Chevy Chase entrepreneurs plan Small Business Saturday event

November 23, 2014

141120ChevyChase-TE0044High Street Fly, a clothing boutique, is one of several new shops in Chevy Chase. Below, Danielle Montague, owner of MonTea specialty tea shop, helped organize the area’s Small Business Saturday event on Nov. 29. Photos by Tom Eblen

 

The holiday shopping frenzy begins this week, and local business owners want you to remember Small Business Saturday between Black Friday and Cyber Monday.

This day is about supporting locally owned businesses so more of your money stays in your community. It is about finding goods and services you never find in big-box stores. And it is about helping to keep your town unique and interesting, rather than letting it become just another generic link in the national retail chains.

One of Central Kentucky’s biggest Small Business Saturday events Nov. 29 is being planned by the Chevy Chase Business Owners Association. While some of its activities will last all day, most will be between 4 p.m. and 7 p.m.

Participating shops will have refreshments and a “candy-cane pull” for discount coupons at other neighborhood stores. The association also is working with American Express, which offers a special discount through its Small Business Saturday program. (More information: Americanexpress.com.)

141119ChevyChase-TE0021Chevy Chase merchants are organizing a coat drive for Lexington Rescue Mission and a store window-decorating contest in which customers can vote. Free carriage rides will be offered in front of John’s New Classic Shoes on South Ashland Avenue.

“Santa will be making visits, and we’re working on carolers,” said Danielle Montague, an association leader and owner of MonTea, a specialty tea shop.

Chevy Chase was built between the 1920s and 1960s on land that had been part of statesman Henry Clay’s Ashland estate. Developer Henry Clay Simpson named the area for the Maryland golf club, where he was a member. One of Lexington’s first “suburban” shopping districts was built to serve the neighborhood.

“We were the original Hamburg,” Montague said with a smile. “We have just about everything here, and it’s walkable.”

The Chevy Chase business district has had a tough year, with months of reconstruction on Euclid Avenue and controversy over a rowdy bar the city shut down in September. But there has been a lot of good news, too.

The business district has been gaining popularity, as a variety of stores, including The Morris Book Shop, Worlds Apart and Donut Days, came in from the suburbs to join longtime businesses such as Farmer’s Jewelers and Chevy Chase Hardware. Several new stores have opened this year, including two in the past few weeks.

Ann-Michael Rawlings, who has operated Calypso Boutique in the Woodland Triangle for seven years, was at Morris buying a book this summer when she noticed the space beside Chevy Chase Hardware was for rent.

She quickly negotiated a lease, renovated it and opened her second boutique, High Street Fly, which specializes in local-themed T-shirts and vintage cowboy boots.

“I love the convenience of the neighborhood,” Rawlings said. “With the hardware store next door, even a lot of guys come in.”

Online retailer C.C. Prep Clothing & Accessories is owned by Atlantans, but when they chose Lexington as the location for their second store (after Charlottesville, Va.), they wanted to be in Chevy Chase.

“We didn’t really look anywhere else,” said manager Amanda Caldwell, who opened the store Nov. 14. “It’s great to be in an area where they support small businesses.”

Melissa Mautz has certainly found that to be true since opening the Pet Wants store in February. It sells fresh, regionally made dog and cat food, GMO-free chicken feed and American-made pet accessories.

“I knew I wanted to be in Chevy Chase, and business has been awesome,” she said. “We like being a part of this community.”

But like most retailers, Chevy Chase’s business owners know that the holiday season can make or break their year. “We rely heavily on it,” Montague said. “You can make your entire year’s rent in a month.”

Gary Doernberg, who opened Corner Wines five years ago in a tiny space that originally was a 1930s gas station, agrees. His shop specializes in low-priced wine lots from top vineyards, and this is high season for entertaining and gift-giving. But he has found Chevy Chase to be a great place to do business year-around.

“I’ve always loved this location,” Doernberg said. “I’ve been in the wine business, wholesale or retail, for 40 years. This is not the most money I’ve ever made, but it’s the most fun I’ve ever had.”

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The story behind Gratz Park’s bronze kids, soon headed for repairs

November 21, 2014

141111GPFountain0032Author James Lane Allen’s will left the city $6,000 to build a fountain dedicated to Lexington’s youth. Installed in 1933, it will get a much-needed makeover this winter.  Photos by Tom Eblen

 

Like horses, stone fences and antebellum homes, the bronze boy and girl in Gratz Park have become frequently photographed symbols of Lexington.

But early this week or next, depending on the weather, a crane will carefully remove the life-size statues from their perch on the fountain across Third Street from Transylvania University.

The kids will spend the winter at Lexington’s Prometheus Foundry for repairs and refinishing. If all goes well, they will return to the park in May after the fountain’s crumbling concrete and Depression-era plumbing are replaced and the stone and brick surrounds are restored.

The fountain “is just falling apart with age,” said Michelle Kosieniak, superintendent of planning and design for the city’s Division of Parks and Recreation. “We figured that since we were moving the statues anyway, we should take a look at restoring them, too, and hopefully get them ready to be enjoyed for another half-century.”

There is an interesting story behind these playful children and their fountain that says a lot about Lexington’s history of tension between progressive thought and conservative religion. But it has nothing to do with the statues’ lack of clothing.

141111GPFountain0024James Lane Allen was born near Lexington in 1849 and graduated with honors from Transylvania University in 1872. After a few years of teaching, he pursued a writing career and moved to New York City.

Allen became one of America’s most popular novelists and short-story writers in the 1890s. His tales, written in a flowery style popular in the late Victorian era, were often set in Kentucky and featured characters taken from early Bluegrass history.

One of his most famous tales, King Solomon of Kentucky, told the true story of how William “King” Solomon, an alcoholic vagrant, became a hero during Lexington’s 1833 cholera epidemic by staying to bury the dead while almost everyone else fled.

Novels such as A Kentucky Cardinal and The Choir Invisible became national best-sellers. But Allen’s 1900 novel The Reign of Law created controversy in Lexington because its protagonist accepted Darwin’s theory of evolution instead of a literal interpretation of the Bible’s creation story.

The Rev. John McGarvey, president of what is now Lexington Theological Seminary, castigated Allen in a widely publicized sermon. The Lexington Herald heaped on, opining that “dirt and dust” were “ruining the author’s mind.”

The criticism stung Allen, who wrote that Kentucky “never did appreciate its best people.” He never returned to Lexington — not even when the Lexington Public Library dedicated a portrait of him in 1916.

“My returning now would seem like vainly attempting to pass over into a vanished land,” Allen wrote his lifelong friend, M.A. Cassidy, the superintendent of Lexington’s public schools.

But Cassidy kept the author connected to his hometown. During the last decade of Allen’s life, Lexington schools celebrated his birthday each Dec. 21 and children would write notes and telegrams of good wishes.

Allen was touched, and he always sent thank-you letters. He ended a 1922 interview at his New York home with a journalism student from Lexington by saying, “Give my love to the Kentucky children.”

When Allen died in 1925, his will left his entire estate to Lexington to build a fountain dedicated to the city’s children. The estate was originally thought to be worth $12,000 — a lot of money in those days. Officials planned to build a swimming pool with a fountain in the middle.

But by the time the city actually got the money, Allen’s estate had shrunk by half because of the stock market crash and waning royalties as his books lost popularity. Lexington’s children had to settle for a fountain and statues.

The statues were sculpted by Joseph Pollia, an Italian-born artist in New York who had a distinguished career creating war memorials.

His sculpture depicts a boy showing his homemade boat to the girl, who expresses delight. The statues symbolize “the spirit of youth, with its tender dreams and delicate and beautiful aspirations, which found so much appreciation in the poetical soul of the author,” the Herald wrote when the fountain was dedicated Oct. 15, 1933.

But time and vandalism have aged those kids. The girl was pushed off her granite pedestal in 1969 and again in 1983, cracking her leg. Although the cracks were repaired, there is concern the statues may have corrosion inside.

“It has been likened to a muffler,” said John Hackworth, president of the Gratz Park Neighborhood Association. “It looks all right from the outside, but if you kick it, it might just disintegrate.”

Restoring the statues will cost $57,000 because their high lead content will require complicated safety procedures. The neighborhood association has given $30,000. Councilman Chris Ford recommended $150,000 in city funds for the rest of the work and restoration of the fountain with a new pump system.

The goal is to have everything finished by Gratz Park’s annual Mayfest celebration on Mother’s Day weekend.

“It’s a symbol of Lexington,” Hackworth said of the fountain, “It’s worth being preserved.”

141111GPFountain0008The fountain stands near Third Street across from Transylvania University’s Old Morrison Hall.


Artists must learn business skills to make a living from their art

November 17, 2014

lackyJohn Lackey at his studio at North Limestone and Sixth streets. Photo by Tom Eblen

 

Lexington is starting to become a city where an artist can earn a living, but it requires almost as much focus on business as art.

Successful artists tell me they have had to learn strategy, salesmanship, client management and finance to earn money from their passion. Most of all, they have had to be flexible entrepreneurs, willing to try new things and see where they lead.

I talked about these issues last week with John Lackey, an independent artist in Lexington for a dozen years. Since 2010, he has operated Homegrown Press Studio & Gallery at the corner of Limestone and Sixth streets.

Lackey is best known for his intricate block prints and colorful acrylic paintings of Kentucky landscapes. They are fanciful scenes from nature, filled with swirling clouds and curly trees that almost seem to dance.

But Lackey does a lot more, both out of passion and necessity. He has done logos and other commercial art for businesses, including Alfalfa restaurant, where he once worked, and North Lime Coffee and Donuts, which shares his studio building. He also has produced more than a dozen concert posters for his favorite band, Wilco.

Lackey, this month, was commissioned by Kroger to paint an outside mural for its new Euclid Avenue store. The five interconnected, 12-by-7-foot panels along Marquis Avenue will depict “the trees with the most personality in Woodland Park, with human activity in the background,” he said.

He also is getting into filmmaking, after years of playing with time-lapse and animation photography. Lackey has an Indiegogo.com campaign that runs through Tuesday to raise money for a full-length movie. It will be set in Lexington’s northside and focus on themes of community and sustainability.

Lackey learned figurative art and print-making at the University of Kentucky, but some of his most useful professional skills were acquired during several years of hiatus between his studies, when he worked at lumber yards and car dealerships.

“I learned a lot that I still use today when I sold cars,” he said, including negotiating skills and how to read customers.

Lackey spent 14 years as a graphic artist for two Lexington TV stations, where he learned more about art and deadlines. He was then able to begin building an independent art career, thanks to an understanding wife with a steady paycheck.

Early on, he realized the work is a lot like being a home-improvement contractor. Customers who commission work have ideas, but often don’t know exactly what they want. That’s where listening skills and artistry come in.

Lackey said that being willing to try new things has helped him both get jobs and stretch artistically.

“At first, I didn’t do a lot of saying no, because I needed the money, and it pushed me out of my comfort zone,” he said. “It’s good if you have different things you like to do in art.”

The Kentucky Arts Council helped Lackey expose his work to potential clients. After being included in a show at the Governor’s Mansion, he was chosen to create the 2011 prizes for the Governor’s Award in the Arts. The council also helped him get a commission for four seasonal landscape paintings that now hang in the Kentucky Chamber of Commerce’s board room in Frankfort.

Many artists advise against doing free work to get exposure. While Lackey generally agrees, he follows his instinct on some projects where the payoff isn’t obvious.

For example, as a Wilco fan, he engaged others on the band’s website and volunteered to do artwork for a charity event. The band liked it and hired him to create concert posters.

The head of the Clyde’s restaurant chain around Washington, D.C., also is a Wilco fan. He saw Lackey’s posters and hired him to do artwork for the restaurants. The Clyde’s work was seen by Virginia-based Potter’s Craft Cider, which hired him to design its logo and labels. Such jobs can be vital income bridges between fine art projects.

Other free artwork has enriched his life, if not his bank account. Lackey has done more than 60 posters for the Holler Poet’s series at Al’s Bar, across East Sixth Street from his studio, where he occasionally reads his own poetry. Each poster became an opportunity to experiment with new techniques that have improved his work.

“For me, one of the benefits of being an artist is not having to do the same thing twice,” he said. “It keeps your brain regenerating.”


Montessori school renovates 1840s home with a rich history

November 15, 2014

141110Montessori0099Calleigh Kolasa, 13, left, Maya Pemble, 12, top right, and Gus Glasscock, 13, trim blackberry bushes outside Providence Montessori Middle School, now located in an 1840s house that for 119 years was the Florence Crittenton Home for unwed mothers. The school uses agriculture to teach everything from science to entrepreneurship. Photos by Tom Eblen

When the House of Mercy opened in 1894, the secluded old home at 519 West Fourth Street seemed like a good place to help “fallen” women. It was in an out-of-the-way part of town, near what was then called the Eastern Kentucky Lunatic Asylum.

What became the Florence Crittenton Home did a lot to help pregnant girls and young mothers with infants for 119 years until last November, when changing state social-work policies forced it to close for lack of funds.

Over the past couple of years, that out-of-the-way neighborhood has been experiencing a rebirth, with a heavy emphasis on education.

The former site of what is now called Eastern State Hospital is becoming the campus of Bluegrass Community and Technical College. Transylvania University has turned an old industrial strip into an athletics complex.

So it is fitting that the old House of Mercy, a handsome brick home that dates to around the 1840s, has been beautifully transformed for a new life as Providence Montessori Middle School.

The school recently completed an extensive renovation, accomplished quickly so fall-term classes could begin. The result will be on display from 2 p.m. to 4 p.m. Sunday during a public open house. The presidents of Transylvania and BCTC are scheduled to attend.

“This summer was a blur,” said Vivian Langefeld, the Montessori school’s director. “We worked day and night.”

Despite a higher offer from Transylvania, the Florence Crittenton Home board last March sold the 2.5-acre property to the Montessori school for $400,100 — well below market value — to make sure the historic structure wasn’t demolished.

With a combination of donations, fundraising and loans, the school did an extensive renovation led by Matthew Brooks, a principal in the Lexington architecture firm Alt32, and Chip Crawford and Drew McLellan of Crawford Builders. Their work recently earned a Community Preservation Award from the Blue Grass Trust for Historic Preservation.

“It would have been a shame to have lost this place,” Langefeld said.

In addition to the tight schedule, Brooks said the biggest challenge was opening up space and light in the building, which had been added to three times since the late 1800s, without compromising structural integrity. The school’s requirement for big, open spaces was much different from the many small rooms the Crittenton Home needed.

Old carpets were pulled up and hardwood floors, including many of the original poplar planks, were restored. Original fireplaces were kept and structural brick was exposed on many interior walls to add to the charm.

Alt32’s staff also designed and built the school’s furniture and lockers from birch plywood, using a high-tech router capable of precisely replicating intricate shapes.

Brooks had a special interest in the project: his daughter will be a student there next year. He said the light-filled space now reminds him of Lexington’s original Montessori school in the St. Peter Claver Catholic Church Parish Hall down the street, where he attended kindergarten in 1972. (In another bit of neighborhood improvement, the church is now restoring and building an addition to that hall.)

In Montessori schools, children learn by doing in an environment with a lot of freedom and self-direction. This school, which has 38 students in 7th and 8th grades, uses small-scale urban agriculture as a vehicle for teaching everything from science to entrepreneurship.

Langefeld said the next step will be to fill the campus grounds with vegetable gardens, rain gardens, berry bushes and fruit trees. Chicken coops and beehives will be added in the spring so students can care for them and sell the eggs and honey.

“We do an entrepreneurial program where they all learn about supply and demand, profit and loss and so forth,” she said.

The house came with a good commercial kitchen, which students use for baking products to sell and fixing their own lunch once a week. A large room on the back will be turned into a shop with woodworking tools.

The school also hopes to develop cooperative programs with Transylvania and BCTC, and to engage residents and businesses in the surrounding neighborhood.

“Montessori’s vision for the adolescent was a non-institutional setting,” Langefeld said. “So this is perfect for that kind of environment, where it feels like they are more a part of a community.”

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Award-winning plan for saving bur oak a model for developers

November 9, 2014

141106SchoolOak0058

This bur oak, which tree physiologist Tom Kimmerer thinks is 400 to 500 years old, frames Firebrook subdivision at the intersection of Military Pike, right, and Harrodsburg Road. Ball Homes is developing the property and hired Kimmerer to come up with a conservation plan for the tree. He hopes it will be a model for other developers. Photos by Tom Eblen 

 

The most fought-over tree in Lexington is now more noticeable than ever. Cleared of surrounding brush, it dominates the skyline at the intersection of Harrodsburg Road and Military Pike.

The giant bur oak was last in the news 13 months ago, when neighbors cited concerns for its welfare among their objections to Ball Homes‘ plan to develop 25 acres behind it into 42 single-family homes and 196 apartments.

The city rejected another developer’s plan for townhouses on the site in 2008 because the tree could have been lost or damaged.

But Ball Homes’ proposal was approved after the company developed perhaps the most detailed plan yet for conserving one of the giant, centuries-old trees that have been rapidly disappearing.

Last week, that plan won Ball Homes an award from the Lexington-Fayette County Environmental Commission. Tom Kimmerer, a tree physiologist who developed the plan, hopes it will become a model for other local builders and future developments.

141106SchoolOak0037Ball Homes hired Kimmerer, a consultant and former University of Kentucky forestry professor, to work with the company’s regular arborist, Ian Hoffman of Big Beaver Tree Service.

Kimmerer has studied these specimens of blue ash, shellbark hickory and bur, chinkapin and Shumard oak, which grow better and live longer in Central Kentucky than in any other place in America.

Many of these trees were well-established before Daniel Boone set foot in Kentucky nearly two and a half centuries ago. They are icons of the Bluegrass landscape and the oldest living things in Kentucky.

But dozens, if not hundreds, have been cut down or killed in recent decades by development. Because these species don’t reproduce well in urban areas, younger trees have not been growing up to replace them.

Kimmerer last year started a nonprofit organization, Venerable Trees, to research and help people learn how to care for and propagate these trees.

This bur oak had been in the yard of a 1970s house, since demolished. A large driveway was built below its canopy. That kind of soil compaction can be deadly.

So the conservation plan’s first move was to carefully remove the driveway and erect a fence to keep construction equipment at least 72 feet away from the tree. Six inches of wood mulch was then spread on three-fourths of an acre, which will be left open around the tree.

“One of the things I was impressed with about Ball Homes was they didn’t say, ‘This is how much space we’ll give you.’ They said, ‘How much space does this tree need?'” Kimmerer said. “There was some back and forth and a few compromises here and there, but they were quite generous in allocating space for the tree.”

141106SchoolOak0016Rena Wiseman, Ball Homes’ associate general counsel, said the company realized saving the tree was worth the trouble and expense because it would be a symbol for the neighborhood.

“It’s the focal point,” said Lee Fields, Ball Homes’ vice president of development. “Besides, trees going down cost us money. The lots that always sell first are the ones with the trees.”

Kimmerer and Hoffman assessed the tree’s health and removed several damaged branches. They installed a lightning rod to help prevent future strikes.

The tree has long been thought to be more than 300 years old. Kimmerer guesses it is closer to 500 years old. Still, despite lightning strikes over the centuries and hollow spots, the oak is quite healthy.

“There’s no reason in principle why that tree couldn’t live for hundreds of years longer,” he said.

Ball Homes plans to retain ownership of the tree and surrounding land, including the apartment buildings. That should help ensure the tree’s long-term care, Kimmerer said, adding, “Our management plan for this tree goes way beyond just the construction phase.”

Kimmerer is one of only two tree physiologists in Kentucky. As it happens, the other one, UK forestry professor Jeff Stringer, lives in a renovated old schoolhouse next door to the bur oak. For years, he has been closely watching the tree’s health and debates about its future.

“That tree is in really good shape, and this plan should help keep it that way,” Stringer said, adding that its prospects for survival are better than they have been in decades.

In addition to avoiding soil compaction around a tree, Kimmerer said the most important factors in good long-term care include frequent inspections for signs of stress and keeping lawn fertilizers and herbicides away.

“Modern lawn care is anathema to old trees,” he said.

Kimmerer has surveyed many of the open tracts inside Lexington’s Urban Services Boundary, which will eventually be developed.

“There are at least 50 of these ancient trees that are going to get in the way of development or, conversely, could be seen as symbols of a new development,” Kimmerer said. “That’s one of the encouraging things about this project is that the tree will become emblematic of the whole neighborhood.

Award winners

Winners of the Lexington—Fayette County Environmental Commission’s 44th annual awards:

■ Lexington Police Services, for the We Care program.

■ Lexington Women’s Garden Club, for garden on Wellington Way.

■ Idle Hour Neighbors Alliance, for two monarch way-station gardens.

■ Klausing Group, for a vegetative roof, permeable pavers and Pinnacle Home Owners Association Children’s Garden.

■ University of Kentucky College of Agriculture, for Food and Environment Alumni Plaza project.

■ Lakeshore Apartments Association, Andover Management Group and Barrett Partners Landscape Architects, for improvements to the pond at Lakewood Park.

■ Ball Homes, for bur oak preservation plan.

■ FoodChain, for aquaponics project.

■ Pax Christi Catholic Church, for electronics recycling program.

■ Lexington Division of Environmental Policy, for urban tree canopy assessment and planting plan.

■ Bluegrass Greensource, Downtown Lexington Corp., for downtown Trash Bash.

■ Lansdowne Neighborhood Association, for Zandale Park Stream Bank Protection Project.

■ Pinnacle Home Owners Association, for Children’s Garden.

■ Kentucky Utilities, for the Arboretum’s Party for the Planet Celebration.

■ Community Montessori School, Montessori Middle School of Kentucky, for storm water quality improvement and stream restoration project.

■ Clays Mill Elementary School, for Springs Branch storm water improvement project.

 

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Taste-testing a way to make truly local, crusty Kentucky bread

November 3, 2014

141028Wheat0016Jim Betts, front, owner of Bluegrass Baking Co., works with David Van Sanford of the University of Kentucky College of Agriculture to test baguettes made with five varieties of wheat they raised in Lexington that usually don’t grow well in Kentucky. Betts checks the aroma, while Van Sanford pulls a slice apart to check texture and taste. Photos by Tom Eblen 

 

Why have the French always eaten baguettes, while Kentuckians preferred biscuits? The answer may have more to do with climate than culture.

Kentucky’s wet winters are more conducive to growing the low-protein “soft” wheat used for soft breads, biscuits and cookies than high-protein “hard” wheat, which works best for crusty breads.

But Jim Betts, who owns Bluegrass Baking Co. on Clays Mill Road, has noticed a couple of trends in recent years: his customers are buying more crusty, chewy breads, and they want more of their food to be locally grown.

“We’re trying to source as many locally produced products as we can,” Betts said, adding that a couple of organic farmers in Central Kentucky have told him they want to grow new varieties of wheat if they can find a market for them.

141028Wheat0068So Betts began talking with experts at the University of Kentucky’s College of Agriculture to see if it might be possible to find varieties of high-protein wheat that would grow well here.

He also wanted to know if there would be noticeable differences in taste between organically grown Kentucky flour and the nearly one ton of North Dakota flour he buys each week from ConAgra Foods.

Betts worked with Mark Williams, a horticulture professor who teaches sustainable agriculture, and David Van Sanford, a wheat breeder in UK’s Department of Plant and Soil Sciences.

A year ago, they planted four varieties of wheat they thought might work, including one developed in North Carolina for wet Southern climates. One was grown at UK’s Waveland research farm in south Lexington, the rest at the Spindletop research farm north of town.

“Of course, we chose the worst winter in 20 years,” Betts said. “But we got some flour out of it.”

That flour was given to Andy Brown, Bluegrass Baking’s chief baker, who used it to make baguettes.

Last Tuesday, Betts brought Williams and Van Sanford together to do a blind taste test of the four baguettes, along with one of his store’s regular baguettes and a “ringer” made from UK-produced soft wheat. They were joined by Bob Perry, a UK professor who teaches gastronomy and dietetics.

Betts and the UK professors sliced up each baguette so they could smell, taste and pick it apart. They evaluated each on the color of its crust and the aroma and texture of the “crumb” inside.

When wheat is mixed with yeast, water and salt to make bread, the fermentation releases gasses that form bubbles in the bread — and produce that wonderful smell. The higher the flour protein, the bigger the bubbles, the larger the loaf and the chewier the bread.

Betts likens this “gluten strength” to a balloon: “The stronger the balloon, the bigger it can get.” The problem with low-protein flour is that it “cannot hold the tension you need to make a good, crunchy loaf.”

The men agreed that some of the wheat varieties made better baguettes than others, but all were good. The “ringer” loaf wasn’t as good as the others, but it wasn’t bad.

Having demonstrated that high-protein wheat can be grown in Kentucky, Williams said the next challenge is to refine farming practices to maximize consistency, quality and yield.

Van Sanford said about 500,000 acres of wheat is now grown in the state, mostly in Western Kentucky, but almost all of it is low-protein varieties. Growing high-protein wheat for local consumption would require more than planting different seeds. Farmers would need storage and milling facilities — and customers.

Central Kentucky once had dozens of flour mills, which survive only in the names of the roads that led to them. Weisenberger Mill in Midway is the last one operating.

But here’s the big question: Can high-protein wheat be grown economically enough for Kentucky farmers, millers and bakers to all make a profit at a bread price Kentucky consumers would be willing to pay?

Betts thinks so. He says many Bluegrass Baking Co. customers realize that fresh, local food tastes better, and the more they can keep their money in the local economy, the better it is for everyone.

Creating this new niche market for Kentucky farmers would be a challenge, but I give it better odds than convincing Frenchmen to eat biscuits.

141028Wheat0037Betts, left, talks with Van Sanford, center, and Bob Perry of the University of Kentucky College of Agriculture as they evaluate baguettes made with five varieties of wheat UK grew.

 


‘Lost Lexington’ a reminder of great buildings and people

November 1, 2014

The cover of Lost Lexington explains why Peter Brackney’s new book is so timely: It shows a mothballed old courthouse in desperate need of renovation beside the gigantic crater that has replaced the city’s oldest business district.

141102LostLexington002Brackney, a lawyer and writer of the local history blog Kaintuckeean.com, said the plight of the old Fayette County Courthouse and the CentrePointe boondoggle were big motivations for writing his book.

So was the University of Kentucky’s controversial demolition this summer of several significant mid-century modern buildings on his alma mater’s campus to make way for new construction.

“Everywhere you see a parking lot, something once stood,” Brackney said in an interview. “I think the more you learn about some of these historic structures, the more you appreciate what we have left.”

Brackney focuses on what is gone, and it is an impressive collection of special buildings and places once central to community life. They include elegant mansions, a racetrack, an amusement park, a football stadium, railroad stations and a private garden that early settlers referred to as “paradise.”

Lost Lexington (The History Press, $19.95) includes a forward by Mayor Jim Gray and many photographs. But what makes it most interesting is Brackney’s thorough research into these places and the remarkable people associated with them. I know a lot about Lexington history, but I learned some things.

Brackney begins with Lexington’s best-known preservation story: the 1955 demolition of the 1798 Hart-Bradford House for a parking lot. That act, and fears that the 1814 Hunt-Morgan House across the street would be next, led to creation of the Blue Grass Trust for Historic Preservation and the city’s first preservation laws.

“If you looked at the Hart-Bradford House and didn’t know a thing about who lived there, you would think there was nothing special about it, just a nice two-story brick house,” Brackney said.

brackneyBut, as the book explains, that house was built by Henry Clay’s father-in-law, Thomas Hart, a Revolutionary War veteran and influential land speculator. The next resident was John Bradford, Kentucky’s first newspaper publisher and a major civic leader. Clay was married in that house, and Confederate Gen. John Hunt Morgan may have been, too.

Few people now remember another longtime resident of the house: Laura Clay, an early champion of women’s rights. She learned about the subject the hard way: watching her father, emancipationist Cassius Clay, cheat her mother out of property after their divorce.

Among the several fabulous, long-gone estates featured in the book is Chaumiere des Prairies, where three U.S. presidents were entertained and the traitor Aaron Burr was held under arrest.

Col. David Meade’s estate was famous for its beautifully landscaped gardens. When he died in 1832, a farmer who bought the property destroyed them with grazing livestock, prompting neighbors to post signs about “paradise lost.”

Brackney tells the stories of such 20th century landmarks as the Phoenix Hotel, Union Station, the Southern Railway depot and Joyland Park. Joyland Park was famous for its amusement rides and the huge dance pavilion where Duke Ellington, Artie Shaw and other big band leaders performed.

One interesting story was about how, for 23 years, the afternoon Lexington Leader gave every white kid in town free swimming lessons at Joyland’s public pool. In those segregation days, the newspaper provided free swimming lessons for black children at Douglass Park.

The book tells about two sporting venues that no longer exist: the Kentucky Association racetrack and Stoll Field/McLean Stadium, the home of UK football games and other community events before Commonwealth Stadium replaced it in 1972.

UK’s recent demolitions and the CentrePointe project, which destroyed more than a dozen downtown buildings and 51/2 years later is nothing more than a hole in the ground, were a wakeup call for historic preservation in Lexington.

But Brackney, who lives in Jessamine County, laments that many other communities still haven’t gotten the message. Nicholasville’s oldest Main Street commercial building, built in the early 1800s, was recently demolished.

“While we do have to balance preservation and progress, we have to make sure there’s an understanding that people lived and worked in each of these places; they’re not just bricks and mortar,” he said.

“Drive down Nicholasville Road, drive down Richmond Road, and there’s nothing that separates them from Glendale, Ariz., or any new city,” Brackney added. “There’s nothing that makes them unique. And it’s Lexington’s history and uniqueness that helps make it a great city.”

If you go

Peter Brackney will speak and sign copies of Lost Lexington:

5:30 p.m. Nov. 3: Thomas Hunt-Morgan House, 210 N. Broadway, hosted by the Blue Grass Trust for Historic Preservation. The event includes a panel discussion about historic preservation in Lexington.

2 p.m. Nov. 9: The Morris Book Shop, 882 E High St.

6 p.m. Nov. 9: Barnes & Noble bookstore, Hamburg Pavilion.

7 p.m. Dec. 2: Joseph-Beth Booksellers, Lexington Green.


Kentucky workshop for photojournalists shows power of storytelling

October 28, 2014

141029MtnWorkshop02 copySophomore Mackenzie Alexander is one of four girls enrolled in agricultural power and mechanics classes at Madison Southern High School. To keep the girls’ hair clear of flames during welding instruction, teacher Brent Muncy will often french-braid it for them. His skills impressed another student so much, she asked him to braid her hair for the homecoming parade. During the 39th annual Mountain Workshops last week in Berea, photojournalist Melissa Ripepi of Blacksburg, Va., did a photo story about Muncy. Photo by Melissa Ripepi. 

 

BEREA — Each October, I spend a week in a different Kentucky town with three dozen of the nation’s best photojournalists. We help 75 or so students discover and tell the stories of people who live there.

I got back from Berea on Sunday after five days of hard work and little sleep. The amazing results of those students’ work are gradually being posted on MountainWorkshops.org. A 116-page book was produced on-site and will be published next year.

I keep volunteering for this nonprofit educational enterprise because it’s my annual reminder of the power of storytelling — and of why honest and intimate photojournalism still matters in a media-saturated world.

The Mountain Workshops began as a class field trip in 1976, when I was a freshman at Western Kentucky University. I didn’t get to go, because I was studying to be a writer, not a photographer. But several of my friends were among the small group of photojournalism students who accompanied two professors to the mountains of Eastern Kentucky to document the state’s last remaining one-room schoolhouses.

The next year, the project focused on a poor neighborhood in Bowling Green. Then it began traveling to a different small town each year. WKU started bringing in top professionals as photo coaches. The workshop was then opened to photo students from other universities, as well as professional news photographers who wanted to go beyond daily assignments and learn to tell deeper visual stories.

I joined the workshop faculty in 1995, when writing coaches were added. Workshop organizers realized that even the best photographs need well-crafted words to complete the story. Since then, workshops in picture editing, video storytelling and time-lapse photography have been added.

This year, there was a new workshop in data visualization — print and online techniques for turning complex sets of numbers into graphics that help people understand information.

141029MtnWorkshop01 copy

Mary and Neil Colmer own Weaver’s Bottom Craft Studio in Berea. A shared love of art and craft have been an important part of their long marriage. During the 39th annual Mountain Workshops last week, their story was told by photojournalist Marc Ewell, who lives in Hong Kong. Photo by Marc Ewell.

Coaching at the Mountain Workshops has allowed me to get to know many of the nation’s best photojournalists, people who work for The New York Times, the Los Angeles Times, MediaStorm, the Washington Post, Time magazine and National Geographic. The all-volunteer crew frequently includes Pulitzer Prize winners, some of whom have unglamorous behind-the-scenes support roles.

One of my most memorable fellow coaches was the late Charles Moore. He made those iconic Life magazine photos of Birmingham police arresting the Rev. Martin Luther King Jr. and turning dogs and fire hoses on civil rights protesters in 1963.

The 39th annual Mountain Workshops in Berea was headquartered in the former Churchill Weavers factory, a light-filled 1920s complex that is on the National Register of Historic Places. Now called Churchill’s, it is being renovated into a beautiful event space. Thanks to the workshop’s corporate sponsors, the building was temporarily filled with computers and camera gear for everyone to use.

Workshop organizers had identified and contacted dozens of potential story subjects in Madison County, and participants literally drew them out of a hat. As they got to know their subjects over the next few days, more complex and interesting stories emerged, as they always do. By Saturday morning, the photographers had told those stories with candid images made as they tried to blend into the background of their subjects’ daily lives.

An award-winning photojournalist from New York City and I coached a team of six participants. They all found stories richer and more complex than what was on the slips of paper they drew from the hat.

An assignment about a beauty school turned into a story about the school’s only male student. The young man’s mother had recently been killed in an accident, prompting him to focus on achieving his dream of becoming a hair stylist.

A story about a couple with a craft shop turned into an intimate portrait of a long marriage nurtured by a shared love of the arts. Another participant profiled a high school farm mechanics teacher who is the kind of mentor his students will remember for the rest of their lives.

For nearly four decades, the Mountain Workshops have created an unparalleled documentation of small-town Kentucky life. But its impact has been much broader.

Each year, instructors who years earlier were participants talk about how the workshop changed their lives and careers, and how it continues to influence the way they photograph big stories around the world.

They talk about having become more thorough, accurate and compassionate storytellers, all because of an intense week they spent focused on “ordinary” Kentuckians who turned out to be anything but ordinary.


House-flipping venture turns Victorian disaster into showplace

October 19, 2014

141009Rehab0027

Left to right, Josh Despain, Bennett Clark, Ryan Clark and Michael Hogan spent 16 months renovating a circa 1889 mansion at 515 North Broadway that was filled with trash and animal waste when a lender foreclosed on the previous owner last year. They sat on the front porch  with a photo of the house taken when they bought it.  After a complete renovation, the house is now for sale for $1.2 million. Photos by Tom Eblen

 

The business venture began innocently enough. Four young men with backgrounds in architecture and real estate decided to pool their money, buy an old house, renovate it and try to resell it at a profit.

They looked for a manageable project; perhaps a 1920s bungalow in need of a little updating.

What they ended up with was a three-story, 5,282-square-foot Queen Anne mansion built in 1889 that was such a disaster it made headlines. Over the next 16 months, this house-flipping project almost flipped them.

But the disaster at 515 North Broadway is now a beautiful, completely renovated showplace, listed for sale for $1.2 million. And the four young men have learned some valuable lessons about construction, historic preservation and business.

“This project literally was the epitome of everything: it took longer, was harder and cost more than what we expected it to,” said Josh Despain, a landscape architect.

140118BroadwayHouse0004Despain, architect Michael Hogan and soon-to-be architect Ryan Clark work together at Ross Tarrant Architects. They spend most of their days behind desks.

“We were interested in the idea of getting our hands dirty and doing some construction ourselves,” Hogan said.

And, as young married men hoping to start families, they were looking for some extra money, too. So they teamed up with Clark’s cousin, Bennett Clark, a single real estate agent and builder who had been thinking along the same lines.

They had looked at several old houses when 515 North Broadway made headlines in February 2013. The Federal Home Loan Mortgage Corp. foreclosed on the previous owner. Authorities put her belongings on the sidewalk, almost stopping traffic as passersby picked through it.

Everything was filthy and covered in animal waste, prompting city health and code enforcement officers to step in. The inside of the house was even worse. The smell sickened almost everyone who stepped inside.

141009Rehab0007But the mansion was well-located, structurally sound and retained a lot of its original character. The lender got a dozen offers, and the four guys bought it for $195,752.

“Until we started taking out the plaster and some of the damaged areas, we didn’t really know what kind of condition it was in,” Hogan said. “But, structurally, we felt really good about it.”

Also salvageable were most of the original windows, including some stained-glass ones, and most of the woodwork and flooring. There was a magnificent staircase that rose three stories through the middle of the house.

But the partners quickly realized that all of the plaster needed to be removed to make way for new insulation, plumbing, electricity and interior walls.

“We saw it as a unique opportunity to build a new house within the shell of an original Victorian,” Hogan said.

Added Bennett Clark: “Our mindset was to make the house modern in the places that you need for a house to be modern, but bring back the formal areas to their original glory.”

141009Rehab0002To save money, the partners did about 60 percent of the labor themselves — mostly demolition, basic carpentry, landscaping, paint scraping and other grunt work. They hired contractors for skilled work such as electricity, plumbing, HVAC, roofing and window restoration.

Bennett Clark, who was the general contractor, made the reconstruction project his full-time job. The other three worked nights, weekends and vacations there.

“Our wives hate this house,” Ryan Clark said, as the other three chimed in about how their own homes were neglected during the project.

Because the house is in a city historic district, the partners had to follow strict guidelines on the exterior renovation. They weren’t expecting any special treatment, either: the city’s rule book pictures their house on the cover.

But they said it turned out to be a pleasant experience.

“If you’re just up front with them from the get-go and you’re not trying to hide anything, they’re super easy to work with,” Despain said.

The partners’ challenge now is selling the house for enough to recoup their investment and make a profit. Although expensive, the price is within the range of similar downtown mansions, many of which have had less extensive renovations.

So, do they plan to do this again? They think so, but not anytime soon. Since beginning the work in mid-2013, the three married guys have all had their first children. They expect to have less free time in the near future for construction.

The partners said they learned that to be successful in the renovation business, it must be your business, not a hobby you do in your spare time. A property must be chosen wisely, and the cost of purchase and renovation carefully calculated.

“It was the first project we had done together, so we wanted to make sure we did it right,” Hogan said. “Not only were we trying to make money, but we were really trying to learn a lot about historic preservation. It turned out really well.”

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Frontier Nursing University marks 75 years, from horse to Internet

October 7, 2014

141001FrontierU0003

A Frontier Nursing Service nurse visits a family in the 1930s. Photo provided. Below, Frontier Nursing University President Susan Stone. Photo by Tom Eblen

 

HYDEN — In her 1952 autobiography, Wide Neighborhoods, Mary Breckinridge told how she started Frontier Nursing Service here in 1925 to show how nurses also trained as midwives could make a big difference in rural health care.

Breckinridge, who died in 1965 at age 84, could not have imagined just how wide her old neighborhood would become.

The nurse-midwives she sent out on horseback to remote cabins in the mountains of Leslie and Clay counties were trained in England until World War II made travel there impossible. So, in 1939, Breckinridge started a small school for midwives, who deliver babies.

That school is now Frontier Nursing University, which is celebrating its 75th year as the nation’s oldest and largest school for nurse-midwives. Its graduates work in all 50 states and seven foreign countries.

Frontier also is marking 25 years as a distance-learning institution. It pioneered many of the online methods now beginning to revolutionize all higher education.

Many students, faculty, alumni and supporters were in Kentucky over the weekend for anniversary festivities. Events included a gala in Lexington, where Frontier has its administrative offices, and tours of the campus in Hyden, which coincided with the town’s annual Mary Breckinridge Festival.

The celebration not only marked an illustrious past, but also a promising future.

141001FrontierU0008Mary Breckinridge would seem an unlikely pioneer of health care for the rural poor. She was a society lady, born into one of Kentucky’s most distinguished families. Her father was a congressman and ambassador to Russia; her grandfather was Vice President John C. Breckinridge, whose statue stands in Lexington’s Cheapside Park.

But Breckinridge was living in rural Arkansas when her two children died young, and she blamed inadequate medical services. Already trained as a nurse, she volunteered in France after World War I and saw the difference nurse-midwives made there.

Breckinridge went to England for midwife training, then dedicated the rest of her life to improving public health in Eastern Kentucky by focusing on young children and their mothers.

Because there were few good roads here then, Frontier Nursing Service’s uniformed nurse-midwives rode horses to places such as Confluence, Cutshin and Hell-for-Certain. They carried medical equipment in their saddle bags, delivered babies and staffed community clinics. For serious cases, there was a doctor at the small hospital Breckinridge helped build on Thousandsticks Mountain overlooking Hyden.

After World War II, Eastern Kentucky’s population declined as the region modernized. Jeeps replaced the last Frontier horses in the 1960s. After the area hosted clinical trails for the birth-control pill, the birth rate plummeted.

By the 1980s, Frontier nurses mostly provided home health care to elderly people and staffed Mary Breckinridge Hospital, which was sold to Appalachian Regional Healthcare in 2011. The school for midwives struggled until it ventured into distance learning in 1989.

Susan Stone was a student in that first distance-learning class for midwives. She became a faculty member in 1993, remembering how she was told to buy a bigger mailbox because distance learning then meant a lot of packages and postage.

Stone has been president of Frontier Nursing University since 2001, and she has led dramatic growth made possible by the Internet, an expansion of degree programs and an increased demand for graduates.

Frontier had about 4,000 graduates in the first 75 years. Now it has 1,500 students enrolled in several master’s and doctoral nursing programs in addition to midwifery. Annual admissions have had to be capped at 700.

The average Frontier student is a 35-year-old registered nurse. More than 90 percent are women, and 70 percent live in rural areas. They come to the Hyden campus only two or three times: for a few days of orientation, a few days of clinical simulations and, if they wish, for their graduation ceremony.

“Our target is nurses who live in rural areas and want to stay and serve in those areas but want a graduate degree,” Stone said.

Students study online with 96 faculty members scattered across the country and do clinical work in their own communities. “We’ve been able to recruit a high-quality faculty because we don’t make them move,” Stone said.

Stone thinks the demand for nurse-practitioners and nurse-midwives will continue to increase because of trends in the health care industry. She sees Frontier continuing to change to meet needs.

“One of the things we teach our students is entrepreneurship,” she said. “Sometimes what is needed is just not there and you have to create it.”

For example, one of Stone’s future goals is to offer training for psychiatric nurses, who are in big demand but short supply in rural America.

“Mary Breckinridge’s whole idea was that this would be a pilot project and there would be replications,” Stone said. “It’s just amazing when you look at what our graduates are doing. They really are going to change the face of health care.”

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New book tells sad, fascinating story of madam Belle Brezing

October 7, 2014

140929BelleBrezing0002Belle Brezing’s last and most famous house of ill repute, at 59 Megowan Street (now Eastern Avenue at Wilson Street).  The third story was added after an 1895 fire. She died there in 1940. Below, two undated portraits of Brezing. Photos courtesy UK Special Collections.

 

Belle Brezing closed her house of prostitution nearly a century ago. She died in 1940. So why is she still famous, the subject of endless fascination?

That question helped prompt Maryjean Wall to finish a biography of the notorious Lexington madam that she started as a University of Kentucky history student in the early 1970s.

“The more I heard about her, the more I wanted to do a book,” said Wall, who returned to UK and finished her doctorate in history after a long career as the Herald-Leader’s award-winning horse racing writer.

140929BelleBrezing0003“Here’s a person who lived in the shadows, but was so integral to this community that there is a big collection about her life in UK special collections,” Wall said in an interview. “The first thing you have to ask is why? Well, it’s because she was at the center of power in this community.”

Wall’s new book is Madam Belle: Sex, Money and Influence in a Southern Brothel (University Press of Kentucky, $24.95).

Brezing has long been a popular subject. The late E.I. “Buddy” Thompson, an auctioneer and local historian, wrote a biography of her in 1983 that went well beyond an earlier sketch by another local historian, lawyer William Townsend.

Brezing was clearly the model for Belle Watling, the generous madam in Margaret Mitchell’s classic Civil War novel, Gone With The Wind. Mitchell never confirmed her inspiration, but her husband, John Marsh, ate breakfast many mornings in Brezing’s kitchen while he was police reporter for the Lexington Leader.

Wall’s book adds new details about Brezing’s sad but financially successful life, most notably that she attempted suicide at least twice. Even as a 19-year-old prostitute, she was well-known enough in Lexington that her botched effort to swallow too much morphine in a suicide pact with another woman made the newspapers.

But the main contribution of Wall’s book, aside from a well-told tale, is that it adds context and perspective about the red-haired madam’s place in the power structures of both Lexington and the horse industry.

When Brezing died at age 80, copies of the Lexington Herald with the news quickly sold out. Time magazine even published an obituary.

She is buried beside her mother at Calvary Cemetery on West Main Street. Even now, her grave looks especially well-tended and is often decorated with flowers. The Catholic Diocese refused to let Wall see records related to Brezing’s grave, she said.

Looking back on Brezing’s early life, it is a wonder she succeeded at anything.

She was born Mary Belle Cocks in 1860 to a single, heavy-drinking prostitute in a rented house on Rose Street. When Belle was 18 months old, Sarah Cocks married George Brezing. He ran a saloon and grocery when he wasn’t beating his wife.

Belle was shunned at school, lost her virginity at 12 and had a child at 14. Sarah Cocks died when Belle was 15, leaving her alone with a mentally handicapped infant daughter, who would spend most of her life in institutions under an assumed name. After a brief marriage and divorce in her teens, Belle started working the streets.

Brezing then went to work for Jenny Hill, who operated Lexington’s most high-class house of ill-repute. It is now the Mary Todd Lincoln House museum, because Abraham Lincoln’s wife spent her childhood there a few decades before Hill arrived.

140929BelleBrezing0001“I’m very intrigued why she went from being a street prostitute on North Upper, which was then a bad neighborhood, trying to commit suicide with another woman — what was that about? — and then the same year she gets into Jenny Hill’s house,” Wall said. “She must have had to clean herself up.”

Brezing left Hill’s house in 1881 and opened her own on North Upper Street — a building now part of a Transylvania University athletic complex.

“I think in Jenny Hill’s she probably learned good language, good style, became sort of educated,” Wall said. “And she had a client list when she left, because she went back to North Upper under very different circumstances.”

Brezing moved to another North Upper house, then in 1890 to 59 Megowan St. — now Eastern Avenue — at the corner of Wilson Street. It was a mansion outfitted in elegant style that became the talk of the town and racing circuit.

Trotters were the popular sport then, and Brezing’s clients included many influential horsemen who passed through town. She had several wealthy patrons, most notably one — or perhaps both — of the Singerly brothers.

William and George Singerly of Philadelphia had inherited an industrial fortune. They fancied race horses and Belle Brezing. Singerly money not only bought and outfitted the Megowan Street house, but it allowed her to buy rental property around town. Brezing didn’t get rich on prostitution, Wall said, but with real estate investments.

Lexington had a large red-light district during this era of Victorian morality. Wall cites one grand jury report that said the city had 158 brothels. Brezing’s was fanciest, from its antique furnishings to the lavish parties she gave for wealthy customers.

When anti-vice crusaders periodically tried to close the red-light district, Brezing’s house would be shuttered briefly. But when Lexington filled with soldiers training for World War I, the Army did what city politicians would never do — put her out of business.

She lived her last two decades as a drug-addicted recluse in a crumbling mansion.

Brezing’s previous biographers were men of an earlier generation, who Wall says tended to portray her as a victim and social outcast.

“She was shunned by the women in this town for sure, but I don’t see her as ‘poor little Belle’ at all,” Wall said. “I see her as a person who could take circumstances and work them to her advantage. She did that all her life.”

The book tells how Brezing clawed her way to the top by using men, investing wisely and playing politics. It also explains how so many others made money from her illicit business: the liquor merchants, grocers, clothing retailers, furniture dealers and horse traders.

Wall said she tried to avoid glamorizing either prostitution or Brezing’s life choices.

“Never would I do that,” she said. “Belle fit a lot of the stereotypes we have of prostitutes. She was a drug addict. She had worked the streets. Because she was smart, she managed to succeed in spite of the gender prejudices of her time.”

Book signings

Oct. 11 — Cincinnati Books by the Banks Festival

Oct. 14 — Joseph-Beth Booksellers, Lexington

Oct. 15 — Kentucky Historical Society, Frankfort

Oct. 16 — Filson Historical Society, Louisville (Oxmoor Farm)

Oct. 23 — Paul Sawyer Public Library, Frankfort

Nov. 15 — Kentucky Book Fair, Frankfort


Kentucky development leaders showcase high-tech innovation

September 30, 2014

gamersJason Mize, left, a partner in the Lexington company Really Big Spiders, demonstrated its online game, “Tales from the Strange Universe,” to Jonathan Gay of the Kentucky Innovation Network. Lexington is now a hotbed for electronic game development. Photo by Tom Eblen

 

Who knew Lexington was becoming a hotbed for electronic game development?

That’s exactly why Commerce Lexington and the state Cabinet for Economic Development brought seven freelance journalists here to visit with local game developers at Awesome Inc., the tech business incubator on Main Street.

At a reception Tuesday, they were to meet with other local business leaders, including Carey Smith, CEO of Big Ass Solutions, the giant fan company.

Earlier in the day, some of the journalists toured Northern Kentucky University’s College of Informatics, a new program that focuses on data science applications. Others went to Morehead State University to see the Space Science Center. Later this week, most will be covering the annual Idea Festival in Louisville.

“We just wanted to show them that from small business to big you can do it here in Lexington,” said Gina Greathouse, Commerce Lexington’s senior vice president for economic development.

Lexington has seven full-fledged companies developing electronic and online games and several programmers and artists who work on them part-time, said John Meister. He is a board member of RunJumpDev, a local organization that helps game developers network and promote their products.

Meister also is a partner in one of those companies, Super Soul. After working 10 years as a software engineer, he teamed up with artist Richie Hoagland to develop the Xbox game Compromised in 2012. Their company will soon release Speak Easy, a 1920s-themed fighting game for PlayStation 4.

Meister said game development has been growing in Lexington because many technology workers play games and become interested in making them. Lexington’s low cost of living helps, because it is much cheaper to develop games here than in many other cities with large high-tech communities.

While he wasn’t that interested in gaming, Terry Troy, a Cleveland-based journalist who writes for Scientific American magazine, said he came away from the tour with many story ideas. He was especially impressed by Morehead’s Space Science Center, which has become a national leader in developing small space satellites for research.

“Kentucky is a state of dichotomies; you have the Creation Museum and then over in Morehead is the cutting edge of satellite technology,” Troy said. “I knew there was a lot of innovation in the state, but you just don’t realize how much until you see it. I’m impressed.”


Bourbon tour town’s founders escaped years of Indian captivity

September 30, 2014

140922RuddlesMills0064Philip and Michele Foley on the porch of their house in Ruddles Mill, which was built in the late 18th and early 19th centuries. It will be open for tours Sunday. Photos by Tom Eblen 

 

RUDDLES MILL — Since Philip and Michele Foley moved here 35 years ago from Cynthiana, they have worked to restore not one but two houses built in the 1790s.

Few people would be that tenacious — or, as the Foleys say, that foolish. But tenaciousness comes naturally to this town. Its founders returned here after surviving a bloody attack and years of captivity in Shawnee villages near Detroit.

Both the elegant home where the Foleys live and a rough, stone house the town’s founder built for his son will be on tour 2 p.m. to 5 p.m. Sunday during Historic Paris-Bourbon County’s annual Fall Open House.

The tour also includes nearby Moore’s Chapel, the 1850s Greek Revival sanctuary of Ruddles Mill United Methodist Church. Tickets are $15, $10 for HPBC members. More information: hopewellmuseum.org.

Even today, few people agree on how to spell this unincorporated community of about 75 households at the confluence of Hinkston and Stoner creeks in northern Bourbon County. It goes by various singular, plural and possessive forms of Ruddle, Ruddel, Ruddell and Mill.

But there is no uncertainty about the town’s founder and namesake. Capt. Isaac Ruddell, a pioneer and Revolutionary War officer, is buried here, too, at Mouth of Stoner Presbyterian Cemetery.

140922RuddlesMills0021In 1779, Ruddell enlarged and fortified pioneer cabins built a few years earlier in a nearby area of what is now Harrison County. But the next summer, a thousand Shawnee warriors and Canadian soldiers under the command of British Capt. Henry Bird attacked Ruddell’s Station and other nearby settlements.

More than 20 settlers were killed, and dozens more men, women and children were taken prisoner, marched to Detroit and held captive for years. After their release, Ruddell and most of his family returned to Kentucky and built a mill here in 1788.

But two of Ruddell’s sons, Stephen and Abraham, had been adopted by the Shawnee and stayed with the tribe for 15 years. Stephen, who married a Shawnee woman and was a chief, rejoined white civilization and became a Baptist preacher and missionary among the Shawnee, Delaware and Wyandot tribes in Ohio and Indiana.

Abraham returned to Kentucky in 1795, and his father built him the stone house the Foleys are gradually restoring near the creek banks. Abraham Ruddell operated a saw and grist mill there for several years before moving to Arkansas and fighting in the War of 1812.

The Foleys have removed wooden additions to the house, rebuilt the chimneys and put a steel frame in the basement to keep the cellar from collapsing. “All I can say is it’s not going to fall down,” she said. “We hope to do more one of these days.”

Things are much nicer up the hill, at the Federal-style house where the Foley’s have lived since 1979. They think the main rooms, each built as a separate unit with thick brick walls, were constructed in the 1790s and early 1800s.

Making the place habitable and comfortable was a long process for them and their two daughters, who are now grown and living near Nashville and Cincinnati.

The biggest chores — aside from electricity and plumbing and restoring the original woodwork — were undoing previous owners’ “improvements”. The Foleys found the house’s original wooden mantles in a barn, but one was badly warped from years of storage. A neighbor built a wood frame to gradually bend it back into shape so it could be returned to the house.

“Every morning we would water it down and tighten the clamps until it got straight,” she said. “At one point, all of the oil paint and buttermilk paint just started popping off.”

The Foleys are retired from state government jobs. They have planted their big yard with more than 20 varieties of magnolia trees, gardens and beds for their business, Ruddles Mills Perennials and Native Plants.

It is one of the few businesses left in Ruddles Mill, which once had several mills and distilleries. The town has many early 19th century structures, most of which are still in use after multiple renovations. People here don’t give up easily.

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Uniquely Kentucky: Closing essay from Friday’s special section

September 30, 2014

abeEduardo Kobra’s mural of Abraham Lincoln in downtown Lexington, with the moon over his shoulder. Photo by Tom Eblen

 

Kentucky has always been at a crossroads. Buffalo came looking for food and water. Native Americans came looking for buffalo. Pioneers and settlers came looking for land and opportunity.

Originally the Western frontier, Kentucky has been more or less at the center of the country geographically since the 1830s. Culturally, though, it remains a place unto itself. Many places, actually.

Early settlers came to the Bluegrass for fertile land and pure water to produce hemp, tobacco, strong-boned horses and good whiskey. Eastern Kentucky developed a rich, complex Appalachian culture as newer immigrants joined Anglo-Saxon settlers when railroads opened the mountains for timber and coal harvesting.

Communities along the Ohio River, long nourished by commerce, have created personalities all their own, as have those amid the farms of Southern Kentucky. Western Kentucky rolls out like a rumpled green carpet to the Jackson Purchase, encompassing many unique local cultures.

Ask someone in China what they know about Kentucky and they are likely to reply, “Kentucky Fried Chicken.” I went to church once with friends in a small Australian town and was introduced to the minister afterward. He immediately said, “Ah, the Kentucky Derby!”

The recent popularity of bourbon has given Kentucky another international claim to fame. Jimmy Russell, the master distiller at Wild Turkey, told me that when he travels to Asia, Europe and Australia he is treated like a rock star. As he should be.

Kentuckians know how to eat well. Nothing is better than Western Kentucky barbecue in the summer or spicy burgoo in the winter. Any morning that begins with country ham and biscuits is a good morning.

Louisville has the calorie-packed Hot Brown sandwich, otherwise known as “heart attack on a plate.” Want something lighter? Try benedictine, a cucumber spread long popular with Louisville ladies who lunch.

Immigration continues to enrich Kentucky’s culture and palate: Mexican, Indian, Chinese, Thai, Vietnamese and African. The newest menu item at the 134-year-old Fancy Farm Picnic in Graves County is barbecue nachos.

Abraham Lincoln was born in Kentucky, as was his Confederate counterpart, Jefferson Davis. America’s greatest sports car, the Corvette, is made in Bowling Green. The stoplight was invented Garrett Morris, a black man from Paris.

Country music owes much of its sound to old-time Kentucky fiddlers and the hard-charging mandolin of Kentuckian Bill Monroe. And don’t forget Loretta Lynn, Jean Ritchie, Ricky Skaggs and Sam Bush.

Lexington’s Carnegie Center for Literacy and Learning has started calling Kentucky the “literary capital of mid-America.”  Sure, it’s a big boast. But consider the evidence: Robert Penn Warren, James Still, Wendell Berry, Harriette Arnow, Bobbie Ann Mason, Barbara Kingsolver, Sue Grafton, Jesse Stuart, Silas House, William Wells Brown, Hunter S. Thompson, C.E. Morgan and too many more to mention. Outsiders may still joke that Kentuckians don’t wear shoes, but we sure can write.

That’s the good news. Now for some bad news: Kentucky lags most other states in many measures of health, education, social welfare and economic innovation.

Kentuckians tend to cling to what worked in the past rather than leveraging their unique assets, heritage, culture, location and know-how for a brighter future. We carelessly spoil beautiful landscape with strip mines and strip malls. We focus on fears instead of possibilities.

Remember what I said about Kentucky being at a crossroads?  It has never been more true than today.


Ashland estate marks War of 1812 with artifacts, re-enactors

September 23, 2014

If you hear cannon and musket fire near downtown Saturday, don’t be alarmed. The colorfully costumed soldiers and Native Americans aren’t invading Lexington; they’re just performing for Living History Day at Ashland, The Henry Clay Estate.

Ashland this year is marking the bicentennial of the War of 1812. And, no, it’s not two years late. Among the many little-known facts of this often-overlooked war is that, while it began in June 1812, the fighting didn’t stop until February 1815.

Ashland is commemorating the Treaty of Ghent, which Clay, John Quincy Adams and other American representatives negotiated with the British and signed on Christmas Eve 1814.

ghentjacketAs the congressman from Central Kentucky and speaker of the U.S. House of Representatives, Clay was a politician for all seasons. He not only helped end the War of 1812, he helped start it, too. That dual role helped launch one of the most illustrious American political careers of the 19th century.

But Clay was hardly the only Kentucky connection to the War of 1812.

“Kentucky doesn’t have any battlefields for this war; the war itself didn’t happen here,” said Eric Brooks, Ashland’s curator. “But more than any other conflict this nation has fought, the War of 1812 was a Kentucky war.”

Kentucky contributed 25,000 soldiers to the War of 1812 — more than all of the other 17 states combined. About 60 percent of the war’s casualties were Kentuckians. At the battle of Wild Cat Creek in northern Indiana, almost every U.S. soldier was from Hopkinsville.

Much of the gunpowder used by American forces was made from saltpeter mined in Kentucky, including at Mammoth Cave. Newport was the U.S. Army’s major supply depot. Twenty-two of Kentucky’s 120 counties are named for War of 1812 veterans.

In 1812, Clay and other “war hawks” pushed for declaring war on Great Britain, which despite its Revolutionary War loss continued to mess with the new nation. Of greatest concern was Britain’s arming of Native American tribes, who were attacking white settlers who had taken their land.

While the War of 1812 settled most of those issues, it ended up being a military stalemate that came at high cost: British troops invaded Washington, D.C., and burned the White House and the Capitol.

“We as a state need to understand the role we played in solidifying this nation as a legitimate and survivable nation in the world,” Brooks said. “Prior to the War of 1812, there were a lot of countries that thought the United States was a flash in the pan, that democracy would never work.”

Saturday’s festivities at Ashland will include re-enactors from Ohio and Michigan portraying the 2nd Kentucky Militia. There also will be Native American re-enactors, who will demonstrate tomahawk throwing at their encampment on the 17 acres that remain of Clay’s 600-acre estate, most of which is now the Ashland Park and Chevy Chase neighborhoods.

There also will be farm animals, crafts, special activities and an actress portraying Charlotte Dupuy, a slave who filed a highly publicized lawsuit against Clay trying to win her family’s freedom.

Ashland has several important relics related to the War of 1812 that will be on display. They include a copy of the Treaty of Ghent in Clay’s own handwriting, his place card at the negotiating table and an ivory cane he received as a gift.

The mansion also has one of two paintings Clay won while playing cards with his fellow negotiators. (In addition to being a masterful politician, Clay was a party animal who loved to drink and gamble.)

Ashland’s most important War of 1812 relic is the military-style coat Clay wore during treaty negotiations in Ghent, which is now in Belgium. Clay’s coat set the style for American diplomatic attire for decades. It was last worn by a Clay descendant when Ashland opened to the public as a museum in 1950.

“That’s the last time it will be worn, too,” Brooks said. “If for no other reason than there are not a lot of 6-foot-2, 145-pound men around anymore. And, obviously, it’s very, very fragile.”

If you go

What: War of 1812 Living History Day

When: 10 a.m. — 5 p.m. Saturday, Sept. 27

Where: Ashland, The Henry Clay Estate, 120 Sycamore Road.

Cost: $14 adults; $7 younger than 18; $35 family.

More information: Henryclay.org, (859) 266-8581


Funeral home’s beautician still going strong at almost 92

August 30, 2014

margarethunterMargaret Hunter, who turns 92 on Sept. 2, at Kerr Brothers Funeral Home, where she has been the beautician for 52 years. Photo by Tom Eblen

 

When she tripped on a power cord at work and fell and broke her hip, Margaret Hunter said she thought, “Well, this is going to be it for me!” She wasn’t alone.

“We thought Margaret’s career was done,” said Tom Morton, a funeral director at Kerr Brothers Funeral Home on East Main Street.

But after surgery and a month of recuperation, Hunter got bored just sitting around her house. So, with her doctor’s permission, she started driving herself back to work at Kerr Brothers. That was a year ago.

This week, Kerr Brothers will help Hunter celebrate two big anniversaries: her 92nd birthday and her 52nd year as the funeral home’s staff beautician.

“I like what I do, and I’m good,” Hunter said with a wry grin. “I’m not ready to throw the towel in. And I’m not ready to go to a nursing home. No way!”

No way, indeed.

“I think she’s got more energy now than before she broke her hip,” said Brandon Haddix, another Kerr Brothers funeral director.

As a child growing up in Lexington, Hunter says she cut friends’ and neighbors’ hair with scissors and a straight razor and did home permanents. “I love doing hair,” she said. “I’ve always wanted to be a beautician.”

After beauty school, Hunter had her own shop at several downtown locations for about 15 years. Then one day someone asked her to do the hair of a deceased relative for the visitation. That first time was uncomfortable, she said, but then she realized what an important service she was providing for the family.

“Then some of my customers or their mothers would pass away and they would want me to do their hair,” she said. “Kerr Brothers saw my work and they offered me a job.”

Eventually, Hunter closed her shop and worked only for Kerr Brothers. She usually handles about 25 clients a month, but has done as many as seven in a day.

“I’m on call 24/7,” Hunter said. “I’ve missed a lot of reunions, a lot of get-togethers. I’m here when they need me, because when they have to be out they have to be out.”

Hunter said she works from photos, or meets with family members to get their suggestions. Hunter has a small, third-floor workroom at the funeral home, just big enough for a long table, some cabinets and a couple of hair dryers.

She does about 90 percent of Kerr Brothers’ clients; the rest have their own beautician fix their hair one last time.

“When I do a lady’s hair here, I want her looking nice, because that’s the last time her loved ones are going to see her,” Hunter said, adding that she often gets cards or kind comments from family members.

Hunter said her accident last August hasn’t slowed her much. Her only concession to the new, artificial hip joint is a walking cane, which Kerr Brothers’ employees have named Charlie.

“I’d go crazy if I stayed home every day,” said Hunter, who also takes pride in doing her own house cleaning. She has lived in her home in the Deepwood subdivision since it was new in 1962. Her husband, John, who was a maintenance worker for the city, died in 1996. She has a son, Garrett, who lives in Cynthiana.

Hunter doesn’t cut her own hair — although she says she could — but she mixes the coloring for her beautician to use. “I wouldn’t want to be your beautician,” Morton tells her.

In her free time, Hunter enjoys meeting friends for meals at Loudon Square Buffet, a longtime restaurant on North Broadway.

Kerr Brothers’ management has promised Hunter a job as long as she wants it, Morton said. She has no plans to retire.

“I love what I do,” she said. “I love working at Kerr’s. They’re just like family. To me, they are family. I call this my second home, because this will probably be the last door I go out of.”


A century later, passenger pigeon’s extinction still offers lessons

August 26, 2014

passpigeons

Juvenile, male and female passenger pigeons, by Louis Agassiz Fuertes (1874-1927)

 

One hundred years ago next week, a bird named Martha dropped dead in her cage at the Cincinnati Zoo. She was the last known passenger pigeon, a breed that just a few decades earlier had been the most numerous bird in America.

It was the first big wakeup call about society’s potential to destroy the environment. Extinction was no longer just about Do-do birds or other rare species; it could happen to a creature once so plentiful that it was both a major food source and a pest of biblical proportions.

The Cincinnati Zoo is marking the anniversary with a series of events. (More information: Ohiobirds.org). The keynote speaker is Joel Greenberg, who recently published the acclaimed book A Feathered River Across the Sky: The Passenger Pigeon’s Flight to Extinction (Boomsbury USA).

Greenberg, a naturalist, author and lawyer, also helped start Project Passenger Pigeon, a non-profit organization to raise awareness of current extinction threats and to promote environmental sustainability.

Unlike today’s rock pigeon, which was brought over from Europe, passenger pigeons were native to North America. They ranged from Canada to Mexico, and the immensity of flocks once seen in Kentucky is hard to imagine. Alexander Wilson, America’s first ornithologist, wrote of an 1805 nesting area near Shelbyville that covered almost every tree for 40 square miles.

Passenger pigeons were so notable in early Kentucky that Project Passenger Pigeon reports 44 places in the state named for them, from Pigeon Roost Creek in Boyd County to Pigeon Hollow in Edmonson County.

John James Audubon, the famous naturalist and bird painter, wrote about flocks he observed in 1813 while traveling from Henderson to Louisville. During his journey’s last 55 miles, “The air was literally filled with pigeons; the light of noonday was obscured as by an eclipse; the dung fell in spots, not unlike melting flakes of snow. The pigeons were still passing in undiminished numbers and continued to do so for three days in succession.”

Throughout the 19th century, many people reported similar events: sky-darkening flocks in the billions. When passenger pigeons chose to land, they could strip a field of crops or a grove of nut-bearing trees in no time.

But the docile birds had two great qualities: they were delicious and easy to kill. Long an important food source for Native Americans, a flock is said to have saved most of New Hampshire from starvation after a crop failure in 1781.

“The banks of the Ohio were crowded with men and boys incessantly shooting at the pilgrims, which there flew lower as they passed the river,” Audubon wrote of his 1813 sighting in Louisville. “For a week or more, the population fed on no other flesh than that of pigeons and talked of nothing but pigeons.”

So how did the pigeon population go from billions to zero in less than 50 years? Many questions remain, but scientists think one factor was widespread logging that destroyed forest habitat the huge flocks needed to reproduce.

But the biggest factor was excessive hunting. Once railroads and telegraph lines spread across the country, flocks could easily be tracked by commercial hunting crews and decimated.

kemper

Joseph H. Kemper

About this time, sportsmen hunters began adopting the conservation ethic that has made huge contributions to wildlife and habitat preservation. But it came too late for the passenger pigeon. After the 1870s, populations plummeted.

The Rev. Nancy Jo Kemper, pastor of New Union Christian Church in Woodford County and retired executive director of the Kentucky Council of Churches, said family lore held that her grandfather, Joseph H. Kemper, a champion marksman, killed one of the last passenger pigeons near Mt. Sterling.

“It was an accident,” Kemper said. “He was hunting doves. Daddy always said (his father) was sad about it.”

The journal of the Wilson Ornithological Society in 1925 quoted a Lexington Herald report saying Kemper accidently killed passenger pigeons twice, in 1892 and 1893, while dove hunting on Slate Creek in Montgomery County. Others reported similar isolated shootings around the country as late as 1902.

The last captive passenger pigeons were at the Cincinnati Zoo. By 1910, only Martha remained. Upon her death, she was frozen in a 300-pound block of ice and shipped to the Smithsonian Institution, where she was skinned, stuffed and put on display.

This centennial of the passenger pigeon’s extinction is a good time to reflect on how little humans really know about nature. And to think about how society’s actions have consequences we often can’t begin to understand until it is too late.


Ale-8-One president sees a lot of opportunity to grow the brand

August 24, 2014

140818Ale8One-McGeeney-TE0024Ellen McGeeney, president of Ale-8-One Bottling Co., in Winchester. Photos by Tom Eblen  

 

WINCHESTER — As an 8th generation Kentuckian, Ellen McGeeney knew she was taking on something special when she became president of Ale-8-One Bottling Co. But the Louisville native, whose family is from Henderson and Owensboro, didn’t realize just how special.

Her first week on the job, a 20-something Lexington store clerk tearfully told her about his grandmother’s recent death from dementia, and how, in her last months, the only thing that made her smile was Ale-8-One. Then he hugged McGeeney.

And there was the businessman McGeeney met at a networking event a few weeks later. When she introduced herself, he dropped to one knee and kissed her ring.

“There’s a fervency about the brand in Central Kentucky,” she said of Ale-8-One, the ginger-and-citrus soft drink that has been made in Winchester since 1926. “So many people speak about it as if it’s theirs.”

140821Ale8One-TE0083The Rogers family took a big step a year ago when it hired an outsider for the No. 2 spot in the company now run by Fielding Rogers, 33, the great-great nephew of Ale-8-One inventor G.L. Wainscott.

McGeeney, 52, brought a lot to the company besides Kentucky heritage. A Brown University graduate with an MBA from Yale, she was a business consultant for Booz Allen Hamilton and other firms in New York and Boston, specializing in logistics, branding, marketing and online strategies.

Between the births of their second and third children, she and husband Christian Thalacker moved back to Louisville to be closer to her family. She helped start Grasshoppers Distribution LLC, which sold fresh food from local farmers to customers around Louisville, and did strategy work for Rooibee Red Tea.

It was through the Louisville-based beverage company that she met Rogers, who was looking for someone to help him take Ale-8-One to the next level. McGeeney said the job is a perfect fit because it draws on all her skills.

“Literally, this is my dream job,” she said. “I was ready to have a real career again, and I really wanted it to be in Kentucky.”

McGeeney said another big attraction was the Rogers family’s business values. While the family wants growth, she said, it must be steady growth, without peaks and valleys, because Rogers doesn’t ever want to have to lay off any of his 100 employees. “He’s extremely cognizant of the importance of good jobs in this community,” she said.

140821Ale8One-TE0049Wainscott started in the flavored drink business in 1902. He launched RoxaKola in 1906, naming it after his wife. But when Coca-Cola started suing small cola competitors, he realized he needed a special flavor all his own.

Wainscott went to Europe after World War I and bought ginger beer recipes to experiment with. He launched his new drink at the Clark County Fair in 1926 without a name. After a customer remarked that it was “a late one” in the already crowded carbonated drink market, the name Ale-8-One stuck.

Ale-8-One has more caffeine and less carbonation than many soft drinks. Only four people know the secret recipe: Rogers, his brother, sister and father. Rogers now mixes the concentrate himself using his great-great uncle’s handwritten notes.

Ale-8-One distribution is focused on Central Kentucky, where its own delivery fleet covers 27 counties. It is one of the few bottlers in America that still uses some returnable bottles, a popular tradition the company plans to continue.

“I like to say we’re on the bleeding edge of obsolete technology,” McGeeney said. “And we’re very proud of it. We have invested a lot in making sure that that process is extremely safe and high quality.”

Through contracts with other distributors, nonreturnable bottles and cans also go to most of the eastern three-fourths of Kentucky and parts of Ohio and Indiana. McGeeney hopes to gradually expand distribution, at least to all of Kentucky’s 120 counties.

In addition to the original formula, Ale-8-One comes in caffeine-free and diet versions. While the original formula will “never, ever, ever” change, McGeeney said, she sees opportunities for additional beverages. She wouldn’t disclose specifics, but said she would love to do a seasonal beverage made with Kentucky ingredients.

“If you’re at a big company, you can throw a lot of stuff at the wall and see what sticks,” she said. “We can’t do that. We’re David in an industry of Goliaths. We have to do it differently.”

McGeeney said revenue growth has been up in her first year, to about 5 percent. Her goal is annual growth of 5 percent to 10 percent to keep the company financially resilient as the economy rises and falls. Ale-8-One doesn’t disclose revenues or profits, but McGeeney said the balance sheet is strong and future expansion will be self-financed.

“One of the real luxuries of being a private company, from my perspective, is the long-term view,” she said.

This spring, Ale-8-One did its first promotional packaging with a horse-racing theme. Football tailgate packaging will hit store shelves this week. Basketball packaging will follow that.

McGeeney hired a consultant to help refine Ale-8-One’s brand strategy. It revolves around the ideas of Kentucky pride, family ownership and independence. The working slogan: “The best of the Blue Grass in green glass.”

“I think there’s a proud story there,” McGeeney said. “We should be as much of a jewel of Kentucky as bourbon is. My fantasy is to get everybody in Kentucky to feel that way.”

Click on each image to see larger photo and read caption:


‘Room with a view’ exhibit features Lexington scenes from 1990s

August 23, 2014

140821Tharsing0004The view out the bay window of painter Robert Tharsing’s second-floor studio on High Street in the early 1990s. Below, the old Fayette County Courthouse.  Photos courtesy of the artist and Ann Tower Gallery

 

Before he retired as an art professor at the University of Kentucky, Robert Tharsing did his personal painting in downtown studios, first in the upstairs room of an old house on High Street and then above Cheapside Bar & Grill.

When he was between paintings — or stuck trying to figure out where to go with an abstract canvas — he did what many people do when they need a break: he stared out the window. In Tharsing’s case, he also painted what he saw. The result was about 20 views of the Lexington skyline and scenes of downtown life in the 1990s.

In anticipation of retirement, Tharsing built a home studio in 2001. When he moved, he left most of these paintings stacked in the Cheapside space, which wife Ann Tower uses as storage for her gallery on Main Street. Tharsing never showed them in public — until now.

Robert Tharsing: Room With A View, an exhibit of 14 pictures painted over the course of a dozen years, went up last week in the East Gallery at UK Chandler Hospital. The free exhibit will be up for six months.

140821Tharsing0003“I had seen a few hanging in his studio a long time ago and thought they were interesting,” said Phillip March Jones, who curates the hospital’s art exhibits. “I also thought it was interesting they had never been shown as a body of work.”

Jones said viewers from Lexington will easily recognize these scenes, as well as what has changed, and appreciate the bird’s-eye view Tharsing had from his studio windows.

The vividly colorful scenes are awash in light, but often devoid of people. Most of the time Tharsing spent in these studios was at night and on weekends, before downtown became a popular destination for restaurants, bars and festivals.

“Wherever I’ve been, I’ve always painted the scene as well as other interests I have,” said Tharsing, 70, who has lived in Italy and spends summers in Nova Scotia.

Tharsing said these small pictures were often a release, a distraction when he was working on large, abstract paintings. “It was a way to paint something that’s very tangible that I knew what it was,” he said. “With an abstract painting, I often don’t know what it is. In that sense, it’s like being a novelist; you have to let the characters develop and see what they’re going to tell you about themselves. The painting has to do that, too. It has to tell you what it is, what it’s all about.”

The High Street studio had a big bay window that looked down on Vine Street and a cluster of 1980s office towers. Tharsing said he liked how light played off the buildings, streets and parking lots in different seasons.

“That part of Lexington is all about very simple geometry,” he said. “There’s hardly anything that distinguishes itself as being real architecture. So what you’re left with is these volumes and planes and reflections. More than half the buildings down there have got these mirrored windows, so it’s not only the building I’m looking at but I’m looking at myself through the glass across the street. That interested me.”

Cheapside had more people on the street, and a building that did interest Tharsing: the old Fayette County Courthouse, which was then still in use. The massive circa 1900 building or pieces of it appear in six of 14 paintings in the exhibit.

“I really liked it because there was a lot of coming and going,” he said. “It was very much small-town life.”

Tharsing said “the icing on the cake” came one day when he looked down and saw perennial candidate Gatewood Galbraith in his trademark hat. He was accompanied by a single sign-carrying supporter and was being interviewed by a TV news crew.

To accompany the exhibit, Jones is producing old-fashioned perforated postcard books with 10 of the pictures, for sale ($10) at Ann Tower Gallery, The Morris Book Shop and Institute 193, his nonprofit gallery.

These paintings are reminiscent of the plain, colorful style of Edward Hopper (1882-1967), who was one of Tharsing’s inspirations. Another inspiration was the Venetian landscape painter Canaletto (Giovanni Antonio Canal, 1697-1768).

But Tharsing said he resisted Canaletto’s occasional tendency to improve the skyline, tempting though it was in Lexington’s case. “He rearranged the city to suit himself,” he said. “It is like urban renewal; it’s an interesting idea.”


Woodland Triangle street work recalls Lexington area’s history

August 19, 2014

140818Woodland-old1Pearson & Peters Architects now occupies the Woodland Triangle building that in 1911 housed R.L. Jones Grocery. Below, Jeff Pearson and Maureen Peters recreate the old scene, minus apron and horse and buggy. Modern photos by Tom Eblen.

 

140818Woodland-TE0014The just-completed redesign of that funky intersection at East High, Kentucky and East Maxwell streets has sparked recollections of the Woodland Triangle’s history.

Pearson & Peters Architects now occupies the wedge-shaped building in the intersection. But Maureen Peters recalled that in 2006 a woman walked in and showed her staff photos of the building nearly a century earlier, when it housed the R.L. Jones Grocery.

The building dates from 1909 or 1910. The 1911 city directory lists Jones’ grocery, although by the next year there was a different tenant. Except for the awnings, the building’s exterior looks about the same. Peters and her business partner, Jeff Pearson, have done a handsome, modern renovation of the interior.

The street project prompted Peter Bourne, a map-maker for city government, to make sure the work hadn’t removed a city “mile marker” from the 1870s. It had not. The limestone block still stands nearby in Woodland Park.

Bourne recounted on his Lexington Streetsweeper blog how officials decided in 1871 to mark the old city limits — a one-mile radius from the Court House — with a ring of stones, 500 feet apart. If all were installed, there should have been about 66 of them. Bourne can only find the one at Woodland Park and another along West Main Street between Lexington and Calvary cemeteries. Does anyone know of others still in place?

140818Woodland-TE0021On East High Street, just inside Woodland Park, is one of two known remaining “mile markers” erected by Lexington in the early 1870s to mark the city limits Ñ a circle one mile from the Court House.

140818Woodland-old2The interior of the Woodland Triangle building when it was R.L. Jones Grocery, about 1911 Below, architects Maureen Peters and Jeff Pearson in the same room. 

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