New book chronicles colorful history of Kentucky’s oldest church

August 5, 2014

140730Anders-TE0022Mickey Anders, the recently retired pastor of South Elkhorn Christian Church, in the 1870 old sanctuary. He recently wrote a book about the church’s history. Photo by Tom Eblen

 

Church histories are usually of little interest outside the flock. But when I heard about a new book telling the story of South Elkhorn Christian Church, I thought it would be worth a look.

The church has been located on the banks of South Elkhorn Creek — now 4343 Harrodsburg Road — since 1784. But the congregation was formed in Virginia in 1767, making it arguably the oldest in Kentucky.

“This church has an incredible story that needed to be told,” said Mickey Anders, who recently retired as pastor and is the author of An Ever Flowing Stream ($18, Amazon.com). “I felt like this could be my legacy gift to the church.”

Earlier books, in 1933 and 1983, had told some of the history. But Anders thought he could do a better job with the wealth of information now available on the Internet. It helped that he had access to almost all of the church governing board’s minutes going back to 1817.

Lewis Craig started Upper Spotsylvania Baptist Church near Fredericksburg, Va., in 1767. But he and other Baptist preachers soon angered officials of the Anglican Church, the government-sanctioned religion of colonial Virginia.

Craig was jailed for his preaching, and Patrick Henry is said to have interceded to free him. Craig soon led his congregation over the Appalachian Mountains to Kentucky in what became known as “The Traveling Church.”

Colonial Virginia’s persecution of Craig and other Baptists was a big reason framers of the U.S. Constitution in 1787 included the First Amendment, which guarantees the freedoms of speech, religion and the press.

Craig’s brother, Elijah, was also a Baptist minister who came to Kentucky. But he is more famous as an early distiller of bourbon whiskey. “We’re probably the only church with whiskey on display in our history cabinet,” Anders said, pointing to a couple of bottles of Elijah Craig bourbon amid other artifacts.

The church’s attitudes toward some social behavior have changed over time, Anders said.

South Elkhorn paid its second pastor on one occasion with 36 gallons of whiskey, and he was expected to keep an ample supply on hand for guests. A few decades later, the church dismissed members for excessive drinking. Now, Anders said, alcohol is usually “not an issue.”

Two South Elkhorn members were reprimanded for betting on horse races in 1895. A year ago, Anders preached the funeral of church member Robert Moore, a Thoroughbred trainer who broke four Kentucky Derby winners.

Lewis Craig and other early members owned slaves, who attended church with their masters. The 1819 minutes included this entry: “Lucy (Capt. Berry’s woman) charged with fornication and murdering her own infant. The church took up the matter and excluded her for the same.” Anders wonders: Was it her master’s baby?

South Elkhorn reached peak membership in 1801 during the so-called Second Great Awakening. The most famous of those revivals was at Cane Ridge in Bourbon County, but on the same day, 10,000 people gathered at South Elkhorn.

Anders was especially fascinated by 19th century theological disputes, which now seem esoteric but then caused bitter divisions in congregations and even families. They led to a split in South Elkhorn’s congregation in 1822.

“Reading the minutes, it was difficult to tell what the fight was about,” Anders said. “It took me months to piece together that it was really over Calvinism and Arminianism,” two views of Christian theology.

The Elkhorn Baptist Association expelled its mother church over theological differences in 1831. South Elkhorn became an independent Church of Christ and later affiliated with the Disciples of Christ denomination. Over the next century, congregational disputes would involve everything from instrumental music to evolution.

After the 1830s, the area’s religious center of gravity moved to a growing Lexington. South Elkhorn spent the next 150 years as a “sleepy little country church,” Anders said. It didn’t even have complete indoor plumbing until 1961, when the men’s outhouse mysteriously burned down one Sunday morning.

South Elkhorn began growing again in the 1980s, when it was surrounded by Palomar, Firebrook and other new subdivisions. In 1985, a larger worship center was built beside the historic 1870 sanctuary.

“I think it’s a story worth telling,” Anders said. “It connects with so much of Lexington’s history, with the nation’s history, with the history of religion in the area.”

 


Carnegie Center asks: Who is Kentucky’s greatest living writer?

July 5, 2014

WendellBerryThe Carnegie Center is asking for nominations of Kentucky’s greatest living writer for its Kentucky Writers Hall of Fame. My nomination is Wendell Berry, shown here at his Henry County home in December 2012.  Whom would you choose?  Photo by Tom Eblen

 

The Carnegie Center for Literacy and Learning has a new message as it seeks public nominations for its third class of inductees into the Kentucky Writers Hall of Fame: We’re not just for dead folks anymore.

In January, the center plans to add four more Kentucky writers who are no longer living to the 13 already in the Hall of Fame, plus its first living writer. So here is the question: Who is Kentucky’s greatest living writer?

“We are ready to show that great Kentucky writing is being created now,” said Neil Chethik, the Carnegie Center’s director. “It just doesn’t exist in the past.”

halloffamelogoThe criteria for all nominations is that a writer, living or dead, must be published; must have lived in Kentucky for a significant period or have a significant connection to the state; and must have produced writing of “enduring stature.”

Since he became director in 2011, Chethik has expanded the Carnegie Center’s mission of promoting literacy education, reading and writing to celebrating Kentucky’s literary heritage. One way has been by creating the Hall of Fame.

“People like lists,” he said. “They like awards.”

Nominations to the Hall of Fame are vetted by the Carnegie Center staff and inductees are chosen by a committee of writers and readers headed by Lori Meadows, director of the Kentucky Arts Council.

The first 13 inductees have reflected a diverse group of great writers spanning two centuries: Harriette Arnow, William Wells Brown, Harry Caudill, Rebecca Caudill, Thomas D. Clark, Janice Holt Giles, James Baker Hall, Etheridge Knight, Thomas Merton, Elizabeth Madox Roberts, James Still, Jesse Stuart and Robert Penn Warren.

“People have a lot of passion about who gets named to the Hall of Fame,” Chethik said. “We’ve even had some protests.”

For example, fans of two popular novelists of the late 19th and early 20th centuries, James Lane Allen and John Fox Jr., have lobbied for their inclusion. So have fans of the late “gonzo” journalist Hunter S. Thompson.

They and others will be considered in the future, Chethik said, along with perhaps one living writer each year.

“I think we’ve got five-to-10 who are truly great writers working right now who are nationally known,” he said. “You can start making a list, but as soon as you start … well, I’ll leave it to you and others to make the list.”

I can think of several Kentucky writers who have produced impressive bodies of work over several decades, including Barbara Kingsolver, Bobbie Ann Mason, Ed McClanahan, Sena Jeter Naslund, Nikky Finney, Gurney Norman and Gloria Jean Watkins, whose pen name is bell hooks.

Kim Edwards of Lexington has won many awards for her short stories and best-selling novel, The Memory Keeper’s Daughter. Louisville native Sue Grafton has attracted a national following with her detective novels.

There are many fine up-and-coming Kentucky writers, such as Frank X. Walker, Silas House, C.E. Morgan, Erik Reece, Crystal Wilkinson, Maurice Manning and Bianca Spriggs.

You probably can think of others worthy of consideration, too. But for me, this competition comes down to a search for Wendell Berry. No other Kentucky writer can match the quality, breadth and impact of his work over the past half-century.

Berry, who turns 80 on Aug. 5, has written dozens of novels, poems, short stories and influential essays and non-fiction books. A fellow in the American Academy of Arts and Sciences, he won the National Humanities Medal and gave the prestigious Jefferson Lecture in 2012.

The Henry County native and resident is revered internationally for elegant, no-nonsense writing that helped inspire the environmental, local food and sustainable agriculture movements.

Berry’s 1977 book, The Unsettling of America: Culture and Agriculture, has become a classic. The Unforeseen Wilderness in 1971 helped rally public opposition to flooding the Red River Gorge. In recent years, he has been an eloquent voice against destructive strip-mining practices in Appalachia.

That’s my nomination for Kentucky’s greatest living writer. What’s yours? Email your suggestion, plus your reasoning and any supporting material, before July 15 to Chethik at: neil@carnegiecenterlex.org.

“We figure that when you’re arguing about who the best writers are, you’re in the right conversation,” Chethik said. “We want to spark conversations that will get more people to read more.”


Photo exhibit explores friendship between Merton and Meatyard

June 14, 2014

140615Merton-Meatyard0001Thomas Merton, left, in his monk’s robe, poses in his garden at the Abbey of Gethsemani in Nelson County with Guy Davenport, a writer who taught at the University of Kentucky.  Photos courtesy of Christopher Meatyard.

 

They would seem an unlikely pair, the Catholic monk and the optician. But through their shared interests in photography and Zen philosophy, these two creative spirits of mid-20th century Kentucky became close friends and collaborators.

Thomas Merton was a trappist monk at the Abbey of Gethsemani in Nelson County, and much more. He was a best-selling author of more than 70 books, a poet, an artist and a proponent of interfaith understanding who would gain international fame.

Eugene_Meatyard_Neg1967_Print1990_17_Spotted_CMYK_FLAT_150dpiRalph Eugene Meatyard earned his living making eyeglasses in Lexington. But he would later earn fame in the art world for his original, haunting photographs that often depicted masked or blurry models. His much-collected images are still published in books and shown at the nation’s most prestigious art museums.

The all-too-brief friendship between Merton and Meatyard is the subject of a photography exhibit that opens Wednesday at Institute 193, the tiny, non-profit gallery at 193 North Limestone.

The opening reception for the exhibit, Ralph Eugene Meatyard: Photographing Thomas Merton, is 5 p.m. to 8 p.m. Friday, during Gallery Hop. The free show runs through July 26. The gallery is open 11 a.m. to 6 p.m., Wednesday through Saturday.

This exhibit includes 17 of the 29 Meatyard photographs that were shown in Louisville in May 2013 during the visit of the Dalai Lama, the spiritual leader of Tibetan Buddhism who also was a friend of Merton.

The exhibit was originally organized by the Institute for Contemplative Practice and the Center for Interfaith Relations. Fons Vitae, a Louisville-based publisher of academic works about spirituality, produced an accompanying book, Meatyard/Merton, Merton/Meatyard: Photographing Thomas Merton ($20.)

The Institute 193 show is partially sponsored by Good Shepherd Episcopal Church, which has a Thomas Merton study group. The group plans to meet in the gallery while the show is up.

140615Merton-Meatyard0006“I think it creates a lot of opportunities for us to engage a different audience,” said Phillip March Jones, the founder of Institute 193. “And it probably does the same for them.”

Jonathan Williams, the late poet and publisher, introduced Meatyard and Merton in 1967. They immediately hit it off and visited together several times with other artistic friends, including Wendell Berry, Kentucky’s elder statesman of literature, and the late Guy Davenport, a writer and University of Kentucky professor who in 1990 received a MacArthur Foundation “genius” grant.

“Jonathan Williams, Guy Davenport and Gene Meatyard were here yesterday,” Merton wrote in his journal on June 18, 1967. “The one who made the greatest impression on me was Gene Meatyard, the photographer — does marvelous arresting visionary things, most haunting and suggestive, mythical photography I ever saw. I felt that here was someone really going somewhere.”

Some photos taken during their visits are classic Meatyard: dark and sometimes blurry images that include props and old buildings. Merton appears to be an eager subject, posing symbolically in various costumes, from work clothes to his Cistercian monk’s robe. In one set of pictures, he goofs around with a thyrsus, a decorated stick that was an ancient symbol of pleasure.

But some of the photos are just snapshots of friends enjoying each other’s company, much like we would take today with our smartphones and post to Facebook. Merton sips beer at a picnic, or poses outdoors with the late poet Denise Levertov and Berry, who holds a coffee cup. Merton also is photographed using his own camera.

In addition to writing and photography, Merton expressed himself with drawings and hand-inked prints he called calligraphies. Meatyard exhibited them in the lobby of his Lexington optical shop, Eyeglasses of Kentucky, and bought some to help finance Merton’s trip to Asia in 1968.

While on that trip, in Bangkok, Thailand, Merton was accidently electrocuted by a fan while stepping out of his bath. He was 53. Within four years, Meatyard also would be dead, a victim of cancer eight days before his 47th birthday.

“A lot of people don’t realize that they had this relationship, which unfortunately lasted slightly less than two years,” Jones said. “For me these are really portraits of friendship and of a time and a place that no longer exists in the same way.”

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Calumet book author to speak at Carnegie Center about writing

June 3, 2014

When Ann Hagedorn was growing up in Dayton, Ohio, her father would bring her to Lexington each spring break and they would visit horse farms. The most memorable one was Calumet.

“Calumet was always what he told us was the example of excellence,” she recalled, from the farm’s freshly painted white fences to its spotlessly clean barns.

So in 1991, when she was a Wall Street Journal reporter covering major corporate bankruptcies, she was both heartbroken and curious when she read that Calumet had filed for bankruptcy.

Hagedorn came to Lexington to read through the court file, figuring there was a good front-page story to be written. She soon realized this story of greed would also make a good book. Wild Ride: The Rise and Fall of Calumet Farm Inc. was published in 1994.

HagedornHagedorn will return to Lexington on Friday to be the keynote speaker at the third annual Books in Progress Conference at the Carnegie Center for Literacy and Learning. Other speakers include Frank X. Walker, Kentucky’s current poet laureate, and beekeeping mystery writer Abigail Keam.

The conference is designed to help people through the challenging process of writing a book and getting it published. For more information, and to register to attend, go to: Carnegiecenterlex.org.

“What we’re trying to do is create a sense of community among writers,” said Neil Chethik, the Carnegie Center’s director. “While writing is a solitary endeavor, writers need a lot of help and support.”

Hagedorn, who has known Chethik since they were both reporters at the San Jose Mercury News in California, said she never planned to leave daily journalism for book writing; it was a natural evolution.

After Wild Ride was published, she returned to the Wall Street Journal and soon became fascinated with the subject of her second book, Ransom: The Untold Story of International Kidnapping, published in 1998.

“As much as I missed the newsroom, I decided this is what I was meant to do,” she said. “I started believing in the importance of narrative non-fiction books and kept finding topics.”

Her next three books were on diverse topics, but they shared a theme: periods of American history, from the 1830s to the present, when democracy has been under severe stress.

Hagedorn’s third book, published in 2003, was Beyond the River: The Untold Story of the Heroes of the Underground Railroad. It told about men and women in southern Ohio who risked their lives for years to end slavery. The American Library Association named it one of the 25 most notable books of the year.

Next, she wrote Savage Peace: Hope and Fear in America, 1919. Through narratives of key individuals, it told the story of the tumultuous year after World War I ended that gave birth to modern civil liberties. The 2007 book was nominated for the Pulitzer Prize and the National Book Award.

On Sept. 2, Simon & Shuster will publish Hagedorn’s fifth book, The Invisible Soldiers: How America Outsourced Our Security. She said the book explores the recent rise of the private military and security industry, how these companies operate and why Americans should be concerned.

“I try to find stories or topics that I feel are important and need to be told through the narrative, non-fiction genre to make them more accessible,” she said.

Hagedorn said her talk Friday will focus on the lives of writers: “Who we are, what we do and how we can do it the very best we can. The larger theme is that we’re all in this together in terms of our quest, and in terms of the learning process.”

She also will lead a session on story structure, which she finds both the most challenging and rewarding part of writing.

Hagedorn said many people want to write, but success requires practice, hard work and a desire to keep learning. Even successful writers struggle, she said, recalling an interview she once had with the late Norman Mailer.

“He said he could not believe that every single time he did a book he felt challenged and scared and he learned a lot of new things about writing,” she said. “That’s the wonderful part. That’s the scary part. That’s what discourages people and makes them stop sometimes. It’s really what should drive you. Always around the corner there’s something new to learn. It shouldn’t defeat you, it should empower you.”


NY photographer explores historic Bluegrass homes in new book

May 24, 2014

140525KyBook0009The walled garden and orchard at Gainesway Farm was added by owner Antony Beck, a longtime friend of photographer Pieter Estersohn.  Beck suggested that Estersohn do the book, Kentucky: Historic Houses and Horse Farms of Bluegrass Country, which has just been published.  Photo by Pieter Estersohn / Courtesy of Monacelli Press

 

Central Kentucky’s grand mansions and horse farms have been fodder for pretty picture books for more than a century, at least since Thomas A. Knight’s Country Estates of the Bluegrass came out in 1904.

Of the many books I have seen, the best has just been published: Pieter Estersohn’s Kentucky: Historic Houses and Horse Farms of Bluegrass Country (Monacelli Press, $60).

The photographs are stunning, as they should be. Estersohn, 53, is one of America’s top “shelter” magazine photographers. He has shot covers for Architectural Digest, Elle Décor, Southern Accents, Metropolitan Home and many other big magazines. This is his 23rd book.

140525KyBook0008What makes this book especially interesting and authentic are the places Estersohn chose to photograph. There are only a few of the usual suspects, too important to omit: Waveland, Shaker Village at Pleasant Hill, and Ashland, the Henry Clay Estate.

Many of the other 15 properties are not well-known, even to many Kentuckians, but they are some of the most precious architectural gems of the Bluegrass. That didn’t happen by accident. Estersohn had inside help.

In a telephone interview, Estersohn said he and Antony Beck, owner of Gainesway Farm, have been best friends since they were 19. The New York-based photographer said he and his son, Elio, 10, have been visiting the farm regularly for years.

“It’s sort of like our home away from home,” he said. “It’s just such a magical environment to be on that farm. Antony’s landscaping is amazing.”

Beck suggested the book, and Estersohn quickly agreed. For more than a year, the photographer made quick trips to Kentucky between other jobs, scouting locations and making pictures. The initial focus was on equine culture, but the emphasis soon shifted to the much-loved examples of historic preservation Estersohn found.

“I wanted to find a balance,” Estersohn said, “between some things that were more humble and some things that were more extravagant and some things that were really over the top.”

Beck opened doors for Estersohn, and his key local contact was antiques dealer Gay Reading, owner of The Greentree Tea Room. Reading, who wrote the book’s well-informed introduction, has a curator’s eye and extensive local connections.

“He wanted a variety of styles and periods, and I chose places I thought were special and different,” Reading said. “Unless you’re a friend, you don’t get to see many of these gems. They are places where people are really living.”

140525KyBook0006Estersohn said he was charmed by the houses he photographed, their owners and the houses’ varied stages of restoration. He was especially impressed by Ward Hall in Georgetown, one of the nation’s largest and finest Greek Revival mansions.

Other highlights were Walnut Hall, where Margaret Jewett has preserved the ornate Victorian decorations her grandfather put there in the 1890s, and Elley Villa, an elegant Gothic Revival mansion near the University of Kentucky campus that was condemned before being lovingly restored by James and Martha Birchfield.

“I loved Mary Lou’s place,” Estersohn said of the 1792 farmhouse restored in the 1960s by horsewoman and socialite Mary Lou Whitney. “It’s sort of like a time piece. It’s a very specific expression of decoration, which I think is amazing.”

Other featured properties include Gainesway Farm; the Simpson Farm in Bourbon County, built in 1785 as a pioneer station; Welcome Hall near Versailles; Clay Lancaster’s Warwick estate in Mercer County; Overbrook Farm; the Alexander Moore and Thomas January houses downtown; and Liberty Hall in Frankfort.

Estersohn photographed Botherum as its new owners, garden designer Jon Carloftis and Dale Fisher, were beginning their restoration. And he was moved by the much- damaged Pope Villa, the most significant house designed by America’s first great architect, Benjamin Latrobe.

“For Pope Villa, I hope we can elicit some financial attention so that it can be further renovated,” Estersohn said. “It is a very, very, very important piece of American architecture.”

Estersohn said he photographed the houses with a large-format digital camera. He used mirrors to even out natural light and illuminate dark corners and cavernous rooms.

Each chapter is accompanied by text that is well-researched and tightly written. Inexplicably, though, there is no text with the final chapter to explain the Iroquois Hunt Club.

“I thought the biggest challenge was going to be enrolling people to have their private residence shot, which is oftentimes the issue shooting for magazines in New York,” Estersohn said. “But I think there was such a regional pride and appreciation. Every single person was enthusiastic and wanted to contribute to the book.”

The photographer said what he enjoyed most about this project was “developing a very intimate experience” with the Bluegrass.

“I really feel like I know the area,” he said. “I can get around there very easily now. I know all the pikes. I know how to say Versailles.”

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Story magazine founder wanted to tell Kentucky stories

May 4, 2014

story1 Julie Wilson is founder, publisher and editor of Story magazine. Photo by Tom Eblen

 

How does a woman born in Detroit become the founder, editor and publisher of a magazine dedicated to telling Kentucky stories? Well, there’s a story there.

Julie Wilson’s father was born into a big family in the Harlan County community of Pathfork. Like thousands of Kentuckians after World War II, he migrated north to seek his fortune. And, like many of those thousands, he eventually got homesick and returned to Kentucky.

Wilson, who has lived in Lexington since she was 4 years old, thinks her father’s experience nurtured her love for Kentucky in all its diversity. She now shares that love in each quarterly issue of Story magazine.

“There are so many unique stories in Kentucky,” Wilson said. “And every time we go out and talk to somebody, we get two more story ideas.”

With nearly two years of publication under their belts, Wilson and her partners are expanding Story magazine into a broader brand built around Kentucky culture and pride.

Kentucky Educational Television on May 14 will show the first episode of backStory, a quarterly program about the making of the magazine. Story is producing the show with Lexington-based Locker Public Relations.

Another project in the works, called Sessions, will feature collaborations of Kentucky musicians from a variety of genres. For that, Wilson is partnering with the magazine’s National Avenue neighbor, Duane Lundy of Shangri-La Productions.

story2Musicians scheduled up for the first session, on June 25, include Willie Breeding of The Breedings; Mark Heidiger of Vandaveer; and Stephen Trask, composer of the 1998 rock musicalHedwig and the Angry Inch, a revival of which opened recently on Broadway.

Wilson said a limited number of tickets for each session will be sold through The Morris Book Shop. An edited video will be posted online soon afterward. Event details will be available soon at Storythemagazine.com.

Wilson, 43, is a graduate of the University of Kentucky journalism program who worked as a free-lance writer for the Herald-Leader and a reporter for the Richmond Register. Then she spent a decade learning the magazine business at Host Communications, where she edited business-to-business magazines for the tour and spa industries.

After a year and a half as publisher of Kentucky Bride magazine, Wilson got to thinking about all of the interesting Kentucky stories she heard about but wasn’t seeing in other publications.

The cover of Story magazine’s first issue, which Wilson wrote, was a profile of Ashley Brock, a successful young model who travels from her home in Leslie County to do photo shoots in Europe and Asia.

“We look for how we can tell stories about Kentucky that are debunking the myths that are out there,” Wilson said.

She seeks out stories about Kentuckians doing cutting-edge things. Some are famous, such as the current issue’s cover subject, the late Louisville-born journalist Hunter S. Thompson. But many stories are about people whom readers might never have heard about otherwise, such as Dr. Joseph Yocum, a Nicholasville veterinarian who is a pioneer in animal stem-cell therapy, or Tim Hensley and Jane Post, gourmet mushroom farmers in Madison County.

story3Regular features focus on successful Kentucky expatriates, artists and craftsmen, musicians, philanthropists and people doing good things in their communities. Wilson said she tries to include features from across the state “so people won’t think we’re just a Lexington and Louisville magazine.”

She developed Story’s concept with Tim Jones, who as creative director oversees the magazine’s sophisticated design, and Laurel Cassidy, the associate publisher, who focuses on advertising sales. Bart Mahan is chief operating officer, and Allison May and Sara Plummer are account executives.

Wilson said the business is close to breaking even. The magazine has a distribution of about 18,000 copies and 2,200 paid subscribers, many of them Kentuckians living out of state. Eventually, she hopes to publish bimonthly.

Wilson’s husband, David Wilson, is chief operating officer of Yonder Interactive Neighborhoods, a sustainability education consultant. They have a daughter, who turns 9 this week.

“And, yes, her name is Story,” Julie Wilson said. “She says she was the first Story — but we didn’t name the magazine after her.”

The Lexington chapter of the National Association of Women Business Owners recently gave Wilson an award as small business owner of the year.

“It has been more rewarding than I ever expected,” she said of the magazine’s first two years. “But I’m just doing this by the seat of my pants. I hope they know that.”


IBM retiree helped invent word processing in Lexington

April 21, 2014

140421WordProcessing001This IBM photo from June 1957 shows an early prototype of the MT/ST, the first word-processing machine, that Leon Cooper helped develop at IBM labs in Poughkeepsie, N.Y. The project was later moved to Lexington, where the MT/ST was produced. Center, Cooper today with old office machines and the magnetic tape cartridge used by MT/ST. Photo by Tom Eblen. Below, An IMB marketing photo for MT/ST from the mid-1960s.

 

Leon Cooper was watching Jeopardy! earlier this year when an answer caught his attention: “In the 1960s, this firm introduced the first word processor, the MT/ST, based on its Selectric typewriter.”

Cooper, 86, knew the question better than anyone. It was “What is IBM?”

140403MMSecretariatCenter0014But it had been years since the Lexington man had reflected on the fact that he and several other IBM engineers invented electronic word processing, a technology now so common and pervasive that it is hard to imagine modern society without it.

Fifty years ago — June 29, 1964 — IBM launched the Magnetic Tape Selectric Typewriter, or MT/ST, which was developed and manufactured in Lexington.

The machine’s launch made headlines in the New York Times and The Wall Street Journal. Cooper has those clippings neatly preserved in a binder, along with his reports, patent documents and photos of prototypes.

IBM hired a young Jim Henson to make a short movie promoting the MT/ST. That quirky 1967 film, The Paperwork Explosion, provided an early glimpse at the creative genius whose Sesame Street Muppets would later help teach generations of children to read, count and get along with others.

Cooper was a mechanical engineer for IBM in Poughkeepsie, N.Y., in 1957 when his boss asked him to solve a big problem.

“When somebody sees a typewriter these days, they wonder, ‘How in the world did you correct anything?’ Well, the answer was you really didn’t,” Cooper said. “But the real answer was that the novice didn’t type. The only people who typed were professional typists.”

A good professional could type 90 words per minute with few errors. But if she — and virtually all typists in those days were women — needed to make multiple copies, it required several sheets of paper sandwiched with carbon paper. That slowed the process, because any mistakes had to be corrected on each copy.

Some punched-paper tape typewriters had been made since the 1930s, but they were better suited for form letters than general office use. Errors were hard to correct, and paper punch tape wasn’t reusable.

“Our mission was to capture the keystroke on a correctable medium that could produce multiple clean copies, because copying technology in those days was crude,” Cooper said.

The medium his team chose with was reusable magnetic tape with sprockets so it could be moved forward and backward. The first prototype used an input keyboard to record keystrokes on tape and store them in electrical relays. If the typist made a mistake, she simply backspaced and typed over it. The stored information could then be printed multiple times using a connected electric typewriter.

140421WordProcessing002“We didn’t know what all we could do until we got further along on the program,” Cooper said. “That we could do insertions and deletions and move things around and combine two tapes, names and addresses on one and messages on another.”

Early prototype machines used vacuum tubes until transistors became more reliable. Electronic memory was the major challenge, he said, because “storage was a big, clumsy thing in those days.”

Cooper and his project were moved to Lexington in 1958, where he worked with electrical engineers J.T. Turner and Donald Sims, among others. The IBM Selectric typewriter, introduced in 1961 with a keyboard capable of both input and output, helped make the MT/ST system commercially feasible.

“We called it power typing,” Cooper said. “We were not sophisticated enough to know what word processing was.”

In fact, IBM marketers would coin the term “word processing” when they began selling the MT/ST in 1964. The first model was the size of a small file cabinet, could store only 24,000 characters and printed 180 words per minute.

The MT/ST was expensive: $7,010 to $9,535, depending on optional features. “But I was told they sold the first year’s projection in a month,” Cooper said.

The MT/ST sold well into the 1970s, when it was replaced with typewriters using cassette tapes and then floppy disks. IBM introduced the personal computer in 1981 and the typewriter, an office fixture since the 1880s, was soon history.

Cooper retired from IBM in 1982 and started QED Medical, which makes headlamps for surgeons and other specialty lighting. His son, Ira Cooper, now runs the Lexington-based company.

“I really want to emphasize that this was a group effort,” Cooper said of IBM’s MT/ST project, which introduced the world to word processing. “But I was the first guy there.”

IBM hired a young Jim Henson to create this promotional film for the MT/ST in 1967. Henson would later create Kermit the Frog, Miss Piggy and the other Muppets.


Making a second career from publicizing Kentucky’s ‘map dots’

March 16, 2014

mapdotCory Ramsey and his car’s license plate. Photos by Tom Eblen

 

Cory Ramsey was a governor’s scholar who went on to earn a broadcasting and political science degree from Western Kentucky University. Then he discovered there was more money to be made welding truck frames at a factory in Bowling Green.

But in 2009, when the economy was on the ropes and Ramsey was given a layoff he knew would last only two months, he had some time to explore another passion — Kentucky’s outdoors.

CoryRamsey grew up in Hickman, a small county seat that hugs the Mississippi River at the far western edge of Kentucky. He spent his youth fishing, hunting and hiking.

Those two months off made him think there might be a way to use his communications skills to turn his love for Kentucky’s outdoors into a business opportunity.

Since then, Ramsey has built his own little media enterprise while crisscrossing the state to visit all 120 counties and every state parks.

Ramsey writes about his adventures and offers hiking advice for the state tourism department’s Outdoor Adventure blog (Getoutky.com). He posts videos on his own website (Coryramseyoutdoors.com). And he does monthly outdoor video segments for WBKO-TV in Bowling Green and radio shows for little stations across the state.

“My emphasis is on exploration made easy,” he said recently when he passed through Lexington after spending a weekend hiking in Red River Gorge. “I tell people the best places to go for a fun day outdoors.”

His latest media venture explores another passion — Kentucky’s crossroads communities and small towns, which he calls “Map Dots.” Last August, he launched the Map Dot, Kentucky Facebook page to celebrate them.

“I wanted to prove that if you take a back road you’ll see things you never knew about,” said Ramsey, who visits and photographs each place he features on the page. “What makes it work is the personal touch.”

Ramsey said he hopes to eventually cover every “Map Dot” in Kentucky, “although that may take me a few years.”

Recent Map Dots he has visited include Glendale in Hardin County, Tomahawk in Martin County, Irvington in Breckinridge County, Danville in Boyle County, Rowletts in Hart County and Columbus Belmont State Park in Hickman County.

“My message is, I have seen so much more in Kentucky than horses and bourbon and Daniel Boone and Lincoln,” he said. “You’re brought up in Kentucky with state pride, but many folks are ignorant of so much the state has. They have never taken the time to explore even the next county over.”

The Map Dot, Kentucky Facebook page so far has gotten more than 5,500 “likes.” It has steady interaction from regular readers, most of them in Kentucky or originally from the state.

“I would like to be able to travel all the time,” Ramsey said, but added that he hasn’t yet figured out how to turn his media business into a career that pays much more than enough to cover the cost of his gas.

To do that, Ramsey will have to find more freelance opportunities, sell more Map Dot T-shirts and figure out new ways to generate revenue.

Until then, he plans to keep welding for Bowling Green Metalforming, a division of Magna International that makes Explorer frames for Ford’s Louisville assembly plant. That business is booming, which has meant a lot of overtime pay for Ramsey but less time for him to explore and share the wonders of Kentucky.


As first black senator, Powers gave voice to the powerless

February 9, 2014

powers2Georgia Powers posed last month in the study of her Louisville apartment, whose walls are covered with honors amd mementoes. Photo by Tom Eblen. Below, an undated photo of Powers in the state Senate. Photo by Keith Williams/The Courier-Journal.

 

LOUISVILLE — She had worked on two statewide political campaigns and helped organize a civil rights march that brought 10,000 people to Frankfort.

But Georgia Montgomery Davis Powers said she never thought of running for public office herself until she was working a part-time clerk’s job in 1966, processing paperwork in the state House of Representatives.

As she passed around copies of a proposed law that would ban discrimination against blacks in employment and public accommodations, she recalled recently, a newly elected representative from Western Kentucky voiced his views.

“I see no reason to change things from the way they are,” he announced. “If I voted for that, I would never get re-elected.”

Powers was furious. A few minutes later, she said she found the courage to tell him: “You know, Representative, what I need is my own seat here.”

Less than two years later, she would have one. Powers became the first black elected to the state Senate, and the first woman elected without succeeding a husband who had been a senator.

Powers is 90 years old now, still healthy, active and engaged. Her high-rise apartment has a commanding view of the downtown Louisville district she represented for 21 years as a tireless advocate for Kentucky’s underdogs: minorities, women, children and poor, elderly and disabled people.

“When you are placed in a powerful position, whatever it is, you should do everything you can do for people who have no voice and need an advocate,” she said when I visited her recently.

Powers also helped lead civil rights marches across the South, becoming a close confidant of the Rev. Martin Luther King Jr. In 1989, the year after she retired from the Senate, a book by King’s top lieutenant, Ralph David Abernathy, disclosed that Powers and King had also been lovers. Her secret exposed, Powers told her version of the story in a 1995 autobiography, I Shared The Dream.

“Things happen like that,” she said when I asked her about her relationship with King. “You’re working together and you admire them and they like you and things happen. That’s life.”

powers1Powers’ life has been both accomplished and unlikely. She was born to a poor couple in a two-room shack near Springfield. When a tornado destroyed the shack, her family moved to Louisville, where her half-white father got a factory job, enameling bathtubs.

As an only girl with eight brothers, she quickly learned to be tough. “Just because I was their sister did not mean that they tried to spoil me in any way,” she said. “Just the opposite.”

Powers left home at 18 to follow the first of many men in her life, which would include three husbands. She lived in New York and California, and her many jobs included building C-46 cargo planes during World War II as a “Rosie the riveter”.

She didn’t get involved in politics until 1962, when a church friend pestered her to work for former Louisville Mayor Wilson Wyatt’s unsuccessful campaign for the U.S. Senate. She ended up organizing his volunteers statewide, and was hired for similar duties in Edward T. Breathitt’s successful campaign for governor the next year.

Powers realized she was the “token black” in Wyatt’s campaign, and at times she had to demand equal pay and treatment with other staffers. After Breathitt’s victory, other staff members were given jobs in Frankfort, but not Powers. The next year, Breathitt probably wished he had offered her one.

Powers was one of the main organizers of the March on Frankfort, which brought King, baseball great Jackie Robinson and folksingers Peter, Paul and Mary to the Capitol steps with 10,000 others to demand passage of a bill banning discrimination against blacks in hotels, restaurants and other public accommodations.

Breathitt was a no-show, so after the march Powers brought King and Robinson to his office and asked for a meeting. The governor was non-committal, and the bill failed. But it passed in the next session two years later with his support.

By the 1968 session, Powers was in the Senate, and she wasted no time introducing civil rights legislation. She said it was an uphill battle, but she was eventually successful because her Democratic Party was then in the majority, she was able to get along with other lawmakers and she became good at legislative horse-trading.

“I never got angry with anybody if they didn’t vote for something I had up,” she said. “I figured I would need them for something else someday.”

Powers also knew how to stand her ground. “I never had any fear,” she said. “I figured all they could do was shoot me. I had been marching down in Alabama and everywhere else and never got shot.”

At the end of her first, tough legislative session, King asked her to come to Memphis, where he was trying to win better pay and working conditions for striking black sanitation workers. When he was assassinated, she heard the fatal shot and was among the first to find his body.

She said King had initiated their relationship with the help of his brother, A.D. King, who was then a minister in Louisville. Although both were married to others, she said they met several times and she always feared their secret would get out.

Once it did, so many years later, the revelation angered some people in the black community, especially after she elaborated in her own book. A couple of Louisville ministers gave her a hard time, but she says it didn’t bother her.

“They thought somebody was going to tell on them!” she said with a laugh. “And the women just said, ‘I wish it had been me!'” More laughter.

Despite that bit of scandal, Powers thinks she will be remembered more for her legislative contributions, making life better for Kentucky’s most vulnerable citizens. That work earned her walls full of awards, including honorary degrees from four Kentucky universities.

“Kentucky has been good to me,” she said. “I did what I was supposed to do in life.”


Chemist, writer, father of ‘the Pill’ to speak about his work

February 4, 2014

djerassiChemist and writer Carl Djerassi. Photo by Karen Ostertag.

 

As a chemist, Carl Djerassi developed the first synthesis of a steroid oral contraceptive. It became “the Pill” and changed the dynamics of human sex and reproduction.

Since the mid-1980s, Djerassi has developed a second career as a writer. Most of his five novels and 11 plays are exercises in what he calls “intellectual smuggling” — explaining scientific processes to non-scientists and exploring the ethical and moral implications of science and technology.

Djerassi calls his genre science-in-fiction because, unlike science fiction, the science he write about is real. Bridging the sciences and humanities is critical to understanding the world, he said, but it can be controversial among specialists in both fields.

“Science is threatening to many people in the humanities,” Djerassi, 90, said in an interview last week from his home in California, where he had just returned after a busy lecture schedule in Europe, where he also has homes in Vienna and London.

“Many (scientific) colleagues have criticized me, saying I am washing dirty lab coats in public,” he added. “And I say that’s exactly what I’m doing.”

Djerassi will be in Lexington for four events Feb. 13-15 at the University of Kentucky and Transylvania University. His visit is sponsored by a host of UK academic departments, from Chemistry and Pharmacy to Theatre.

His trip was arranged by Dr. Sylvia Cerel-Suhl of Lexington, who got to know Djerassi while she was in medical school at Stanford University. She was one of his teaching assistants, and they have been friends ever since.

Djerassi was born in Vienna in 1923, the son of Jewish physicians, and grew up in Bulgaria. He came to America as the Nazis were coming to power, and he eventually earned a doctorate in chemistry from the University of Wisconsin in 1945.

After developing one of the first commercial antihistamines in the 1940s, Djerassi went to Mexico City, where he and several colleagues made their contraceptive breakthrough in 1951. He went on to work in both industry and academia, joining the Stanford faculty in 1960 and helping to develop the Stanford Industrial Park.

Djerassi is one of two American chemists to have won both the National Medal of Science (for “the Pill” synthesis) and the National Medal of Technology (for new approaches to insect control). He is a member of the US National Academy of Sciences, the American Academy of Arts and Sciences and many foreign academies. He has a long list of honors, from honorary degrees and European medals. Austria put his picture on a postage stamp in 2005.

Djerassi said he had always been interested in literature, but he didn’t begin writing until about age 60 after his girlfriend dumped him. “That really got me going,” he said.

He began writing a novel about their relationship. About the time he was finishing it a year later, the ex-girlfriend sent him flowers and asked to meet.

“Instead of sending her back flowers, I sent her the manuscript,” he said. “She was completely flabbergasted. It brought us together, and we got married.”

The girlfriend who became his third wife was Diane Middlebrook, a Stanford English professor who wrote critically acclaimed biographies of the poets Anne Sexton and Sylvia Plath.

Djerassi said he decided to close his Stanford lab and devote full-time to writing and lecturing in 1985, when, soon after his marriage, he got a serious cancer diagnosis.

“I wanted to use fiction to talk about things, scientific and technological, that in my opinion were important,” he said. He survived cancer, but it claimed Middlebrook in 2007.

Many of Djerassi’s novels and plays deal with the ethical and societal implications of science — such as the separation of sex from reproduction — as well as the collegial and competitive way science is practiced.

“Ninety percent of the general public thinks they’re not interested (in science), or thinks they don’t understand it or are afraid of it,” he said, adding that most fiction tends to portray scientists as either geeks or idiot savants.

“I thought if I put it in the guise of fiction, I could make it sufficiently interesting that people would read it,” he said. “And they would have learned something without knowing it.”

If you go

Carl Djerassi in Lexington.

  •  Noon, Feb. 13, UK’s Hilary J. Boone Center. Djerassi will speak about academic and business relationships in science to a luncheon. Cost: $30. Reservations deadline Feb. 5. Email: Sylvia4H.art@gmail.com.
  • 4:30 p.m., Feb. 13, Worsham Theatre, U.K. Student Center. Djerassi gives a free, public lecture, “Science on the Page and Stage.” The first 100 students there will get a free copy of one of his books, which he will sign afterward.
  • 3:30 p.m., Feb. 14, Room 102 Cowgill Center at Transylvania. Djerassi will give a lecture, “The Divorce of Sex from Reproduction: The New Facts of Life.”
  • 3 p.m. , Feb., 15, the Art Museum at UK. Actors will read his play “Insufficiency.” A reception with Djerassi will follow.

Warwick: historic Kentucky home meets a scholar’s imagination

January 18, 2014

140116Warwick0041

Clay Lancaster lived in the circa 1809 Moses Jones house at his Warwick estate. The small but elegant house was built by a successful merchant along the Kentucky River in Mercer County. Photos by Tom Eblen

 

SALVISA — Warwick, the 205-year-old brick cottage that architectural historian Clay Lancaster restored and embellished with “folly” structures from his rich imagination, will be open Sunday afternoon for a rare public tour.

The open house is being given by the non-profit Warwick Foundation, which Lancaster created before his death in 2000 to care for the property and promote his many interests, which included historic preservation and cross-cultural understanding.

140116Warwick0053In additions to tours of his home, drawings gallery and two “folly” buildings, visitors can buy copies of some of the more than two dozen books Lancaster wrote. They include everything from scholarly tomes to illustrated children’s books on subjects ranging from early Kentucky architecture to Asian philosophy.

The event is the first of several the foundation plans this year to help more people appreciate Warwick and Lancaster’s brilliant legacy as a scholar, writer, artist and Renaissance man.

“He had so many interests,” said Paul Holbrook, the foundation’s president and a friend of Lancaster. “He was driven by his interests.”

Lancaster was born in Lexington in 1917 and grew up in the Bell Court neighborhood, where his father built two homes. They sparked Lancaster’s interest in bungalow architecture, which led to his book The American Bungalow (1985).

He studied at the University of Kentucky before moving to New York, where he taught at Columbia University, Vassar College and the Metropolitan Museum of Art. He also was curator of Brooklyn’s Prospect Park.

140116Warwick0083Lancaster wrote about architecture in Brooklyn and on Massachusetts’ Nantucket Island, where he restored an 1829 house and lived for several years. He became an influential advocate for historic preservation, both in the Northeast and in Kentucky.

The New York Times said his book, Old Brooklyn Heights: New York’s First Suburb, “provided the historical and intellectual ammunition for the successful argument in 1965 that Brooklyn Heights should become the city’s first historic district.”

Lancaster is best known in Kentucky for his photographs and research documenting antebellum homes. His meticulous scholarship added immeasurably to public knowledge of and efforts to preserve Kentucky’s outstanding early architecture. His books on the subject are the authoritative reference works: Ante Bellum Houses of the Bluegrass (1961), Vestiges of the Venerable City(1978) and Antebellum Architecture of Kentucky (1991).

When a friend, architectural historian and retired Herald-Leader reporter Bettye Lee Mastin, notified Lancaster in 1978 that the Warwick property he had long admired was for sale, he bought it and moved back to Kentucky.

The property along the Kentucky River in Mercer County includes a brick cottage of superb craftsmanship built by Moses Jones, a pioneer entrepreneur, between 1809-1811. The house’s elaborately carved woodwork includes basket-weave patterns on the mantels that were inspired by Jones’ 9-year captivity as a child among the Chickasaw tribe in Tennessee.

Lancaster meticulously restored the Moses Jones house and added a wing for his bedroom, kitchen and library. He furnished it with Kentucky antiques, as well as art and furniture from Asia, a place he never visited but studied and wrote about in such books as The Japanese Influence in America (1983) and The Breadth and Depth of East and West (1995).

Lancaster was a vegan, a yoga enthusiast and a convert to Buddhism who, nevertheless, delighted his many friends each year with whimsical Christmas cards he illustrated.

Thanks to a windfall from the sale of farmland inherited from his father, Lancaster built two architectural “follies,” fanciful structures he had delighted in drawing since childhood. The first was Warwick Pavilion, a small, elegant Georgian tea room connected to a stockroom for books he wrote and published.

The second folly is a three-story, octagonal guest house, modeled after the 1st Century BC Tower of Winds in Athens, Greece. No more than 25 feet at its widest point, the tower is a masterpiece of compact design with three bedrooms, two baths, a kitchen, studio, winding staircase and elegant, elliptical parlor.

The guest house, meticulously built by Calvin Shewmaker and other local craftsmen, is now used for visiting scholars, including UK’s annual Clay Lancaster Scholar.

“It’s such an interesting collection of buildings and a lovely setting,” Holbrook said. “We’re trying to figure out how to get more people there to see it.”

If you go

Warwick Foundation open house and book sale

When: Noon — 4 p.m. Jan. 19.
Where: Warwick is on Oregon Road about six miles off U.S. 127 near Salvisa.
More information: (859) 494-2852, Warwickfoundation.org

Click on each image to see larger photo and read caption:


Kentucky poet Jeff Worley talks about his art and craft

January 1, 2014

WorleyJeff Worley, a Kansas native who moved to Lexington in 1986, has published six book-length poetry collections and three small chapbooks. Photo by Tom Eblen

 

When Jeff Worley was young, he loved word games, puns and puzzles. He was certainly the only kid in English class who thought diagramming sentences was fun.

But what opened his eyes to the power of language was a Christmas gift from his mother when he was 9: a collection of stories by Mark Twain.

“I thought it was magical how these words could make me feel like I was with Becky Thatcher in that cave,” he said. “And that I was Tom Sawyer. He was so much cooler than me.”

Reading led Worley, 66, to earn bachelor’s and master’s of fine arts degrees in English from Wichita State University in his Kansas hometown. That led to careers as an English teacher, an academic journalist and a persistent poet.

Worley has published six book-length poetry collections and three small chapbooks, the first of which won a national award in 1991. He edited the anthology, What Comes Down to Us: 25 Contemporary Kentucky Poets, published by University Press of Kentucky in 2009.

worleybookWorley’s most recent collection, A Little Luck, won the 2012 X.J. Kennedy Poetry Prize, the latest of several national and regional awards he has received.

Like many of Worley’s books, A Little Luck includes a mix of lyrical and storytelling poems. A reviewer once used James Joyce’s made-up word jocoserious to describe Worley’s poems. They are serious and funny, and sometimes seriously funny.

The subjects Worley chose to write about in A Little Luck range from an awkwardly humorous “facts of life” discussion with his father at age 13 to his first evening after retirement and watching birds from the porch of his cabin on Cave Run Lake.

His poems resonate with readers because they often are about personal experiences others can relate to, such as playing Little League baseball or coping with the death of a parent.

“He’s a wonderful poet who has a terrific sense of humor,” said Gray Zeitz, the notoriously choosy publisher of Larkspur Press in Monterey, who in 2000 produced a handmade edition of Worley’s collection A Simple Human Motion. “He should be more popular than he is. He’s one of the state’s best poets.”

Worley moved to Lexington in 1986 when his wife, Linda Worley, an associate professor of German studies, was hired at the University of Kentucky.

They met in 1977 when both were teaching university classes for American military families in Germany. When they came to Lexington, she had just finished her doctorate and he was teaching English at Penn State Altoona in Pennsylvania.

Jeff Worley said he quickly realized two things: Lexington was a much nicer place to live than Altoona, and if he kept teaching English 101 to undergrads, “I would start eyeing open windows in tall buildings.”

After a couple of years of free-lance writing “that was amazing un-lucrative,” Worley was hired as a writer for Odyssey magazine, which covers innovative research at UK. He became the editor when Susan Stempel retired in 1997.

Since Worley’s own retirement three years ago, he has devoted more time to poetry. He writes and reads for a few hours each morning in the upstairs study of the couple’s 1930s cottage near Commonwealth Stadium. He also teaches poetry classes at the Carnegie Center for Literacy and Learning.

“As a poet, it’s been wonderful for me to be in Kentucky,” he said, “It is so rich with writers.”

After years of declining popularity, poetry is big again. So I asked Worley what advice he would give to aspiring poets.

He suggested they read widely, and not just poetry. They should write a lot of poems, because many of them won’t be any good. They should travel, if possible, to expand their minds. And although writing is a solitary business, writers need company.

“Find other poets who have some sense of what you’re trying to achieve, and form some kind of group that meets regularly or at least exchanges emails,” he said.

Worley and Marsha Hurlow, who teaches English at Asbury University, formed such a group of poets in 1989 that is still meeting.

“These poet friends of mine have frankly saved me a lot of embarrassment, and they always make useful comments about how to make a poem better,” he said.

“What I encourage students to do … is to simply get something down on the page, some line or sentence, and see where it wants to take you,” he said. “Then you can always go back and throw some out and polish.”

Polishing through multiple revisions is key to any good writing, he said.

“It reminds me of the quote by Paul Valéry, that a poem is never finished, only abandoned,” Worley said. “I am always writing new poems and I have got a thick folder full of drafts that I go back to that are in the process of being abandoned, or not.”  


‘For on his brow I see that written which is Doom’

December 24, 2013

XmasCarolCover

Today’s reading is from Charles Dickens’ 1843 classic, A Christmas Carol.

“At this festive season of the year, Mr Scrooge,” said the gentleman, taking up a pen, “it is more than usually desirable that we should make some slight provision for the Poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir.”

“Are there no prisons?” asked Scrooge.

“Plenty of prisons,” said the gentleman, laying down the pen again.

“And the Union workhouses?” demanded Scrooge. “Are they still in operation?”

“They are. Still,” returned the gentleman, “ I wish I could say they were not.”

“The Treadmill and the Poor Law are in full vigour, then?” said Scrooge.

“Both very busy, sir.”

“Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,” said Scrooge. “I’m very glad to hear it.”

“Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude,” returned the gentleman, “a few of us are endeavouring to raise a fund to buy the Poor some meat and drink, and means of warmth. We choose this time, because it is a time, of all others, when Want is keenly felt, and Abundance rejoices. What shall I put you down for?”

“Nothing!” Scrooge replied.

“You wish to be anonymous?”

“I wish to be left alone,” said Scrooge. “Since you ask me what I wish, gentlemen, that is my answer. I don’t make merry myself at Christmas and I can’t afford to make idle people merry. I help to support the establishments I have mentioned: they cost enough: and those who are badly off must go there.”

“Many can’t go there; and many would rather die.”

“If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population. Besides — excuse me — I don’t know that.”

“But you might know it,” observed the gentleman.

“It’s not my business,” Scrooge returned. “It’s enough for a man to understand his own business, and not to interfere with other people’s. Mine occupies me constantly. Good afternoon, gentlemen!”

***

XmasCarol“Forgive me if I am not justified in what I ask,” said Scrooge, looking intently at the Spirit’s robe, “but I see something strange, and not belonging to yourself, protruding from your skirts. Is it a foot or a claw!”

“It might be a claw, for the flesh there is upon it,” was the Spirit’s sorrowful reply. “Look here.”

From the foldings of its robe, it brought two children; wretched, abject, frightful, hideous, miserable. They knelt down at its feet, and clung upon the outside of its garment.

“Oh, Man! look here. Look, look, down here!” exclaimed the Ghost.

They were a boy and girl. Yellow, meagre, ragged, scowling, wolfish; but prostrate, too, in their humility. Where graceful youth should have filled their features out, and touched them with its freshest tints, a stale and shrivelled hand, like that of age, had pinched, and twisted them, and pulled them into shreds. Where angels might have sat enthroned, devils lurked, and glared out menacing. No change, no degradation, no perversion of humanity, in any grade, through all the mysteries of wonderful creation, has monsters half so horrible and dread.

Scrooge started back, appalled. Having them shown to him in this way, he tried to say they were fine children, but the words choked themselves, rather than be parties to a lie of such enormous magnitude.

“Spirit! are they yours?” Scrooge could say no more.

“They are Man’s,” said the Spirit, looking down upon them. “And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!” cried the Spirit, stretching out its hand towards the city. “Slander those who tell it ye! Admit it for your factious purposes, and make it worse! And bide the end!”

“Have they no refuge or resource?” cried Scrooge.

“Are there no prisons?” said the Spirit, turning on him for the last time with his own words. “Are there no workhouses?”

The bell struck twelve.


John Egerton chronicled the South, from civil rights to barbecue

November 23, 2013

For a young Southern journalist getting started in the 1980s, there was no better role model and mentor than John Egerton, who died unexpectedly last Thursday at his home in Nashville. He was 78.

I got to know John while I was covering Tennessee for The Associated Press. When I started traveling the upper South for The Atlanta Journal-Constitution, he became a friend and valuable resource.

As a freelance journalist since 1971, John’s award-winning books and hundreds of magazine and newspaper articles chronicled in-depth so many things that fascinated me about Southern history, culture, politics and food.

I often called John for information and advice, which he modestly dispensed in a soft drawl. And I knew that if he was in town whenever I came to Nashville, he would take me to some memorable hole-in-the-wall for a delicious breakfast or lunch.

JohnEgerton-webJohn was born in Atlanta but his family soon moved to Cadiz, Ky.. He graduated from the University of Kentucky, which inducted him into its Journalism Hall of Fame and Hall of Distinguished Alumni. UK Libraries honored him last April with its Award for Intellectual Achievement.

I first knew John through two of his early books, A Mind to Stay Here (1970) and The Americanization of Dixie: The Southernization of America (1974). When we met he had just published Generations: An American Family (1983), the engrossing story of nine generations of Kentucky’s Ledford family.

The book that made Egerton famous was Southern Food, a combination cookbook, travel guide and social history that was named the 1987 book of the year by the International Association of Culinary Professionals.

John had spent more than a year eating his way across the South without adding much weight to his tall, lanky frame or, he said, raising his cholesterol. His book chronicled the evolution and role of food in Southern culture, including the substantial contribution of black culture.

I wrote one of the first articles about the book, for the Journal-Constitution. We met for the interview at Hap Townes, a long-gone Nashville “meat and three” where musicians, executives and factory workers sat elbow-to-elbow enjoying house specialties that included stewed raisins.

“If I had been braver, I would have called the book The Stomach of the South; I think W.J. Cash would have understood,” he told me, referring to the author of the 1941 classic, The Mind of the South.

John followed Southern Food with, Side Orders: Small Helpings of Southern Cookery and Culture (1990). He helped start the Southern Foodways Alliance, and he edited the first volume of Cornbread Nation 1: The Best of Southern Food Writing (2002). But John was always amused at his fame as a food writer, claiming his only culinary expertise was eating.

He published several other books: a history of Nashville, an exploration of Tennessee’s 19th century utopian communities and a collection of his magazine essays that explored the South’s complexity.

His masterpiece was the 700-page book Speak Now Against The Day: The Generation Before The Civil Rights Movement in the South (1994). It drew on his nearly three decades of reporting on Southern race relations, beginning in 1965 for the magazine Southern Education Report. It won the Robert F. Kennedy Book Award, and it deserved a Pulitzer Prize.

John’s soft voice, gentle humor and modest demeanor masked a moral compass that compelled him to speak out against things he believed were wrong.

When the Tennessee Valley Authority condemned his Trigg County farm and others in the 1960s to build the Land Between the Lakes outdoor recreation area, John became the lead plaintiff in a federal court battle. With Justice William O. Douglas dissenting, the U.S. Supreme Court declined to hear his appeal.

In 2006, John wrote a book of political satire, Ali Dubyiah and the Forty Thieves. He described it, only half seriously, as his only work of fiction.

John’s most popular writing celebrated what was good about the South, but his biggest contribution as a journalist and historian was his examination of what held the region back: race, class, poverty, inequity and corruption. He was a masterful storyteller who had the courage to not only report facts, but explain what those facts added up to.

 


Museum publishes new illustrated Lexington history book

November 13, 2013

Historic Lexington: Heart of the Bluegrass is a new illustrated history book published by the Lexington History Museum.

The book includes a 64-page history narrative written by Lexington lawyer Foster Ockerman Jr., followed by articles about 20 local companies and institutions bookcoverwhose sponsorship paid for the publication. All proceeds from the book, which sells for $50, will benefit the museum.

“What I wanted to write was a popular history,” Ockerman said of the one-chapter, chronological overview illustrated with historic and modern images. About 100 books were sold by pre-order, and 400 more are available.

Ockerman will be signing the book at 7 p.m. Wednesday at Central Library, 140 E. Main St., and at 2 p.m. Sunday at the Morris Book Shop, 882 E. High St.

The Lexington History Museum has been reinventing itself since its home, the old Fayette County Courthouse, was closed in July 2012 because of lead paint hazards. The organization has opened several small “pocket museums” around downtown and plans more there and in Chevy Chase. Also, the museum is rebuilding its website to be more of a local history database.  


UK historian Ron Eller leaves big shoes to fill; who will?

November 13, 2013

Ronald Eller, a University of Kentucky history professor and outstanding writer who has focused on Appalachia, was honored last Friday as he donated his papers to UK Special Collections in preparation for his retirement at the end of the year.

ellerEller came to UK in 1985, succeeding Harry Caudill, the Eastern Kentucky lawyer whose 1962 book, Night Comes to the Cumberlands, focused national attention on the exploitation of Appalachia. Eller picked up where Caudill left off, analyzing the forces that have shaped Appalachia’s evolution.

Eller’s 1982 book, Miners, Mill hands and Mountaineers: The Industrialization of the Appalachian South, 1880-1930, was a finalist for the Pulitzer Prize. A 2008 book, Uneven Ground: Appalachia Since 1945, is the best book I know of about the region’s modern history.

No word yet on the Appalachian scholar UK will hire to succeed Eller in the history department, but he or she had better be good. We cannot really understand modern Kentucky without understanding Appalachian history.


Recording World War II memories before it is too late

November 9, 2013

Elams0001Willie J. Elam, 94, talks with his son, Mark, at the Thomson-Hood Veterans Center in Wilmore, where he lives. Mark Elam interviewed his father over eight years about his combat experiences in the South Pacific during World War II, which earned him a Bronze Star and two Purple Hearts.  Photos by Tom Eblen 

 

Mark Elam was sitting in Turfland Mall a decade ago, waiting for his wife to finish shopping, when he struck up a conversation with an old man who mentioned he was a World War II veteran. Elam said his father fought in the war, too.

“Then he asked what outfit my Dad was in,” Elam said. “I had to admit I didn’t know. I was embarrassed.”

That encounter led Elam to start asking his father about the war. Soon he was bringing a tape recorder and a list of questions each Sunday when he visited his father, who is now 94 and lives at the Thomson-Hood Veterans Center in Wilmore.

“He was apprehensive at first, but then he opened up,” Elam said. “The more I asked, the more he told me, and it just grew and grew.”

Elams0004After eight years of interviews, plus a lot of research on his own, Elam published a spiral-bound book in June for his sister, Marta Dorton, and their families. He titled the book after the motto of his father’s unit: To the Last Man.

“It was a fun project,” he said. “I spent a lot of time with him, and it brought us closer together.”

Elam, 57, said the project made him realize how important it is to preserve stories, especially those of the rapidly disappearing generation of veterans who fought World War II.

As a graphic artist and printer, Elam knew how to scan old photographs and assemble a book. But he didn’t consider himself a writer, so he told his father’s story chronologically, mixing his own prose with sections of questions and answers from their interviews.

The result is quite readable — and fascinating. It provides a detailed and vivid account of what combat and everyday life was like for American soldiers who fought the Japanese in the South Pacific.

Willie Junior Elam was a farm boy from Morgan County when he enlisted in the Army four months before Pearl Harbor. He was a private first class in the 43rd Division, 103rd Infantry, Company K, serving through 1946. Two brothers also fought in the war.

Elam was a field radio operator who saw a lot of combat, earning the Bronze Star and two Purple Hearts. The second time he was wounded, in an artillery strike that killed several officers around him, he was so badly hurt that doctors nicknamed him “the miracle kid.”

Elams0005“There was a lot of stuff he can’t talk about and won’t talk about,” Elam said. “He still has nightmares about some of it 70 years later. I didn’t want to push him too much.”

As Elam discovered, the most important part of such a project is simply asking questions and recording answers. When it comes to preserving those stories in a book or other form, a lot of helpful resources are available.

One is a book, A Veterans Legacy: Field Kit Journal ($15. Veteranslegacyjournal.com). It was written three years ago by Jay McChord, a former Lexington Urban County Council member, and offers a step-by-step guide to compiling a service history.

The Carnegie Center for Literacy and Learning next year will offer several classes that could be helpful. Writing Your Family Stories is a daylong seminar March 8. Another class, Life Writing: Generating and Revising Autobiographical Prose, will meet Tuesday evenings from April 15 to May 20.

The Carnegie Center also offers individual writing mentors and a nonfiction writing group that meets Tuesdays at lunch from Jan. 9 to March 25. For more information, call (859) 254-4157 ext. 21 or go to Carnegiecenterlex.org.

Dorton said she is glad her brother preserved their father’s wartime memories.

“Dad told stories when we were growing up, but I had forgotten a lot of them,” she said. “I think it was good for Dad psychologically to get some of that out.”

Recording family history is important, she said, and not just for veterans. As we spoke by phone, she was driving to Menifee County to visit a 104-year-old aunt, Rella Mullins, who until recently could tell stories about living on a farm during the Great Depression and working in a factory during World War II.

“It’s amazing what all she witnessed,” said Dorton, who gave her aunt a journal several years ago and has written down some of her stories.

“It’s an easy thing to do,” Elam said of preserving family members’ memories. “But after they’re gone, it’s too late.”

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Forester’s new non-profit aims to save ancient Bluegrass trees

October 5, 2013

An ancient blue ash tree on a Fayette County horse farm.  Photo by Tom Kimmerer

An ancient blue ash tree on a Fayette County horse farm.  © Photo by Tom Kimmerer

 

What makes Central Kentucky’s landscape unique? Rolling pastures. Grazing horses. Stacked-stone walls. Four-plank fences. Antebellum mansions. Black tobacco barns.

But one distinctive feature is often overlooked: centuries-old trees.

Many of the enormous oak, hickory and ash trees scattered throughout the Bluegrass were here before Daniel Boone ever heard of Kentucky, much less explored it in the mid-1700s.

“I believe that we have more old, pre-settlement trees than any other urban and agricultural landscape in the country,” said Tom Kimmerer, a tree physiologist with a doctorate in forestry and botany.

But these leafy giants are rapidly disappearing, and Kimmerer thinks neglect and mismanagement are as much to blame as developers’ chainsaws.

“As we lose these trees,” he said, “I think we lose an important characteristic of the Bluegrass.”

Tom Kimmerer. Photo by Tom Eblen

Tom Kimmerer.   Photo by Tom Eblen

Kimmerer is writing and photographing a book to raise awareness of these trees, many of which are more than 300 years old. He also is creating a non-profit organization, Venerable Trees Inc., to identify remaining specimens, research the best ways to take care of them and teach landowners how to do it.

“I believe that these trees could easily live another 500 years, many of them,” he said. “We know that some oaks can live beyond 1,000 years.”

Kimmerer has created a webpage (Venerabletrees.org/locate) for citizens to report “venerable” trees they know of. He will have a workshop Oct. 12 at Floracliff Nature Preserve for people wanting to know more about these trees. Details: Venerabletrees.org/classes.

And because many slow-growth tree varieties do not reproduce well naturally in an increasingly urbanized environment, Kimmerer hopes to propagate seedlings branded as progeny of some of Lexington’s most iconic specimens.

“I would like people in the Bluegrass to identify with these trees more,” he said. “So instead of just planting any old thing you can get from the nursery, we develop a tradition of planting our native trees, because they are so magnificent and so long-lived.”

When settlers arrived in Central Kentucky in the 1770s, they found a unique landscape with fields of cane and grass dotted with bur, shumard and chinkapin oaks, blue ash and a hickory they called kingnut, shellbark or shagbark.

“These old trees were kept because settlers had compelling reasons to keep them,” Kimmerer said, noting that they helped shade livestock pastures and decorate the estates of wealthy landowners.

There is no way to tell the age of a tree by looking at it; a core sample must be drilled and growth rings counted. It is a time-consuming process. But very old trees give visual clues: cylindrical, rather than tapered, trunks; stout, twisted branch patterns; tufted groups of leaves at the ends of branches.

Not all giant trees here are very old. For example, there are many huge sycamores, but Kimmerer thinks they came after settlement when much of the cane had been grazed off. Scientists know that many of the large ginkgo trees around Lexington descend from Japanese specimens Henry Clay planted at his Ashland estate.

Many old-growth trees have been lost to suburban development. A 1950 survey of bur oaks in Fayette County found about 400. A similar survey in 1978 found 180. When Kimmerer replicated the survey last spring, he found 43. (However, he found about that many more by surveying along roads built since 1950).

A few years ago, Kimmerer found the most magnificent blue ash he had ever seen at a development site off Winchester Road. It had survey markers around it, which he thought meant the developer was planning to keep it. When he returned a few days later, the giant tree was a pile of mulch.

Some people take down old-growth trees because they incorrectly think they are dying and could pose a liability. Blue ash usually continue to thrive despite dead tops or hollow spots from lightning strikes. Even the emerald ash borer, a beetle now decimating many varieties of ash, usually doesn’t kill blue ash, Kimmerer said.

He recalled talking with a farmer who thought his damaged blue ash needed to be cut down. “I told him, yea, I doubt it’s got more than 300 good years left,” he said. “He was surprised.”

Because Lexington’s venerable trees are living historical markers, they often are found in what now seem like odd places. Kimmerer took me to one such tree along South Broadway, in front of an Avis rental car office. Previously, it was part of the vast lawn of Ingleside, a mansion built in 1852 and demolished in 1964.

Another example is the huge bur oak surrounded by a parking deck at the medical office complex across Harrodsburg Road from St. Joseph Hospital. It was the largest of a grove of bur oaks there as late as the 1950s. Only public outcry kept it from being cut down.

Kimmerer said some Lexington builders now realize that preserving these trees can create valuable amenities for their developments. Ball Homes kept a giant bur oak, the Blackford Oak, in a development near Hamburg. The neighborhood is called Blackford Oaks.

Many ancient trees have been saved from the chainsaw only to decline and die because landowners neglect or mismanage them.

“In England, where they have a long tradition of taking care of old trees, they have a huge manual for managing what they call veteran trees,” Kimmerer said. “We need something comparable to that. We know that good care can make a big difference.”

The most frequent problem Kimmerer sees is old trees whose lives are being shortened by compacted soil and the use of herbicides and fertilizer around them. “You would think fertilizer would be good for trees,” he said. “But the faster a tree grows, the shorter its lifetime.”

Kimmerer said landowners could learn a lot about managing old-growth trees from Keeneland, the Kentucky Horse Park, several area horse farms and neighborhood associations such as Squire Oak.

Perhaps the best local steward, he said, is Lexington Cemetery. Begun in 1849 in a grove of old-growth trees, the cemetery has been nurturing and planting bur oaks and other native varieties ever since. The beautiful cemetery uses no herbicides and little fertilizer, and its ancient trees are thriving.

Kimmerer hopes Venerable Trees Inc. can have a big impact on preservation efforts, because many old-growth trees are in the areas near Hamburg now slated for development. With good planning, those ancient trees could survive and thrive as neighborhood icons for generations.

“There are so few of these trees left now,” Kimmerer said. “We need to be more conscious of them and do more to preserve them.”


Wendell Berry partners with college on sustainable farm program

October 1, 2013

130920BerryAg0094Jonas Hurley, right, owner of River Run Farm & Pottery in Washington County, shows students in St. Catharine College’s new Berry Farming Program his array of solar panels, which provide about 60 percent of his farm’s power and should pay for themselves within a dozen years. In the center is the Berry program’s director, Leah Bayens. Photos by Tom Eblen 

 

SPRINGFIELD — Agriculture economists have been sounding a death knell for the American family farm for decades. Since World War II, farming has been all about machinery, chemicals and the idea of “get big or get out.”

More recently, though, the sustainable-agriculture movement has shown an alternative path. It is based on creating new markets and innovative farming techniques rooted in the wisdom of nature.

The movement has been fueled by consumers who want fresher, tastier produce and meat that isn’t sprayed with chemicals and pumped full of hormones. Many consumers are willing to pay more for better quality.

Sustainably produced local food nourishes communities as well as bodies. Many farm families want to stay on their land, finding that the rewards are worth the hard work. They also want to make sure the land isn’t poisoned and eroded, so future generations can keep farming.

With its fertile soil, temperate climate and central location, Kentucky would seem to be a great place to capitalize on this trend. Plus, Kentucky is the home of writer Wendell Berry, one of the global gurus of sustainable agriculture.

This fall, St. Catharine College, a Catholic school founded by the Dominican Sisters in Washington County, started offering bachelor’s degrees in farming and ecological agrarianism.

St. Catharine’s Berry Farming Program incorporates Berry’s sustainability philosophies and was developed in conjunction with his family’s Berry Center in the Henry County town of New Castle.

(Berry’s alma mater, The University of Kentucky, where he taught English for many years, has developed a respected sustainable agriculture program. But Berry had a very public breakup with UK in December 2009, when he withdrew his papers after the university named the new basketball players’ dormitory Wildcat Coal Lodge in return for millions of dollars in coal industry donations.)

Assistant Professor Leah Bayens developed St. Catharine’s four-year Berry Farming Program, which combines interdisciplinary study in agriculture, ecology, business, marketing and community leadership with hands-on farm internships.

The-Unsettling-of-America (1)Bayens launched the program this fall with four students in the introductory class, which uses as a supplementary text Berry’s landmark 1977 book, The Unsettling of America: Culture and Agriculture, which helped spark the sustainability movement.

Three international students will join the program in January, thanks to scholarships from Eleanor Bingham Miller, whose Louisville family once owned The Courier-Journal. Bayens will choose those students from the more than 60 applicants from sub-Saharan Africa, the Indian subcontinent and Latin America, where sustainable agriculture is desperately needed.

The Berry Farming Program’s first four students represent an interesting mix of the sons and daughters of Kentucky farm families.

Freshman Marshall Berry is Wendell Berry’s grandson, and he is trying to figure out whether he wants to make a career of farming, as his father, Den Berry, did. Does he feel any family pressure? Maybe a little, he said.

“I know I want to live and work on a farm,” said freshman Winifred Chevront, who grew up on a Taylor County farm. “I think this could help me achieve my goals.”

Pamela Mudd, a junior who transferred here after studying food science at UK, comes from a large Washington County farming family.

“I want to get some new ideas for keeping our family farm in the family,” she said.

Jacob Settle, a junior, comes from a Washington County farm family and has built a regionally successful freezer-beef business with his brother, Jordan. Rising Sons Beef sells locally bred, born and raised beef that is free of antibiotics, steroids and hormones.

Bayens has taken her class on several field trips to see area farms. Last month, I joined them on a tour of Jonas and Julie Hurley’s River Run Farm & Pottery near Springfield.

The Hurleys raise sorghum and vegetables, hogs, chickens, goats, turkeys, ducks and sheep. They also have a dairy cow and a llama. They produce almost all of the food they and their two young sons eat, selling the surplus at a local farmer’s market. Jonas Hurley also sells his pottery and teaches classes.

A few months ago, Hurley installed solar panels that produce about 60 percent of his farm’s power. The $14,000 investment should pay for itself within 12 years, he said.

“I want the students to get opportunities to meet, mingle and work side by side with different kinds of farmers so they can see what kinds of creativity and inventiveness are at work,” Bayens said. “There is a lot of opportunity out there for farmers willing to find it.”

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A beautiful state, forever challenged to live up to its potential

September 28, 2013

Indian Fort Mountain, Berea. Photo by Tom Eblen

The view from Indian Fort Mountain near Berea. Photo by Tom Eblen

 

Every state is unique. So what makes Kentucky so special?

To begin to answer that question, you must go back to 1750, when the first land-hungry white Virginians crossed the Appalachian mountains to see what was on the other side. What they found created quite a buzz.

John Filson, who published the first book about Kentucky in 1784, boasted that it was “the new Eden … like the land of promise, flowing with milk and honey.” A frontier preacher is said to have explained heaven to his flock as “a Kentucky of a place.”

Of course, this was long before strip mining and strip malls.

Still, people continue to be awed by Kentucky’s beauty: lush mountains, rolling meadows, scenic rivers, vast limestone caves and manicured horse farms.

Kentucky’s fertile land has always made it an agriculture powerhouse. The Bluegrass region’s karst geology and calcium-rich soil is the foundation for two signature industries: strong-boned horses and pure water for bourbon whiskey.

Originally, Kentucky was considered the West. When the Civil War came, this citadel of slavery remained in the Union. Once the Union won, many Kentuckians sided with the Confederacy. Go figure.

But Kentucky has often been a paradox. For example, 95 percent of all bourbon whiskey (and, really, all that’s worth drinking) is made in Kentucky. Yet, you can’t legally buy it in more than one-third of the state’s 120 counties. Of course, that doesn’t mean a lot of it isn’t consumed there.

Kentuckians love to eat, too, from spicy Western Kentucky barbecue to the delicately flavored cucumber spread of Louisville known as benedictine. Ask people on the other side of the world what they know about Kentucky and they are likely to reply: “Ah, Kentucky Fried Chicken!”

Kentuckians tend to be friendly, independent, fun-loving, stubborn and resistant to change. The local cultures we have created vary widely from the Cumberland mountains to the Jackson Purchase. The common denominator seems to be a passion for basketball.

Unless we are from one of the state’s larger cities, Kentuckians tend to identify themselves by their native county. And we have more and smaller counties than almost any state.

But we still love our little towns. We have given many of them colorful names, such as Red Bird, Hi Hat, Cutshin, Mousie and Fancy Farm. Occasionally, imagination has failed us and we have copied the names of European cities, but we have insisted on pronouncing them differently.

During its first decades of statehood, Kentucky was often a national leader and innovator. But the state seems never to have fully recovered from the Civil War and the human slavery that caused it. For a century and a half, Kentucky’s progress has always seemed like three steps forward, two steps back.

Still, some of us think Kentucky is capable of being a national leader rather than a persistent laggard. Kentuckians are hard workers, blessed with a central location, abundant resources and a beautiful place to live — when we don’t insist on messing it up.

The name Kentucky is derived from languages of the American Indian tribes we took this land from, but nobody is sure what it really meant. Some say it meant “dark and bloody ground.” Others say, “the land of tomorrow.” While a lot has happened to support the first theory, I choose to believe the second.

Now, would somebody please pass the barbecue and freshen my bourbon? We have a lot of work to do after dinner.