The most celebrated jockey in Lexington this month won’t be riding in Keeneland’s fall meet, or afterward at the Breeders’ Cup.
In fact, he died 119 years ago.
Isaac Burns Murphy, a black Kentuckian who was the most successful jockey in Thoroughbred racing history, will be the focus of a series of free public programs and events Oct. 20-24.
The celebration begins Tuesday with a lecture at the Lyric Theatre by Pellom McDaniels III, an Emory University professor, former professional football player and author of the 2013 biography The Prince of Jockeys.
The Kentucky Horse Park on Thursday will unveil a newly engraved tombstone for Murphy, who is buried there. Later that afternoon, new interpretive panels will be unveiled at the Isaac Murphy Memorial Art Garden in the East End.
I Dedicate This Ride, former Kentucky poet laureate Frank X Walker’s play about Murphy, will be performed at the Lyric Theatre on Friday and Saturday nights. Also on Saturday, a new memorial will be dedicated at Murphy’s original gravesite at African Cemetery No. 2 on East Seventh Street.
Each day that week, McDaniels will be speaking at the Lyric to local school groups and showing them an exhibit of photo and text panels about Murphy. The panels will remain on display in the theater’s gallery through Dec. 11.
“Isaac Murphy is a wonderful figure in history, for a lot of reasons,” McDaniels said.
Murphy was born into slavery in Frankfort four days after the Civil War began in 1861. After his father died in Union Army service in 1865, Murphy was raised in Lexington by his mother and grandfather.
Murphy became a jockey at age 14 and rode in the Kentucky Derby 11 times, winning three of them, in 1884, 1890 and 1891. By his calculations, Murphy won 628 of his 1,412 races, a 44 percent victory rate that has never been equaled. In 1955, Murphy was the first jockey to be inducted into the National Racing and Hall of Fame. He died of pneumonia in 1896.
McDaniels, 47, is from San Jose, Calif., and played for the NFL’s Kansas City Chiefs and Atlanta Falcons. After retiring from football, he earned a master’s degree and Ph.D. in American studies from Emory University in Atlanta, where he is now an associate professor of African American studies.
McDaniels said he discovered Murphy while working on his doctoral dissertation about the role of black athletes in the 20th century, when racism made sports one of the few areas where black men could advance.
In looking at the roots of that phenomenon, he discovered black athletes in the 19th century who were revered by white Americans before the Jim Crow era led to systematic discrimination.
The star among them was Murphy, a celebrity described in the white press as an “elegant specimen of manhood.” He was lionized for his good looks, his intellect and his gentlemanly behavior.
“I thought it was very interesting that this man coming out of slavery would be in newspapers being represented as this quintessential man,” McDaniels said.
By the end of Murphy’s career, though, discrimination was marginalizing accomplished blacks who had made gains during Reconstruction, including athletes.
Previous biographers speculated that Murphy’s polish came from his association with whites in the horse industry. But McDaniels thinks a more likely explanation was Lexington’s black community, which was quite advanced for that time.
“The community was thriving,” he said. “There were businesses and very well-educated people there, lawyers and doctors.”
McDaniels thinks Murphy’s life story is a great teaching opportunity, especially for young people.
“Sports history is an opportunity to teach, especially young men, about these different nuances of social and economic and racial history,” he said
Murphy was a professional athlete who knew how to handle success with grace and responsibility — something rare now as it was then. His success brought fortune as well as fame, and Murphy and his wife, Lucy, lived in a Third Street mansion about where the Isaac Memorial Art Garden is now.
“He and Lucy had plenty of opportunities to leave Lexington and go to California and New York and Chicago, but he kept coming back home,” McDaniels said. “I think he came home because the people in Lexington knew him. They were his family and they helped him maintain his rootedness.”