Ale-8-One president sees a lot of opportunity to grow the brand

August 24, 2014

140818Ale8One-McGeeney-TE0024Ellen McGeeney, president of Ale-8-One Bottling Co., in Winchester. Photos by Tom Eblen  

 

WINCHESTER — As an 8th generation Kentuckian, Ellen McGeeney knew she was taking on something special when she became president of Ale-8-One Bottling Co. But the Louisville native, whose family is from Henderson and Owensboro, didn’t realize just how special.

Her first week on the job, a 20-something Lexington store clerk tearfully told her about his grandmother’s recent death from dementia, and how, in her last months, the only thing that made her smile was Ale-8-One. Then he hugged McGeeney.

And there was the businessman McGeeney met at a networking event a few weeks later. When she introduced herself, he dropped to one knee and kissed her ring.

“There’s a fervency about the brand in Central Kentucky,” she said of Ale-8-One, the ginger-and-citrus soft drink that has been made in Winchester since 1926. “So many people speak about it as if it’s theirs.”

140821Ale8One-TE0083The Rogers family took a big step a year ago when it hired an outsider for the No. 2 spot in the company now run by Fielding Rogers, 33, the great-great nephew of Ale-8-One inventor G.L. Wainscott.

McGeeney, 52, brought a lot to the company besides Kentucky heritage. A Brown University graduate with an MBA from Yale, she was a business consultant for Booz Allen Hamilton and other firms in New York and Boston, specializing in logistics, branding, marketing and online strategies.

Between the births of their second and third children, she and husband Christian Thalacker moved back to Louisville to be closer to her family. She helped start Grasshoppers Distribution LLC, which sold fresh food from local farmers to customers around Louisville, and did strategy work for Rooibee Red Tea.

It was through the Louisville-based beverage company that she met Rogers, who was looking for someone to help him take Ale-8-One to the next level. McGeeney said the job is a perfect fit because it draws on all her skills.

“Literally, this is my dream job,” she said. “I was ready to have a real career again, and I really wanted it to be in Kentucky.”

McGeeney said another big attraction was the Rogers family’s business values. While the family wants growth, she said, it must be steady growth, without peaks and valleys, because Rogers doesn’t ever want to have to lay off any of his 100 employees. “He’s extremely cognizant of the importance of good jobs in this community,” she said.

140821Ale8One-TE0049Wainscott started in the flavored drink business in 1902. He launched RoxaKola in 1906, naming it after his wife. But when Coca-Cola started suing small cola competitors, he realized he needed a special flavor all his own.

Wainscott went to Europe after World War I and bought ginger beer recipes to experiment with. He launched his new drink at the Clark County Fair in 1926 without a name. After a customer remarked that it was “a late one” in the already crowded carbonated drink market, the name Ale-8-One stuck.

Ale-8-One has more caffeine and less carbonation than many soft drinks. Only four people know the secret recipe: Rogers, his brother, sister and father. Rogers now mixes the concentrate himself using his great-great uncle’s handwritten notes.

Ale-8-One distribution is focused on Central Kentucky, where its own delivery fleet covers 27 counties. It is one of the few bottlers in America that still uses some returnable bottles, a popular tradition the company plans to continue.

“I like to say we’re on the bleeding edge of obsolete technology,” McGeeney said. “And we’re very proud of it. We have invested a lot in making sure that that process is extremely safe and high quality.”

Through contracts with other distributors, nonreturnable bottles and cans also go to most of the eastern three-fourths of Kentucky and parts of Ohio and Indiana. McGeeney hopes to gradually expand distribution, at least to all of Kentucky’s 120 counties.

In addition to the original formula, Ale-8-One comes in caffeine-free and diet versions. While the original formula will “never, ever, ever” change, McGeeney said, she sees opportunities for additional beverages. She wouldn’t disclose specifics, but said she would love to do a seasonal beverage made with Kentucky ingredients.

“If you’re at a big company, you can throw a lot of stuff at the wall and see what sticks,” she said. “We can’t do that. We’re David in an industry of Goliaths. We have to do it differently.”

McGeeney said revenue growth has been up in her first year, to about 5 percent. Her goal is annual growth of 5 percent to 10 percent to keep the company financially resilient as the economy rises and falls. Ale-8-One doesn’t disclose revenues or profits, but McGeeney said the balance sheet is strong and future expansion will be self-financed.

“One of the real luxuries of being a private company, from my perspective, is the long-term view,” she said.

This spring, Ale-8-One did its first promotional packaging with a horse-racing theme. Football tailgate packaging will hit store shelves this week. Basketball packaging will follow that.

McGeeney hired a consultant to help refine Ale-8-One’s brand strategy. It revolves around the ideas of Kentucky pride, family ownership and independence. The working slogan: “The best of the Blue Grass in green glass.”

“I think there’s a proud story there,” McGeeney said. “We should be as much of a jewel of Kentucky as bourbon is. My fantasy is to get everybody in Kentucky to feel that way.”

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‘Room with a view’ exhibit features Lexington scenes from 1990s

August 23, 2014

140821Tharsing0004The view out the bay window of painter Robert Tharsing’s second-floor studio on High Street in the early 1990s. Below, the old Fayette County Courthouse.  Photos courtesy of the artist and Ann Tower Gallery

 

Before he retired as an art professor at the University of Kentucky, Robert Tharsing did his personal painting in downtown studios, first in the upstairs room of an old house on High Street and then above Cheapside Bar & Grill.

When he was between paintings — or stuck trying to figure out where to go with an abstract canvas — he did what many people do when they need a break: he stared out the window. In Tharsing’s case, he also painted what he saw. The result was about 20 views of the Lexington skyline and scenes of downtown life in the 1990s.

In anticipation of retirement, Tharsing built a home studio in 2001. When he moved, he left most of these paintings stacked in the Cheapside space, which wife Ann Tower uses as storage for her gallery on Main Street. Tharsing never showed them in public — until now.

Robert Tharsing: Room With A View, an exhibit of 14 pictures painted over the course of a dozen years, went up last week in the East Gallery at UK Chandler Hospital. The free exhibit will be up for six months.

140821Tharsing0003“I had seen a few hanging in his studio a long time ago and thought they were interesting,” said Phillip March Jones, who curates the hospital’s art exhibits. “I also thought it was interesting they had never been shown as a body of work.”

Jones said viewers from Lexington will easily recognize these scenes, as well as what has changed, and appreciate the bird’s-eye view Tharsing had from his studio windows.

The vividly colorful scenes are awash in light, but often devoid of people. Most of the time Tharsing spent in these studios was at night and on weekends, before downtown became a popular destination for restaurants, bars and festivals.

“Wherever I’ve been, I’ve always painted the scene as well as other interests I have,” said Tharsing, 70, who has lived in Italy and spends summers in Nova Scotia.

Tharsing said these small pictures were often a release, a distraction when he was working on large, abstract paintings. “It was a way to paint something that’s very tangible that I knew what it was,” he said. “With an abstract painting, I often don’t know what it is. In that sense, it’s like being a novelist; you have to let the characters develop and see what they’re going to tell you about themselves. The painting has to do that, too. It has to tell you what it is, what it’s all about.”

The High Street studio had a big bay window that looked down on Vine Street and a cluster of 1980s office towers. Tharsing said he liked how light played off the buildings, streets and parking lots in different seasons.

“That part of Lexington is all about very simple geometry,” he said. “There’s hardly anything that distinguishes itself as being real architecture. So what you’re left with is these volumes and planes and reflections. More than half the buildings down there have got these mirrored windows, so it’s not only the building I’m looking at but I’m looking at myself through the glass across the street. That interested me.”

Cheapside had more people on the street, and a building that did interest Tharsing: the old Fayette County Courthouse, which was then still in use. The massive circa 1900 building or pieces of it appear in six of 14 paintings in the exhibit.

“I really liked it because there was a lot of coming and going,” he said. “It was very much small-town life.”

Tharsing said “the icing on the cake” came one day when he looked down and saw perennial candidate Gatewood Galbraith in his trademark hat. He was accompanied by a single sign-carrying supporter and was being interviewed by a TV news crew.

To accompany the exhibit, Jones is producing old-fashioned perforated postcard books with 10 of the pictures, for sale ($10) at Ann Tower Gallery, The Morris Book Shop and Institute 193, his nonprofit gallery.

These paintings are reminiscent of the plain, colorful style of Edward Hopper (1882-1967), who was one of Tharsing’s inspirations. Another inspiration was the Venetian landscape painter Canaletto (Giovanni Antonio Canal, 1697-1768).

But Tharsing said he resisted Canaletto’s occasional tendency to improve the skyline, tempting though it was in Lexington’s case. “He rearranged the city to suit himself,” he said. “It is like urban renewal; it’s an interesting idea.”


Woodland Triangle street work recalls Lexington area’s history

August 19, 2014

140818Woodland-old1Pearson & Peters Architects now occupies the Woodland Triangle building that in 1911 housed R.L. Jones Grocery. Below, Jeff Pearson and Maureen Peters recreate the old scene, minus apron and horse and buggy. Modern photos by Tom Eblen.

 

140818Woodland-TE0014The just-completed redesign of that funky intersection at East High, Kentucky and East Maxwell streets has sparked recollections of the Woodland Triangle’s history.

Pearson & Peters Architects now occupies the wedge-shaped building in the intersection. But Maureen Peters recalled that in 2006 a woman walked in and showed her staff photos of the building nearly a century earlier, when it housed the R.L. Jones Grocery.

The building dates from 1909 or 1910. The 1911 city directory lists Jones’ grocery, although by the next year there was a different tenant. Except for the awnings, the building’s exterior looks about the same. Peters and her business partner, Jeff Pearson, have done a handsome, modern renovation of the interior.

The street project prompted Peter Bourne, a map-maker for city government, to make sure the work hadn’t removed a city “mile marker” from the 1870s. It had not. The limestone block still stands nearby in Woodland Park.

Bourne recounted on his Lexington Streetsweeper blog how officials decided in 1871 to mark the old city limits — a one-mile radius from the Court House — with a ring of stones, 500 feet apart. If all were installed, there should have been about 66 of them. Bourne can only find the one at Woodland Park and another along West Main Street between Lexington and Calvary cemeteries. Does anyone know of others still in place?

140818Woodland-TE0021On East High Street, just inside Woodland Park, is one of two known remaining “mile markers” erected by Lexington in the early 1870s to mark the city limits Ñ a circle one mile from the Court House.

140818Woodland-old2The interior of the Woodland Triangle building when it was R.L. Jones Grocery, about 1911 Below, architects Maureen Peters and Jeff Pearson in the same room. 

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Eastern Kentucky jobs outlook: health care and more broadband

August 11, 2014

crouch1Ron Crouch is the director of research and statistics for the Education and Workforce Development Cabinet in Frankfort. He says a growing health care industry in Eastern Kentucky should help offset jobs lost to coal’s decline. Photo by Mark Mahan

 

There is more talk than usual about the need to create jobs and a more diverse economy in Eastern Kentucky because of the coal industry’s decline.

It made me wonder: what are the latest trends? For some answers, I called Ron Crouch, director of research and statistics for the Education and Workforce Development Cabinet. He previously headed the Kentucky State Data Center for two decades and is better than anyone I know at analyzing this sort of information.

People are alarmed because coal-industry employment in Eastern Kentucky has dropped to about 7,300 — half what it was five years ago. Coal-mining jobs have been important to the region because they pay well: about $65,000 a year.

President Barack Obama’s critics have blamed stricter environmental regulations for the sudden drop in coal employment. But the biggest factors have been cheap natural gas and the fact that Eastern Kentucky’s best coal seams have been depleted over the past century; the coal that is left is more costly (and environmentally damaging) to mine.

But Crouch notes that coal employment in Eastern Kentucky has been declining steadily for more than six decades — even accounting for periodic booms and busts — mainly because of mechanization. Coal production peaked in 1990, but coal employment peaked in 1950, when there were 67,000 miners.

Some Eastern Kentucky leaders have pursued manufacturing as a source of new jobs. But Crouch says the long-term prospects for manufacturing aren’t too good, either, also because of automation.

“Manufacturing is coming back to the United States, but not necessarily manufacturing jobs,” he said. “We’re producing far more goods, but with far fewer workers.”

Still, Crouch sees hopeful signs for Eastern Kentucky.

While the region still lags the state in college degrees, high school graduation rates have improved significantly, as have the number of people completing other levels of training between high school and a bachelor’s degree. Many new, good-paying jobs are for people with that level of education.

Those areas include health care as well as professional, scientific and technical services. Some of these jobs pay well. For example, the number of registered nursing jobs, which pay about $55,000, is growing significantly.

Eastern Kentucky’s health care industry should see big growth in coming years. One reason is demographics. Baby Boomers are now entering their 60s and 70s and will require more health services. Another reason is the Affordable Care Act.

“You’re going to see a huge increase in the number of people in East Kentucky who have health insurance,” Crouch said.

Because Eastern Kentucky families are smaller than in the past, there will be less pressure for young people to leave.

“You now have a population with more people in their 40s, 50s and 60s than in their teens and 20s,” Crouch said. “If those young people can get the education and training they need after high school, there will be jobs for them in East Kentucky.”

But many of the growing economic sectors in the region, such as health care, have traditionally been dominated by women, while shrinking sectors, such as mining and manufacturing, have been mostly male. In some Eastern Kentucky counties, women now have higher employment rates than men.

“The good news is the economy has been transitioning to a broader economy,” Crouch said. “But how do you transition a population of males who have been involved in mining and manufacturing to jobs in professional, technical services and food services and health care, which have largely been female?”

Crouch said improving broadband service in Eastern Kentucky, which has the state’s poorest connections to the Internet, is vital.

“That would accelerate the growth in higher-skilled jobs,” he said.

Crouch is troubled that many Eastern Kentucky counties have high percentages of working-age people not in the formal labor force. He thinks many are “getting by” in the cash and barter economy, some of which is illegal.

He also is concerned that much of the job growth has been in low-wage service industries. Because the legal minimum wage hasn’t kept pace with inflation, full-time work in many low-wage jobs doesn’t produce a living wage for a family.

“The good news is that East Kentucky is not having a brain drain, despite what people think; it’s having a brain gain,” he said. “But, as the saying goes, we’re halfway home and have a long way to go.”


The real issues in this Senate campaign? Speeches offer a clue

August 9, 2014

140806Clinton-TE0255Former President Bill Clinton appeared at a fundraising luncheon in Lexington on Aug. 6 for Secretary of State Alison Lundergan Grimes. Photos by Tom Eblen

 

I spent time in the past week listening to a lot of speeches by the two U.S. Senate candidates and their surrogates.

We don’t hear as many political speeches as we used to. Campaigns have mostly become a series of TV attack ads in which candidates trash their opponents and stretch the truth as much as they can in 30 seconds.

Political speeches are longer than attack ads, increasing the odds that a candidate might mention accomplishments or goals or reveal the values behind his or her campaign.

When Sen. Mitch McConnell and his Democratic challenger, Secretary of State Alison Lundergan Grimes, faced off Aug. 2 at the Fancy Farm Picnic, they mostly mocked each other and professed more love for the coal industry than for clean air, clean water and good health.

McConnell used the rest of his time to slam Gov. Steve Beshear, Attorney General Jack Conway, the “liberal” media and President Barack Obama, perhaps the only politician with a lower approval rating in Kentucky than his own.

McConnell vowed to repeal Obama’s health-care law, which has provided insurance to tens of thousands of Kentuckians who didn’t have it. He also urged voters to re-elect him to lead Senate Republicans so the gridlock in Washington can continue.

What McConnell did not mention was any accomplishments during his three decades as Kentucky’s longest-serving senator. He also didn’t say what he would do to improve the lives of average Kentuckians.

At least Grimes used some of her time to talk about how she would try to grow a middle class that has been shrinking for three decades because of globalization and “trickle down” economic policies that favor the wealthy.

Grimes called for raising the minimum wage and legislating equitable pay for women, both of which McConnell opposes. She also voiced support for strengthening Social Security and Medicare, making college more affordable and protecting the right of workers to bargain collectively for better pay and benefits.

With polls showing the race essentially tied, Grimes brought in former President Bill Clinton to campaign for her Wednesday in Lexington and Hazard. Clinton carried Kentucky in both of his presidential elections, and his administrations presided over an era of balanced budgets, job growth, welfare reform and economic prosperity.

Clinton is a gifted speaker with a knack for putting things in perspective.

“Creating jobs and raising incomes and giving poor people a chance to work into the middle class, that is the issue,” Clinton told those who attended a Grimes fundraising luncheon in Lexington.

He endorsed Grimes’ call for raising the $7.25 federal minimum wage, which hasn’t been increased in five years.

“We have not kept up with inflation,” Clinton said, adding that a reasonable increase in the minimum wage will create jobs, not kill them as Republicans always claim. “These people are going to spend that money; it’s going to circulate in their communities; all the local merchants are going to be better off; incomes will go up; more people will get hired; more people will get a pay raise.

“Creating more jobs and shared prosperity, as opposed to fewer jobs and more concentrated wealth with all the benefits going to people at the top, is the main issue people face in country after country and country,” he added. “We Americans have not done enough for broadly shared prosperity, because we have not done enough to create jobs.”

Clinton also discussed the political obstruction McConnell has led in Congress since Obama became president in 2009.

He contrasted McConnell to former U.S. Sen. Wendell Ford, a Democrat who while in Senate leadership worked well with colleagues and presidents of both parties, and to Beshear, a Democrat, and U.S. Rep. Hal Rogers, a Republican, who together last year formed the Shaping Our Appalachian Region initiative to help diversify Eastern Kentucky’s economy.

“I’ve been everywhere, and I’m telling you: whenever people are working together, good things are happening,” Clinton said. “Whenever they spend all their time fighting, good things are not happening. The founders of this country gave us a system that requires us to treat people who disagree with us with respect and dignity and to make principled compromise so that something good can happen. Cooperation works, and constant conflict is a dead-bang loser.”

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Photos from Bill Clinton’s campaign stop in Lexington today

August 6, 2014

Former President Bill Clinton was in Lexington today for a campaign fundraising luncheon at Carrick House for Alison Lundergan Grimes, a Democrat challenging the re-election of U.S. Sen. Mitch McConnell. Photos by Tom Eblen

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Popular restaurant owner returns to Sav’s after kitchen accident

August 4, 2014

140729SavSavane-TE0056 Mamadou “Sav” SavanéŽ, left, talked with regular customer Ron Pen, a University of Kentucky music professor, and Erin Fulton last Wednesday. Photos by Tom Eblen

 

The regulars at Sav’s Grill & West African Cuisine got a pleasant surprise when they walked in for lunch last week. Sav was back.

Nearly two months after being badly burned in a kitchen accident, Mamadou “Sav” Savané has begun spending a couple of hours a day working the counter and walking around the dining room, greeting and thanking customers.

Sav’s Grill, 304 South Limestone, is known for the delicious food Savané learned to cook in his native Guinea. It also is known for his big smile and friendly manner.

“He’s quite the community-spirited person,” customer Alice Dehner said. “He always has that smile. He never forgets a face.”

Customers didn’t forget him, either, when news spread about his June 3 accident.

140728SavSavane-TE0025Friends at Smiley Pete Publishing created a fundraising page on the website Giveforward.com. They knew Savané did most of the restaurant work himself, and that his family would need to hire help in his absence — and pay medical bills not covered by their insurance.

Publisher Chuck Creacy set an ambitious fundraising goal of $50,000 in 90 days. That goal was reached in less than three days, and money keeps coming in. The page has raised more than $67,000 from nearly 1,200 donors. “It was an interesting and wonderful thing to watch,” Creacy said.

In addition, local businesses contributed food, beverages and silent auction items for a fundraiser at Smiley Pete’s office that attracted 1,500 people and raised $11,000.

Savané and his wife, Rachel, whom he met when she was a Peace Corps volunteer in Guinea in the early 1990s, have been overwhelmed.

“I don’t have words to describe how this community stand up for us,” Savané said. “What am I doing to make people so happy? When I think about it I just want to cry.”

Savané had just opened for lunch June 3 when he tried to move a huge pot of peanut chicken stew off the stove. Something caught it and caused some to spill on the floor.

Rather than wait for his son to arrive and help, Savané held the pot with one hand and reached for a cart with the other. He slipped, pulling the pot down on him. The boiling liquid burned his arm, torso and face. His screams alerted an employee to call for help.

Savané spent 10 days in the hospital, including six in ICU. His second-degree burns required skin grafts on his arm. He is just glad skin grafts weren’t needed for his torso, which would have required another two weeks in the hospital.

His wife cared for him at home while friends managed her jewelry shop, Savané Silver, 130 North Broadway. Their son, Bangaly, 20, stepped in to run the restaurant with help from employees, family, friends and Alex Ortiz, an experienced restaurant manager they hired.

Although his son had worked at Sav’s Grill for years, Savané had only recently taught him to cook his signature dishes.

“God knows how to do things,” Savané said. “For me to have an idea three months ago to say, ‘You know Bangaly, you know everything here except the cooking I do.’ In Africa, we don’t have recipes; it’s in our head. To put that in writing, that was the first time. It’s like something warned me: prepare this boy. I am so proud of my son and the job he is doing.”

Savané thinks it will be at least three weeks before he can resume normal work. The wounds are healing, but he is still in pain. There are mental scars, too. The first couple of times he stepped back in the kitchen, he said, “I had to sit down. I cry like a baby. I have a long way to go before I forget that memory.”

The restaurant’s security cameras recorded the accident. “I watched it once,” he said. “I don’t think I like to watch again.”

Savané said getting back to business will be the best therapy. And business is good.

Mark Hoffman said he had never eaten at Sav’s Grill until he read about the accident. He came in to show his support “and now I’m hooked,” he said. Bangaly Savané introduced Hoffman to his father last Tuesday as a new regular customer.

Savané said the accident has made him appreciate life more.

“It’s unfortunate you have to get hurt to know what the community’s about,” he said. “We are lucky. This city is exceptional. Today, honestly, I can proudly say I’m from Lexington.”

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Revenue Cabinet employee a finalist for Ireland’s Rose of Tralee

July 29, 2014

roseClaire Curran, left, of Frankfort, is as one of 23 finalists in the Rose of Tralee pageant, a 55-year-old competition next month for young women of Irish ancestry. Lexington’s Irish community threw a sendoff party for her Saturday night at McCarthy’s Irish Bar. Among the well-wishers was Penny O’Brien, right. Photo by Tom Eblen

What Miss America is to this country, the Rose of Tralee is to Ireland. And for the first time in the competition’s 55-year-history, a Kentuckian is a finalist for the crown.

McCarthy’s Irish Bar was packed Saturday night as the Lexington Celtic Association threw a sendoff “hooley” for Claire Curran, complete with traditional Irish musicians and the McTeggart step dancers.

Curran, 23, spent four days in Ireland in May competing against more than 60 young women of Irish descent from Ireland and as far away as New Zealand and Dubai. She will soon head back. The 23 finalists will make appearances around Ireland and take part in festival activities for two weeks before this year’s Rose is chosen during two televised broadcasts from Tralee’s Festival Dome, Aug. 18-19.

“For us, this is huge,” said Liza Hendley Betz, a Dublin native who owns Failte, The Irish Shop. “As a kid in Ireland, watching the Rose of Tralee on television was a family tradition. Now to think that our Kentucky Rose could win it all.”

The Rose of Tralee began in 1959 as a local pageant in County Kerry, taking its name from a 19th century love ballad. It soon went national, and in 1967 opened to young women of Irish descent everywhere.

Ireland has fewer than 4.6 million people — only about 255,000 more than Kentucky. But for two centuries, Ireland’s biggest export has been people.

More than 10 percent of Kentucky residents are of Irish descent. Early Irish stone masons built many of Central Kentucky’s iconic limestone fences. The horse industry has lured hundreds of recent immigrants, who say Central Kentucky reminds them of home because of its lush green meadows and stone fences.

Betz estimates the area has at least 300 “off the boat” Irish, as she calls them. Irish comfort food for expatriates is a big draw for her imports shop. It shares an old red-and-green building on South Upper Street with McCarthy’s, where the bartenders know how to properly pour a pint of Guinness.

Betz and other Irish immigrants started a Kentucky Rose organizing committee, called a centre, in 2012. It joined a dozen other U.S. centres, as well as eight in Britain, four in Canada, two in continental Europe, seven in Australia and New Zealand and four in the Middle East. All 32 Irish counties have them.

“The first year, we had our event on St. Patrick’s Day out in the mud at CentrePointe,” Betz said. “It was almost comical, so we said we need to get serious about this.”

Curran was chosen from among eight contestants March 22 at the second annual Rose Ball at Saints Peter and Paul School. Betz said she is thrilled that a Kentucky girl made the finals this quickly.

The Rose of Tralee International Festival says it is not a beauty pageant. There is no swimsuit competition, and while contestants perform, their talent is not judged. The winner is selected based on her personality and ability to be a “confident, hardworking, intelligent role model” and goodwill ambassador.

Carole Whalen, who went to the preliminaries in Port Laoise, Ireland, thinks Curran impressed the judges with her wit and humor. During her talent performance, she dramatically unrolled a long scroll to read a funny poem she had written.

Curran said she was born in California, grew up in Frankfort and graduated from Murray State University. She works for the Kentucky Revenue Cabinet where, she said, “I’m one of those people in the division of sales and use tax who writes letters that make people’s day all over the Commonwealth.” Her hobby is acting.

“Being Irish has always been an important part of our family,” she said. “If my grandparents were still alive they would be beside themselves about this.”

Lexington’s Irish community raised several thousand dollars to help pay for Curran’s festival expenses.

“There’s so many Irish here, we try to help each other out,” said one of her sponsors, Pat Costello, an owner of the Thoroughbred firm Paramount Sales. “We grew up at home with the Rose of Tralee as a huge contest.”


‘What’s behind the wall’ beside Jefferson Street restaurants?

July 27, 2014

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This rendering shows what the Apiary will look like when finished this fall. The catering company and event space is in the Jefferson Street restaurant district on the site of a special-effects company’s building that burned in July 2008. Photo: EOP Architects. 

 

Nobody paid much attention to the old industrial building on Jefferson Street until July 17, 2008, when a spectacular two-alarm fire gutted Star Light & Magic, a theatrical special effects company.

Jefferson Street is a much busier place now, having blossomed into a popular restaurant district, so a lot of people are watching and wondering about the construction going on there behind an elegant wall of brick, stone and wrought iron.

For nearly two years, the first phase of the project has been a commercial kitchen for Apiary Fine Catering & Events. When finished in October, the facility also will include The Apiary, an event space designed for an urban infill setting.

The Apiary is owned by Cooper Vaughan, 39, a graduate of Transylvania University and Le Cordon Bleu cooking school in London. Before moving back to his hometown in 2006, Vaughan was a chef at Blackberry Farm, the luxury resort in Tennessee.

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Cooper Vaughan

Working in partnership with his parents, Neal and Derek Vaughan of Lexington’s G.F. Vaughan Tobacco Co., he hopes to create a unique 15,500-square-foot food and beverage destination. And, as the name implies, Vaughan said he also wants it to be a hive of activity, a gathering place for people interested in food, wine and cooking.

“We want to be a place other chefs can use when they don’t have the facilities,” he said. “That’s the sort of energy we want around here.”

The Vaughans’ vision for the Apiary included special architecture and landscaping, a place with modern lines but a warm, timeless feel. To achieve that, they hired three top-notch local professionals: architect Brent Bruner, garden designer Jon Carloftis and interior designer Matthew Carter.

The Apiary’s biggest venue will be the 2,000 square-foot Orangery room, which has a 10-foot by 30-foot skylight and 18-foot-tall windows designed to match antique French shutters. When finished, the room will contain orange, lemon and pear trees. There also will be a 1,000-square-foot Winter Room, an intimate tasting room beside the kitchen and a French limestone terrace that can accommodate a big tent.

Salvage materials are a big part of the design. Reclaimed brick, wood flooring and beams came from old tobacco warehouses. Stone was salvaged from a farm that belongs to Vaughan’s uncle. Pavers were once part of a barn at Hamburg Place horse farm. Massive pine doors came from Argentina, and two antique stone fountains in the courtyard are from Europe.

The brick and stone courtyard walls are accented with custom wrought iron created by artists Matthew and Karine Maynard of Maynard Studios in Lawrenceburg.

“They wanted it to have a substantial feel that at the same time is modern and fits into an urban setting,” said Bruner, a principal at EOP Architects. “The level of craftsmanship they wanted is not what you see a lot these days.”

Good planning allowed Carloftis to get a head start on the landscaping so it wouldn’t look new when the Apiary opens. It includes a “green” wall of plantings in the courtyard and a well-established pear tree cultivated espalier-style.

140710Apiary0015

Brent Bruner of EOP Architects

Since the kitchen opened, Vaughan has given rent-free office space to Seedleaf, a Lexington nonprofit. Seedleaf works to increase the supply of affordable, nutritious and sustainably produced local food for people at risk of hunger in Central Kentucky. It sponsors community gardens, restaurant composting programs and classes that teach cooking and food-preservation skills.

The outdoor event spaces will include raised-bed vegetable and herb gardens designed by Carloftis and cared for by Seedleaf. Ryan Koch, Seedleaf’s founder and director, said they will both supply Apiary with food and subtly educate guests.

“It will be a unique opportunity to show how beautiful perennial herbs and some vegetables can be and how important local food is,” Koch said. “If we can help Apiary buy less food off the truck and get more out of their yard, I think people enjoying the space will appreciate that.”

The Seedleaf gardens and other landscaping will be irrigated with rainwater collected in a 12,000-gallon underground storage tank.

Vaughan declined to say how much his family is investing in the Apiary.

The designers’ goal with the building and grounds is to create indoor and outdoor spaces that gradually reveal themselves to visitors as they walk through. Vaughan hopes guests will notice something new each time they come.

“One thing we’ve been able to achieve is that not any one element screams,” he said. “A great event always has these elements of surprise. What’s behind the wall?”

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Crisis of children at the border brings out worst in some adults

July 22, 2014

detainees

Child detainees sleep in a holding cell at a U.S. Customs and Border Protection facility in Brownsville, Texas, on June 18. Photo by Eric Gay/Associated Press.

 

I feel sorry for the tens of thousands of unaccompanied children who have crossed our Southern border, desperate to escape the widespread violence and poverty in Guatemala, Honduras and El Salvador.

But the people I pity are the adults in this country who — wrapped up in selfishness, mean-spirited politics or misguided patriotism — have tried to make the lives of these vulnerable kids more miserable than they already are.

Protesters have tried to block buses taking young refugees to shelters. They gathered in cities across the country last weekend — including a dozen or so on a New Circle Road overpass in Lexington — to hold up signs such as, “1 flag, language, country” and “Americans First.”

Some members of both parties in Congress are shamefully seeking to revoke refugee protections they passed during the Bush administration so these children can be deported without hearings.

Some Kentucky politicians fretted that these kids might be given shelter at Fort Knox pending deportation hearings, but Health and Human Services officials chose other locations. Texas Gov. Rick Perry, pandering to his right-wing base, called out the Texas National Guard at a cost of $12 million a month to assist the U.S. Border Patrol, which didn’t ask for his help.

Republicans are blaming President Barack Obama for lax border security. But the problem of child refugees has been building for more than a decade. Overall, illegal immigration is down and deportations are up in the six years since George Bush was president.

A former colleague, Mike Luckovich of The Atlanta Journal-Constitution, summed up my thoughts in a recent editorial cartoon. It showed the Statue of Liberty with a new inscription: “I’ll trade you your huddled masses for my racist nitwits.”

Immigration controversies are nothing new. “We have always been a nation of immigrants who hate the newer immigrants,” comedian Jon Stewart said recently.

“Why should Pennsylvania, founded by the English, become a colony of aliens?” Benjamin Franklin wrote in 1751, about the time some of my ancestors were arriving in Philadelphia from a village near Stuttgart.

Ignoring the fact that the English took Pennsylvania from Native Americans, Franklin added that “swarthy” Germans “will shortly be so numerous as to Germanize us instead of our Anglifying them, and will never adopt our language or customs, any more than they can acquire our complexion.”

America’s immigration policies have always been twisted by prejudice, politics and powerful economic interests. Chinese immigrants were banned for 60 years after thousands were allowed in to build the Transcontinental Railroad because they would work cheaper than Irish immigrants.

On the eve of World War II, a ship carrying nearly 1,000 Jewish refugees from Hitler was turned back from our shore amid anti-immigration public sentiment. Anyone feel good about that decision?

Many of today’s protesters insist they aren’t against legal immigration. And they point out — rightly so — that America can’t take in everybody. But our immigration system is broken, and protesters like those hanging banners that say “No Amnesty” are the biggest obstacle to fixing it.

Complex problems rarely have simple solutions. Progress in a representative democracy requires compromise, which today’s angry fringe abhors.

There are a couple of claims that need addressing. The first is that these children are “not our problem.” That assertion ignores the root causes of Latin America’s chaos: a violent drug trade whose demand we fuel, and more than a century of U.S. support for oppressive “banana republics” — either to advance American business interests or out of anti-Communism paranoia.

The second claim is that undocumented immigrants are a drain on our economy and society. In most cases, I would bet they give more than they take. If all the undocumented immigrants in Central Kentucky disappeared tomorrow, the equine, agriculture, construction and many low-wage service industries would be crippled.

No, the United States cannot take in every refugee and immigrant. But I cannot look at the pictures of these frightened children without thinking of my grandson and his mother and her sister when they were young.

The United States needs a just and rational immigration system. Until our dysfunctional elected leaders achieve that, I would much rather my tax dollars go toward treating these children with fairness and compassion than building more fences, which never have and never will solve the real problem.

This a humanitarian crisis, both on our Southern border and in our national soul. How we resolve it will say a lot about what kind of people we are.


Nurse’s daughter wonders: whatever happened to ‘Baby Strand’?

July 19, 2014

140720BabyStrand0001Edna Lester was a nursing student at Good Samaritan Hospital when the Lexington Herald photographed her holding “Baby Strand”, an infant abandoned in Lexington’s Strand Theater on the afternoon of Aug. 24, 1945. Lester’s daughter, Ann Riegl of Seattle, had heard about Baby Strand all of her life. She found the Herald clipping while cleaning out a drawer after her mother’s death and created a Facebook page to try to find out whatever happened.

 

Every family has a drawer of important papers and keepsakes. When Ann Riegl of Seattle was growing up, her family’s drawer included a front-page clipping from The Lexington Herald of Aug. 25, 1945. It showed her mother holding “Baby Strand.”

Edna Lester of Perryville was a nursing student at Good Samaritan Hospital when Lexington police brought in a 5-week-old baby boy. He was thin and sickly, but neatly dressed and wrapped in a blanket. Nurses nicknamed him Baby Strand.

The clipping said witnesses told police they found the child in the darkened Strand Theatre on Main Street after he started crying. They remembered having seen a young woman handling a bundle, then leaving the matinee.

“This is something she always kept,” Riegl said of her mother’s newspaper clipping. “We talked about it a few times, and she told about how the nurses doted on Baby Strand. I think she wondered about whatever happened to him.”

Edna Lester Norris died in 2008. Among the things Riegl kept from her mother’s keepsake drawer were the clipping and a print of the newspaper photograph.

“But those things don’t do much good if they’re just sitting in a drawer,” Riegl said. “So I thought I would at least put this information out there in case Baby Strand, who would be 69 years old now, might be looking for it, or his family might be.

“It would be good to know if you were in that situation that while Baby Strand was abandoned, he wasn’t discarded,” she added. “He was left fully clothed in a place where he would be found, with an extra gown tucked into his little blanket.”

I contacted Riegl after she created a Facebook page called “Baby Strand’s Story.” Wayne Johnson, a researcher at the Lexington Public Library, found more stories about the case in 1945 issues of the Herald and The Lexington Leader. At the Mercer County Public Library, I combed through Harrodsburg Herald microfilm from that year. Here is what we found:

Six days after Baby Strand was left in the theater, his mother was arrested in Mercer County. She was brought to Lexington, charged with child desertion and jailed after being granted a request to visit her child in the hospital.

The woman told police she grew up near Harrodsburg and that her parents were dead. She said she was engaged to the baby’s father, a soldier from her hometown, but he had been shipped off to fight the Japanese before they could marry.

She had left Kentucky a year earlier to work in a munitions factory in Indiana, but got sick and had to quit her job before she gave birth. The child was malnourished, she said, because he wouldn’t take formula.

Alone with an infant and little money, she got a bus ticket home. But when she arrived in Lexington, she discovered her luggage was lost. After several hours in the bus station that hot day, she took her baby to the air-conditioned Strand Theatre. Then, on an impulse, she walked out alone. Police identified her after her luggage arrived.

“I don’t know why I abandoned my baby and I wish I hadn’t done it,” she told a Lexington Herald reporter. “I haven’t been well since he was born and haven’t been able to work. I didn’t have much money and I thought if I left him somebody might find him who would give him a good home.”

She told the reporter that police had promised to find and contact the baby’s father, who didn’t know about his son’s birth. “And I hope they’ll let me have him back so I can take him home,” she said of the child.

The woman was soon released to the custody of relatives. While she awaited a court hearing, Baby Strand stayed at Good Samaritan, where he gained weight and charmed the hospital staff. When the hearing date arrived in October, the prosecutor dismissed the charges and indicated that Baby Strand would be returned to his mother.

That’s where the story seems to end. The Lexington and Danville papers had a lot of other news to report: World War II was ending and servicemen were coming home from battle. In Mercer County, many were returning from prisoner-of-war camps after having survived the infamous Bataan Death March.

A couple of things are worth noting about the press coverage of Baby Strand. Newspapers gave different last names for the mother. The Lexington papers called her Valley Collins, while the Harrodsburg Herald identified her as Valley Collier. Some of the reporting would now be considered unacceptably sexist. The mother is described as an “attractive 23-year-old blonde … unwed mother. Her hair was curled, her nails polished.” The father’s name was never reported.

Many questions remain. Did the child go back to his mother? Did the father survive the war? Did they marry? What became of Baby Strand?

When I called Riegl back to tell her what we found, she wondered if her mother might have unknowingly crossed paths with Baby Strand again. Thomas and Edna Norris moved to Harrodsburg in 1952. He was principal of Harrodsburg High School and she was a public health nurse. They left for Sedalia, Mo., in 1958.

“I hope if someone is looking, or wants to be found, this will help them,” Riegl said. “I hope Baby Strand has had a long and happy life.”

 


Book chronicles Lexington’s early ‘contemporary’ homebuilder

July 13, 2014

140709Isenhour0001This house,built on Breckenwood Drive in 1958, shows characteristics of Richard Isenhour’s contemporary homes: native Kentucky stone, lots of glass, cathedral ceilings, exposed post-and-beam construction and an effort to integrate indoor and outdoor spaces.

 

Richard Isenhour was a chemical engineer at Dupont in the late 1940s when he questioned his career choice in a letter to the Lexington woman who he would marry.

“The kind of job I’d like would be one that’s creative and always changing, where I can see what I’m accomplishing,” he wrote Lenora Henry. “I’d like to work on things I can improve.”

The Isenhours moved to Lexington in 1952, and he took up the occupation of his father-in-law, homebuilder A.R. Henry. Before long, Isenhour began looking for ways to improve his houses with modern styles and materials, as well as new ideas about how a house should function.

Richard Isenhour

Richard Isenhour

Isenhour went on to earn an architecture degree at the University of Kentucky and design and build nearly 100 unique homes in Lexington between the mid-1950s and the late 1970s. Now locally famous, these “Isenhour houses” were some of the first contemporary-style homes built in Lexington.

Larry Isenhour, a retired architect and one of the Isenhours’ four children, has just written a handsome, well-illustrated book documenting his father’s work: The Houses of Richard B. Isenhour: Mid-Century Modern in Kentucky(Butler Books, $45) He will sign copies at 2 p.m., July 19, at The Morris Book Shop. Information about other book events: Greenschemedesign.com.

Inspired by Frank Lloyd Wright and later Modernist architects, as well as by contemporary homes he saw in magazines and on family vacations, Isenhour experimented. This was at a time when people from all over the country were moving to Lexington to work at IBM and UK’s new College of Medicine.

His first bold design was for his own family’s 1956 home on Blueberry Lane. It helped Isenhour find clients who wanted something different than a traditional brick box with shutters.

140709Isenhour0008Isenhour’s designs featured post-and-beam construction and open floor plans. They had exposed wooden beams, cathedral ceilings and walls of glass and local limestone. On building lots, he preserved as many trees as possible. His houses seem more spacious than their modest sizes, and they are as much about utility as style.

“Isenhour’s best work is full of light, creating an inspirational sense of the blending of outdoors and indoors,” Lexington architect Graham Pohl writes in the book’s forward.

Jan and Phyllis Hasbrouck, a physician and nurse, came to Lexington in 1962 for his internship. They had grown up in Ithaca, N.Y., admiring contemporary architecture, so when they were ready to build a home, they asked Isenhour to design it.

“I’ve loved every bit of it — the glass, the stone, the openness,” said Phyllis Hasbrouck, who has lived there since 1967. “I feel closed in when I’m in a regular home now where the ceilings are low.”

Larry Isenhour

Larry Isenhour

But Isenhour houses were not for everyone. The book reproduces a 1968 letter a Lexington bank officer sent to one Isenhour client, declining his loan application. “We have difficulty in making the maximum loan on contemporary style homes because they are usually custom designed for a limited market,” the letter said.

Larry Isenhour, who lives in a contemporary home of his own design, began working on the book soon after his father’s death in 2006, collecting old drawings, photos and documents. His goal was to create a chronological catalog of his father’s best work to show how it evolved.

“I worked in almost all of them, either as a kid picking up wood or drawing the plans,” he said. But he never interviewed his father about the thought processes behind his designs — and wishes now that he had. Isenhour also had never written a book. Fortunately, his got help from his wife, Jan, a writer and retired director of the Carnegie Center for Literacy and Learning.

Only one of the 98 Isenhour houses has been demolished. Most have been well cared for, expanded and updated as tastes and technologies changed. They have been especially sought-after in recent years with the renewed popularity of Mid-Century Modern style.

At least four of the houses are now owned by architects. One is Tom Fielder, who got to know Isenhour and his work when he was an architecture student at UK.

When Fielder moved back to Lexington in 1990, he wanted his three children to attend Glendover Elementary School. So he drove around that neighborhood, which has the largest concentration of Isenhour houses, until he found one for sale. Then he called his real estate agent and asked her to put in a contract on it.

“She said, ‘I can’t do a contract on a house when you haven’t even seen the inside,’” he recalled. “I knew that Dick had designed the house and it was next to Glendover school. That’s all the information I needed to know.”

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Scholars, curators get close look at early Kentucky art history

July 12, 2014

140709MESDA0279Robert Leath, chief curator at the Museum of Early Southern Decorative Arts in Winston-Salem, N.C., held a drawer from an early Kentucky chest so he and students in MESDA’s Summer Institute could see the interior construction. The chest is part of an exhibit of early Frankfort-made furniture now on display at the Governor’s Mansion. Photos by Tom Eblen

 

FRANKFORT — Most people think early Kentucky was only a place of log cabins and coonskin caps. They don’t imagine that Kentuckians two centuries ago were producing great paintings, fine silverware and inlaid furniture as elegant as anything coming out of Philadelphia or New York.

Last week, 10 up-and-coming scholars and museum curators got a traveling lesson in Kentucky’s rich history of visual art and craftsmanship.

The Museum of Early Southern Decorative Arts in Winston-Salem, N.C., brought its prestigious Summer Institute to Kentucky for the first time. Students, faculty and guests got an intensive five-day tour of Central Kentucky landmarks and some of the state’s most valuable public and private collections.

“These are going to be the museum and institution leaders of the near future, and they have the potential to bring a lot of attention to Kentucky,” said Mack Cox of Madison County, a leading collector and scholar of early Kentucky furniture, paintings and long rifles. “We’re way behind (other states) in understanding and rediscovering our decorative arts past.”

I caught up with the group Wednesday morning at the Governor’s Mansion, where Cox was giving MESDA students and faculty an animated tour of an exhibit of pieces made by Frankfort artists between 1790 and 1820. They ranged from the sophisticated cabinetmaker William Lowry to convicts at the old state penitentiary, who made simple but elegant chairs.

“What you’re seeing, Kentuckians largely don’t know about,” Cox told the group, noting that such utilitarian objects as long rifles and powder horns were sometimes turned into beautiful works of art with elaborate engraving and metalwork.

The exhibit, part of the mansion’s 100th anniversary celebration, includes pieces from the Kentucky Historical Society, the Speed Museum in Louisville and the private collections of Cox, Mel Hankla of Jamestown and Tom Meng and Clifton Anderson of Lexington.

(The exhibit is free and open to the public during mansion tour hours through Aug. 26. For more information about the mansion and centennial events, such as a cocktail reception July 25, go to: governorsmansion.ky.gov.)

As Cox described each piece and the research that went into figuring out who made it and when, the students took photos and used little flashlights to examine details.

140709MESDA0137From Frankfort, the group traveled to Lexington for a tour of African Cemetery No. 2 on East Seventh Street, which has been restored in recent years. Its 5,000 graves include those of black Civil War soldiers and famous jockeys and trainers.

The group visited the Blue Grass Trust for Historic Preservation’s Hunt-Morgan House and Pope Villa, two of Lexington’s most significant early 1800s mansions, and then went to Madison County to see White Hall, home of the fiery emancipationist Cassius M. Clay.

Other stops during the week included the William Whitley House in Stanford; the Old Capitol and Liberty Hall in Frankfort; Shaker Village at Pleasant Hill in Mercer County; the National Underground Railroad Museum in Maysville; Hopewell Museum and Cane Ridge Meeting House in Bourbon County and the Filson Historical Society and Locus Grove mansion in Louisville.

Before their trip, the students spent two weeks attending classes. When they return to North Carolina, they must finish Kentucky-related research projects and papers. Graduate-level course credit is awarded through the University of Virginia.

In his talk to the group, Cox pointed out stylistic traits of several significant Kentucky portrait painters of the early 1800s, including William Edward West. Because some of their paintings have been misattributed over the years to Matthew Jouett, the state’s best-known early portraitist, many Kentuckians don’t know how much talent was working here at the time, he said.

Catherine Carlisle, an art history graduate student at the University of North Carolina at Chapel Hill, hopes her summer project will shed new light on one of those little-known Kentucky artists, Alexander Bradford.

“I’m thrilled to be able to see so many examples of the beautiful, beautiful portraits that were coming out of Kentucky, and so early,” she said.

While some of the students had never been to Kentucky, and knew little about its artistic heritage, it was a homecoming for Grant Quertermous, the assistant curator at James Madison’s Montpelier estate near Orange, Va. He is from Paducah.

“I really wanted to do this one,” he said. “It has been great to give everyone exposure to Kentucky.”

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Carnegie Center asks: Who is Kentucky’s greatest living writer?

July 5, 2014

WendellBerryThe Carnegie Center is asking for nominations of Kentucky’s greatest living writer for its Kentucky Writers Hall of Fame. My nomination is Wendell Berry, shown here at his Henry County home in December 2012.  Whom would you choose?  Photo by Tom Eblen

 

The Carnegie Center for Literacy and Learning has a new message as it seeks public nominations for its third class of inductees into the Kentucky Writers Hall of Fame: We’re not just for dead folks anymore.

In January, the center plans to add four more Kentucky writers who are no longer living to the 13 already in the Hall of Fame, plus its first living writer. So here is the question: Who is Kentucky’s greatest living writer?

“We are ready to show that great Kentucky writing is being created now,” said Neil Chethik, the Carnegie Center’s director. “It just doesn’t exist in the past.”

halloffamelogoThe criteria for all nominations is that a writer, living or dead, must be published; must have lived in Kentucky for a significant period or have a significant connection to the state; and must have produced writing of “enduring stature.”

Since he became director in 2011, Chethik has expanded the Carnegie Center’s mission of promoting literacy education, reading and writing to celebrating Kentucky’s literary heritage. One way has been by creating the Hall of Fame.

“People like lists,” he said. “They like awards.”

Nominations to the Hall of Fame are vetted by the Carnegie Center staff and inductees are chosen by a committee of writers and readers headed by Lori Meadows, director of the Kentucky Arts Council.

The first 13 inductees have reflected a diverse group of great writers spanning two centuries: Harriette Arnow, William Wells Brown, Harry Caudill, Rebecca Caudill, Thomas D. Clark, Janice Holt Giles, James Baker Hall, Etheridge Knight, Thomas Merton, Elizabeth Madox Roberts, James Still, Jesse Stuart and Robert Penn Warren.

“People have a lot of passion about who gets named to the Hall of Fame,” Chethik said. “We’ve even had some protests.”

For example, fans of two popular novelists of the late 19th and early 20th centuries, James Lane Allen and John Fox Jr., have lobbied for their inclusion. So have fans of the late “gonzo” journalist Hunter S. Thompson.

They and others will be considered in the future, Chethik said, along with perhaps one living writer each year.

“I think we’ve got five-to-10 who are truly great writers working right now who are nationally known,” he said. “You can start making a list, but as soon as you start … well, I’ll leave it to you and others to make the list.”

I can think of several Kentucky writers who have produced impressive bodies of work over several decades, including Barbara Kingsolver, Bobbie Ann Mason, Ed McClanahan, Sena Jeter Naslund, Nikky Finney, Gurney Norman and Gloria Jean Watkins, whose pen name is bell hooks.

Kim Edwards of Lexington has won many awards for her short stories and best-selling novel, The Memory Keeper’s Daughter. Louisville native Sue Grafton has attracted a national following with her detective novels.

There are many fine up-and-coming Kentucky writers, such as Frank X. Walker, Silas House, C.E. Morgan, Erik Reece, Crystal Wilkinson, Maurice Manning and Bianca Spriggs.

You probably can think of others worthy of consideration, too. But for me, this competition comes down to a search for Wendell Berry. No other Kentucky writer can match the quality, breadth and impact of his work over the past half-century.

Berry, who turns 80 on Aug. 5, has written dozens of novels, poems, short stories and influential essays and non-fiction books. A fellow in the American Academy of Arts and Sciences, he won the National Humanities Medal and gave the prestigious Jefferson Lecture in 2012.

The Henry County native and resident is revered internationally for elegant, no-nonsense writing that helped inspire the environmental, local food and sustainable agriculture movements.

Berry’s 1977 book, The Unsettling of America: Culture and Agriculture, has become a classic. The Unforeseen Wilderness in 1971 helped rally public opposition to flooding the Red River Gorge. In recent years, he has been an eloquent voice against destructive strip-mining practices in Appalachia.

That’s my nomination for Kentucky’s greatest living writer. What’s yours? Email your suggestion, plus your reasoning and any supporting material, before July 15 to Chethik at: neil@carnegiecenterlex.org.

“We figure that when you’re arguing about who the best writers are, you’re in the right conversation,” Chethik said. “We want to spark conversations that will get more people to read more.”


RIP Howard Baker, the kind of politician we need more of today

June 30, 2014

Baker-Eblen

While I was on vacation in Knoxville last week, riding bicycles with a group of friends, I heard the news that former Sen. Howard Henry Baker Jr., 88, had died at his East Tennessee home. He was one of the classiest politicians I ever got to know as a journalist.

I interviewed Baker many times as a reporter for The Associated Press and The Atlanta Journal-Constitution during the years I lived in Tennessee, 1980-1988.

Baker also was the subject of one of my favorite portraits, shown above. I had gone to the Knoxville Zoo to write a short AP story about Baker donating a baby elephant. After the press conference, I stayed until after the other reporters had left. Baker’s hobby was photography, and it didn’t take him long to retrieve his Leica M from an aide and start taking pictures of his symbolic gift.

Baker was a Republican, through and through. He became his party’s leader in the Senate and President Ronald Reagan’s chief of staff. Both of his wives had Republican pedigrees. Joy Dirksen was the daughter of the late Illinois senator Everett Dirksen. Three years after she died of cancer in 1993, he married Sen. Nancy Landon Kassebaum of Kansas, daughter of Alf Landon, a former Kansas governor who was the GOP presidential nominee in 1936.

But Baker was nothing like the hyper-partisan Republicans in Congress now, who would try to stop the sun from rising if they thought it would cast President Barack Obama in a favorable light. In fact, Baker’s rise to fame and respect began during the Watergate hearings when he famously framed the central question: “What did the president know, and when did he know it?” The answers to that question would drive Republican Richard Nixon from office.

As a reporter, I always found Baker to be honest, straightforward, friendly and more interested in what was good for the country than just what was good for his party. We could use more like him in Washington today.


Developer’s parking idea makes sense for downtown Lexington

June 29, 2014

140623ChurchSt0088This rendering shows an architect’s conception for a two-level parking garage that veteran developer Robert Wagoner proposes building along Church Street to replace a random group of nine surface parking lots. The garage would help encourage redevelopment of gaps between buildings on Short Street, shown as green boxes. Photo provided.

 

Veteran suburban developer Robert Wagoner has spent his past four years of retirement studying urban Lexington, as well as Greenville and Charleston, S.C., which have been much more successful at downtown revitalization.

Yes, he says, historic preservation and high-quality new architecture are important. But Wagoner thinks the real key to urban revitalization is the unglamorous infrastructure that businesses and customers take for granted in suburbia, such as hidden delivery and garbage facilities and easy-to-use parking. Especially parking.

That belief led Wagoner and 17 friends he recruited from the design and construction fields to volunteer their time and talents to develop an ambitious concept for the emerging four-block entertainment district along Short Street between Limestone and Broadway.

Robert Wagoner

Robert Wagoner

Their goal was to create more convenient, attractive, efficient and urban-appropriate parking and service facilities, and to encourage redevelopment of gap lots along Short Street where buildings were demolished decades ago and were replaced with haphazard surface parking.

The main element of this plan would be an attractive, two-level parking structure along Church Street. But Wagoner also proposes replacing most parallel parking along Short Street with easier-to-use angled parking.

In all, Wagoner says, the 370 parking spaces now in that four-square-block area could grow to 450 spaces that would be more accessible and user-friendly. At the same time, it would allow many surface parking lots to be redeveloped with new buildings to house stores, restaurants, offices and apartments.

“We need to have more thought put into our comprehensive land-use process for a parking strategy downtown,” Wagoner said. “All you have to do is look at these other cities and see what they’re doing.”

Wagoner also wants to create service areas to stop noisy delivery trucks from having to idle on the street, clogging traffic and making outdoor dining unpleasant. Centralized, hidden waste areas with trash compactors would be a big improvement over dumpsters, grease pits and Herbies scattered all over within public view.

He is now talking with property and business owners and contacting organizations such as the Downtown Development Authority, the Downtown Lexington Corp. and the Lexington-Fayette County Parking Authority (Lexpark).

“It’s probably the single most important project since the Cheapside Park renovation,” said Bob Estes, owner of Parlay Social and Shorty’s market, and president of the Cheapside Entertainment District Association. “It would really create the infrastructure for the continued development and growth we need.”

Making this plan happen will be a challenge, because the four-block area has 12 parcels with 10 owners. There are nine surface parking lots with 16 entrances. It will need support from property and business owners, the city and private investors, he said.

The plan would require clipping off the rear addition to one Short Street building. Wagoner also would like to demolish a law office building at the southwest corner of Church and Market streets and move the recently renovated Belle’s Bar building over to Short Street.

The key will be getting property owners to work together, trading some of their sites for space in new, infill buildings on Short Street, parking spaces in the garage or a share of parking garage revenues.

“Creative air rights is integral to all of this,” he said.

Executing the plan would be complex, but Wagoner says everyone could come out a winner. Downtown would be more vibrant, business activity would increase, property values would rise and the city would collect more tax revenues.

What I find exciting — even visionary — about this plan is that the same approach could be used for many other small areas of urban Lexington. It could be part of the parking solution needed to help the city redevelop huge, underused surface lots around Rupp Arena.

Wagoner has spent two years refining these ideas with help from other development professionals: Donna Pizzuto, Harvey Helm, Ken Sallade, Jon Cheatham, Steve Graves, Mike Huston, Aaron Bivens, Joe Rasnick, Joe Nolasco, Steve Albert , Rob Wagoner, Shane Lyle, James Piper, Jonathan Rollins, Tony Barrett, Joey Svec and Matt Fleece.

Their volunteer design work includes renderings and a video presentation with three-dimensional modeling. (See below.)

Wagoner said he is open to better ideas from others. His goal in this retirement venture is not to make money, he said, but to make downtown Lexington more successful. And, perhaps, to salve some guilt from having helped create suburban developments decades ago that contributed to downtown’s decline in the first place.

“Ours is a throwaway society that consistently produces urban decay as a byproduct of suburban success,” Wagoner said. “We have no other option (but redeveloping urban areas) if we are to protect what makes us special. No other city is like ours, ringed by such a unique signature” of horse farms and natural beauty.

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Watch this video Robert Wagoner and friends put together about the proposal:

 

 

Click here to read Tom Martin’s Q&A with Robert Wagoner.

 


Developing local food economy is focus of new Lexington job

June 16, 2014

As a child growing up in Gratz Park, Ashton Potter Wright often walked downtown to the Lexington Farmers Market with her parents, who were early owners in Good Foods Co-op.

“They instilled in me that it’s important to know where your food comes from and to support local growers and business owners,” she said. “It makes sense to me, and I hope to help make it make sense to other people.”

That will be a big part of Wright’s new job as Lexington’s first local food coordinator.

Wright1Wright, 29, started earlier this month in the pilot position, where she will work with Central Kentucky farmers to help them find markets for their meat and produce. She also will help educate and create more individual and institutional demand for locally produced food.

“With local food, you’re not only helping the economy and the environment, but you’re getting great, healthy, delicious food that’s grown by somebody nearby,” she said. “We’re keeping dollars in the region and improving the health of the region.”

Wright will be part of the city’s Office of Economic Development. The job is funded through private grants, agriculture development funds and $25,000 from the city. Steve Kay, an at-large member of the Urban County Council, worked for several years to create the job.

“It’s exciting, but it’s a bit overwhelming,” Wright said. “There’s so much that can be done and so much that needs to be done.”

Wright brings a strong background to the job. After graduating from Henry Clay High School and Rhodes College in Memphis, she worked at the Centers for Disease Control in Atlanta and earned a master’s degree in public health from Georgia State University while her husband, Jonathan Wright, went to Emory University’s law school.

Last fall, Wright finished her doctorate in public health at UK and went back to Atlanta for a fellowship at the CDC. She also worked in Lee County, helping create a program where local farmers provided food for schools.

Kay assembled an advisory committee a couple of years ago that includes a who’s who of local food players, including Nancy Cox, the new dean of the University of Kentucky College of Agriculture; chef and restaurant entrepreneur Ouita Michel; youth nutrition activist Anita Courtney and Mac Stone of Elmwood Stock Farm, a national leader in the organic farming movement.

Wright said she will begin by working closely with the advisory committee to assess needs and opportunities, both immediate and long-term.

“Everyone has an opinion about what needs to be done,” she said. “So these first few months are going to be spent listening and understanding.”

There also are good ideas to be gleaned in Louisville, where Sarah Fritschner, a former food editor at the Washington Post and The Courier-Journal, has been the farm-to-table coordinator since 2010.

“There’s a lot to be learned from her and also from cities across the country that are doing similar work,” Wright said, citing Baltimore and Asheville, N.C., as examples.

Wright sees opportunities to educate young people about the importance of healthier eating and local food. Wright previously worked with Courtney on her Tweens Coalition and Better Bites youth nutrition programs, as well as her effort to bring fresh produce to two small markets in low-income Lexington neighborhoods.

Much of Wright’s job will involve connecting local farmers to schools, hospitals and other institutions that could purchase their food. She said public schools already buy some local food, but could do much more if they had the right help.

Eventually, she hopes to develop more infrastructure for the regional food economy. Those include more local meat processing plants, such as Marksbury Farms in Danville, as well as aggregation, processing and distribution facilities for local vegetables and fruits.

Also, the region needs more commercial kitchens where farmers can take what they grow and turn it into value-added products, such as preserves and sauces, and process food for consumption off-season. Wright also is intrigued by the use of Internet technology to connect producers with consumers.

“People have been interested in local food here for years,” she said. “But there are so many people and groups working on it here now that the time feels really right for the next big step.”


Photo exhibit explores friendship between Merton and Meatyard

June 14, 2014

140615Merton-Meatyard0001Thomas Merton, left, in his monk’s robe, poses in his garden at the Abbey of Gethsemani in Nelson County with Guy Davenport, a writer who taught at the University of Kentucky.  Photos courtesy of Christopher Meatyard.

 

They would seem an unlikely pair, the Catholic monk and the optician. But through their shared interests in photography and Zen philosophy, these two creative spirits of mid-20th century Kentucky became close friends and collaborators.

Thomas Merton was a trappist monk at the Abbey of Gethsemani in Nelson County, and much more. He was a best-selling author of more than 70 books, a poet, an artist and a proponent of interfaith understanding who would gain international fame.

Eugene_Meatyard_Neg1967_Print1990_17_Spotted_CMYK_FLAT_150dpiRalph Eugene Meatyard earned his living making eyeglasses in Lexington. But he would later earn fame in the art world for his original, haunting photographs that often depicted masked or blurry models. His much-collected images are still published in books and shown at the nation’s most prestigious art museums.

The all-too-brief friendship between Merton and Meatyard is the subject of a photography exhibit that opens Wednesday at Institute 193, the tiny, non-profit gallery at 193 North Limestone.

The opening reception for the exhibit, Ralph Eugene Meatyard: Photographing Thomas Merton, is 5 p.m. to 8 p.m. Friday, during Gallery Hop. The free show runs through July 26. The gallery is open 11 a.m. to 6 p.m., Wednesday through Saturday.

This exhibit includes 17 of the 29 Meatyard photographs that were shown in Louisville in May 2013 during the visit of the Dalai Lama, the spiritual leader of Tibetan Buddhism who also was a friend of Merton.

The exhibit was originally organized by the Institute for Contemplative Practice and the Center for Interfaith Relations. Fons Vitae, a Louisville-based publisher of academic works about spirituality, produced an accompanying book, Meatyard/Merton, Merton/Meatyard: Photographing Thomas Merton ($20.)

The Institute 193 show is partially sponsored by Good Shepherd Episcopal Church, which has a Thomas Merton study group. The group plans to meet in the gallery while the show is up.

140615Merton-Meatyard0006“I think it creates a lot of opportunities for us to engage a different audience,” said Phillip March Jones, the founder of Institute 193. “And it probably does the same for them.”

Jonathan Williams, the late poet and publisher, introduced Meatyard and Merton in 1967. They immediately hit it off and visited together several times with other artistic friends, including Wendell Berry, Kentucky’s elder statesman of literature, and the late Guy Davenport, a writer and University of Kentucky professor who in 1990 received a MacArthur Foundation “genius” grant.

“Jonathan Williams, Guy Davenport and Gene Meatyard were here yesterday,” Merton wrote in his journal on June 18, 1967. “The one who made the greatest impression on me was Gene Meatyard, the photographer — does marvelous arresting visionary things, most haunting and suggestive, mythical photography I ever saw. I felt that here was someone really going somewhere.”

Some photos taken during their visits are classic Meatyard: dark and sometimes blurry images that include props and old buildings. Merton appears to be an eager subject, posing symbolically in various costumes, from work clothes to his Cistercian monk’s robe. In one set of pictures, he goofs around with a thyrsus, a decorated stick that was an ancient symbol of pleasure.

But some of the photos are just snapshots of friends enjoying each other’s company, much like we would take today with our smartphones and post to Facebook. Merton sips beer at a picnic, or poses outdoors with the late poet Denise Levertov and Berry, who holds a coffee cup. Merton also is photographed using his own camera.

In addition to writing and photography, Merton expressed himself with drawings and hand-inked prints he called calligraphies. Meatyard exhibited them in the lobby of his Lexington optical shop, Eyeglasses of Kentucky, and bought some to help finance Merton’s trip to Asia in 1968.

While on that trip, in Bangkok, Thailand, Merton was accidently electrocuted by a fan while stepping out of his bath. He was 53. Within four years, Meatyard also would be dead, a victim of cancer eight days before his 47th birthday.

“A lot of people don’t realize that they had this relationship, which unfortunately lasted slightly less than two years,” Jones said. “For me these are really portraits of friendship and of a time and a place that no longer exists in the same way.”

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As Sav’s owner recovers, family, friends keep restaurant going

June 10, 2014

140610Savs-TE0003Bangaly Savan頎, left, served lunch Tuesday to Steve Baron, owner of CD Central on South Limestone Street. Savan頎 has been running Sav’s Grill & West African Cuisine at the corner of South Limestone and East Maxwell streets since his father, Mamadou Savan頎 burned himself badly while cooking June 3. Photos by Tom Eblen  

 

Mamadou “Sav” Savané learned to cook traditional West African food as a child in Guinea by watching his mother and sisters. The recipes were never written down. They were just in his head, until a few weeks ago.

That’s when the owner of Sav’s Grill & West African Cuisine at 304 South Limestone started recording his recipes and teaching his son, Bangaly, how to cook them. His timing couldn’t have been better.

Savané was preparing a bigger-than-usual batch of peanut chicken stew for the lunch crowd on June 3 when the pot slipped from his hands as he pulled it off the stove, said his wife, Rachel.

savThe boiling liquid spilled all over Savané, causing second-degree burns over half his body and putting him in the University of Kentucky Chandler Hospital’s intensive-care unit for five days. Savané is out of danger and could be released from the hospital as early as Wednesday. But he has a long recovery ahead.

“If this accident were two months ago, the restaurant would have closed, because nobody else could do it,” Rachel Savané said. “Our son, who turns 20 the day after Father’s Day, has stepped into his dad’s shoes, cooking everything, running the restaurant. I’m doing what I can to help, but he’s in charge.”

Other family and friends also have stepped forward to help, both at his restaurant and at her jewelry gallery, Savané Silver, 130 North Broadway.

At Sav’s Grill on Tuesday, Bangaly, his mother and his sister, Diaka, 15, were serving customers with help from employees and Youssouf Komara, who said he has been Savané’s best friend since they were 6 years old in Guinea. Komara traveled from Milwaukee, where he teaches middle school French and owns a restaurant and club.

“He’s a very good guy,” Komara said of Savané. A lot of Lexington people agree.

The business association Local First Lexington, Smiley Pete Publishing and others have organized a fundraiser to help Savané, who has medical insurance, cover additional business expenses. Within hours of launching the campaign Tuesday on Giveforward.com, the Feast of Love for Sav fund had collected more than $22,000.

The fundraiser includes an event 6 p.m. to 9 p.m. Monday at Smiley Pete’s offices, 434 Old Vine Street, with food and beverages from local businesses. Admission is $5.

“Apparently, Sav did the work of four people, seven days a week,” said Chuck Creacy, co-owner of Smiley Pete.

“I visited him in the hospital, and he’s as hurt as anybody I’ve ever seen,” Creacy said. “They’re going to need to hire help, because the worst thing he could do is go back to work before he’s fully recovered. We certainly want to make sure we don’t lose one of our unique local restaurants.”

The Savanés met while Rachel was a Peace Corps volunteer in Guinea in the early 1990s. They came to this country and married in 1993. She made jewelry, and he worked for UPS and the Hyatt Regency Lexington before turning his passion for cooking into a business.

He opened Sav’s Grill in September 2008, weathering both the nation’s financial crisis and the long reconstruction of South Limestone. In July 2012, Savané opened Sav’s Chill nearby to sell a friend’s homemade ice cream.

Savané has been a neighborhood leader and a strong supporter of Local First Lexington, said Steve Baron, the owner of CD Central down the street.

“He’s just one of those terrific, positive people,” Baron said as he stopped at Sav’s Grill for lunch Tuesday. “It’s so sad to see something like that happen.”

Steve Davis, who teaches African history at UK, was one of many regular customers who came in Tuesday for lunch and to sign a big get-well card. He said Savané has spoken to his classes about West African food traditions.

“He is so loved in this community,” said Debra Hensley, an insurance agent and a former Urban County Council member. “He is just a bundle of joy to be around.”

Bangaly Savané, who since graduating from Henry Clay High School in 2012 has worked at the restaurant and has begun studying to be a commercial pilot, said he and his family have been overwhelmed by the community’s support.

“One guy came in and broke down crying in front of me,” he said. “I couldn’t believe it.”

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Logan’s of Lexington celebrates 50 years of family business success

May 26, 2014

Logans

Betty Logan and her sons Steve, left, and Elliot are marking Logan’s of Lexington’s 50th year. Logan’s was founded as a variety store in Midway by Betty’s husband, the late Harlan Logan, in 1964.Photo by Tom Eblen

 

Harlan and Betty Logan grew up in Lewis County, married at 18 and decided to go into business for themselves. Their first venture was a nine-stool diner in downtown in Nicholasville, and the work was exhausting.

Still, they managed to save $10,000 in five years. “We worked so many hours we didn’t have time to spend it,” she said.

The couple used their earnings to buy a variety store in Midway in 1964. There, they had the opposite problem: few customers. “We were very fortunate to hang in there,” she said.

In desperation, Harlan finally decided to refocus the store on fine clothing. It turned out to be a smart move. Logan’s of Lexington menswear is celebrating its 50th year in business and, the family says, doing better than ever.

Harlan Logan died in December at age 74, but most of his family remains involved in the business to some degree. Sons Steve, 46, and Elliot, 43, run the place with help from Betty and her three sisters, Judy, Pearl and Molly.

Elliot’s father-in-law, Wally Schmidt, works in the stock room. Elliot’s wife, Carol, and Steve’s wife, Misty, come in to help when needed.

“We have a very close family,” Elliot said.

Salesman Darrell McCarty has been with Logan’s for 22 years, and Jamie Burch has worked at the store for 14 years.

After Harlan decided to focus on high-end clothing in 1966, he traveled to New York City to get ideas for the store.

“He was always very progressive,” Elliot said. “He had a sixth sense about when a line was going to be hot or when something was going to be in fashion.”

The Midway store started attracting a regional clientele. “We had a lot of midnight sales,” Betty recalled. “We would have the whole town of Midway packed with cars.”

A Versailles warehouse store was added, then franchised stores in Georgetown and Nicholasville. Those closed in the late 1980s, and operations were moved and consolidated in Lexington’s Tates Creek Center in 1992.

“This has been our best location,” said Betty, but its small size prompted the family to drop women’s clothes and focus on menswear.

The store’s most memorable day came in January 2003. Just before Christmas, an elderly woman had come in looking for a shoehorn. Harlan gave her one, free of charge, adding that if her husband ever needed clothing she should bring him in. She did just that a few weeks later. By the time the couple finished shopping about 2:30 a.m., the cash register total was $35,600.

Small clothing stores have struggled in recent years. Men dress up less often for both work and pleasure, and independent retailers have been squeezed by big retail chains.

Lexington’s oldest menswear store, Graves, Cox & Co., began a going-out-of-business sale last week as owner Leonard Cox prepares to retire. His grandfather co-founded the business in 1888. Cox said two Georgia investors plan to open a men’s store in the same location, 325 West Main Street.

The Logan brothers said their business has stayed strong by diversifying and keeping up with trends. “We had a record year last year,” Elliot said. “This year has been even better.”

Although suits, sport coats and accessories are still the foundation of the business, high-end sportswear and “dress casual” clothing has become a growth area.

Steve has worked on marketing to University of Kentucky and Transylvania University students by using social media, attending fraternity events and recruiting a dozen students as campus representatives each semester.

“I’ve told those guys on campus, we were your dad’s store for a long time, but we’ve got a lot of things for you now if you come and take a look,” he said.

The store carries Southern Tide, a popular youth-oriented line of preppy clothing. Twice annual trunk shows pack the store with college men. “It’s great to see the next generation walking through your door,” Steve said.

Looking toward the future, Betty hopes some or all of her four granddaughters will be interested in keeping the business in the family. Steve has three daughters — Tori, Abby and Kailyn — and Elliot has one daughter, Taylor.

“Our days as a men’s store may be numbered,” Elliot said. “The future of Logan’s is probably a ladies’ shop.”