The story behind Gratz Park’s bronze kids, soon headed for repairs

November 21, 2014

141111GPFountain0032Author James Lane Allen’s will left the city $6,000 to build a fountain dedicated to Lexington’s youth. Installed in 1933, it will get a much-needed makeover this winter.  Photos by Tom Eblen

 

Like horses, stone fences and antebellum homes, the bronze boy and girl in Gratz Park have become frequently photographed symbols of Lexington.

But early this week or next, depending on the weather, a crane will carefully remove the life-size statues from their perch on the fountain across Third Street from Transylvania University.

The kids will spend the winter at Lexington’s Prometheus Foundry for repairs and refinishing. If all goes well, they will return to the park in May after the fountain’s crumbling concrete and Depression-era plumbing are replaced and the stone and brick surrounds are restored.

The fountain “is just falling apart with age,” said Michelle Kosieniak, superintendent of planning and design for the city’s Division of Parks and Recreation. “We figured that since we were moving the statues anyway, we should take a look at restoring them, too, and hopefully get them ready to be enjoyed for another half-century.”

There is an interesting story behind these playful children and their fountain that says a lot about Lexington’s history of tension between progressive thought and conservative religion. But it has nothing to do with the statues’ lack of clothing.

141111GPFountain0024James Lane Allen was born near Lexington in 1849 and graduated with honors from Transylvania University in 1872. After a few years of teaching, he pursued a writing career and moved to New York City.

Allen became one of America’s most popular novelists and short-story writers in the 1890s. His tales, written in a flowery style popular in the late Victorian era, were often set in Kentucky and featured characters taken from early Bluegrass history.

One of his most famous tales, King Solomon of Kentucky, told the true story of how William “King” Solomon, an alcoholic vagrant, became a hero during Lexington’s 1833 cholera epidemic by staying to bury the dead while almost everyone else fled.

Novels such as A Kentucky Cardinal and The Choir Invisible became national best-sellers. But Allen’s 1900 novel The Reign of Law created controversy in Lexington because its protagonist accepted Darwin’s theory of evolution instead of a literal interpretation of the Bible’s creation story.

The Rev. John McGarvey, president of what is now Lexington Theological Seminary, castigated Allen in a widely publicized sermon. The Lexington Herald heaped on, opining that “dirt and dust” were “ruining the author’s mind.”

The criticism stung Allen, who wrote that Kentucky “never did appreciate its best people.” He never returned to Lexington — not even when the Lexington Public Library dedicated a portrait of him in 1916.

“My returning now would seem like vainly attempting to pass over into a vanished land,” Allen wrote his lifelong friend, M.A. Cassidy, the superintendent of Lexington’s public schools.

But Cassidy kept the author connected to his hometown. During the last decade of Allen’s life, Lexington schools celebrated his birthday each Dec. 21 and children would write notes and telegrams of good wishes.

Allen was touched, and he always sent thank-you letters. He ended a 1922 interview at his New York home with a journalism student from Lexington by saying, “Give my love to the Kentucky children.”

When Allen died in 1925, his will left his entire estate to Lexington to build a fountain dedicated to the city’s children. The estate was originally thought to be worth $12,000 — a lot of money in those days. Officials planned to build a swimming pool with a fountain in the middle.

But by the time the city actually got the money, Allen’s estate had shrunk by half because of the stock market crash and waning royalties as his books lost popularity. Lexington’s children had to settle for a fountain and statues.

The statues were sculpted by Joseph Pollia, an Italian-born artist in New York who had a distinguished career creating war memorials.

His sculpture depicts a boy showing his homemade boat to the girl, who expresses delight. The statues symbolize “the spirit of youth, with its tender dreams and delicate and beautiful aspirations, which found so much appreciation in the poetical soul of the author,” the Herald wrote when the fountain was dedicated Oct. 15, 1933.

But time and vandalism have aged those kids. The girl was pushed off her granite pedestal in 1969 and again in 1983, cracking her leg. Although the cracks were repaired, there is concern the statues may have corrosion inside.

“It has been likened to a muffler,” said John Hackworth, president of the Gratz Park Neighborhood Association. “It looks all right from the outside, but if you kick it, it might just disintegrate.”

Restoring the statues will cost $57,000 because their high lead content will require complicated safety procedures. The neighborhood association has given $30,000. Councilman Chris Ford recommended $150,000 in city funds for the rest of the work and restoration of the fountain with a new pump system.

The goal is to have everything finished by Gratz Park’s annual Mayfest celebration on Mother’s Day weekend.

“It’s a symbol of Lexington,” Hackworth said of the fountain, “It’s worth being preserved.”

141111GPFountain0008The fountain stands near Third Street across from Transylvania University’s Old Morrison Hall.


New novel explores race, class in 1940s Central Kentucky

November 18, 2014

In his novel Pickering’s Mountain, Joseph Anthony wrote about the complexities of strip mining and economic survival in Eastern Kentucky, where he lived in the 1980s as an English professor at Hazard Community College.

The New Jersey native has lived in Lexington ever since, and he has looked for a way to use fiction to explore two of Central Kentucky’s overarching issues: race and class.

While reading microfilm copies of the Lexington Leader in the public library, Anthony found his hook. It was a small ad placed near, but not with, a “Colored Notes” column from 1948, when even the news was segregated.

bookThe ad began: “Wanted: Good family with plenty of help … ” It was placed by a farmer needing share-croppers to live in a vacant house beside him and help with his tobacco crop.

It made Anthony wonder: what might have happened if the “good family” that answered that ad was black? And that is how he begins his new novel, Wanted: Good Family (Bottom Dog Press, $18.00).

The book is masterfully written and well-grounded in Kentucky history and mannerisms. It explores issues of race, class, relationship and the potential for change that are as relevant today as they were when this story takes place more than six decades ago.

“I wanted to write about our big drama story in Lexington, race, and how things have and haven’t changed,” he said. “And I had an idea of how to write about somebody who could do terrible things and not actually be a bad person.”

The newspaper ad said interested parties should not call or write, just show up. So that is what Rudy and Nannie Johnson do. He is a World War II veteran looking for work. She cleans houses, but was a nurse’s aide at Good Samaritan Hospital until she applied to train for a better job and was branded as a “troublemaker.”

The Johnsons and their four children — Herbert, Franklin, Eleanor and Harry, all named for people occupying the White House when they were born — live with her mother and sister in cramped quarters off Georgetown Street.

Lexington had a housing shortage in the late 1940s because of veterans returning from war. Things were worse for blacks, who were only allowed to live in certain parts of town and could rarely get credit to buy a house anywhere.

joeDesperate enough to take a chance, the Johnsons pile their children into a borrowed pickup truck and drive to the next county to answer the ad. The farmer and his wife, an older couple who lost their only son in the war, are surprised to see them. But they, too, are desperate. Like all good Kentuckians, everyone tries to be polite.

“We didn’t think to say ‘whites only’,” Wilma Lawson, the farmer’s wife, explains to readers. “We figured anyone who knew our place would know that.”

Indeed, they would. James Lawson has a dark past that everyone in their county seems to know. The Johnsons, being from Lexington, are unaware. But they have their own family secrets and shame.

Everyone’s secrets come out as the book’s major characters alternate chapters of first-person narrative. Readers wonder if any of these people, black or white, can escape the ghosts and prejudices of their past.

The characters are still working through events that occurred two decades earlier, when Kentucky race relations included lynchings and black residents being run out of small towns en masse.

What makes Anthony’s book so interesting is that it doesn’t try to preach or over-simplify. It shows that racism comes in black as well as white, and that injustice can afflict the oppressors as well as the oppressed.

“I’m a much nicer person as a writer than I am as a human being, and the reason is I have to see everybody’s point of view,” Anthony said. “I have to really try to understand their dilemma.”

While racism and prejudice are no longer legal, that doesn’t mean they have disappeared. Human relations are complex and always evolving.

“The book is about change, about the possibility of change,” Anthony said. “As Rudy says, if we can’t change we’re lost, we’re done. And that’s really what I wanted to write about.”

If you go

Joseph Anthony will sign copies of his novel,Wanted: Good Family.

■ 5:30 p.m. Thursday, The Morris Book Shop, 882 E. High St.

■ 3 p.m. Dec. 13, Joseph-Beth Booksellers, Lexington Green.


Artists must learn business skills to make a living from their art

November 17, 2014

lackyJohn Lackey at his studio at North Limestone and Sixth streets. Photo by Tom Eblen

 

Lexington is starting to become a city where an artist can earn a living, but it requires almost as much focus on business as art.

Successful artists tell me they have had to learn strategy, salesmanship, client management and finance to earn money from their passion. Most of all, they have had to be flexible entrepreneurs, willing to try new things and see where they lead.

I talked about these issues last week with John Lackey, an independent artist in Lexington for a dozen years. Since 2010, he has operated Homegrown Press Studio & Gallery at the corner of Limestone and Sixth streets.

Lackey is best known for his intricate block prints and colorful acrylic paintings of Kentucky landscapes. They are fanciful scenes from nature, filled with swirling clouds and curly trees that almost seem to dance.

But Lackey does a lot more, both out of passion and necessity. He has done logos and other commercial art for businesses, including Alfalfa restaurant, where he once worked, and North Lime Coffee and Donuts, which shares his studio building. He also has produced more than a dozen concert posters for his favorite band, Wilco.

Lackey, this month, was commissioned by Kroger to paint an outside mural for its new Euclid Avenue store. The five interconnected, 12-by-7-foot panels along Marquis Avenue will depict “the trees with the most personality in Woodland Park, with human activity in the background,” he said.

He also is getting into filmmaking, after years of playing with time-lapse and animation photography. Lackey has an Indiegogo.com campaign that runs through Tuesday to raise money for a full-length movie. It will be set in Lexington’s northside and focus on themes of community and sustainability.

Lackey learned figurative art and print-making at the University of Kentucky, but some of his most useful professional skills were acquired during several years of hiatus between his studies, when he worked at lumber yards and car dealerships.

“I learned a lot that I still use today when I sold cars,” he said, including negotiating skills and how to read customers.

Lackey spent 14 years as a graphic artist for two Lexington TV stations, where he learned more about art and deadlines. He was then able to begin building an independent art career, thanks to an understanding wife with a steady paycheck.

Early on, he realized the work is a lot like being a home-improvement contractor. Customers who commission work have ideas, but often don’t know exactly what they want. That’s where listening skills and artistry come in.

Lackey said that being willing to try new things has helped him both get jobs and stretch artistically.

“At first, I didn’t do a lot of saying no, because I needed the money, and it pushed me out of my comfort zone,” he said. “It’s good if you have different things you like to do in art.”

The Kentucky Arts Council helped Lackey expose his work to potential clients. After being included in a show at the Governor’s Mansion, he was chosen to create the 2011 prizes for the Governor’s Award in the Arts. The council also helped him get a commission for four seasonal landscape paintings that now hang in the Kentucky Chamber of Commerce’s board room in Frankfort.

Many artists advise against doing free work to get exposure. While Lackey generally agrees, he follows his instinct on some projects where the payoff isn’t obvious.

For example, as a Wilco fan, he engaged others on the band’s website and volunteered to do artwork for a charity event. The band liked it and hired him to create concert posters.

The head of the Clyde’s restaurant chain around Washington, D.C., also is a Wilco fan. He saw Lackey’s posters and hired him to do artwork for the restaurants. The Clyde’s work was seen by Virginia-based Potter’s Craft Cider, which hired him to design its logo and labels. Such jobs can be vital income bridges between fine art projects.

Other free artwork has enriched his life, if not his bank account. Lackey has done more than 60 posters for the Holler Poet’s series at Al’s Bar, across East Sixth Street from his studio, where he occasionally reads his own poetry. Each poster became an opportunity to experiment with new techniques that have improved his work.

“For me, one of the benefits of being an artist is not having to do the same thing twice,” he said. “It keeps your brain regenerating.”


Montessori school renovates 1840s home with a rich history

November 15, 2014

141110Montessori0099Calleigh Kolasa, 13, left, Maya Pemble, 12, top right, and Gus Glasscock, 13, trim blackberry bushes outside Providence Montessori Middle School, now located in an 1840s house that for 119 years was the Florence Crittenton Home for unwed mothers. The school uses agriculture to teach everything from science to entrepreneurship. Photos by Tom Eblen

When the House of Mercy opened in 1894, the secluded old home at 519 West Fourth Street seemed like a good place to help “fallen” women. It was in an out-of-the-way part of town, near what was then called the Eastern Kentucky Lunatic Asylum.

What became the Florence Crittenton Home did a lot to help pregnant girls and young mothers with infants for 119 years until last November, when changing state social-work policies forced it to close for lack of funds.

Over the past couple of years, that out-of-the-way neighborhood has been experiencing a rebirth, with a heavy emphasis on education.

The former site of what is now called Eastern State Hospital is becoming the campus of Bluegrass Community and Technical College. Transylvania University has turned an old industrial strip into an athletics complex.

So it is fitting that the old House of Mercy, a handsome brick home that dates to around the 1840s, has been beautifully transformed for a new life as Providence Montessori Middle School.

The school recently completed an extensive renovation, accomplished quickly so fall-term classes could begin. The result will be on display from 2 p.m. to 4 p.m. Sunday during a public open house. The presidents of Transylvania and BCTC are scheduled to attend.

“This summer was a blur,” said Vivian Langefeld, the Montessori school’s director. “We worked day and night.”

Despite a higher offer from Transylvania, the Florence Crittenton Home board last March sold the 2.5-acre property to the Montessori school for $400,100 — well below market value — to make sure the historic structure wasn’t demolished.

With a combination of donations, fundraising and loans, the school did an extensive renovation led by Matthew Brooks, a principal in the Lexington architecture firm Alt32, and Chip Crawford and Drew McLellan of Crawford Builders. Their work recently earned a Community Preservation Award from the Blue Grass Trust for Historic Preservation.

“It would have been a shame to have lost this place,” Langefeld said.

In addition to the tight schedule, Brooks said the biggest challenge was opening up space and light in the building, which had been added to three times since the late 1800s, without compromising structural integrity. The school’s requirement for big, open spaces was much different from the many small rooms the Crittenton Home needed.

Old carpets were pulled up and hardwood floors, including many of the original poplar planks, were restored. Original fireplaces were kept and structural brick was exposed on many interior walls to add to the charm.

Alt32’s staff also designed and built the school’s furniture and lockers from birch plywood, using a high-tech router capable of precisely replicating intricate shapes.

Brooks had a special interest in the project: his daughter will be a student there next year. He said the light-filled space now reminds him of Lexington’s original Montessori school in the St. Peter Claver Catholic Church Parish Hall down the street, where he attended kindergarten in 1972. (In another bit of neighborhood improvement, the church is now restoring and building an addition to that hall.)

In Montessori schools, children learn by doing in an environment with a lot of freedom and self-direction. This school, which has 38 students in 7th and 8th grades, uses small-scale urban agriculture as a vehicle for teaching everything from science to entrepreneurship.

Langefeld said the next step will be to fill the campus grounds with vegetable gardens, rain gardens, berry bushes and fruit trees. Chicken coops and beehives will be added in the spring so students can care for them and sell the eggs and honey.

“We do an entrepreneurial program where they all learn about supply and demand, profit and loss and so forth,” she said.

The house came with a good commercial kitchen, which students use for baking products to sell and fixing their own lunch once a week. A large room on the back will be turned into a shop with woodworking tools.

The school also hopes to develop cooperative programs with Transylvania and BCTC, and to engage residents and businesses in the surrounding neighborhood.

“Montessori’s vision for the adolescent was a non-institutional setting,” Langefeld said. “So this is perfect for that kind of environment, where it feels like they are more a part of a community.”

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New book: diabetes epidemic should be treated like one

November 11, 2014

Diabetes is often called an epidemic, and no wonder. Over the past half-century, the disease has exploded.

In 1958, fewer than 1 in 100 Americans had diabetes; now, it is 1 in 11. Virtually all of the increase has been in obesity-related Type 2 diabetes, which can cause complications such as blindness, kidney failure and the need for limb amputations.

The problem is especially serious in Kentucky. The Centers for Disease Control reported in 2012 that the number of diabetes cases rose 158 percent in Kentucky over 15 years, outpacing every other state except Oklahoma.

A flu epidemic of this magnitude would create public alarm and swift official response. Ebola? If there were even a couple of cases in Kentucky, politicians and health officials would be running around like their hair was on fire.

141111DiabetesBook0002But diabetes — a slow-moving, chronic disease — is not being treated like an epidemic. That must change, two Lexington health policy experts argue in a new book, The Great Diabetes Epidemic: A Manifesto for Control and Prevention (Butler Books, $24.95)

The authors are Dr. Gilbert Friedell, former director of the Markey Cancer Center at the University of Kentucky and founder of the Friedell Committee, a statewide health care policy organization; and Isaac Joyner, a public health policy analyst who has worked on a variety of issues in Kentucky, Texas and the Carolinas.

They will speak about the book and sign copies at 5 p.m. Friday, which is World Diabetes Day, at The Morris Book, 882 E. High Street. They also are scheduled to testify Nov. 18 in Washington before the Congressional Caucus on Diabetes.

The authors say a major public health response is needed to stop diabetes’ rapid growth, deadly consequences and huge cost. Their book outlines specific steps that individuals, communities and the government could take.

“If we continue to treat diabetes on a one-patient-at-a-time basis, we can’t deal with an epidemic,” Friedell said. “Unless you take a public health approach to an epidemic, it doesn’t work.”

141111DiabetesBook0003

Gilbert Friedell

At its current rate, the authors say 40 percent of Americans alive today — and half of people of color — will eventually develop diabetes. The first step in changing that, they say, is widespread, routine screening.

“You have to find cases early, which means you have to screen people who seem well,” Friedell said. “The symptoms of diabetes come on maybe 10 years after the disease starts. But nobody knows they have the disease. We’re wasting 10 years that we could be doing something good for people.”

More than one-fourth of the people who have diabetes have not been tested or diagnosed, according to CDC studies. That means that while 370,000 Kentuckians know they have diabetes, another 137,000 may have it and not know it.

In addition to that, officials estimates that 233,000 Kentuckians have a condition called prediabetes, which means they will eventually develop the disease if they don’t take steps to stop it.

Health officials now recommend diabetes screening for people with high blood pressure, or anyone over the age of 45. Friedell and Joyner think everyone over age 20 should be screened.

One big problem with fighting diabetes is that it is viewed as an individual problem, rather than a societal problem. That despite the fact that the federal government alone spends $90 billion fighting the disease, mostly for treatment.

Isaac Joyner

Isaac Joyner

“There’s a tendency to blame the victim,” Friedell said. “If you don’t eat right and exercise and if you’re fat you’re going to get diabetes. That attitude doesn’t help. We need individuals to change their behavior, but it’s easier to do when the whole community says diabetes is our problem. It’s the way that we make change.”

Friedell and Joyner want the government and communities to invest more money and effort in proven programs for preventing or minimizing the damage of diabetes. It also would require changing insurance company reimbursement policies. But the long-term payoff would be huge.

“Your investment up front has a return that’s perhaps eight times,” Friedell said. “But you have to accept that it’s going to be over a few years.”

The biggest issue, though, is public awareness — and urgency.

“There has to be a sense of urgency, and there is no sense of urgency about diabetes,” Friedell said. “We need to do something to get the public involved, and the public has to feel that it’s important.”


Award-winning plan for saving bur oak a model for developers

November 9, 2014

141106SchoolOak0058

This bur oak, which tree physiologist Tom Kimmerer thinks is 400 to 500 years old, frames Firebrook subdivision at the intersection of Military Pike, right, and Harrodsburg Road. Ball Homes is developing the property and hired Kimmerer to come up with a conservation plan for the tree. He hopes it will be a model for other developers. Photos by Tom Eblen 

 

The most fought-over tree in Lexington is now more noticeable than ever. Cleared of surrounding brush, it dominates the skyline at the intersection of Harrodsburg Road and Military Pike.

The giant bur oak was last in the news 13 months ago, when neighbors cited concerns for its welfare among their objections to Ball Homes‘ plan to develop 25 acres behind it into 42 single-family homes and 196 apartments.

The city rejected another developer’s plan for townhouses on the site in 2008 because the tree could have been lost or damaged.

But Ball Homes’ proposal was approved after the company developed perhaps the most detailed plan yet for conserving one of the giant, centuries-old trees that have been rapidly disappearing.

Last week, that plan won Ball Homes an award from the Lexington-Fayette County Environmental Commission. Tom Kimmerer, a tree physiologist who developed the plan, hopes it will become a model for other local builders and future developments.

141106SchoolOak0037Ball Homes hired Kimmerer, a consultant and former University of Kentucky forestry professor, to work with the company’s regular arborist, Ian Hoffman of Big Beaver Tree Service.

Kimmerer has studied these specimens of blue ash, shellbark hickory and bur, chinkapin and Shumard oak, which grow better and live longer in Central Kentucky than in any other place in America.

Many of these trees were well-established before Daniel Boone set foot in Kentucky nearly two and a half centuries ago. They are icons of the Bluegrass landscape and the oldest living things in Kentucky.

But dozens, if not hundreds, have been cut down or killed in recent decades by development. Because these species don’t reproduce well in urban areas, younger trees have not been growing up to replace them.

Kimmerer last year started a nonprofit organization, Venerable Trees, to research and help people learn how to care for and propagate these trees.

This bur oak had been in the yard of a 1970s house, since demolished. A large driveway was built below its canopy. That kind of soil compaction can be deadly.

So the conservation plan’s first move was to carefully remove the driveway and erect a fence to keep construction equipment at least 72 feet away from the tree. Six inches of wood mulch was then spread on three-fourths of an acre, which will be left open around the tree.

“One of the things I was impressed with about Ball Homes was they didn’t say, ‘This is how much space we’ll give you.’ They said, ‘How much space does this tree need?'” Kimmerer said. “There was some back and forth and a few compromises here and there, but they were quite generous in allocating space for the tree.”

141106SchoolOak0016Rena Wiseman, Ball Homes’ associate general counsel, said the company realized saving the tree was worth the trouble and expense because it would be a symbol for the neighborhood.

“It’s the focal point,” said Lee Fields, Ball Homes’ vice president of development. “Besides, trees going down cost us money. The lots that always sell first are the ones with the trees.”

Kimmerer and Hoffman assessed the tree’s health and removed several damaged branches. They installed a lightning rod to help prevent future strikes.

The tree has long been thought to be more than 300 years old. Kimmerer guesses it is closer to 500 years old. Still, despite lightning strikes over the centuries and hollow spots, the oak is quite healthy.

“There’s no reason in principle why that tree couldn’t live for hundreds of years longer,” he said.

Ball Homes plans to retain ownership of the tree and surrounding land, including the apartment buildings. That should help ensure the tree’s long-term care, Kimmerer said, adding, “Our management plan for this tree goes way beyond just the construction phase.”

Kimmerer is one of only two tree physiologists in Kentucky. As it happens, the other one, UK forestry professor Jeff Stringer, lives in a renovated old schoolhouse next door to the bur oak. For years, he has been closely watching the tree’s health and debates about its future.

“That tree is in really good shape, and this plan should help keep it that way,” Stringer said, adding that its prospects for survival are better than they have been in decades.

In addition to avoiding soil compaction around a tree, Kimmerer said the most important factors in good long-term care include frequent inspections for signs of stress and keeping lawn fertilizers and herbicides away.

“Modern lawn care is anathema to old trees,” he said.

Kimmerer has surveyed many of the open tracts inside Lexington’s Urban Services Boundary, which will eventually be developed.

“There are at least 50 of these ancient trees that are going to get in the way of development or, conversely, could be seen as symbols of a new development,” Kimmerer said. “That’s one of the encouraging things about this project is that the tree will become emblematic of the whole neighborhood.

Award winners

Winners of the Lexington—Fayette County Environmental Commission’s 44th annual awards:

■ Lexington Police Services, for the We Care program.

■ Lexington Women’s Garden Club, for garden on Wellington Way.

■ Idle Hour Neighbors Alliance, for two monarch way-station gardens.

■ Klausing Group, for a vegetative roof, permeable pavers and Pinnacle Home Owners Association Children’s Garden.

■ University of Kentucky College of Agriculture, for Food and Environment Alumni Plaza project.

■ Lakeshore Apartments Association, Andover Management Group and Barrett Partners Landscape Architects, for improvements to the pond at Lakewood Park.

■ Ball Homes, for bur oak preservation plan.

■ FoodChain, for aquaponics project.

■ Pax Christi Catholic Church, for electronics recycling program.

■ Lexington Division of Environmental Policy, for urban tree canopy assessment and planting plan.

■ Bluegrass Greensource, Downtown Lexington Corp., for downtown Trash Bash.

■ Lansdowne Neighborhood Association, for Zandale Park Stream Bank Protection Project.

■ Pinnacle Home Owners Association, for Children’s Garden.

■ Kentucky Utilities, for the Arboretum’s Party for the Planet Celebration.

■ Community Montessori School, Montessori Middle School of Kentucky, for storm water quality improvement and stream restoration project.

■ Clays Mill Elementary School, for Springs Branch storm water improvement project.

 

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Election showed Lexington voters the best and worst of politics

November 8, 2014

grayMayor Jim Gray gave his acceptance speech on election night Tuesday. Gray and his opponent, Anthany Beatty, ran gentlemanly races and campaigned on real issues. Photo by Pablo Alcala

 

Voters in Lexington have seen the best and worst of American politics over the past few months.

The worst was the U.S. Senate race between 30-year incumbent Sen. Mitch McConnell and his Democratic challenger, Secretary of State Alison Lundergan Grimes.

Their campaign was one TV attack ad after another, funded by huge sums of special-interest money. McConnell and Grimes were both zinged by fact-checkers for lies and half-truths.

The main narrative of this campaign was the phony “war on coal” — the myth that Eastern Kentucky coal-mining jobs, which have been disappearing for three decades because of mechanization and market forces, will be saved if only the industry is allowed to inflict more pollution and environmental damage on this state.

The candidates agreed to only one debate, and even then rarely strayed from their talking points. Grimes wouldn’t admit she voted for President Barack Obama, her party’s nominee, and McConnell wouldn’t acknowledge the overwhelming scientific consensus about climate change. It was an absurd spectacle.

The race for Lexington mayor was a much different story. Mayor Jim Gray and his challenger, former Police Chief Anthany Beatty, behaved like gentlemen and, more importantly, campaigned on real issues grounded in fact.

They also appeared together in so many debates and public forums that voters had plenty of opportunities to assess them and their positions.

For the most part, Urban County Council candidates also ran issues-oriented campaigns and behaved responsibly.

Why the contrast between local and national politics? The biggest factor, I think, is that races in Lexington’s merged city-council government are non-partisan. That prevents every person and idea from having to be labeled and put at odds.

Since the 1980s, America’s two-party system has become increasingly nasty and counterproductive. We have devolved into a culture of winner-take-all politics where big money, ideology and partisan gamesmanship often trump common sense and the common good.

Of course, Lexington government isn’t completely free of those influences. But the more voters and elected leaders can keep them at bay, the more progress this city will continue to make.

I think Gray was re-elected by a wide margin because most voters could not fault his performance. His administration has combined progressive leadership with good management and fiscal responsibility. And the mayor is the first one to admit that having a good re-election challenger kept him on his toes.

But the race also showed that Beatty is someone who would bring a lot of skill, experience and wisdom to public service should he seek elected office again.

Lexington lost a lot with the retirement of Vice Mayor Linda Gorton, a talented legislator who has a gift for bringing people to consensus. Fortunately, Gorton will be succeeded by someone with similar skills. Steve Kay, the new vice mayor and only returning at-large council member, is a professional facilitator with a reputation for integrity and fairness. Like Gray, he also is not afraid to tackle tough issues others have avoided.

As for the other council members who won races Tuesday, there are no obvious weak links. Kevin Stinnett moved up from a district to an at-large post, while Richard Moloney and Fred Brown returned to council after previous service.

Jake Gibbs is new to public office, but his background and demeanor could make him a model for a constituent-focused district council member. Another newcomer, Susan Lamb, was formerly the council’s clerk. She brings to her new job valuable knowledge of how city government really works.

I hated to see Harry Clarke lose re-election, because the retired University of Kentucky music professor did a great job in his one term. But Amanda Mays Bledsoe has a background in government policy that could make her an able successor.

The same is true for state lawyer Angela Evans, who was elected to the district seat Stinnett left. Jennifer Mossotti, Shevawn Akers and Jennifer Scutchfield are good district council members who deserved re-election.

Urban County Council members come from a variety of backgrounds, experiences, party affiliations and political beliefs. But because Lexington’s government is non-partisan, citizens hold them to a higher standard. People expect them to work together, reach consensus and move the city forward.

As in the past, Lexington’s mayor and council members have the opportunity to show politicians in Frankfort and Washington how to rise above petty politics and get things done for the greater good.


Taste-testing a way to make truly local, crusty Kentucky bread

November 3, 2014

141028Wheat0016Jim Betts, front, owner of Bluegrass Baking Co., works with David Van Sanford of the University of Kentucky College of Agriculture to test baguettes made with five varieties of wheat they raised in Lexington that usually don’t grow well in Kentucky. Betts checks the aroma, while Van Sanford pulls a slice apart to check texture and taste. Photos by Tom Eblen 

 

Why have the French always eaten baguettes, while Kentuckians preferred biscuits? The answer may have more to do with climate than culture.

Kentucky’s wet winters are more conducive to growing the low-protein “soft” wheat used for soft breads, biscuits and cookies than high-protein “hard” wheat, which works best for crusty breads.

But Jim Betts, who owns Bluegrass Baking Co. on Clays Mill Road, has noticed a couple of trends in recent years: his customers are buying more crusty, chewy breads, and they want more of their food to be locally grown.

“We’re trying to source as many locally produced products as we can,” Betts said, adding that a couple of organic farmers in Central Kentucky have told him they want to grow new varieties of wheat if they can find a market for them.

141028Wheat0068So Betts began talking with experts at the University of Kentucky’s College of Agriculture to see if it might be possible to find varieties of high-protein wheat that would grow well here.

He also wanted to know if there would be noticeable differences in taste between organically grown Kentucky flour and the nearly one ton of North Dakota flour he buys each week from ConAgra Foods.

Betts worked with Mark Williams, a horticulture professor who teaches sustainable agriculture, and David Van Sanford, a wheat breeder in UK’s Department of Plant and Soil Sciences.

A year ago, they planted four varieties of wheat they thought might work, including one developed in North Carolina for wet Southern climates. One was grown at UK’s Waveland research farm in south Lexington, the rest at the Spindletop research farm north of town.

“Of course, we chose the worst winter in 20 years,” Betts said. “But we got some flour out of it.”

That flour was given to Andy Brown, Bluegrass Baking’s chief baker, who used it to make baguettes.

Last Tuesday, Betts brought Williams and Van Sanford together to do a blind taste test of the four baguettes, along with one of his store’s regular baguettes and a “ringer” made from UK-produced soft wheat. They were joined by Bob Perry, a UK professor who teaches gastronomy and dietetics.

Betts and the UK professors sliced up each baguette so they could smell, taste and pick it apart. They evaluated each on the color of its crust and the aroma and texture of the “crumb” inside.

When wheat is mixed with yeast, water and salt to make bread, the fermentation releases gasses that form bubbles in the bread — and produce that wonderful smell. The higher the flour protein, the bigger the bubbles, the larger the loaf and the chewier the bread.

Betts likens this “gluten strength” to a balloon: “The stronger the balloon, the bigger it can get.” The problem with low-protein flour is that it “cannot hold the tension you need to make a good, crunchy loaf.”

The men agreed that some of the wheat varieties made better baguettes than others, but all were good. The “ringer” loaf wasn’t as good as the others, but it wasn’t bad.

Having demonstrated that high-protein wheat can be grown in Kentucky, Williams said the next challenge is to refine farming practices to maximize consistency, quality and yield.

Van Sanford said about 500,000 acres of wheat is now grown in the state, mostly in Western Kentucky, but almost all of it is low-protein varieties. Growing high-protein wheat for local consumption would require more than planting different seeds. Farmers would need storage and milling facilities — and customers.

Central Kentucky once had dozens of flour mills, which survive only in the names of the roads that led to them. Weisenberger Mill in Midway is the last one operating.

But here’s the big question: Can high-protein wheat be grown economically enough for Kentucky farmers, millers and bakers to all make a profit at a bread price Kentucky consumers would be willing to pay?

Betts thinks so. He says many Bluegrass Baking Co. customers realize that fresh, local food tastes better, and the more they can keep their money in the local economy, the better it is for everyone.

Creating this new niche market for Kentucky farmers would be a challenge, but I give it better odds than convincing Frenchmen to eat biscuits.

141028Wheat0037Betts, left, talks with Van Sanford, center, and Bob Perry of the University of Kentucky College of Agriculture as they evaluate baguettes made with five varieties of wheat UK grew.

 


‘Lost Lexington’ a reminder of great buildings and people

November 1, 2014

The cover of Lost Lexington explains why Peter Brackney’s new book is so timely: It shows a mothballed old courthouse in desperate need of renovation beside the gigantic crater that has replaced the city’s oldest business district.

141102LostLexington002Brackney, a lawyer and writer of the local history blog Kaintuckeean.com, said the plight of the old Fayette County Courthouse and the CentrePointe boondoggle were big motivations for writing his book.

So was the University of Kentucky’s controversial demolition this summer of several significant mid-century modern buildings on his alma mater’s campus to make way for new construction.

“Everywhere you see a parking lot, something once stood,” Brackney said in an interview. “I think the more you learn about some of these historic structures, the more you appreciate what we have left.”

Brackney focuses on what is gone, and it is an impressive collection of special buildings and places once central to community life. They include elegant mansions, a racetrack, an amusement park, a football stadium, railroad stations and a private garden that early settlers referred to as “paradise.”

Lost Lexington (The History Press, $19.95) includes a forward by Mayor Jim Gray and many photographs. But what makes it most interesting is Brackney’s thorough research into these places and the remarkable people associated with them. I know a lot about Lexington history, but I learned some things.

Brackney begins with Lexington’s best-known preservation story: the 1955 demolition of the 1798 Hart-Bradford House for a parking lot. That act, and fears that the 1814 Hunt-Morgan House across the street would be next, led to creation of the Blue Grass Trust for Historic Preservation and the city’s first preservation laws.

“If you looked at the Hart-Bradford House and didn’t know a thing about who lived there, you would think there was nothing special about it, just a nice two-story brick house,” Brackney said.

brackneyBut, as the book explains, that house was built by Henry Clay’s father-in-law, Thomas Hart, a Revolutionary War veteran and influential land speculator. The next resident was John Bradford, Kentucky’s first newspaper publisher and a major civic leader. Clay was married in that house, and Confederate Gen. John Hunt Morgan may have been, too.

Few people now remember another longtime resident of the house: Laura Clay, an early champion of women’s rights. She learned about the subject the hard way: watching her father, emancipationist Cassius Clay, cheat her mother out of property after their divorce.

Among the several fabulous, long-gone estates featured in the book is Chaumiere des Prairies, where three U.S. presidents were entertained and the traitor Aaron Burr was held under arrest.

Col. David Meade’s estate was famous for its beautifully landscaped gardens. When he died in 1832, a farmer who bought the property destroyed them with grazing livestock, prompting neighbors to post signs about “paradise lost.”

Brackney tells the stories of such 20th century landmarks as the Phoenix Hotel, Union Station, the Southern Railway depot and Joyland Park. Joyland Park was famous for its amusement rides and the huge dance pavilion where Duke Ellington, Artie Shaw and other big band leaders performed.

One interesting story was about how, for 23 years, the afternoon Lexington Leader gave every white kid in town free swimming lessons at Joyland’s public pool. In those segregation days, the newspaper provided free swimming lessons for black children at Douglass Park.

The book tells about two sporting venues that no longer exist: the Kentucky Association racetrack and Stoll Field/McLean Stadium, the home of UK football games and other community events before Commonwealth Stadium replaced it in 1972.

UK’s recent demolitions and the CentrePointe project, which destroyed more than a dozen downtown buildings and 51/2 years later is nothing more than a hole in the ground, were a wakeup call for historic preservation in Lexington.

But Brackney, who lives in Jessamine County, laments that many other communities still haven’t gotten the message. Nicholasville’s oldest Main Street commercial building, built in the early 1800s, was recently demolished.

“While we do have to balance preservation and progress, we have to make sure there’s an understanding that people lived and worked in each of these places; they’re not just bricks and mortar,” he said.

“Drive down Nicholasville Road, drive down Richmond Road, and there’s nothing that separates them from Glendale, Ariz., or any new city,” Brackney added. “There’s nothing that makes them unique. And it’s Lexington’s history and uniqueness that helps make it a great city.”

If you go

Peter Brackney will speak and sign copies of Lost Lexington:

5:30 p.m. Nov. 3: Thomas Hunt-Morgan House, 210 N. Broadway, hosted by the Blue Grass Trust for Historic Preservation. The event includes a panel discussion about historic preservation in Lexington.

2 p.m. Nov. 9: The Morris Book Shop, 882 E High St.

6 p.m. Nov. 9: Barnes & Noble bookstore, Hamburg Pavilion.

7 p.m. Dec. 2: Joseph-Beth Booksellers, Lexington Green.


House-flipping venture turns Victorian disaster into showplace

October 19, 2014

141009Rehab0027

Left to right, Josh Despain, Bennett Clark, Ryan Clark and Michael Hogan spent 16 months renovating a circa 1889 mansion at 515 North Broadway that was filled with trash and animal waste when a lender foreclosed on the previous owner last year. They sat on the front porch  with a photo of the house taken when they bought it.  After a complete renovation, the house is now for sale for $1.2 million. Photos by Tom Eblen

 

The business venture began innocently enough. Four young men with backgrounds in architecture and real estate decided to pool their money, buy an old house, renovate it and try to resell it at a profit.

They looked for a manageable project; perhaps a 1920s bungalow in need of a little updating.

What they ended up with was a three-story, 5,282-square-foot Queen Anne mansion built in 1889 that was such a disaster it made headlines. Over the next 16 months, this house-flipping project almost flipped them.

But the disaster at 515 North Broadway is now a beautiful, completely renovated showplace, listed for sale for $1.2 million. And the four young men have learned some valuable lessons about construction, historic preservation and business.

“This project literally was the epitome of everything: it took longer, was harder and cost more than what we expected it to,” said Josh Despain, a landscape architect.

140118BroadwayHouse0004Despain, architect Michael Hogan and soon-to-be architect Ryan Clark work together at Ross Tarrant Architects. They spend most of their days behind desks.

“We were interested in the idea of getting our hands dirty and doing some construction ourselves,” Hogan said.

And, as young married men hoping to start families, they were looking for some extra money, too. So they teamed up with Clark’s cousin, Bennett Clark, a single real estate agent and builder who had been thinking along the same lines.

They had looked at several old houses when 515 North Broadway made headlines in February 2013. The Federal Home Loan Mortgage Corp. foreclosed on the previous owner. Authorities put her belongings on the sidewalk, almost stopping traffic as passersby picked through it.

Everything was filthy and covered in animal waste, prompting city health and code enforcement officers to step in. The inside of the house was even worse. The smell sickened almost everyone who stepped inside.

141009Rehab0007But the mansion was well-located, structurally sound and retained a lot of its original character. The lender got a dozen offers, and the four guys bought it for $195,752.

“Until we started taking out the plaster and some of the damaged areas, we didn’t really know what kind of condition it was in,” Hogan said. “But, structurally, we felt really good about it.”

Also salvageable were most of the original windows, including some stained-glass ones, and most of the woodwork and flooring. There was a magnificent staircase that rose three stories through the middle of the house.

But the partners quickly realized that all of the plaster needed to be removed to make way for new insulation, plumbing, electricity and interior walls.

“We saw it as a unique opportunity to build a new house within the shell of an original Victorian,” Hogan said.

Added Bennett Clark: “Our mindset was to make the house modern in the places that you need for a house to be modern, but bring back the formal areas to their original glory.”

141009Rehab0002To save money, the partners did about 60 percent of the labor themselves — mostly demolition, basic carpentry, landscaping, paint scraping and other grunt work. They hired contractors for skilled work such as electricity, plumbing, HVAC, roofing and window restoration.

Bennett Clark, who was the general contractor, made the reconstruction project his full-time job. The other three worked nights, weekends and vacations there.

“Our wives hate this house,” Ryan Clark said, as the other three chimed in about how their own homes were neglected during the project.

Because the house is in a city historic district, the partners had to follow strict guidelines on the exterior renovation. They weren’t expecting any special treatment, either: the city’s rule book pictures their house on the cover.

But they said it turned out to be a pleasant experience.

“If you’re just up front with them from the get-go and you’re not trying to hide anything, they’re super easy to work with,” Despain said.

The partners’ challenge now is selling the house for enough to recoup their investment and make a profit. Although expensive, the price is within the range of similar downtown mansions, many of which have had less extensive renovations.

So, do they plan to do this again? They think so, but not anytime soon. Since beginning the work in mid-2013, the three married guys have all had their first children. They expect to have less free time in the near future for construction.

The partners said they learned that to be successful in the renovation business, it must be your business, not a hobby you do in your spare time. A property must be chosen wisely, and the cost of purchase and renovation carefully calculated.

“It was the first project we had done together, so we wanted to make sure we did it right,” Hogan said. “Not only were we trying to make money, but we were really trying to learn a lot about historic preservation. It turned out really well.”

Click on each image to see larger photo and read caption:


Here’s the local hero a forward-looking Lexington should celebrate

October 18, 2014

What holds Lexington back? Well, for one thing, we celebrate the wrong member of the Hunt-Morgan family.

That may sound trivial, but it’s not.

In my work, I talk with some of Lexington’s most innovative people. They are behind many of the exciting things now happening in this city. Privately, though, many say they feel as if they are swimming against the tide. Lexington resists change, is too comfortable with the status quo.

Lexington loves to celebrate its history, and rightfully so. But the value of studying history is not to dwell on the past; it is to better understand the present and find inspiration for the future.

As a boy growing up here in the 1960s, I considered Gen. John Hunt Morgan a local hero. The Confederate cavalry raider was the star of the Hunt-Morgan House museum, his mother’s home on Gratz Park. His statue was on the courthouse lawn.

But the more I learn about Morgan, the less I respect him. He stole horses and burned towns, all to further a cause that wanted to break up the nation and keep black people in slavery. To my adult mind, that’s not hero material.

Morgan was a colorful, controversial character, and if Civil War buffs want to celebrate him, that’s fine. I would never want to see his statue removed from what is now the old courthouse lawn, because he is a significant figure in our history.

THMBut it is a shame he is more famous and celebrated here than his nephew, Thomas Hunt Morgan, a pioneering scientist and the first Kentuckian to win a Nobel Prize.

Thomas Hunt Morgan came along two years after his uncle’s death in a Civil War ambush. He was born in the Hunt-Morgan House on Sept. 25, 1866 and grew up behind it, in another family home facing Broadway.

That house was in the news last week. The Woman’s Club of Central Kentucky has deeded it to the Blue Grass Trust for Historic Preservation, which plans to restore it for programming and events.

I was vaguely aware of Morgan’s accomplishments, but I didn’t fully understand his significance until I read an essay Tom Kimmerer, a Lexington forest scientist, wrote recently for the website Planetexperts.com.

“Thomas Hunt Morgan was to become the most important biologist of his time, and laid the foundations for all of modern biology,” he wrote.

After a childhood of collecting birds’ eggs and fossils, Morgan earned degrees from the University of Kentucky and Johns Hopkins University. He spent 24 years doing pioneering embryology research at Bryn Mawr College. He joined the faculty of Columbia University in 1904 and the California Institute of Technology in 1928.

Morgan exhibited the best traits of scientific skepticism. He didn’t just theorize, he experimented. His work challenged, and eventually affirmed, two major concepts of biological science: Darwin’s theory of natural selection and Mendel’s ideas about genetics.

At Columbia, Morgan used fruit flies in sophisticated experiments to explain how genetics and evolution work. He showed that chromosomes carry genes and are the mechanical basis of heredity.

“He did not believe any biological theory unless he could test it,” Kimmerer wrote. “Almost every biological scientist working today is the beneficiary of Thomas Hunt Morgan’s approach to research.”

Morgan won the Nobel Prize in Physiology or Medicine in 1933 and wrote seven books, all now classics of science. He died in 1945.

Kimmerer and I were talking recently about how Morgan may be one of the most accomplished Kentuckians in history. UK’s biological sciences building is named for him, and there is a state historical marker outside his boyhood home.

But I’ll bet if you asked most people in Lexington who Thomas Hunt Morgan was, they wouldn’t know.

Kimmerer has a great idea: Lexington should start planning now to celebrate 2016 as the year of Thomas Hunt Morgan, because it will be the 150th anniversary of his birth. This celebration could showcase Lexington as a city of modern scientific education, research and commercialization.

There could be Thomas Hunt Morgan banners on Main Street, exhibits and school science fairs. There could be a lecture series about his work, as well as the scientific research now being done in Lexington or by Kentuckians elsewhere.

Perhaps the Kentucky Theatre could show The Fly Room, a new scientifically accurate movie set in Morgan’s Columbia University lab, and invite filmmaker Alexis Gambis to come and speak. The film’s set, a recreation of that lab, was on display in New York this summer. Could it be brought here?

Could this attention help the Blue Grass Trust raise money to restore Morgan’s house? Could the Fayette County Public Schools’ STEAM (Science Technology Engineering Arts and Mathematics) Academy be named for him?

A statue of Thomas Hunt Morgan on the new Courthouse Plaza would certainly be appropriate. He should be a local hero, an example to future generations that a kid born in Lexington can grow up to change the world.


If you wrote your own obituary, what would you say?

October 14, 2014

Obituaries can be either the best or worst part of a newspaper.

We all recognize the bad ones; they contain dry lists of awards and accomplishments, saccharin sentimentality and euphemisms for death.

But good obituaries — whether news stories written by reporters or classified notices placed by families — offer vivid descriptions of what a person was like and how he or she lived. In a few paragraphs, they offer a glimpse into a rich life, and maybe even some advice for living our own.

I love well-written obituaries. My favorite annual issue of The New York Times Magazine, usually published the first Sunday of each year, is called The Lives They Lived. It has short essays about a couple dozen people who died the previous year. Some were famous, others obscure, but each of their lives had a big influence on society.

So I was intrigued when Neil Chethik, director of the Carnegie Center for Literacy and Learning, told me about a class he was teaching last Saturday called Writing Your Own Obituary. I decided to sit in.

“I think the more we talk about death and accept it as a part of our lives, the better off we will be,” Chethik told his 10 class participants. His own interest in death and its impact led him to write his first book, Fatherloss: How Sons of All Ages Come to Terms with the Deaths of their Dads.

People came to the obituary class for many reasons. Some didn’t trust their relatives to get it right, or they wanted to have the last word, so to speak. Others weren’t so much interested in producing an obituary for publication as writing a meaningful letter to leave for relatives and close friends.

Contemplating your own obituary forces you to put your life in perspective: your faith, values, relationships, accomplishments and regrets. It’s an opportunity to reflect, evaluate and sum up. It can even give you a feeling of some control over that time when you will lose all control.

Chethik shared obituaries he found in newspapers around the country that were effective and even inspiring. Some were written in the first person and included life lessons and short tributes to people who were special to the deceased.

“What we’re trying to do is get to a deeper level of what you care about,” Chethik told the class. “It’s easy to go further in writing than you might do personally, at least in some families.”

Chethik suggested several prompts: List 10 words you think describe you. What activities do you love most? What have been your most important relationships? What have been your “mottos” throughout life?

Some people might also want to consider including confessions, regrets or reminiscences from their “glory days.” Accuracy in the details is essential; no family wants to be haunted by errors.

There is always debate about photos — should you publish a recent portrait or a favorite from years ago, or both? — and whether to give the cause of death or leave readers to speculate.

Beyond those basics, good self-written obituaries reflect the writer’s authentic voice. They are clear and concise and avoid minutiae. Distilling accomplishments, feelings and emotions into a few well-chosen paragraphs is a good discipline.

Writing your own obituary also might spark a desire to compose a longer memoir for family, friends or even publication. People like to read tales well told about interesting experiences. It is why powerful memoirs have always been best-sellers.

Online resources for writing your own obituary, or that of a loved one, include Obituaryguide.com and Obitkit.com, which was created by a former colleague of mine at The Atlanta Journal-Constitution.

One more thing: Don’t avoid humor. The right touches of appropriate humor can lessen the pain of death, just as they make life more enjoyable, Chethik said.

When comedian Joan Rivers died at age 81 last month, many obituaries recalled the funeral instructions she left in her 2012 autobiography. “I want it to be Hollywood all the way,” she wrote. “I don’t want some rabbi rambling on; I want Meryl Streep crying, in five different accents.”

Like many of those in Chethik’s class, I found the process of contemplating my own obituary more enlightening than morbid. That’s because it made me think as much about how I want to live the rest of my life as how I want to be remembered.


Lexington should stand firm on protections for cable customers

October 11, 2014

timewarnerAssociated Press Photo by Mark Lennahan

 

Bravo to Mayor Jim Gray and a unanimous Urban County Council for taking on Time Warner Cable. It’s about time somebody stood up to the giant cable television and Internet companies and their frustrating game of monopoly.

For far too long, the cable industry has abused the local franchise system across America to provide mediocre service at ever-increasing prices.

Meanwhile, cities have become pawns in the industry’s merger-and-acquisition game, which has left fewer companies owning more of the nation’s critical broadband infrastructure.

The Urban County Council last Thursday gave first reading to resolutions that would deny transfer of ownership of the local cable system as part of the industry’s latest deal, which would split Time Warner’s assets between Comcast and Charter Communications in a $45 billion stock swap. The systems in Lexington, Louisville and Cincinnati would go to Charter.

Gray’s re-election campaign also is tapping into public anger at Time Warner. The campaign is urging voters to sign a petition demanding that the company “improve customer service, deliver better speeds and give us what we pay for.”

Few cities have taken as aggressive a stand as Lexington has. Not that others aren’t concerned.

The Federal Communications Commission and the U.S. Justice Department are both reviewing the deal proposed by Comcast, Time Warner and Charter, which are, respectively, the nation’s first, second and fourth-largest cable operators. Dozens of consumer advocacy groups have spoken out against it.

It’s hard to say how all of this will end. But here is how we got to this point:

Time Warner bought Insight Communications in 2012, but never negotiated a new franchise agreement with the city. It also has ignored some consumer-protection provisions of Insight’s franchise agreement, which the city has never enforced.

Since the acquisition, Time Warner has invested little in Lexington’s infrastructure while steadily raising prices. The company’s cost-cutting measures have hurt customer service, and public frustration has been rising. City officials say they have been flooded with citizens’ complaints about cable service and pricing.

Time Warner officials claim they have improved service, and their own surveys show high rankings for customer satisfaction. Yea, right. A J.D. Power & Associates’ survey last month of residential television service providers in the South ranked Time Warner dead last. (Comcast was second-to-last.)

Lexington officials say they are not seeking any new consumer protections in the franchise agreement negotiations — they just want to preserve the things Insight agreed to. Those include staffing the company’s customer service center beyond normal business hours, so customers with day jobs can actually get there.

The city also wants to preserve some way of holding the cable company financially accountable for service problems short of canceling the franchise agreement. Currently, the city can fine Time Warner $100 a day — although officials say that has never actually happened.

Time Warner has not been willing to agree to those modest terms, nor does it want to continue paying for the public-access television studio. It’s all pretty small potatoes, considering that Time Warner’s Lexington revenues probably exceed $100 million a year and the company has made little investment in its system.

If Time Warner and Lexington officials are unable to reach agreement by Oct. 23, when the council could take a final vote on the ownership transfer resolutions, it is unclear what will happen. Mostly likely, the issue would end up in federal court.

Time Warner, Comcast and Charter have deep pockets, but Lexington officials should not back down. Citizens these days need more protection from corporate abuse, not less.

More importantly, city officials need to make sure whatever agreements they reach leave the door open for more competition. With only two major Internet providers — Time Warner and Windstream — Lexington needs more broadband competition.

Cities such as Chattanooga, which are lucky enough to have municipally owned utilities, have invested public dollars in creating high-speed fiber-optic networks. Those networks are attracting entrepreneurs who are creating the high-tech jobs of the future. Unfortunately, that’s not a practical option in Lexington, whose existing utility infrastructure is privately owned.

Lexington officials must embrace creative approaches for seeking private investment in new fiber-optic networks, such as Gray’s proposed Gigabit City initiative. And they must stand firm in trying to hold accountable the revolving door of local cable and telephone monopolies.


Second Sunday event previews design for Legacy Trail completion

October 7, 2014

2ndSunday 2014 Handout-R1This rendering shows the proposed design for completing the Legacy Trail along Fourth Street between Jefferson and Shropshire streets. One-street parking would be eliminated to create a 10-foot, two-way bicycle land and 10-12 foot lanes for cars and trucks. People can test the concept 3 p.m. to 5 p.m. Sunday during the annual Second Sunday event. Photo Provided

 

This year’s Second Sunday event will offer a preview of what planners propose as the design for finishing Lexington’s popular Legacy Trail: a two-way path along Fourth Street separated from automobile traffic.

The free public event is 3 p.m. to 5 p.m. Sunday, beginning at the corner of West Sixth and Jefferson Streets, at the Bread Box building and Coolivan Park. Festivities will include kids’ activities, but the main event will be bike riding, running, walking and skating on a coned-off lane of the south side of Fourth Street for 1.6 miles between there and the Isaac Murphy Art Garden under construction at East Third Street and Midland Avenue.

Eight miles of the Legacy Trail between the Northside YMCA and the Kentucky Horse Park were finished in 2010. But bringing the trail into town has been more complicated. The city secured $2.4 million in federal transportation funds to finish the trail, but it has taken time to work out all the details of bringing it into town.

Keith Lovan, a city engineer who oversees trail projects, said the cheapest and safest way to extend the trail across the Northside is what is known as a two-way cycle track on the street, separated from car and truck traffic by flexible posts.

To make room for the 10-foot-wide cycle track, on-street parking would be eliminated. Each car lane would still be 12 to 14 feet wide.

Sunday’s ride will extend to Shropshire Street, but Lovan said Elm Tree Lane and Race Streets also are being considered as ways to connect the Legacy Trail along Fourth Street to the art garden trailhead.

A citizens advisory committee of about 30 people has been mulling this design and other Legacy Trail issues. Detailed work will be done this winter and construction is to begin in the spring.

Lovan expects some controversy, because some on-street parking will be lost and because adding the trail will make street entry and exit from some driveways a little more complicated for drivers.

“I expect we’ll start hearing some of that Sunday,” Loven said of the Second Sunday event, when the trail will be marked off with orange cones. “We intend for this to reflect what the cycle track will look like.”

The hardest part of finishing the Legacy Trail, he said, “Will be getting the support to do this. We’ve had a lot of stakeholder meetings already.” Public meetings will be scheduled later this fall, and planners are going door-to-door talking with residents and businesses on affected streets, Lovan said.

The only other Lexington trail that uses this design is the short section of the Legacy Trail on the bridge over New Circle Road. In addition to cost-savings and improved safety, Lovan said, the two-way cycle track design has been shown in other cities to increase bicycle usage.

“These have been introduced across the country with great success,” said Loven, who oversaw design and construction of the rest of the Legacy Trail. “It provides the user a little more security. You don’t feel like you’re riding in traffic. But it’s more of a visual barrier than a protective barrier.”

I have ridden on cycle track in several American and European cities, and it feels safer for both cyclists and automobile drivers, because they are separated from each other.

When this is finished, there will be only one section of the original Legacy Trail left to do: a short connection between Jefferson Street and the YMCA. Lovan said the city has acquired an old rail line for part of that and is negotiating with the Hope Center to complete the connection. He expects that to be done next year.

The Legacy Trail demonstration marks the seventh year Lexington has participated in Second Sunday, a statewide effort to use existing built infrastructure to promote exercise and physical activity. In most communities, that has meant closing a street for a few hours so people can bike, walk, run or skate there.

The University of Kentucky’s Cooperative Extension Service started Second Sunday and has coordinated activities. The service plans to do several Second Sunday events next year, depending on grant funding, said spokeswoman Diana Doggett.

“We have a community that is willing and interested,” she said. “We just have to nudge that along.”


New book tells sad, fascinating story of madam Belle Brezing

October 7, 2014

140929BelleBrezing0002Belle Brezing’s last and most famous house of ill repute, at 59 Megowan Street (now Eastern Avenue at Wilson Street).  The third story was added after an 1895 fire. She died there in 1940. Below, two undated portraits of Brezing. Photos courtesy UK Special Collections.

 

Belle Brezing closed her house of prostitution nearly a century ago. She died in 1940. So why is she still famous, the subject of endless fascination?

That question helped prompt Maryjean Wall to finish a biography of the notorious Lexington madam that she started as a University of Kentucky history student in the early 1970s.

“The more I heard about her, the more I wanted to do a book,” said Wall, who returned to UK and finished her doctorate in history after a long career as the Herald-Leader’s award-winning horse racing writer.

140929BelleBrezing0003“Here’s a person who lived in the shadows, but was so integral to this community that there is a big collection about her life in UK special collections,” Wall said in an interview. “The first thing you have to ask is why? Well, it’s because she was at the center of power in this community.”

Wall’s new book is Madam Belle: Sex, Money and Influence in a Southern Brothel (University Press of Kentucky, $24.95).

Brezing has long been a popular subject. The late E.I. “Buddy” Thompson, an auctioneer and local historian, wrote a biography of her in 1983 that went well beyond an earlier sketch by another local historian, lawyer William Townsend.

Brezing was clearly the model for Belle Watling, the generous madam in Margaret Mitchell’s classic Civil War novel, Gone With The Wind. Mitchell never confirmed her inspiration, but her husband, John Marsh, ate breakfast many mornings in Brezing’s kitchen while he was police reporter for the Lexington Leader.

Wall’s book adds new details about Brezing’s sad but financially successful life, most notably that she attempted suicide at least twice. Even as a 19-year-old prostitute, she was well-known enough in Lexington that her botched effort to swallow too much morphine in a suicide pact with another woman made the newspapers.

But the main contribution of Wall’s book, aside from a well-told tale, is that it adds context and perspective about the red-haired madam’s place in the power structures of both Lexington and the horse industry.

When Brezing died at age 80, copies of the Lexington Herald with the news quickly sold out. Time magazine even published an obituary.

She is buried beside her mother at Calvary Cemetery on West Main Street. Even now, her grave looks especially well-tended and is often decorated with flowers. The Catholic Diocese refused to let Wall see records related to Brezing’s grave, she said.

Looking back on Brezing’s early life, it is a wonder she succeeded at anything.

She was born Mary Belle Cocks in 1860 to a single, heavy-drinking prostitute in a rented house on Rose Street. When Belle was 18 months old, Sarah Cocks married George Brezing. He ran a saloon and grocery when he wasn’t beating his wife.

Belle was shunned at school, lost her virginity at 12 and had a child at 14. Sarah Cocks died when Belle was 15, leaving her alone with a mentally handicapped infant daughter, who would spend most of her life in institutions under an assumed name. After a brief marriage and divorce in her teens, Belle started working the streets.

Brezing then went to work for Jenny Hill, who operated Lexington’s most high-class house of ill-repute. It is now the Mary Todd Lincoln House museum, because Abraham Lincoln’s wife spent her childhood there a few decades before Hill arrived.

140929BelleBrezing0001“I’m very intrigued why she went from being a street prostitute on North Upper, which was then a bad neighborhood, trying to commit suicide with another woman — what was that about? — and then the same year she gets into Jenny Hill’s house,” Wall said. “She must have had to clean herself up.”

Brezing left Hill’s house in 1881 and opened her own on North Upper Street — a building now part of a Transylvania University athletic complex.

“I think in Jenny Hill’s she probably learned good language, good style, became sort of educated,” Wall said. “And she had a client list when she left, because she went back to North Upper under very different circumstances.”

Brezing moved to another North Upper house, then in 1890 to 59 Megowan St. — now Eastern Avenue — at the corner of Wilson Street. It was a mansion outfitted in elegant style that became the talk of the town and racing circuit.

Trotters were the popular sport then, and Brezing’s clients included many influential horsemen who passed through town. She had several wealthy patrons, most notably one — or perhaps both — of the Singerly brothers.

William and George Singerly of Philadelphia had inherited an industrial fortune. They fancied race horses and Belle Brezing. Singerly money not only bought and outfitted the Megowan Street house, but it allowed her to buy rental property around town. Brezing didn’t get rich on prostitution, Wall said, but with real estate investments.

Lexington had a large red-light district during this era of Victorian morality. Wall cites one grand jury report that said the city had 158 brothels. Brezing’s was fanciest, from its antique furnishings to the lavish parties she gave for wealthy customers.

When anti-vice crusaders periodically tried to close the red-light district, Brezing’s house would be shuttered briefly. But when Lexington filled with soldiers training for World War I, the Army did what city politicians would never do — put her out of business.

She lived her last two decades as a drug-addicted recluse in a crumbling mansion.

Brezing’s previous biographers were men of an earlier generation, who Wall says tended to portray her as a victim and social outcast.

“She was shunned by the women in this town for sure, but I don’t see her as ‘poor little Belle’ at all,” Wall said. “I see her as a person who could take circumstances and work them to her advantage. She did that all her life.”

The book tells how Brezing clawed her way to the top by using men, investing wisely and playing politics. It also explains how so many others made money from her illicit business: the liquor merchants, grocers, clothing retailers, furniture dealers and horse traders.

Wall said she tried to avoid glamorizing either prostitution or Brezing’s life choices.

“Never would I do that,” she said. “Belle fit a lot of the stereotypes we have of prostitutes. She was a drug addict. She had worked the streets. Because she was smart, she managed to succeed in spite of the gender prejudices of her time.”

Book signings

Oct. 11 — Cincinnati Books by the Banks Festival

Oct. 14 — Joseph-Beth Booksellers, Lexington

Oct. 15 — Kentucky Historical Society, Frankfort

Oct. 16 — Filson Historical Society, Louisville (Oxmoor Farm)

Oct. 23 — Paul Sawyer Public Library, Frankfort

Nov. 15 — Kentucky Book Fair, Frankfort


Kentucky development leaders showcase high-tech innovation

September 30, 2014

gamersJason Mize, left, a partner in the Lexington company Really Big Spiders, demonstrated its online game, “Tales from the Strange Universe,” to Jonathan Gay of the Kentucky Innovation Network. Lexington is now a hotbed for electronic game development. Photo by Tom Eblen

 

Who knew Lexington was becoming a hotbed for electronic game development?

That’s exactly why Commerce Lexington and the state Cabinet for Economic Development brought seven freelance journalists here to visit with local game developers at Awesome Inc., the tech business incubator on Main Street.

At a reception Tuesday, they were to meet with other local business leaders, including Carey Smith, CEO of Big Ass Solutions, the giant fan company.

Earlier in the day, some of the journalists toured Northern Kentucky University’s College of Informatics, a new program that focuses on data science applications. Others went to Morehead State University to see the Space Science Center. Later this week, most will be covering the annual Idea Festival in Louisville.

“We just wanted to show them that from small business to big you can do it here in Lexington,” said Gina Greathouse, Commerce Lexington’s senior vice president for economic development.

Lexington has seven full-fledged companies developing electronic and online games and several programmers and artists who work on them part-time, said John Meister. He is a board member of RunJumpDev, a local organization that helps game developers network and promote their products.

Meister also is a partner in one of those companies, Super Soul. After working 10 years as a software engineer, he teamed up with artist Richie Hoagland to develop the Xbox game Compromised in 2012. Their company will soon release Speak Easy, a 1920s-themed fighting game for PlayStation 4.

Meister said game development has been growing in Lexington because many technology workers play games and become interested in making them. Lexington’s low cost of living helps, because it is much cheaper to develop games here than in many other cities with large high-tech communities.

While he wasn’t that interested in gaming, Terry Troy, a Cleveland-based journalist who writes for Scientific American magazine, said he came away from the tour with many story ideas. He was especially impressed by Morehead’s Space Science Center, which has become a national leader in developing small space satellites for research.

“Kentucky is a state of dichotomies; you have the Creation Museum and then over in Morehead is the cutting edge of satellite technology,” Troy said. “I knew there was a lot of innovation in the state, but you just don’t realize how much until you see it. I’m impressed.”


Uniquely Kentucky: Closing essay from Friday’s special section

September 30, 2014

abeEduardo Kobra’s mural of Abraham Lincoln in downtown Lexington, with the moon over his shoulder. Photo by Tom Eblen

 

Kentucky has always been at a crossroads. Buffalo came looking for food and water. Native Americans came looking for buffalo. Pioneers and settlers came looking for land and opportunity.

Originally the Western frontier, Kentucky has been more or less at the center of the country geographically since the 1830s. Culturally, though, it remains a place unto itself. Many places, actually.

Early settlers came to the Bluegrass for fertile land and pure water to produce hemp, tobacco, strong-boned horses and good whiskey. Eastern Kentucky developed a rich, complex Appalachian culture as newer immigrants joined Anglo-Saxon settlers when railroads opened the mountains for timber and coal harvesting.

Communities along the Ohio River, long nourished by commerce, have created personalities all their own, as have those amid the farms of Southern Kentucky. Western Kentucky rolls out like a rumpled green carpet to the Jackson Purchase, encompassing many unique local cultures.

Ask someone in China what they know about Kentucky and they are likely to reply, “Kentucky Fried Chicken.” I went to church once with friends in a small Australian town and was introduced to the minister afterward. He immediately said, “Ah, the Kentucky Derby!”

The recent popularity of bourbon has given Kentucky another international claim to fame. Jimmy Russell, the master distiller at Wild Turkey, told me that when he travels to Asia, Europe and Australia he is treated like a rock star. As he should be.

Kentuckians know how to eat well. Nothing is better than Western Kentucky barbecue in the summer or spicy burgoo in the winter. Any morning that begins with country ham and biscuits is a good morning.

Louisville has the calorie-packed Hot Brown sandwich, otherwise known as “heart attack on a plate.” Want something lighter? Try benedictine, a cucumber spread long popular with Louisville ladies who lunch.

Immigration continues to enrich Kentucky’s culture and palate: Mexican, Indian, Chinese, Thai, Vietnamese and African. The newest menu item at the 134-year-old Fancy Farm Picnic in Graves County is barbecue nachos.

Abraham Lincoln was born in Kentucky, as was his Confederate counterpart, Jefferson Davis. America’s greatest sports car, the Corvette, is made in Bowling Green. The stoplight was invented Garrett Morris, a black man from Paris.

Country music owes much of its sound to old-time Kentucky fiddlers and the hard-charging mandolin of Kentuckian Bill Monroe. And don’t forget Loretta Lynn, Jean Ritchie, Ricky Skaggs and Sam Bush.

Lexington’s Carnegie Center for Literacy and Learning has started calling Kentucky the “literary capital of mid-America.”  Sure, it’s a big boast. But consider the evidence: Robert Penn Warren, James Still, Wendell Berry, Harriette Arnow, Bobbie Ann Mason, Barbara Kingsolver, Sue Grafton, Jesse Stuart, Silas House, William Wells Brown, Hunter S. Thompson, C.E. Morgan and too many more to mention. Outsiders may still joke that Kentuckians don’t wear shoes, but we sure can write.

That’s the good news. Now for some bad news: Kentucky lags most other states in many measures of health, education, social welfare and economic innovation.

Kentuckians tend to cling to what worked in the past rather than leveraging their unique assets, heritage, culture, location and know-how for a brighter future. We carelessly spoil beautiful landscape with strip mines and strip malls. We focus on fears instead of possibilities.

Remember what I said about Kentucky being at a crossroads?  It has never been more true than today.


Lessons for Appalachia in Wales’ recovery from coal’s collapse

September 29, 2014

SouthWalesThe Tower Colliery near the village of Hirwaun, in Glamorgan, South Wales, in 2009. Tower Colliery was the oldest continuously worked deep-coal mine in the United Kingdom, and possibly the world. Photo by Kirsty Wigglesworth/Associated Press. 

 

People in the remote hills and valleys were subsistence farmers before the mining industry came. For generations afterward, King Coal provided most of the decent jobs and dominated almost every aspect of life.

But mechanization gradually eliminated tens of thousands of mining jobs. When economic and political conditions suddenly changed, most of the coal industry shut down. Communities were left with high unemployment, a ravaged landscape and an uncertain future.

This is the story of Eastern Kentucky. It also is the story of South Wales.

These two regions separated by the Atlantic Ocean share many traits and experiences. Community leaders working to create a post-coal economy in Central Appalachia think there are lessons to be learned from Wales, which has been dealing with many of the same challenges for three decades.

Two longtime coal community leaders from Wales will be in Eastern Kentucky on Oct. 7 to speak about their experiences. The 7 p.m. program at Appalshop Theatre, 91 Madison Avenue in Whitesburg, is free and open to the public.

Hywel Francis and his wife, Mair, are no strangers to Kentucky. They have been coming here for years as part of a community exchange program started in the 1970s by Helen Matthews Lewis, a well-known Appalachian scholar and activist.

“The interest between these two areas has been there for a long time, but it has really picked up as we’ve seen the sudden decline of mining jobs here,” said Mimi Pickering of Appalshop. “We think this is an exciting opportunity for folks to talk with people from another place who have been though this.”

Francis is a member of the British Parliament, a college professor and labor historian. His wife is a founder of Dulais Opportunity for Voluntary Enterprise, known as the DOVE workshop, a women’s education and job-training organization.

South Wales was a few decades ahead of Central Appalachia, both in the development and collapse of its coal economy.

Beginning in the early 1800s, coal mines in South Wales fueled Britain’s industrial revolution and, in many ways, the British empire. At the industry’s peak just before World War I, more than 250,000 men labored in nearly 500 Welsh deep mines and open pits.

As in Appalachia, mechanization steadily reduced mine employment. After World War II, British mines were nationalized. In the mid-1980s, Prime Minister Margaret Thatcher closed unprofitable mines, sparking a bitter miners’ strike. The industry all but collapsed and 85,000 miners lost their jobs. Only a few hundred miners still dig coal in South Wales.

Tom Hansell, a filmmaker and professor at Appalachian State University in Boone, N.C., is finishing After Coal, a documentary comparing the experiences of coal communities in South Wales and Central Appalachia. He said it will be shown on Kentucky Educational Television next year or in 2016.

Hansell also helped organize a program in Elkhorn City two weeks ago about what Eastern Kentucky could learn from Wales’ tourism industry, which now employs 30,000 people.

A third forum will be at 6 p.m. on Oct. 28 at the Harlan campus of Southeastern Kentucky Community and Technical College. Richard Davies of College Merthyr Tydfil in Wales will lead a conversation about the role of youth and the arts in preserving vibrant coalfield communities.

While working on his film, Hansell said he made three trips to Wales. He noted that some of its circumstances are different than in Central Appalachia.

Because Welsh mines were owned by the government, laid-off miners got good severance payments to help them start businesses or train for new jobs. Britain also has a stronger social safety net than the United States, including a public health care system.

But Hansell said there is one smart thing Britain did that the United States could emulate: the government invested heavily in environmental reclamation, cleaning up the mess from generations of coal mining.

“There were jobs created with that, but more importantly it provided a foundation for future economic development,” he said.

Another good strategy: community funds have been created around major industrial investments, such as a wind turbine farm built by a Swedish company. The funds are similar in some ways to Kentucky’s coal severance tax, but transparently managed by local community boards rather than state and local politicians.

Wales has a focus on entrepreneurship and small-business development, which organizations such as Kentucky Highlands Investment Corp. have done here. Everyone realizes that the future is lots of small employers rather than a few big ones, Hansell said.

“It would be misleading to say that Wales has solved all their economic problems,” he said, noting that unemployment remains high and many people in former mining communities commute to jobs in coastal cities. “But towns have found ways to survive and find creative ways to re-invent themselves.”


Concerns about militarized police ignore bigger, underlying issues

September 27, 2014

Should Andy Taylor and Barney Fife be equipped like Rambo?

That has been a much-debated topic since police in Ferguson, Mo., responded with paramilitary aggressiveness to protesters after one of their white officers shot and killed a black teenager.

The situation focused public attention on the U.S. Defense Department’s 1033 program, which has given away hundreds of millions of dollars worth of “surplus” military equipment to state and local police forces, whether they need it or not.

Kentucky’s House Local Government Committee held a hearing last week on this issue. The 1033 program has furnished 33,000 military weapons and supplies, valued at more than $44 million, to Kentucky police agencies over the past decade.

That includes the Lexington Police Department’s two helicopters, hundreds of automatic rifles for the Kentucky State Police and a $689,000 mine-resistant vehicle for the Owensboro Police Department. And you know who is paying to buy, operate and take care of all these goodies. You are.

This trend raises many issues, but I haven’t seen some of the biggest ones discussed.

Access to this kind of firepower only increases the chances for abuse of power and tragedy among badly managed police forces. But problems such as those in Ferguson have more to do with what is in officers’ hearts than what is in their hands. Bull Connor’s Birmingham cops needed only fire hoses to show their moral bankruptcy in the 1960s.

Besides, I understand why police officers want and sometimes need military-style weapons. Thanks to the NRA and other gun-rights radicals, any Tom, Dick or lunatic now has easy access to military-style weapons, and many think they have a constitutional right to flaunt them in public.

It is no wonder the FBI reported last week that the number of mass shootings has increased dramatically in recent years. Authorities studied 160 shootings that killed or wounded 1,000 people, many of which occurred in schools or businesses. In one-fourth of those cases, the shooter committed suicide before police arrived.

Do we really have more crazy people than in the past? Or is it simply that society’s gun lust has made it easier for them to inflict maximum carnage? Until the United States is mature enough to enact common-sense gun control measures, police will sometimes need serious firepower to keep themselves and the public safe.

But the issues go much deeper. When I read about the Defense Department doling out all of this “surplus” equipment, I wonder why they have it all to give away.

As Dwight Eisenhower was leaving the presidency in 1961, he gave a famous farewell speech that warned about the corrupting influence he saw in the rise of America’s “military industrial complex.”

Eisenhower, a Republican and the greatest general of World War II, was no wild-eyed pacifist. But he clearly saw what was happening.

“The potential for the disastrous rise of misplaced power exists and will persist,” Eisenhower warned. “Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.”

Eisenhower’s fears have been realized, and the 1033 program is just a small example.

The International Institute for Strategic Studies in 2012 estimated U.S. military spending at $645 billion, more than half the government’s discretionary spending. It was 40 percent of the world’s total military spending — more than six times China’s $102 billion and 10 times Russia’s $59 billion.

Stories of wasteful, unnecessary and even fraudulent military spending are legion. In an unholy alliance with corporate “defense” contractors, Congress continues to appropriate billions for high-tech planes, ships, weapons systems and equipment the military doesn’t need and may never use.

In another speech, in 1952, Eisenhower said, “Every gun that is made, every warship launched, every rocket signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed.”

So the next time your congressman tells you we can’t afford better health care, better schools and better infrastructure, you will know why. That $689,000 mine-resistant vehicle in Owensboro is only the tip of the iceberg.


Ashland estate marks War of 1812 with artifacts, re-enactors

September 23, 2014

If you hear cannon and musket fire near downtown Saturday, don’t be alarmed. The colorfully costumed soldiers and Native Americans aren’t invading Lexington; they’re just performing for Living History Day at Ashland, The Henry Clay Estate.

Ashland this year is marking the bicentennial of the War of 1812. And, no, it’s not two years late. Among the many little-known facts of this often-overlooked war is that, while it began in June 1812, the fighting didn’t stop until February 1815.

Ashland is commemorating the Treaty of Ghent, which Clay, John Quincy Adams and other American representatives negotiated with the British and signed on Christmas Eve 1814.

ghentjacketAs the congressman from Central Kentucky and speaker of the U.S. House of Representatives, Clay was a politician for all seasons. He not only helped end the War of 1812, he helped start it, too. That dual role helped launch one of the most illustrious American political careers of the 19th century.

But Clay was hardly the only Kentucky connection to the War of 1812.

“Kentucky doesn’t have any battlefields for this war; the war itself didn’t happen here,” said Eric Brooks, Ashland’s curator. “But more than any other conflict this nation has fought, the War of 1812 was a Kentucky war.”

Kentucky contributed 25,000 soldiers to the War of 1812 — more than all of the other 17 states combined. About 60 percent of the war’s casualties were Kentuckians. At the battle of Wild Cat Creek in northern Indiana, almost every U.S. soldier was from Hopkinsville.

Much of the gunpowder used by American forces was made from saltpeter mined in Kentucky, including at Mammoth Cave. Newport was the U.S. Army’s major supply depot. Twenty-two of Kentucky’s 120 counties are named for War of 1812 veterans.

In 1812, Clay and other “war hawks” pushed for declaring war on Great Britain, which despite its Revolutionary War loss continued to mess with the new nation. Of greatest concern was Britain’s arming of Native American tribes, who were attacking white settlers who had taken their land.

While the War of 1812 settled most of those issues, it ended up being a military stalemate that came at high cost: British troops invaded Washington, D.C., and burned the White House and the Capitol.

“We as a state need to understand the role we played in solidifying this nation as a legitimate and survivable nation in the world,” Brooks said. “Prior to the War of 1812, there were a lot of countries that thought the United States was a flash in the pan, that democracy would never work.”

Saturday’s festivities at Ashland will include re-enactors from Ohio and Michigan portraying the 2nd Kentucky Militia. There also will be Native American re-enactors, who will demonstrate tomahawk throwing at their encampment on the 17 acres that remain of Clay’s 600-acre estate, most of which is now the Ashland Park and Chevy Chase neighborhoods.

There also will be farm animals, crafts, special activities and an actress portraying Charlotte Dupuy, a slave who filed a highly publicized lawsuit against Clay trying to win her family’s freedom.

Ashland has several important relics related to the War of 1812 that will be on display. They include a copy of the Treaty of Ghent in Clay’s own handwriting, his place card at the negotiating table and an ivory cane he received as a gift.

The mansion also has one of two paintings Clay won while playing cards with his fellow negotiators. (In addition to being a masterful politician, Clay was a party animal who loved to drink and gamble.)

Ashland’s most important War of 1812 relic is the military-style coat Clay wore during treaty negotiations in Ghent, which is now in Belgium. Clay’s coat set the style for American diplomatic attire for decades. It was last worn by a Clay descendant when Ashland opened to the public as a museum in 1950.

“That’s the last time it will be worn, too,” Brooks said. “If for no other reason than there are not a lot of 6-foot-2, 145-pound men around anymore. And, obviously, it’s very, very fragile.”

If you go

What: War of 1812 Living History Day

When: 10 a.m. — 5 p.m. Saturday, Sept. 27

Where: Ashland, The Henry Clay Estate, 120 Sycamore Road.

Cost: $14 adults; $7 younger than 18; $35 family.

More information: Henryclay.org, (859) 266-8581