that’s fine.

Good art often elicits strong emotions. That is especially true with public art, which is big and out there for everyone to judge. A piece that touches one person’s soul can turn another’s stomach. Public art without any edge is often boring and forgettable.

If you want to see some unforgettable public art, go to Philadelphia. And I don’t mean the “Rocky” statue near the steps Sylvester Stallone ran up in the movies, or Robert Indiana’s famous LOVE sculpture, with its right-leaning O.

Over the past three decades, Philadelphia’s Mural Arts Program has worked with artists and community groups to create more than 3,800 murals all over the city. Many of them are stunning works of paint and mosaic art that reflect a vibrant city in all its diversity.

The program began in 1984 as an anti-graffiti campaign when Philadelphia was a city in decline. Artist Jane Golden realized many of the young “taggers” defacing buildings across the city had both talent and a desire to create art. Mayor Wilson Goode hired her to redirect their energies into something positive.

The public-private partnership now works in every Philadelphia neighborhood to provide arts education to young people and pair artists with community and non-profit groups to collaborate on public art.

Many of the murals celebrate neighborhoods, the contributions of ethnic groups, workers, industries and other aspects of the 333-year-old city’s history and culture. Subjects run the gamut from universal themes of humanity to one mural on the side of a pet hospital celebrating dear, departed cats and dogs.

My family took a bus tour of several dozen downtown murals, and our guide talked about how they and the process of creating them had helped improve understanding and communication among Philadelphia’s disparate populations.

While many were painted directly on buildings, others were done in pieces on special cloth and later assembled on walls. That allowed schoolchildren, nursing home residents and even prison inmates to help with the painting.

Some of the most interesting murals are mixed-media pieces, combining various painting techniques with mosaic tile and glass.

Philadelphia’s Mural Arts Program has inspired many imitators. Cincinnati Mayor Mark Mallory in 2007 started the Artworks Mural program, which has created 90 murals in 36 Cincinnati neighborhoods and seven nearby cities.

The PRHBTN festival has shown that high-quality art murals can enhance Lexington and engage its citizens. How could we build on that?

 

What a difference this Philadelphia mural made to a corner otherwise notable for a convenience store. This 2002 mural by Meg Saligman is called "Theater of Life." Photo by Tom Eblen | teblen@herald-leader.com

What a difference this Philadelphia mural made to a corner otherwise notable for a convenience store. Meg Saligman’s mural Theater of Life.

 

Arturo Ho's mural about the history of Philadelphia's Chinatown.

Arturo Ho’s mural, History of Chinatown.

 

Michael Webb's mural, Tribute to Trades and Labor.

Michael Webb’s mural, Tribute to Trades and Labor.

 

Michelle Angela Ortiz's mural, Where Girls Grow Strong.

Michelle Angela Ortiz’s mural, Where Girls Grow Strong.

 

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Finding Home, by Josh Sarantitis and Katherine Penneckaker,

 

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A mosaic mural on an alley wall.

 

This 2008 mural by artist Willis Humphrey, called "Mapping Courage," honors black leader W.E.B. Du Bois and the Philadelphia Fire Department's Engine Co. 11, on whose building it is painted. Photo by Tom Eblen | teblen@herald-leader.com

Willis Humphrey’s mural “Mapping Courage,” honors black leader W.E.B. Du Bois and the Philadelphia Fire Department’s Engine Co. 11, on whose building it is painted.

 

Murals don't have to be gigantic, or painted. This mosaic mural was created on a small wall on a Philadelphia side street. Photo by Tom Eblen | teblen@herald-leader.com

Murals don’t have to be gigantic, or painted. This mosaic mural was created on a small wall on a Philadelphia side street. Photo by Tom Eblen | teblen@herald-leader.com

 

David Guinn's mural, Gimme Shelter.

David Guinn’s mural, Gimme Shelter.

 

Reach High and You Will Go Far, by Joshua Sarantitis.

Reach High and You Will Go Far, by Joshua Sarantitis.

To see even more Philadelphia murals, click here.


New mural an effort to overcome a disaster and a near-miss

October 6, 2015
Sergio Odeith, a Portuguese mural artist, began work Monday on a 30-by-70-foot mural of jazz great Louis Armstrong and his trumpet on the side of Lighthouse Ministries, 185 Elm Tree Lane. Photos by Tom Eblen

Sergio Odeith, a Portuguese mural artist, began work Monday on a 30-by-70-foot mural of jazz great Louis Armstrong on the side of Lighthouse Ministries, 185 Elm Tree Lane. Photos by Tom Eblen

 

Jazz great Louis Armstrong played at a private party at the old Phoenix Hotel in 1961 and, according to some people’s memories, he might have performed at the Lyric Theatre in its heyday.

Now, a larger-than-life Satchmo is starting a more public and permanent gig between those two historic venues.

Portuguese artist Sergio Odeith began work Tuesday on a photo-realistic mural of Armstrong and his trumpet on the 30-foot by 70-foot south wall of Lighthouse Ministries, 185 Elm Tree Lane.

Odeith is here as part of the fifth annual PRHBTN festival, which brings renowned street artists from all over the world to Lexington to create spray-painted murals.

This is Odeith’s second trip to PRHBTN. He returned because a mural of running horses that he painted on a Bryan Avenue building in November 2013 was accidently painted over in June.

Entrepreneur Griffin VanMeter’s North Limestone Community Development Corp. had contributed $2,500 toward the first mural on a building now occupied by Kentucky for Kentucky, another VanMeter venture, which sells Kentucky-themed merchandise.

But on June 9, as VanMeter was in Louisville to speak about “community place-making” and the value of public art, contractors he had hired to prime the wall beside Odeith’s mural for another piece of art painted over it instead.

“A picture of that mural was in my slide show as it was, unbeknownst to me, being covered up,” he said. “We just had this kind of ‘Oh crap’ moment.”

VanMeter quickly emailed an apology to Odeith and offered to bring him back to Lexington for another commission.

“He was really cool about it,” VanMeter said. “He was like, ‘These things happen.'”

But as Odeith returned Friday to paint a mural of singer Billie Holiday on a wall of the Limestone Street building that houses the Institute 193 art gallery and the French restaurant Le Deauville, the building’s owner backed out.

“These murals are almost like tattoos,” VanMeter said. “They have to really speak to you, because you live with them for a long time.”

That set off a desperate search for another available wall. VanMeter posted pleas on Facebook and contacted Lexington mural artist Dani Greene. She suggested the wall at Lighthouse Ministries, a social service agency, and approached its executive director, Tay Henderson, on VanMeter’s behalf.

Because that wall is bigger and more horizontal, Odeith decided the Billie Holiday image wouldn’t work. He suggested an image of Armstrong and his trumpet instead.

“I was elated,” said Henderson, who has operated Lighthouse Ministries from the building for 12 years. “He’s a world-renowned artist and he’s such a nice guy. I love his idea. I think it will help bring the community together.”

During a break from painting, Odeith, 39, said the Armstrong image will create a positive tone for people who come to Lighthouse Ministries for food and help rebuilding their lives. He said the image will include the title of Amstrong’s famous song, What a Wonderful World, and a message of love and encouragement.

“Like the Lincoln mural, I think this piece could really become an iconic image for Lexington,” VanMeter said.

Kentucky for Kentucky is paying about $10,000 toward the mural’s cost, including paint, lift machines, Odeith’s travel costs and artist’s fee. It is also making a $1,000 donation to Lighthouse Ministries.

VanMeter said he hopes to have a dedication ceremony for the mural early next week, as Odeith is finishing it. He was supposed to have begun Saturday, but bad weather, the search for a new wall and prep work delayed the start until Tuesday.

Odeith must leave town by next Wednesday; he has two commissions scheduled in Charleston, S.C., and one in Portugal, VanMeter said.

Despite his first mural being painted over, and almost not having a wall for his second, Odeith said he loves Lexington and was happy to return.

“I’ve been telling to Griffin and all the people that he was missing me,” he said. “So he found a way to bring me back.”

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If You Go

PRHBTN

What: Fifth edition of the popular street art festival

MURALS

MrDheo and Pariz One: Chase Brewing Co., 266 Jefferson St.

Odeith: Lighthouse Ministries, 185 Elm Tree Lane, Oct. 6-12.

Sheryo & The Yok: Oneness Boutique, 431 Jersey St. Oct. 6-10. Parking lot party 5-8 p.m. Oct. 7.

Hitnes: LexPark Garage, 350 Short St., Oct. 9-12.

CONCERT

Featuring Jon Dose and Jamples: 9:30 p.m. Oct. 9. Cosmic Charlie’s, 388 Woodland Ave. $5.

FESTIVAL

Live painting by area artists, food and beverage and other events: Noon-9 p.m. Oct. 10, Lexington Distillery District, Manchester Street.

More info: PRHBTN.com


CentrePit wrap will have photos of Lexington scenes and characters

October 3, 2015

How can Lexington hide CentrePit from Breeders’ Cup visitors later this month?

Well, it can’t. The colossal hole is 40 feet deep, a city block square and has two tower cranes poking out of it.

But the creative team at Cornett advertising is working furiously to make sure visitors see something more interesting than a stalled development.

Clay Gibson and Tim Jones have been gathering photos from the Lexington Herald-Leader, the University of Kentucky and other archives. About 150 of those images will be assembled into a fabric mural that will wrap the CentrePointe fence.

In addition to hiding the weed-rimmed pit, the mural will offer a visual diary of Lexington’s history, culture and characters, along with Randy Steward’s giant hand-lettered words: “Lexington, Kentucky, Horse Capital of the World”.

Lynn Imaging’s Monster Color will print the 7-foot-tall mural in 25-foot sections, for a total of 1,335 feet around the block’s perimeter along Main, Upper, Vine and Limestone streets.

The Webb Companies, which has been trying to build the mixed-use CentrePointe project since 2008 and recently turned it over to another developer, gave permission for the project.

“We want to reflect on who we were, who we are now and maybe who we want to be,” said Kip Cornett, president of Cornett and organizer of the Breeders’ Cup Festival. “For out-of-town visitors, it will show there’s a little spice to this town.”

Sure, there will be the typical landscape, horse racing and basketball photos. But the mural also will have pictures of people such as Keeneland odds-maker Mike Battaglia, the great jockey Eddie Arcaro and the Triple Crown winner Secretariat.

There are photos of University of Kentucky basketball greats, including a joint portrait of coaches Adolph Rupp and Paul “Bear” Bryant during that golden era when both the basketball and football teams were national powers.

Semi-historical moments include the first Camry rolling off Toyota’s Georgetown assembly line and the recently restored Skuller’s clock on Main Street after it was blown down by a storm in the 1970s.

There is a picture of Anita Madden, Lexington’s former queen of over-the-top parties. And one of the real queen: Elizabeth II of Great Britain, on the first of her many trips to Central Kentucky.

There are photos of other famous visitors, too: Presidents Kennedy, Eisenhower, Johnson and Nixon; actors Judy Garland, Gregory Peck, Pat Boone and Elizabeth Taylor; writer Hunter S. Thompson speaking at UK; and Arnold Schwarzenegger flexing his muscles for students at Bryan Station High School.

There are photos of long-gone buildings that once defined Lexington’s skyline: Union Station, the Ben Ali Theatre, Stoll Field and the old Lexington Roller Mills factory that stood where Triangle Park is now.

Historic moment photos include the 2003 ice storm, the castle on fire, Vietnam war protesters marching down Main Street and Prohibition-era policemen pouring bourbon down the drain — an unthinkable act in modern Lexington.

Team Cornett has been searching for just the right images of famous and colorful characters such as first lady Mary Todd Lincoln, jockey Isaac Murphy, artist Henry Faulkner, sports announcer Cawood Ledford, actor Jim Varney, madam Belle Brezing and Carlos “Little Enis” Toadvine, the “world’s greatest left-handed upside down guitar player.”

More recent figures in the photographs include longtime philharmonic conductor George Zack, sportscaster Tom Hammond, former Gov. Martha Layne Collins, blues guitarist T.D. Young and Crank & Boom ice cream entrepreneur Toa Green.

There are modern scenes from restaurants, the farmer’s market, craft breweries, Cup of Common Wealth coffee shop and the urban agriculture non-profit Foodchain. And don’t be surprised to see a Parkette po-boy or Charlie’s fish sandwich.

“For locals, it’s a good reminder, a good history lesson,” said Gibson, the young designer assembling the mural. “Especially for people of my generation who don’t know all these nuggets.”

The Breeders’ Cup Festival is paying for the mural from its sign budget, Cornett said. He didn’t know the exact cost, but said Monster Color is printing it at a discount. His goal is to have it up by Oct. 18.

The mural will be sturdy enough to stay up long after the Breeders’ Cup ends Oct. 31. That’s good, since there is no telling how long CentrePit will continue to be a blot on Lexington’s landscape.

This is a draft of several long sections of the mural that will wrap the fence on the CentrePointe block in time for the Breeders' Cup Festival. Each row of images will be 54 inches high as part of a 7-foot-high wrap that will be 1,335 feet long. Image courtesy of Cornett

This is a draft of several long sections of the mural that will wrap the fence on the CentrePointe block in time for the Breeders’ Cup Festival. Each row of images will be 54 inches high as part of a 7-foot-high wrap that will be 1,335 feet long. Image courtesy of Cornett


Annual conference could help make your invention ideas reality

September 27, 2015
Inventor-Con helps would-be inventors make their ideas into products and businesses. Photo provided

Inventor-Con helps would-be inventors make their ideas into products and businesses. Photo provided

 

Necessity may be the mother of invention, but it has many fathers: ideas, money and collaboration, to name a few.

Would-be inventors may be able to find some of those things at Inventor-Con, a series of seminars Oct. 6 at the Lexington Public Library’s Central Library. The event is free and open to the public, but pre-registration is recommended.

This is the 10th annual Inventor-Con sponsored by the Central Kentucky Inventors Council, a non-profit organization that helps people with ideas for inventions bring them to market.

What began as a small regional conference now attracts inventors, entrepreneurs and service providers from across the country.

“We try to cover a lot of different areas, because there are so many pieces to the invention process,” said Don Skaggs, the council’s president.

The featured speaker is Stephen Key, author of the book One Simple Idea, who began his career as an inventor by helping develop popular 1980s toys such as LazerTag and Teddy Ruxpin.

The conference will have about 30 exhibit booths and eight breakout sessions. Other speakers include patent attorney Jim Francis of the Lexington firm Fowler Bell; Gordon Garrett of the Kentucky Small Business Development Council; and Doug Clarke, owner of Lexington maker’s space Kre8now.

Nick Such, a technology entrepreneur who works with the incubator space Awesome Inc., will discuss learning to write computer code. Ben Van Den Broeck of ArtLab KY will talk about using 3D printing to make prototypes. And the owners of the youth engineering education center Newton’s Attic will have a session for young inventors.

Skaggs said one of the most valuable things about the conference is that inventors get to meet and share their experiences with other inventors. Last year, the Inventor-Con attracted about 200 people.

“Inventors need to be around other people,” he said. “They don’t often succeed in isolation.”

The Central Kentucky Inventors Council was organized in 1996 as a networking and assistance organization for inventors and entrepreneurs. It is now one of the largest of more than 100 such organizations nationwide, and the only one in Kentucky.

The council has about 100 members. Membership is open to anyone, and the $40 annual dues entitle members to attend monthly meetings to discuss their inventions and get feedback from fellow inventors, who sign non-disclosure agreements.

“It’s sort of a brainstorming session on steroids,” Skaggs said. “Sometimes it can keep people from spending a lot of time and money going in the wrong direction.”

The council has a young inventors’ group in cooperation with the state’s Student Technology Leadership Program.

Skaggs said advances in technology have opened many new avenues for inventions, including iPhone applications and software development, and made the process more approachable.

Inventions aren’t always gadgets. Some of the most successful ones are simple, problem-solving ideas in areas where the inventor has knowledge and expertise. Sometimes, the finished product turns out to be much different than the original idea.

“It runs the gamut — everything from medical products to simple garden tools,” Skaggs said. One example: a council member with a background in the lawn care equipment industry invented a simple, commercially successful device for cleaning the underside of a lawn mower.

Some people have ideas for inventions they want to produce and market themselves; but most want to license their ideas to others.

“A lot of people have ideas for inventions,” Skaggs said. “But most of those people never act on them.”

If you go

Inventor-Con

What: Central Kentucky Inventors Council’s 10th annual free seminar for inventors and entrepreneurs

When: 3-8:30 p.m. Oct. 6

Where: Central Library, 140 E. Main St.

Information, registration: Ckic.org


At the Red Mile, horse racing’s ‘evolution’ looks like a casino

September 26, 2015
Instant racing machines in Lexington's first legal gambling parlor at Red Mile. Photo by Charles Bertram

Instant racing machines at the Red Mile. Photo by Charles Bertram

 

I went to the Red Mile last week to check out what the 140-year-old harness track calls “The Evolution of Horse Racing.”

It was sunny and mild, the kind of afternoon I hope for each April and October so I can slip away to Keeneland for a few hours. I love to watch the horses run, place a few bets and soak up the atmosphere.

This afternoon, the weather didn’t matter. Horse racing had evolved indoors. I found a cavernous hall filled with 902 machines that flashed and chimed amid pulsing background music.

The man at the front desk said this $42 million facility had been busy since it opened Sept. 12. I must have caught a lull. There were only a couple of dozen patrons, an even mix of men and women, blacks and whites. Most were older than me. A few had canes; at least two used walkers.

The next thing I noticed was there were no horses. Amazing! Horse racing had evolved to the point that horses were no longer necessary.

When I walked in, the man at the front desk issued me a “rewards” card on a red lanyard, an instruction sheet and a $5 voucher. I chose a machine with a comfy seat near the bar and got started.

That’s when I saw horses, or at least grainy images of them. They were in videos that flashed briefly on the machine’s tiny screen after I placed a bet and pushed a few buttons.

The machines looked like slots. The hall looked like a casino. I had to remind myself that this joint venture of the Red Mile and Keeneland was really The Evolution of Horse Racing, presumably “as it was meant to be.”

What distinguishes these machines from slots, proponents say, is that they are forms of pari-mutuel wagering, and winners are chosen by the outcome of thousands of previously run horse races rather than by random number generators.

I placed a bet on the machine and chose my numbers — the order of finish for three horses that once raced against one another. To help me choose, I could look at charts indicating past performances of the horse, jockey and trainer.

I lost my first couple of free voucher dollars trying to figure out how the machine worked. On my third bet, lights flashed and bells clanged and the machine told me I was a winner. I printed a voucher and discovered I had won $84, although I’m not sure how.

I tried a couple more machines before deciding it was a good time to cash my voucher and call it a day.

The Family Foundation, a conservative activist group, has gone to court to challenge the legality of these “historical racing” machines. The case before Franklin Circuit Court is complex, and it likely will take a couple of years to decide.

The legal question comes down to whether these machines are pari-mutuel wagering, which is legal in Kentucky, or slots, which are not. Can something that looks and quacks like a duck actually be an evolved horse?

If the tracks lose in court, they may have recovered their investment by then. The General Assembly also could change the law. Legislators may not want to give up this new source of tax revenue, not to mention the 200 new jobs at the Red Mile and more at facilities near Henderson and Franklin.

I have nothing against gambling, when it is enjoyed responsibly by people who can afford it. But from a public policy standpoint, gambling encourages a “something for nothing” mentality among politicians and voters that a modern, progressive state can be created without raising anyone’s taxes.

Many horse people argue that expanded gambling revenue is essential to the survival of their industry. I understand their concern. Without the promise of this new facility, the Red Mile probably would have been redeveloped years ago. Neither harness nor Thoroughbred racing are as popular as they once were.

However, the experiences of other states show that when expanded-gambling revenue starts flowing, politicians lose interest in subsidizing the horse industry.

There are no easy answers to preserving Kentucky’s signature horse industry. But horsemen could take pointers from the once-struggling and now-thriving bourbon whiskey industry: Improve your product and do a better job of marketing to make it more popular.

Otherwise, it can be a fine line between evolution and devolution.


Ashland event showcases little-known fact: 150 years ago, Henry Clay’s farm became the University of Kentucky’s first campus

September 22, 2015
The Mechanical Building at the Agricultural and Mechanical College of Kentucky was located on the Ashland farm, about where Fincastle and Sycamore roads are now. The building was demolished for their construction in the 1920s. Photo Courtesy of UK Special Collections

The Mechanical Building at the Agricultural and Mechanical College of Kentucky was located on the Ashland farm, about where Fincastle and Sycamore roads are now. The building was demolished for their construction in the 1920s. Photo Courtesy of UK Special Collections

 

The Ashland estate was more than the home of statesman Henry Clay. A century and a half ago, it became the first campus of the University of Kentucky.

That little-known chapter of history is among the things being showcased Saturday at Ashland’s annual Living History Event.

Artifacts from the university years are on display through Dec. 31. Saturday’s event will include Civil War re-enactors firing antique rifles and cannon, tours of the mansion, costumed actors, farm animals and period crafts.

Transylvania University was the first state-supported college, having been started in the 1780s when Kentucky was still Virginia. But state support of higher education in Kentucky has always been erratic. After a flowering in the 1820s, during which Transylvania became one of America’s best universities, it fell into decline.

After the Civil War, Transylvania was reconstituted as part of Kentucky University and a new sister institution, the Agricultural and Mechanical College, created by the federal Land-Grant College Act of 1862.

John Bryan Bowman Photo Courtesy of Transylvania University Library Speical Collections

John Bryan Bowman Photo Courtesy of Transylvania University Library Speical Collections

The force behind Kentucky University and the A&M college was John Bryan Bowman, the grandson of pioneer Abraham Bowman, for whom Bowman’s Mill Road in southern Fayette County is named.

“He was quite a visionary,” said Ashland Curator Eric Brooks. “He wanted to make education more egalitarian, accessible to a much larger spectrum of the population. He wanted it to encompass very academic subjects, but also to include business, agriculture and what he called the mechanical arts and we now call engineering.”

A decade before Clay’s death in 1852, Bowman studied law under him. Perhaps that is why, when searching for a campus for the new college in 1866, Bowman bought Ashland and an adjoining Clay family estate, The Woodlands. The 433 acres cost $130,000.

“He chose Ashland specifically because it was Henry Clay’s farm,” Brooks said. “It was the most recognizable piece of property around and he knew it would have instant credibility.”

As regent, Bowman and his wife lived in the Ashland mansion, which also served as the college administration building. He created a small natural history museum there, and some of the artifacts have been returned for this exhibit.

The Woodlands mansion, which stood about where the Woodland Park swimming pool is now, housed agricultural classrooms. Engineering classrooms and labs were in an imposing new building, which was constructed at what is now the corner of Fincastle and Sycamore roads.

The Mechanical Hall was built in 1868 with a $25,000 gift from G.Y.N. Yost, a Pennsylvania lawn mower manufacturer.

The cottage that still stands beside Ashland was an early dormitory. Brooks said it housed 16 young men — all of the students were young men until 1880, when the first women were admitted — who raised their own livestock and vegetables and hired a cook to fix their meals.

Bowman’s long-term goal was to relocate the rest of Kentucky University from Transylvania’s campus north of Gratz Park to the Ashland-Woodlands property.

But the church-state politics that had always plagued Transylvania kept getting in the way. Although a state institution, Transylvania had a long history of church affiliation, first with the Presbyterians and then the Disciples of Christ.

Amid these tensions, Bowman was fired in 1878 and the A&M college separated from Kentucky University. James K. Patterson was appointed college president, a job he held until 1910.

Worried that the college might move elsewhere in the state, Lexington donated its Maxwell Springs fairgrounds as a new campus. UK has been there ever since.

Kentucky University reverted to private, church-affiliated ownership and changed its name back to Transylvania in 1908. The A&M college, also called State College, officially became the University of Kentucky in 1916.

The Woodlands estate became a city park and surrounding subdivisions. Ashland was rented to tenant farmers until Clay’s grandson-in-law, Henry Clay McDowell, bought and renovated the property.

Most of the Ashland estate was subdivided in the 1920s into the Ashland and Ashland Park neighborhoods. The 17 acres that remained around the mansion went to the Henry Clay Memorial Foundation, which since 1950 has operated the house museum and park-like grounds.

The main artifact from Ashland’s college years, the Mechanical Hall, was demolished when subdivision streets were cut through in the early 1920s.

“It was an incredible structure,” Brooks said. “I wish we still had that.”


FoodChain expanding mission with kitchen, neighborhood grocery

September 20, 2015
Rebecca Self, executive director of Food Chain, an urban agriculture non-profit in the Breadbox building at West Sixth and Jefferson Streets, posed with greens being grown along with tilapia fish in a closed-loop aquaponics system. The greens and fish are sold to restaurants, primarily Smithtown Seafood in the next room. Photo by Tom Eblen | teblen@herald-leader.com

Rebecca Self, executive director of Food Chain, an urban agriculture non-profit in the Breadbox building at West Sixth and Jefferson Streets, posed with greens being grown along with tilapia fish in a closed-loop aquaponics system. The greens and fish are sold to restaurants, primarily Smithtown Seafood in the next room. Photo by Tom Eblen

 

The urban agriculture nonprofit FoodChain is trying to raise $300,000 for its next two links: a food-processing and teaching kitchen and a neighborhood green grocery.

The effort will begin Oct. 2 with Relish n’ Ramble, an event featuring tapas by four guest chefs and tours of the proposed kitchen and grocery space in the Bread Box building at West Sixth and Jefferson streets.

Three years ago, founder Rebecca Self and her board raised $75,000 to create an aquaponics demonstration in a back room of the 900,000-square-foot former bread factory, which also houses West Sixth Brewing, Smithtown Seafood, Broke Spoke Community Bike Shop, Bluegrass Distillers, Magic Beans Coffee Roasters and The Plantory, a shared office space for nonprofit startups.

Since September 2013, FoodChain has been producing about 30 pounds of greens and a dozen tilapia each week. The fish and most of the greens are bought by Smithtown Seafood. Blue Moon Farm distributes excess greens to other restaurants.

The aquaponics system works like this: waste grain from the brewery is fed to the fish, whose waste water provides the nutrients for lettuce and other greens to be grown under energy-efficient indoor lighting.

“You would never pinpoint this as a place to grow food,” Self said of the once-abandoned building. “But it’s actually a perfect fit.”

Sales of greens and fish have covered about 35 percent of FoodChain’s $100,000 annual budget, and virtually all of the cost of producing them, Self said. Funding for educational programs comes from donations and foundation grants.

To promote replication of its work, FoodChain has given more than 6,000 tours of its facilities, which also has provided revenue. “We’re unusual among nonprofits in that we have a revenue stream at all,” Self said.

This next phase will move FoodChain closer to its mission: developing systems to bring affordable local food to urban “food desert” neighborhoods, such as the West End.

Self’s husband, Ben, is one of four West Sixth Brewing partners who bought the Bread Box and have been renovating and leasing it. FoodChain’s kitchen and grocery will occupy the last 7,000 square feet of the building, the oldest part of which dates to the 1870s.

The kitchen and grocery will be on the west side of the building’s Sixth Street frontage, with the grocery in the corner. A lot of windows will be added to the solid-brick walls, bringing light and public visibility.

The kitchen will have an instructional area where neighborhood residents can receive food safety certification training for restaurant jobs and take classes to learn to prepare and cook their own meals with fresh food.

In the back half of the kitchen, FoodChain plans to partner with Glean Kentucky, other nonprofits and area farmers to collect, process and preserve food “seconds” that might otherwise go to waste.

“This is something that’s been talked about for a long time,” Self said. “We’re hoping that because we’re getting this food at pennies on the dollar on the seconds market that even once we’ve added in the labor costs it will still be at an affordable price for the store.”

In addition to fresh local food, the grocery will carry other foods and household necessities. Both facilities are being designed to meet the neighborhood’s needs based on focus groups conducted by the Tweens Coalition, a local youth nutrition and fitness organization.

The store and kitchen will create about a dozen jobs, and Self hopes to fill them with neighborhood residents.

“If there’s anything that comes out of the census data for this area it is the desperate need for jobs,” she said. “You can’t afford good food if you don’t have an income.”

Self said renovations to create the kitchen and store won’t begin until all of the money needed is raised. Ideally, she said, the kitchen would open in fall 2016 and the store in spring 2017.

“We’re just trying to show the viability of something like this,” she said.

If you go

Relish n’ Ramble

What: Fundraiser for FoodChain featuring tapas inspired by Indian, Latin and Asian street food from guest chefs Vishwesh Bhatt of Snack Bar in Oxford, Miss.; Ouita Michel of Holly Hill Inn; Jonathan Lundy of Coba Cocina; and Jon Sanning of Smithtown Seafood. Includes a West Sixth beer and souvenir glass and tours of FoodChain’s planned commercial kitchen and grocery spaces.

When: 6-9 p.m. Oct. 2

Where: Bluegrass Distillers in the Bread Box, West Sixth and Jefferson streets

Cost: $35 advance, $40 at door.

Tickets and info: Foodchainlex.org