Historical Frankfort church, once threatened, is saved for a new role

June 6, 2015
Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space. The work included fixing water-damaged brick and plaster and refinishing the original heart-pine floors.    Photo by Tom Eblen | teblen@herald-leader.com

Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space. The work included fixing water-damaged brick and plaster and refinishing the original heart-pine floors. Photos by Tom Eblen

 

FRANKFORT — When Good Shepherd Catholic Church and School moved to a new suburban campus in 2011, many people worried about what would happen to its former site, a downtown landmark since before the Civil War.

First, the old church was in the way of construction for the Franklin County Judicial Center, which took out the school gymnasium next door. In the end, the church wasn’t harmed, but the Judicial Center wrapped it on two sides.

Then there was a lack of maintenance. Water seeped through brick, damaging plaster and endangering the church’s structural integrity. Roof leaks caused sections of the heart-pine floors to rot. A tree sprouted from the bell-tower steeple.

The Blue Grass Trust for Historic Preservation listed Good Shepherd on its 2013 “eleven at the eleventh hour” list of Central Kentucky historic buildings in danger of demolition after plans fell through to convert it into a museum.

“That building has been threatened for years, and there was a lot of concern that we were going to lose it,” said Craig Potts, executive director of the Kentucky Heritage Council and the state’s historic preservation officer.

“I was particularly concerned,” he added. “I was married in that church and live just a few doors down from it.”

Unlike some other recent preservation stories, this one seems headed toward a happy ending. Joe Dunn, an Oldham County developer who specializes in adaptive reuse of old buildings, is finishing a beautiful renovation of the circa 1850 sanctuary.

It has been leased to event venue operator Denise Jerome, who this summer will reopen it as The Lancaster at St. Clair, a place for weddings, receptions, music performances and other gatherings. A public preview is planned 4 p.m. to 7 p.m. on Aug. 20. Rental information: michaelisevents.com.

The remaining part of the old gymnasium’s lot at the corner of Wapping and St. Clair streets is being converted into a garden-like outdoor event space enclosed by a wrought-iron fence.

After that is finished, Dunn will renovate the school building, which opened in 1923, and lease it for office space.

Dunn and his son, John, were already familiar with downtown Frankfort, having renovated the McClure Building, a 1906 office building, and the Market Square Apartments, a former Odd Fellows lodge built in the 1850s.

When Dunn first looked at the Good Shepherd campus, he was only interested in the school building. But the real estate agent insisted that he walk inside the church.

“I thought, what would I do with a church?” he recalled. “But, being raised Catholic, I thought I should look at it, and, wow! You could just feel the reverence of the place.”

Dunn was captivated by the old sanctuary’s Gothic Revival arches, colorful stained-glass windows, bell tower and working pipe organ.

“I had the same feeling he did when I walked into the space,” said Jerome, who manages several event venues in metro Louisville.

So, in May 2014, Dunn bought the church, school and what was left of the former gymnasium lot. He expects to spend about $500,000 on the church and garden renovation.

Dunn and Jerome named the venue for Father J.M. Lancaster, who came to Frankfort in 1848 to lead a 20-year-old Catholic congregation that was suddenly swelling with immigrants escaping military conscription in Germany and famine in Ireland.

The next year, he paid $5,000 for a small Presbyterian church on Wapping Street, where the congregation worshiped as its members literally built their new church around it. When the new church was finished, the old one was dismantled. Since then, Good Shepherd has played a big role in Frankfort society.

“He has done a good job with the renovation,” Potts said of Dunn. “And I think he has a good idea for its reuse that is going to help all the revitalization efforts already underway downtown. Frankfort is kind of buzzing right now.”

While restoring Good Shepherd was a big job, Dunn said the project has gone more smoothly than many do.

“There was a lot of damage, and I did have to say a few prayers, ‘Is this what you want me to do?'” Dunn said. “But the pieces fell into place pretty easily. Sometimes you feel like there are other hands guiding you.”

Joe Dunn, who is renovating the former Good Shepherd Catholic Church in Frankfort for use as event space, plays a few notes on the organ, which is in good working order. The building was built about 1850.   Photo by Tom Eblen | teblen@herald-leader.com

Joe Dunn, who is renovating the former Good Shepherd Catholic Church for use as event space, plays a few notes on the organ, which is in good working order.

Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space. The work included fixing water-damaged brick and plaster and refinishing the original heart-pine floors.    Photo by Tom Eblen | teblen@herald-leader.com

Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space. The work included fixing water-damaged brick and plaster and refinishing the original heart-pine floors.

The tower bell in the former Good Shepherd Catholic Church in Frankfort still works.   Photo by Tom Eblen | teblen@herald-leader.com

The tower bell in the former Good Shepherd Catholic Church in Frankfort still works.

Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space. The work included fixing water-damaged brick and plaster and refinishing the original heart-pine floors.    Photo by Tom Eblen | teblen@herald-leader.com

Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space.

Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space. The organ is in good working order. Photo by Tom Eblen | teblen@herald-leader.com

Developer Joe Dunn has renovated the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, for event space. The organ is in good working order.

The event venue in the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, will be named in honore of Father J.M. Lancaster, the first priest there, who was memorialized in a stained-glass window.   Photo by Tom Eblen | teblen@herald-leader.com

The event venue in the former Good Shepherd Catholic Church in Frankfort, which was built in 1850, will be named in honore of Father J.M. Lancaster, the first priest there, who was memorialized in a stained-glass window.

The former Good Shepherd Catholic Church, built in 1850 at the corner of St. Clair and Wapping streets, had suffered water damage from a leaking roof and deteriorating brick walls. The building was surrounded when the Franklin County Justice Center was built.   Photo by Tom Eblen | teblen@herald-leader.com

The former Good Shepherd Catholic Church, built in 1850 at the corner of St. Clair and Wapping streets, had suffered water damage from a leaking roof and deteriorating brick walls. The building was surrounded when the Franklin County Justice Center was built.

Developer Joe Dunn, who is renovating the former Good Shepherd Catholic Church in Frankfort, also bought the nearby parish school building, circa 1920. He plans to renovate it and lease it as office space.   Photo by Tom Eblen | teblen@herald-leader.com

Developer Joe Dunn also bought the nearby parish school building, circa 1923. He plans to renovate it and lease it as office space.


New workshop offers tools, space for entrepreneurs and tinkerers

June 2, 2015
Rob Savard, left, Doug Clarke and Ben Van Den Broeck on Saturday will open Kre8now Makerspace in the Distillery District, a monthly membership workshop with tools and space for people who like to make things.  Photo by Tom Eblen | teblen@herald-leader.com

Rob Savard, left, Doug Clarke and Ben Van Den Broeck on Saturday will open Kre8now Makerspace in the Distillery District. Photo by Tom Eblen

 

People who like to make things often share a common problem: They never have enough tools or a big enough workshop.

Kre8Now Makerspace, which has its grand opening 11 a.m. to 5 p.m. Saturday at 903 Manchester Street, has a solution.

For $35 a month, members will have access to every tool in the 12,000-square-foot workshop they can demonstrate competency to safely use, from sewing machines and saws to 3-D printers and welding equipment.

“It’s like a gym membership for your creativeness,” said Doug Clarke, one of three partners in the business. “We want to have a creative community where people can learn new skills and get hands-on experience through collaboration.”

Kre8Now also offers individual work and storage space next to the shared shop at $1 per square foot. The business also has a shared lounge and a classroom.

“We’re going to be teaching classes for both members and the general public in anything and everything that has to do with making,” said Clarke, a welder, machinist and former project engineer.

The partners see the space as both a place for tinkerers to hang out and for people to start businesses. They have about 40 members so far, about one-fourth of their goal.

While the space is still coming together, there is a complete wood shop, a metal shop with welding and steel-cutting equipment, a shop for building and using 3-D printers, a costume-making shop, a shop for making drone aircraft, and a variety of tools for other uses.

Many of the tools so far belong to Clarke and his two partners, Rob Savard and Ben Van Den Broeck. They all ended up in this venture because, well, they needed more tools and workshop space.

“I had my own machine shop for the better part of two decades, but I was at the point where I was going to have to invest a small fortune to expand it,” said Savard, who makes prototypes for others in addition to his personal projects.

“I also have a background in woodworking,” he added. “So my wife is expecting some furniture out of this.”

Savard thinks Kre8Now’s success will depend a lot on fostering a creative community. “It’s good to come in and see what other folks are doing and get inspired,” he said.

Van Den Broeck said he was a visual effects artist for the Cartoon Network for seven years, where he learned to use 3-D printers for prototyping cartoon characters that might work as toys. He then started a 3-D printing business, making objects for various corporate clients. Now he makes 3-D printers for various uses.

The three partners began the business with 1,800 square feet in the Old Pepper Distillery complex, another piece of Manchester Street property owned by Distillery District developer Barry McNees.

As membership increased, they outgrew the space and rented their new space from McNees. It is a former wholesale food warehouse that also houses photographer Mary Rezny and The Grand Reserve, an events venue.

“I’ve spent a lot of money bringing this place up,” Clarke said. “But it’s a great location. I see a lot of potential in the Distillery District.”

The Grand Reserve and Rezny have bought their space from McNees, who is now trying to sell the former 1860s bourbon warehouse next door that used to be Buster’s night club.

McNees and his partners bought up a lot of vacant industrial property along Manchester Street nearly a decade ago, hoping to create a mixed-use entertainment district just west of Rupp Arena.

The turnaround has been slow, mostly because of the area’s antiquated public infrastructure,. But it has become more viable and popular in the past couple of years as businesses such as Barrel House Distillery and Ethereal Brewing opened.

“What’s happening now is what I hoped would happen in the first couple of years,” McNees said. “But at least it’s happening.”


With market opening, National Provisions fulfills ambitious plan

May 31, 2015
National Provisions owners Andrea Sims and Krim Boughalem, who are married, pose in their new market space, which opened May 21 and completed the buildout of their facility, which also includes a bakery, restaurant and beer hall. Photo by Tom Eblen | teblen@herald-leader.com

National Provisions owners Andrea Sims and Krim Boughalem, who are married, pose in their new market space, which opened May 21 and completed the buildout of their facility, which also includes a bakery, restaurant and beer hall. Photos by Tom Eblen

 

When Krim Boughalem and Andrea Sims opened National Provisions in a former soft-drink bottling plant at the corner of National and Walton avenues in late 2013, it was a gamble.

Would Lexington learn to love — and pay a bit more for — the kind of fresh, European-style food that Boughalem grew up with in France?

The married couple thought so. Their first two Lexington ventures, Wine + Market on Jefferson Street, which they sold, and the Table Three Ten restaurant on Short Street, which they still own, were successful.

But National Provisions was a much bigger play: 16,000 square feet of beautifully renovated space that now includes a bakery, brasserie-style restaurant, Beer Hall, wine shop and a large market with fresh, locally produced food and delicacies flown in from around the world.

The market, the last phase of the project, opened May 21. The couple said that, as with each of the previous phases, business already has exceeded their expectations.

“It’s been pretty constantly busy,” Sims said. “There has been a lot of traffic, and I think it helps that you can see the lighted cases through the window at night.”

The market has fresh produce and specialty cuts of meat. The cheese counter has more than 100 varieties, many imported from Europe. There is a section of charcuterie (prepared meats) and a section of ready-to-eat salads, sandwiches and meals for taking home, which have been especially popular.

There is a case of pastries from the bakery in the next room, and a selection of Kentucky products such as Weisenberger Mill flours and corn meal. A seafood section and oyster bar will be the last part of the market to open, in September.

The center of the market has long, tall marble tables where customers can sit or stand to casually eat food bought at the market counters.

One side door of the market leads to the bakery; another to the brasserie. The back opens into the Beer Hall. “With everything open now, the place really breathes well,” Sims said.

Boughalem, 49, is the food expert, having learned the restaurant business in New York and London. Sims, 46, a Lexington native, trained as an artist in New York and France.

National Provisions’ interior spaces reflect Sims’ sophisticated design skills.

The former industrial building has been transformed into a variety of spaces that are both rustically elegant and comfortable. The idea, Sims said, is to not just serve and sell good food and drink, but to create a memorable experience customers will want to repeat regularly.

“That’s what it’s all about, really,” she said. “You walk in the place and you just want to be there.”

Because National Provisions is located near downtown, just off Winchester Road near where it becomes Midland Avenue, it gets a lot of passing traffic. The couple said their biggest surprise has been the enthusiastic support of residents in the nearby neighborhoods of Mentelle, Bell Court and Kenwick.

“It’s a much more committed clientele than we had at Wine + Market,” Sims said. “People have been so excited each time another thing opened.”

Part of that may be because National Provisions is the flagship of Walker Properties’ mixed-use redevelopment of the National Avenue corridor, which last week was renamed Warehouse Block. It has received a lot of favorable publicity, including in The New York Times, which cited it as a good example of urban redevelopment.

One challenge National Provisions has faced is educating customers that they’re paying more because the food is fresher and of higher quality than they may be accustomed to.

“That is a challenge, but I don’t think it’s because they don’t understand,” Boughalem said. “They’ve just never seen it. That’s not the way American markets work anymore.”

Educating suppliers is a challenge, too. Meat processors aren’t used to the European cuts Boughalem wants. For example, he said, American butchers usually produce about 34 different cuts from a cow; in France, there are 92 cuts.

“People are used to seeing meat wrapped in plastic,” he said. “We’re going to show people what meat should look like. Our goal has always been to expand big enough to have our own full-time butcher and fishmonger.”

Added Sims: “What we’d really like is our own full-time farm.”

National Provisions co-owner Krim Boughalem prepares baked goods in the bakery, National Boulangerie, which was the first section of the complex to open at the corner of National and Walton avenues in December 2013. Photo by Tom Eblen | teblen@herald-leader.com

Boughalem prepares baked goods in the bakery, National Boulangerie.

National Provisions co-owner Andrea Sims helps a customer select cheese at the new market, which carries more than 100 kinds, many from Europe.. Photo by Tom Eblen | teblen@herald-leader.com

Sims helps a customer select cheese at the new market.

National Provisions began in December 2013 with a bakery. The new market space sells all kinds of food, including the baked goods. Photo by Tom Eblen | teblen@herald-leader.com

National Provisions began in December 2013 with a bakery.

National Provisions co-owner Andrea Sims walks through the Beer Hall in the food complex at National and Walton Avenues, which also includes a restaurant, bakery and now and international fine food market. Photo by Tom Eblen | teblen@herald-leader.com

Sims walks through the Beer Hall.

National Provisions' market, at left, opened May 21, the last piece of the food complex at National and Walton avenues, which also includes a bakery, restaurant and beer hall. In addition to international delicacies, the owners are stocking as much locally produced food as they can. Photo by Tom Eblen | teblen@herald-leader.com

In addition to international delicacies, the market stocks a lot of locally produced food.

National Provisions' market, at left, opened May 21, the last piece of the food complex at National and Walton avenues, which also includes a bakery, restaurant and beer hall. In addition to international delicacies, the owners are stocking as much locally produced food as they can. Photo by Tom Eblen | teblen@herald-leader.com

National Provisions’ market, at left, opened May 21, the last piece of the food complex.


Richmond author’s final book chronicles World War I fighter pilots

May 30, 2015

RICHMOND — The new book First to Flychronicles the Lafayette Escadrille, a group of young Americans who flew primitive fighter planes for France before America entered the First World War.

They were a fearless and colorful bunch who lived as if there were no tomorrow. For many of them, there wouldn’t be. Their dogfights with German aviators were often suicide missions.

Charles Bracelen Flood, the best-selling author and historian who moved to his wife’s Madison County farm in 1975, chose these men as the subject of his 15th book. (Atlantic Monthly Press, $25.)

Cover of the book "First to Fly" by Charles Bracelen Flood.  Photo provided

But as Flood was completing the manuscript last year, he discovered he shared their brief life expectancy. He was diagnosed with pancreatic cancer June 15 and died two months later at age 84.

“He went out like he would have wanted to,” said his widow, Katherine. “Writing right to the end.”

Flood’s final book is a page-turner, written in a spare, vivid style like that of his literary hero, Ernest Hemingway. He told friends about meeting Hemingway in a Paris bar in the 1950s and being surprised to hear the famous author had read his first novel, Love is a Bridge, a best-seller published to critical acclaim when Flood was a 23-year-old Harvard graduate.

After six novels, Flood wrote a controversial book about his year as an embedded reporter with American troops in Vietnam and covered several Olympics for The Associated Press. He then began a series of non-fiction history books about Abraham Lincoln, Adolph Hitler, Ulysses S. Grant, Robert E. Lee, William Tecumseh Sherman and the American Revolution.

The New York native’s last book grew out of reading a few memoirs by Escadrille veterans. Flood began the project in 2011, searching out other pilots’ diaries and letters. He and his daughter, Lucy, went to France in 2013 for more research.

“He would tell us about them, and you could just see his eyes light up,” said Lucy Flood, a freelance writer and editor in California. “They had such amazing stories.”

First to Fly weaves together short biographies of these men and their experiences flying flimsy, open-cockpit airplanes made of wood and canvas, with engines and machine guns that were anything but reliable.

The 38 members of the Lafayette Escadrille came from a dozen states. Their average age was 24. They were race car drivers, athletes, gamblers, soldiers of fortune and idealistic Ivy League university graduates from wealthy families. Several transferred to the unit after fighting in the trenches with the French Foreign Legion. They were looking for adventure, and they found it.

An undated photo of Charles Bracelen Flood (1929-2014), author of "First to Fly: The Story of the Lafayette Escadrille, the American Heroes Who Flew for France in World War I." Photo provided

Charles Bracelen Flood

Aviation was such a novelty that fighter pilots were celebrities. When they weren’t flying, they were drinking or enjoying the company of legions of female admirers, whose silk stockings they wore under their leather helmets for good luck. They acquired two lion cubs, named Whiskey and Soda, as mascots and wrestled with them as if they were big dogs.

Eleven Escadrille pilots would not survive the war. Others suffered numerous wounds and injuries. Post-traumatic stress led some to later die of suicide, alcohol and drugs. But others went on to become successful businessmen and military officers in the next war. Four wounded fliers married their French nurses. Three others married movie stars.

An additional 231 American pilots served in French aviation units between 1914 and 1917, when the United States entered the war. Many of them sought transfers to the Escadrille, including the first black American fighter pilot.

Eugene Bullard was born in Georgia, left home with $1.50 in his pocket and joined the Foreign Legion on his 19th birthday. He was a machine gunner in the trenches until he was wounded. After recovery, he applied for pilot training and flew 20 combat missions.

Bullard stayed in Paris after the war, managed a nightclub and fought with the French underground during World War II. In 1954, the winner of 15 medals was asked to help two French veterans rekindle the eternal flame at the tomb of France’s Unknown Soldier beneath the Arc de Triomphe. Bullard died in 1961 in New York.

Flood had planned to write his memoirs after finishing First to Fly. So, on the day of his fatal diagnosis, he began working with his daughter to make audio recordings about his adventurous life as a writer, teacher and mentor.

Lucy Flood has almost finished transcribing those five hours of interviews, which she and her mother plan to turn into the memoir Flood ran out of time to write.

“He just had an unbelievable enthusiasm for life,” Katherine Flood said. “He loved people, could talk to anyone and was interested in everything.”


National Avenue business district has new name: Warehouse Block

May 28, 2015
Greg Walker of Walker Properties announces the renaming of his family's redevelopment district along National Avenue as Warehouse Block. Behind him is his father, Randy Walker, left, and Mayor Jim Gray. Photo by Tom Eblen

Greg Walker announces the renaming of the district along National Avenue as Warehouse Block. Behind him are his father, Randy Walker, left, and Mayor Jim Gray. Photo by Tom Eblen

 

The mixed-use business district Walker Properties has been developing in a former industrial area along National Avenue has a new name: Warehouse Block.

The family-owned company announced the name, which was voted on by tenants, at a news conference Thursday. The name and a new logo will be used in signage and other branding for the district.

Warehouse Block has a diverse mix of tenants in its renovated buildings. The New York Times featured the development in a story earlier this year as an outstanding example of adaptive reuse and urban redevelopment.

“It’s not every day that Lexington gets in the New York Times,” Mayor Jim Gray said. “What the Walkers have done is a perfect example of creative place-making.”

Randy Walker, an electrical contractor, said he started buying and renovating buildings along National Avenue three decades ago, “at a time when the neighborhood was barely nice enough to be sketchy. Coming from the construction industry, I couldn’t stand letting these buildings go un-maintained and unused.”

Walker Properties worked with city planners to revise zoning codes to allow a return to the way cities used to before the mid-20th century trend of strict segregation of land uses. The company is now run by his sons, Greg and Chad.

Greg Walker said the Warehouse Block has been about much more than renovating old buildings. “We and our clients and tenants are building a community,” he said.

Walker said the company will sponsor the first Warehouse Block party Aug. 21. National Avenue will be closed off for live music and food vendors.


Bequest allowed family to restore its circa 1841 ancestral home

May 26, 2015
The entry hall at Buknore.  Originally named Locust Grove, it was designed and built by Matthew Kennedy of Lexington, Kentucky's first professional architect. Photo by Tom Eblen | teblen@herald-leader.com

The entry hall at Buknore. Originally named Locust Grove, it was designed and built by Matthew Kennedy of Lexington, Kentucky’s first professional architect. Photos by Tom Eblen

 

PARIS — Some families dream of still having the “old homestead” — a place where many generations could gather for holidays and special occasions to keep in touch with each other and their shared heritage.

Walker Buckner’s descendants have always had such a place, hidden within more than 1,000 acres of rolling Bourbon County farmland.

Buknore is one of Kentucky’s most beautiful Antebellum mansions, especially after a recent renovation made possible by a relative’s generous bequest and the talents of several family members and their contractors.

The house will be open for a rare public tour Sunday at the Summer Box Supper benefitting the preservation group Historic Paris-Bourbon County. The event is sold out.

“We feel so fortunate and blessed that we still have this house,” said Susan Combs of Lexington, one of seven cousins in the Buckner-Hinkle family’s sixth generation. “It was where we would go to be with our grandmother. It was something each of our parents loved so much and they kept that love alive.”

Buknore, originally called Locust Grove, was completed in 1841 for Walker Buckner (1781-1855). He came from Virginia with two brothers who also built mansions in Bourbon County.

The master builder was Matthew Kennedy, Kentucky’s first professional architect. Buknore bears his signature style: four large, two-story pilasters across the front of the house topped by a pediment with a half-round window.

Kennedy — or, perhaps in a couple of cases, his imitators — built several similar Federal-style houses in Central Kentucky. Other notable examples include Auvergne (1837) in Bourbon County; Grassland (1823) on Shelby Lane in Fayette County; and Kennedy’s own home (1813) on North Limestone at Constitution Street in Lexington, which now houses the shop Mulberry & Lime.

Buknore is one of Kennedy’s later houses and its interior woodwork reflects the Greek Revival style that became popular in the 1830s. Built a mile off Cane Ridge Road, the house has always been in the family and never suffered serious neglect.

Still, the mansion needed a lot of work, both structurally and cosmetically.

“The last time it had really been renovated was, I guess, my great-grandmother in the 1880s,” Combs said. “And it felt like the 1880s. You couldn’t sit on the furniture.”

Nancy Hinkle Holland, a Lexington physician, realized that, too. She had no children, and when she died in 2010 at age 88, she left a substantial sum for Buknore’s preservation and upkeep. The house is owned by Hinkle Family Properties.

That bequest enabled the family to do a top-to-bottom renovation, which was just completed. It included new wiring, plumbing, structural and foundation work. Later additions were removed, an original stone back porch was repaired and all of the brick was cleaned and re-pointed. Original green ash floors were restored. Some furniture that has been in the house for generations was refinished.

The old, separate kitchen was converted into an apartment and connected to the main house with a living and dining wing. A new kitchen was added between it and the formal dining room.

Playing big roles in the project were Combs and two other family members: Sally Brown Thilman, an interior designer in Chicago, and Estill Curtis Pennington of Paris, a noted art historian, scholar and author.

The professional team included project manager Ronald Little of Coppinger & Associates and architects Charles Jolly and Carol Myers, all of Lexington.

“I think we got the wonderful result we did because we had such a great team,” Thilman said. “From a design perspective, our goal was to respect the past and bring it into the present in certain ways, like building a new kitchen.”

Combs, Thilman and Pennington worked closely with their relatives to try to achieve consensus on most major issues. That mainly involved the sixth generation, all of whom live in Central Kentucky. But it also included 18 members of the seventh generation, who are scattered from New York to Portland, Ore.

The family now keeps a Google calendar to track who is using the house when. The entire family will gather at Buknore on major holidays.

“We’re just trying to take care of what we’ve been given, but also keep the family together,” Combs said. “Luckily we all get along pretty well. If we didn’t, this project would have been a lot harder.”

The entry hall of Buknore in Bourbon County. It was designed and built circa 1834-1841 by Matthew Kennedy of Lexington, Kentucky's first professional architect. Photo by Tom Eblen | teblen@herald-leader.com

The entry hall of Buknore in Bourbon County.

The entry hall of Buknore, looking into the dining room.  It was designed and built circa 1834-1841 by Matthew Kennedy of Lexington, Kentucky's first professional architect. Photo by Tom Eblen | teblen@herald-leader.com

The entry hall of Buknore, looking into the dining room.

The former farm office room at Buknore has been converted into a bedroom. Photo by Tom Eblen | teblen@herald-leader.com

The former farm office room at Buknore has been converted into a bedroom.

The dining room at Buknore. Much of the furniture has been in the Bourbon County house for generations. Photo by Tom Eblen | teblen@herald-leader.com

The dining room at Buknore. Much of the furniture has been in the house for generations.

Buknore in Bourbon County was built by Walker Buckner between 1834 and 1841. Originally named Locust Grove, it was designed and built by Matthew Kennedy of Lexington, Kentucky's first professional architect. Photo by Tom Eblen | teblen@herald-leader.com

Buknore in Bourbon County was built by Walker Buckner between 1834 and 1841.

Buknore in Bourbon County was built by Walker Buckner between 1834 and 1841. Originally named Locust Grove, it was designed and built by Matthew Kennedy of Lexington, Kentucky's first professional architect. Photo by Tom Eblen | teblen@herald-leader.com

Buknore in Bourbon County was built by Walker Buckner between 1834 and 1841.


When candidates talk about prosperity, whose do they mean?

May 10, 2015

Have you ever wondered why Kentucky is always near the bottom when states are ranked by economic health and well-being?

There are several reasons. But one is that many of our politicians are either wealthy business executives who fund their own campaigns or people who suck up to wealthy business executives to fund their campaigns.

Either way, the interests of wealthy business executives are what become priorities, and they have as much in common with the interests of average Kentuckians as, well, night and day.

This is why politicians perpetuate several economic myths, and why many policies that would improve the economy and lives of many Kentuckians are rarely enacted. What are these myths?

To start with, business executives are not “job creators.” In fact, executives often make more money and Wall Street rewards their companies when they cut jobs rather than create them.

The real job creators are average people who buy the goods or services businesses produce. Consumer spending accounts for 70 percent of all economic activity and indirectly drives much of business capital spending and investment. The more money people have to spend, the more jobs will be created.

Many successful executives also keep wages for everyone but themselves as low as possible to boost “efficiency” and profits. That’s why average people should beware of politicians who are against raising the minimum wage, which has declined in value for decades as executive compensation has soared.

Opponents always argue that raising the minimum wage would do more harm than good, but decades of experience has shown otherwise. Raising the minimum wage also leads to higher pay for other low-wage workers, giving more people more money to spend and boosting the economy.

Beware of politicians who advocate so-called “right to work” laws. These laws aren’t really about protecting anybody’s “right to work”; they are about weakening unions and protecting big employers’ “right” to pay workers as little as possible.

Beware of politicians who rail against government regulation. Sure, you can always find examples of over-regulation. But regulation keeps business executives from cheating and hurting the rest of us and ruining the environment we all share.

It is no coincidence that America’s economy was most prosperous in the decades when average workers’ wages were higher, unions were stronger and government was a watchdog of business instead of a lapdog.

Things started changing in the 1980s with “pro-business” policies and “trickle-down” economic theories that resulted in the highest level of wealth inequality in nearly a century, not to mention the greatest economic crisis since the Great Depression and a slow, uneven recovery.

Beware of politicians who want to abolish “Obamacare.” They want to take health care away from several hundred thousand Kentuckians with no plan to replace it other than vague promises of “free-market” solutions.

The free market has never provided good health care for low-wage people. Most hospitals and clinics began as charities, not businesses. Almost every other industrialized nation has a health care system run largely by government, delivering better care at less cost than our private insurance-based system.

Beware of politicians who are “friends of coal.” Kentucky will continue mining and burning coal for decades, but coal is the past, not the future. Most coal jobs will never return. Repairing coal’s damage to Kentucky will be a huge, costly challenge, and we don’t need to make the mess any bigger than it already is.

Renewable energy is the future, and the more Kentucky politicians deny climate change and cling to the past to protect coal-industry profits, the further behind this state will fall.

What Kentucky needs are leaders willing to invest in education, entrepreneurship, economic infrastructure beyond just highways and the social services necessary to keep average people healthy and able to work.

We need leaders with enough courage to create a modern tax system that grows with the economy and eliminates special-interest loopholes that sap government of the resources needed to address Kentucky’s many challenges.

As you listen to the candidates for governor seek your vote in the May 19 primary and Nov. 3 general elections, ask yourself this question: When they promise prosperity for Kentucky, whose prosperity are they talking about? Yours or theirs?


At age 81, renowned folk artist Minnie Adkins is busier than ever

May 9, 2015
Folk artist Minnie Adkins, 81, in her "museum" building beside her home in Elliott County.  Photos by Tom Eblen

Folk artist Minnie Adkins, 81, in her “museum” building in Elliott County. Photos by Tom Eblen

 

ISONVILLE — Minnie Adkins turned 81 in March, nine months after her second husband died. At a point in life when most people would be slowing down, the renowned Elliott County folk artist is busier than ever.

Adkins spent the long, snowy winter whittling and painting. Her work included 11 identical statues that will be presented next year to winners of the Governor’s Awards in the Arts, which she won in 1998.

She also made dozens of colorfully painted horses, pigs, possums, foxes and roosters — especially roosters. When I visited her last week, Adkins had a table filled with roosters, each whittled from a tree limb fork.

“As you can see, I ain’t lackin’ for roosters,” she said with a wry smile. “I never do have arthritis in my hands and I’ve whittled and whittled.”

Adkins will be in Lexington on Friday from 5 p.m. to 8 p.m. for Gallery Hop at the Carnegie Center for Literacy and Learning, 251 West Second Street.

Adkins carved Bright Blue Rooster for a children's book she did with writer and folksinger Mike Norris.

Adkins carved Bright Blue Rooster for a children’s book she did with Mike Norris.

She will be showing a range of her life’s work, including dozens of figures she made for photographs in three children’s books she has done with writer and folksinger Mike Norris of Danville: Bright Blue Rooster (1997), Sonny the Monkey (2012) and Mommy Goose, which the University Press of Kentucky will publish next year.

After Gallery Hop, Adkins will get ready for the Day in the Country Folk Art Fair on June 6. Adkins started the fair at her home years ago, but it became so popular the Kentucky Folk Art Center moved it to Morehead. It is now one of America’s largest folk art fairs, with more than 50 artists from 10 states.

Then, on July 18, Elliott County will put on its second annual Minnie Adkins Day in Sandy Hook with art, crafts, food and music.

“We have a really good time at Minnie Day,” Adkins said. “Of course, I’ve just been to one Minnie Day. But it was really good.”

Adkins began whittling as a child, making toys for herself and gifts for her parents. She started selling pieces at Avon bottle shows in the early 1970s in Dayton, Ohio, where she and her first husband, Garland, had moved to find work.

“I was selling them for 50 cents or $1, and was I ever tickled when I sold a whole batch of them,” she said. “I thought I had hit the big time.”

After moving back home in 1983, she accompanied her husband to Morehead one day. While he filed for unemployment benefits, she went into a craft gallery to look around. She told the owner she made things like what he was selling, and he asked to see some of them.

Adkins has been selling work ever since with help from folk art champions such as Adrian Swain and Larry Hackley. Grandson Greg Adkins helps market her work now when he isn’t busy coaching basketball at Elliott County High School.

Adkins has been featured in several folk art books, including Ramona Lampell’s 1989 best-seller, O, Appalachia: Artists of the Southern Mountains.

“That’s really what got me recognized,” Adkins said. “People began to come here, folk art collectors from all over the country, to find me.”

Her work is in dozens of private collections and several museums, including the Smithsonian and National Gallery of Art in Washington, D.C., and New York City’s American Folk Art Museum. In Lexington, her work is sold at Ann Tower Gallery and Clark Art & Antiques.

Garland Adkins helped whittle until his death in 1997. Three years later, she married Herman Peters, a metal worker who made steel sculptures of her figures. He died last June.

Adkins lives on more than 100 acres along Right Fork Newcombe Creek, which she calls Peaceful Valley, within sight of her childhood farmhouse.

She often whittles in the easy chair in her living room, where the walls are filled with awards, including an honorary doctorate from Morehead State University, and pictures of her family, which includes a son, three grandchildren and four great-grandchildren.

Adkins has no idea how many pieces she has made: “It would be wild to even think.”

She has a workshop in her barn, as well as a little museum. In recent years, she has bought back many of her early pieces — or been given them by collectors and their families who have become friends.

Some of her biggest pieces portray Bible stories, such as Noah’s Ark, Daniel in the Lions’ Den and Adam and Eve. She also has done paintings, quilts and painted furniture. But her favorite things to make are whimsical animals.

“We always had all kinds of animals on the farm,” she said. “After I got to making pigs and horses and roosters, then I went into foxes and bears.”

Some of Adkins’ animals defy description, such as one she bought back from a collector a few years ago.

“The woman said when she come to my house I was whittling on this and she said, ‘What is that?'” Adkins recalled. “I said, ‘I don’t know what it is and I don’t know who I’m making it for,’ so I called it a Who What.”

One of folk artist Minnie Adkins' biggest pieces has been this Noah's Ark set, which she sold years ago and recently bought back.

One of Adkins’ biggest pieces was Noah’s Ark, which she sold years ago and has bought back.


How would you #FillCentrePit? Water, trampoline, donuts and more

May 8, 2015

CentrePointeIllustrationIllustration by Chris Ware, photo by Faron Collins

 

If developer Dudley Webb can’t finish his long-stalled CentrePointe project, how would you fill the massive hole in the heart of Lexington?

That was my challenge in Wednesday’s column, and did you ever respond, on Twitter, Facebook and email. I quit counting suggestions after a couple hundred. But I read them all, and here are some of the best, most creative and most bizarre.

This game was prompted by city officials’ demand that Webb fill the hole with rock and dirt, since he had made little visible progress for nearly a year in filling it with the underground garage and mixed-use development that he has promised for seven years. City pressure seemed to prompt news Friday that Webb is talking with another, unidentified developer about partnering on the project. City officials have met with that developer and say they are optimistic.

But if things don’t work out, Lexingtonians have plenty of other ideas for this limestone pit, 35 feet deep and a full city block square.

The most popular suggestion by far is to finish the underground garage and put a park on top of it. So many people liked CentrePointe as a grassy meadow, which it was from 2009 to 2013 while Webb searched for financing.

Readers thought retired racehorses could graze there, and it would make a great place for pony rides. Or it could be Lexington’s version of New York’s Central Park, Chicago’s Millennium Park or San Francisco’s Union Square.

Commercial real estate folks say this block is too valuable for a park, and that what Lexington needs is a tax-generating complex of offices, apartments, restaurants and shops.

Several readers wanted to see a development with outstanding architecture, such as the CentrePointe design that Jeanne Gang, the Chicago architect and MacArthur Foundation “genius” award winner, created in 2011 but that was later discarded.

Others who wanted the parking garage completed had other ideas for the top: a huge grocery store, a public market, a new city hall, a symphony hall, a glass-domed aviary or butterfly house, a museum complex, an Imax theater or hanging gardens.

“And Christmas lights,” wrote Christian Thalacker. “Lots of Christmas lights.”

A retired University of Kentucky professor suggested turning the site over to UK administrators, who could quickly fill it with dormitories, since Webb had already torn down all of the block’s historic buildings for them.

Others wanted to make better use of the hole than as a place to park cars. It could become an amphitheater, sunken gardens or a sports arena.

Others suggested a below-ground horse-racing track, basketball and racquetball courts, a zoo, a giant sandbox, a skateboard park, a roller derby rink, a go-kart track, a giant Ferris wheel, the world’s largest burgoo pot or a fire pit for community marshmallow roasts.

More adventurous readers wanted to create the world’s largest plastic ball pit. Others wanted the hole filled with foam or blue Jell-O or Vaseline and glitter. Several suggested installing the world’s largest trampoline.

“Are the food trucks still looking for permanent spots?” Lara Bissett asked via Twitter. “#FillCentrePit with food smells and watch people fall in like lemmings.”

Noting that Webb had once proposed creating a “Lake Lexington” water feature, many readers wanted to see the pit filled with water.

CentrePointe could become a wave pool, fishing pond or swimming pool, complete with a resort-like water bar on the end near McCarthy’s Irish Bar. The idle construction cranes could stay on as diving platforms.

Melody Hughes Ryan suggested other local-themed water park features, including The Great Compromiser No Wave Pool, honoring Henry Clay, and the Belle Brezing Hot and Steamy Tub.

Some suggested a water slide coming off the roof of the Lexington Public Library or a zip line down from the top of Lexington Financial Center or a bungee slingshot from High Street.

“Fill it with North Lime donuts and West Sixth beer and let us swim in the deliciousness,” Matt Gordon tweeted.

Others wanted paddle boats, a Noah’s Ark replica or a riverboat casino on the lake.

Some suggested the pit as a place to put Webb, Congress, various other politicians, liberals, Republicans, Duke basketball fans and impudent newspaper columnists. Among readers with this line of thinking, Webb was the overwhelming choice.

“Fill it with all of Dudley’s broken promises,” tweeted Rob Morris, a blogger and car-repair shop owner who has been a longtime critic of CentrePointe. “Wait. We’ll need a much bigger hole.”


Tell me how you would #FillCentrePit if Dudley Webb can’t build

May 5, 2015

CentrePointeThe CentrePointe pit in downtown Lexington. Photo by Tom Eblen

 

Ronald Reagan: “Mr. Gorbachev, tear down this wall!”

Jim Gray: “Mr. Webb, fill in this hole!”

That historical reference, from a former colleague, is one of many quips and wisecracks I have heard since city officials notified CentrePointe developer Dudley Webb last week that they consider him in default.

Before the city gave Webb permission to excavate his long-stalled development’s underground garage, he had to pledge $4.4 million in December 2013 to restore the property to a grassy meadow if he stopped work for 60 days.

If Webb did not fill the hole, the agreement gave city officials the right to take out a mortgage on the property to pay for the work.

Although there has been no obvious progress since last summer, Webb disputes the city’s claim that work has stopped. He has demanded that city officials retract their default notice, and his attorney has threatened to sue if they don’t.

“We’ve made great progress,” Webb told the Urban County Council last Thursday. “We’re so close to getting this deal done.”

Council members listened politely but said nothing. After seven years of empty promises, Webb’s credibility is lower than the bottom of CentrePit.

If Webb and city officials can’t reach agreement, the issue will end up in court, which could make for an interesting discovery process. Who was the mysterious dead investor? Did he ever exist?

Nobody really expects the hole to be filled. That would make no sense. Lexington needs the underground garage — and a successful, tax-generating development on top of it.

The “restoration” agreement was an attempt to give the city some leverage to keep Webb on task — or force him to turn the property over to another developer if he can’t get the job done.

Until then, the fenced-off crater, where two tower cranes have stood idle since they were installed in early December, will continue hurting surrounding businesses and sucking life out of an otherwise rebounding downtown.

CentrePointe has become a Lexington joke, so we might as well have a few laughs. Here is my challenge to you: How would you fill this hole?

Post your suggestions on Twitter or Facebook, with the hashtag #FillCentrePit so I can find them. If you don’t use social media, send me an email at teblen@herald-leader.com. No phone calls, please.

I will write a follow-up column Saturday based on the best of your suggestions. I’m looking for humor and creativity more than practicality.

To kick off the conversation, here are some ideas I have seen and heard:

■ Many have suggested drilling a few feet sideways into the Town Branch Creek culvert and allowing CentrePit to fill with water. Then, Webb would have a version of the Lake Lexington water feature he proposed years ago. (Drill carefully; a major sewer line runs between the pit and Town Branch.)

■ A manipulated photograph making the rounds on social media shows CentrePointe restored to its fenced-meadow state with the People’s Bank building, which must be moved from South Broadway or it will be demolished, placed there.

■ Several people have suggested putting the Noah’s Ark replica proposed for a Northern Kentucky religious theme park, which has been controversial because of tax breaks it has received and requested, in CentrePit, either to float or be buried.

■ One friend suggested a public contest to guess how many dump truck loads of soil and rock it would take to fill the hole.

■ Another friend suggested filling CentrePit with water and renting paddle boats. A pay lake for fishing might be more appropriate. Every time I think about how Lexington got into this mess, the phrase “hook, line and sinker” comes to mind.

The best solution, of course, would be for Webb to get financing and get to work — or turn the block over to someone who can. Until then, we might as well laugh about CentrePointe. Otherwise, we’ll just want to cry.


Kentucky Typer is a high-tech guy, but his passion is old typewriters

May 3, 2015
Bryan Sherwood started his business, Kentucky Typer, two years ago. He repairs typewriters and buys, restores and resells them. Sherwood said many of his sales have been to 20-somethings who have discovered typewriters, a machine that all but disappeared from homes and offices after personal computers became popular in the 1980s. Photo by Tom Eblen | teblen@herald-leader.com

Bryan Sherwood repairs old typewriters and buys, restores and resells them. Photos by Tom Eblen

 

By day, Bryan Sherwood is an IT specialist for a Lexington accounting firm. But he spends most evenings and weekends in his garage, working on an older type of information technology.

Sherwood runs Kentucky Typer, one of the few businesses left that repairs typewriters, those clacking machines that were ubiquitous in offices and homes for nearly a century before computers replaced them.

He said he cleans, lubricates and repairs about four typewriters a week for customers all over the country. Sherwood also buys and refurbishes typewriters and resells them through his website, Kytyper.com.

“I like the fact that they do one thing but do it really well,” he said “You can’t surf the Internet. But you can put printed words on a page.”

His mechanical mind also appreciates old typewriters’ design and craftsmanship.

“I like seeing all the different ways designers of the past approached the same problem,” he said.

150429KyTyper0010Sherwood, 43, learned typewriter repair by studying old manuals and working with Ed Reed of Ed’s Office Machines in Winchester. Sherwood thinks he and Reed might be the last two typewriter repairmen in the state.

Kentucky Typer was launched two years ago, but Sherwood has seen a surge in business lately.

Many customers are older people who have used typewriters their entire lives and don’t want to learn computers. Other typewriter users like the romance of machines on which so much great 20th-century literature and journalism was produced.

Still others are people who write a lot and enjoy a more physical, mechanical experience than they can get with a laptop computer.

“What I hear a lot is there’s a different aspect to writing with a typewriter than on a computer,” he said. “It’s because they don’t have all the distraction of Facebook, email dinging in and all those kinds of things.”

A growing number of typewriter buyers are people in their 20s who were born after the computer age began. Their generation’s interest has pushed up prices, especially for manual portables made from the 1930s to 1960s. Those now sell for two or three times what they did just a few years ago.

Ironically, the Internet has fueled interest in typewriter use and collecting. It has made it easier for typewriter fans to connect with one another, find and buy machines and get parts and information.

That is how I discovered Kentucky Typer. My trusty 1941 Remington Deluxe Remette needed adjustment, and in searching for information I found a PDF of Remington’s 1940 portable typewriter manual on Sherwood’s website.

I have always been an early adopter of technology, from the Radio Shack TRS80 I bought in 1981 to the MacBook Pro I write on now. But I also love typewriters because, well, I just do.

I learned to type on my parents’ Royal desktop. They gave me an electric Smith-Corona portable to take to college, but it was such a noisy beast I ditched it for a 1920s Royal manual portable that I bought from my landlord.

I was later given a 1920s Underwood desktop, a formidable hunk of iron. For the past 15 years or so, my typewriter of choice has been the 1941 Deluxe Remette. That rugged model was said to be a favorite of World War II correspondents.

150429KyTyper0025Sherwood’s favorite typewriter is the IBM Selectric, which used a unique type ball. They were made at IBM’s Lexington plant from 1961 until production ceased in 1986.

Selectrics still are excellent machines and fun to work on, Sherwood said. But he also has other reasons for liking them: He learned to type on one in high school, and his father worked on IBM’s Selectric assembly line.

Sherwood services all kinds of typewriters, charging $79 for basic cleaning and repair, plus $40 an hour for major work.

He restores mostly Selectrics and post-World War II portables, most of which he sells for $100 to $200. Smith-Corona, Remington and Olympia manual portables from the 1950s are especially popular.

Sherwood isn’t ready to give up his day job at Dean Dorton Allen Ford any time soon for the typewriter business. But he and his wife, Heather, enjoy it as a hobby.

“It’s fun to help people get machines working that aren’t working,” he said. “And lots of places there’s just nobody left who will do it.”

 


From cheap seats to expensive suites, a picture-perfect Derby

May 2, 2015
Fans watched races from the Jockey Suites balconies at the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday.  Photo by Tom Eblen | teblen@herald-leader.com

Fans watched races from the Jockey Suites balconies. Photo by Tom Eblen

 

A picture-perfect spring day brought a record crowd of 170,513 people to Churchill Downs for the 141st running of the Kentucky Derby. And what a spectacle they saw.

The most important two-minutes of the day belonged to American Pharoah, the favorite who won the $2 million mile-and-a-quarter race for 3-year-olds.

But there was so much more to see: Women in tight dresses, plunging necklines and hats that could qualify as architecture. Men wore either the finest or most garish suit they could find, often topped with a straw hat.

As always, it was a colorful sea of humanity, with everyone doing their best to have a good time. And, for many I talked to, it was their first Kentucky Derby.

“We’ve been having a lot of fun,” said Graham Yost, the Canadian screenwriter who created and is executive producer of Justified, the hit television series set in Kentucky, which just finished its six-season run in April.

Yost and his wife, Connie, were wined-and-dined in Lexington earlier in the week, but still weren’t quite prepared for their first Kentucky Derby.

“We had heard about the hats, but until you see them… ” Yost said. “Kentucky has become a huge part of our lives.”

“This is one of the best spectacles of all,” added singer Mac Davis, who was sharing the Yost’s table on Millionaire’s Row.

Far below the celebrities, in folding chairs beside an infield fence, Susan and Bob Syphax were experiencing their first Derby, too.

Seven months ago, they moved from California to Pulaski County and decided this was the year. So they dressed in their finest outfits and plucked down $60 each for general-admission tickets.

“I always wanted to go to the Derby,” she said. “I didn’t care where we sat; I just wanted to be here.”

James Roberts of Grand Junction, Colo., and six of his buddies from around the country flew into Louisville this week for their first Derby — and an early bachelor party before his Aug. 1 wedding.

“We came to see the race and hopefully get me to my wedding eventually,” Roberts said. “We’re having a blast. Now we’re ready to win some money on horses.”

“It’s been on our bucket list,” said Lee Vigil, who was here from Albuquerque, N.M., with his wife, Stella. “This is our 41st anniversary, so we thought we could come celebrate it at the 141st Derby.”

Cathy Dewberry and Norline Simpson of Dayton, Ohio, spent much of their first Derby wandering the infield and photographing other women’s hats.

“What brought us here was the hats,” Simpson said from beneath a big turquoise and white one of her own.

“We love every bit of it,” Simpson added. “We will be back.”

High above the infield in the Jockey Suites complex, corporate executives used the day to entertain guests and clients in high style.

Lexington Mayor Jim Gray started the day in the suite rented by his family firm, Gray Construction, but he quickly started roaming Churchill Downs with Jamie Emmons, his chief of staff.

“This is a day when you can have a chance to quickly see a lot of people who have influence in Lexington and Kentucky,” Gray said. “It’s a long day, but a beneficial one.”

Derby day was also a good payday for thousands of service workers and vendors at the track.

Darrin Hildebrand of Sandusky, Ohio, was making and selling hand-rolled cigars for $15 each about as fast as he could roll them. Aaron Kluttz of Baltimore and his son, Luke, each got done and, after long draws, pronounced them good.

“We’ll go through 1,000 by the time it’s all said and done,” Hildebrand said.

The warm, sunny weather also meant brisk business for mint julep vendor Rob Hawkins. Three hours before the Derby, he had already sold a dozen cases.

“It’s never a bad day at the Derby,” he said as he rushed back for another case. “But when you have weather like this, everybody wants a drink.”

Dining room patrons on the fifth floor of the Jockey Suites line up for food at the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday.  Photo by Tom Eblen | teblen@herald-leader.com

Dining room patrons on the fifth floor of the Jockey Suites line up for food. Photo by Tom Eblen

Darrin Hindebrand of Sandusky, Ohio, lights a cigar he just made for Aaron Kluttz of Baltimore at the 141st Kentucky Derby on Saturday.  Hildebrand, who learned how to make cigars 22 years ago, later made one for Kluttz's son, Luke, left. HIldebrand said he would end up making about 1,000 cigars at Derby and Oaks, which sold for $15 each. Photo by Tom Eblen | teblen@herald-leader.com

Darrin Hindebrand of Sandusky, Ohio, lights a cigar he made for Aaron Kluttz of Baltimore at the 141st Kentucky Derby on Saturday. Hildebrand, who learned how to make cigars 22 years ago, later made one for Kluttz’s son, Luke, left. HIldebrand said he would end up making about 1,000 cigars at Derby and Oaks, which sold for $15 each. Photo by Tom Eblen

Big-hatted spectators gather in the paddock at the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday.  Photo by Tom Eblen | teblen@herald-leader.com

Big-hatted spectators gather in the paddock. Photo by Tom Eblen


Fan photos from early in a beautiful Kentucky Derby day

May 2, 2015
Bob and Susan Syphax moved to Science Hill, Ky., from California seven months ago and were excited about seeing their first Kentucky Derby on Saturday. "I always wanted to go to the Derby," she said. "I don't care where I sit. I just wanted to be here." They sat in the infield, watching a big-screen television.  Photo by Tom Eblen | teblen@herald-leader.com

Bob and Susan Syphax moved to Science Hill, Ky., from California seven months ago and were excited about seeing their first Kentucky Derby on Saturday. “I always wanted to go to the Derby,” she said. “I don’t care where I sit. I just wanted to be here.” They sat in the infield, watching a big-screen television. Photo by Tom Eblen

Ohio State University students, left to right, Daniel LeHue, Elliott O'Flynn, Nicholas Kobernik and Kara Neff cheered for an undercard race in the infield Saturday before the 141st Kentucky Derby. This was their first Derby Day at Churchill Downs.  Photo by Tom Eblen | teblen@herald-leader.com

Ohio State University students, left to right, Daniel LeHue, Elliott O’Flynn, Nicholas Kobernik and Kara Neff cheered for an undercard race in the infield Saturday before the 141st Kentucky Derby. This was their first Derby Day at Churchill Downs. Photo by Tom Eblen

Damon Williams, left, of Stockton, Calif., and Zach Miller, right, of Austin, Texas, studied the racing program Saturday with James Roberts of Grand Junction, Colo. Williams and Miller were among six friends of Robertson from around the country who gathered in Louisville for his early bachelor party. He is getting married Aug. 1. It was the first time any of them had been to the Kentucky Derby.  Photo by Tom Eblen | teblen@herald-leader.com

Damon Williams, left, of Stockton, Calif., and Zach Miller, right, of Austin, Texas, studied the racing program Saturday with James Roberts of Grand Junction, Colo. Williams and Miller were among six friends of Robertson from around the country who gathered in Louisville for his early bachelor party. He is getting married Aug. 1. It was the first time any of them had been to the Kentucky Derby. Photo by Tom Eblen

Soldiers assisted with security in the infield at the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday.  Photo by Tom Eblen | teblen@herald-leader.com

Soldiers assisted with security in the infield at the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday. Photo by Tom Eblen

Cathy Dewberry, left, and Norline Simpson of Dayton, Ohio, attended their first Kentucky Derby on Saturday in the infield. "We're all about the hats," Simpson said. "But we love every bit of it. We'll be back."  Photo by Tom Eblen | teblen@herald-leader.com

Cathy Dewberry, left, and Norline Simpson of Dayton, Ohio, attended their first Kentucky Derby on Saturday in the infield. “We’re all about the hats,” Simpson said. “But we love every bit of it. We’ll be back.” Photo by Tom Eblen

Fans began gathering in the infield early for the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday.  Photo by Tom Eblen | teblen@herald-leader.com

Fans began gathering in the infield early for the 141st Kentucky Derby. Photo by Tom Eblen

Soldiers assisted with security in the infield at the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday.  Photo by Tom Eblen | teblen@herald-leader.com

Soldiers assisted with security in the infield at the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday. Photo by Tom Eblen

Infield fans watched undercard races before the 141st Kentucky Derby at Churchill Downs in Louisville on Saturday.  Photo by Tom Eblen | teblen@herald-leader.com

Infield fans watched undercard races before the 141st Kentucky Derby. Photo by Tom Eblen


A case of Pappy helps add glitz to Derby wine auction and gala

April 28, 2015

The Lexington Cancer Foundation will have its 10th annual Kentucky Bluegrass Wine Auction & Derby Gala at Donamire Farm on April 30. This photo was taken at the 2014 event. Photo Provided

The Lexington Cancer Foundation will have its 10th Kentucky Bluegrass Wine Auction & Derby Gala at Donamire Farm on Thurday. This photo was taken at the 2014 event. Photo Provided

 

A bottle of hard-to-find Pappy Van Winkle has become a hit at many Central Kentucky charity auctions, sometimes fetching bids of $1,000 or more.

So here is one reason the Lexington Cancer Foundation‘s Kentucky Bluegrass Wine Auction & Derby Gala is one of the state’s fanciest Derby parties: It will auction an age-mixed case of a dozen bottles of the high-priced bourbon, plus a limited-edition Scottish crystal decanter filled with even more.

Kristi Martin, the foundation’s executive director, wouldn’t say who donated the Pappy or how much she thinks it might sell for. But I would expect several five-figure bids from the 400 guests Thursday night. After all, tickets to this sold-out gala at Donamire Farm cost $700 per couple.

Other auction items may bring even more than the Pappy. There are University of Kentucky basketball season tickets; a U2 concert in Chicago; a breeding season with an Ashford Stud sire; a Breeders Cup package; golfing at Pebble Beach; and luxury trips to Rome, Argentina, Mexico, Napa Valley, Las Vegas and Wyoming.

The wine auction gala has become a popular fundraiser for the foundation, which by the end of this year will have made more than $3 million in grants and donations to cancer-fighting organizations throughout Kentucky since 2004, Martin said.

At least half the attendees will come from out-of-state, she said, including a large Silicon Valley contingent that includes Kevin Systrom, the founder and CEO of Instagram. Graham Yost, creator of the hit TV series Justified, also will be there.

But compared to some other Derby parties, this isn’t a star-studded event — unless you are a wine connoisseur.

“Some high-level groups are coming in now, and that’s wonderful,” Martin said. “But what we have found out over the years during Derby week a lot of celebrities want to be paid to come, and that’s something we would never do.”

Brenda Rice, the wife of Lexington attorney Brent Rice, started the foundation in 2004 after a family member was diagnosed with cancer. She talked with friends she had volunteered with for other causes over the years and discovered many of them also had been touched by the disease.

“I thought, how can we make the biggest impact?” Rice said. “I knew what these women were capable of when their hearts were in it.”

The foundation is run by a 50-member board of women volunteers, with help from another 50 “junior” board members. Each year since 2005, the foundation has made an average of more than $280,000 in grants to a variety of hospitals, researchers and cancer-related programs throughout Kentucky.

The private foundation receives no state or federal funds, but has attracted a long list of corporate and individual sponsors, whose donations significantly cut the cost of putting on the wine auction and gala.

A key to the event, Martin said, has been its ability to attract top vintners. Each year, more than a dozen wineries spend about $50,000 each from their marketing budgets to participate. This year’s vintner chair is Will Harlan of the Harlan Estates family in Napa Valley. He now has his own label, The Mascot.

“The event has grown over the years as word has gotten out,” Martin said. “The level of wineries that we’re able to attract is phenomenal.”

Festivities begin Wednesday with six private dinners for top sponsors at foundation patrons’ homes. Vintners have a trade fair for area restaurateurs and wine merchants Thursday morning to promote their products, which will be served that evening at the gala with food catered by The Apiary.

After a Friday breakfast at Keeneland, guests are offered tours of horse farms and Woodford Reserve Distillery before dinner for vintners and top sponsors at the Iroquois Hunt Club. For those who want to attend the Derby on Saturday, the foundation helps them arrange to buy tickets.

“They get a wonderful experience of Kentucky during the Derby season,” Martin said. “And they help us raise money for our mission.”

The foundation’s other major fundraiser this year will be the fourth annual Roll for the Cure, a bicycle tour Aug. 22 in partnership with the Bluegrass Cycling Club.


Hunting agate in Estill County ahead of this weekend’s big festival

April 25, 2015

150421Agate-TE0064Cindy Striley of Cincinnati, left, examined a rock she found along Station Camp Creek while hunting for agate. James Flynn, right, who led the hunt, discussed another specimen with Richard and Linda Schlabach of Nashville, Tenn. Back left is Jerry Parton of Mount Pleasant, Iowa. People from more than a dozen states went on agate hunts last week leading up to this weekend’s 25th annual Mountain Mushroom Festival in Irvine. Photo by Tom Eblen 

 

IRVINE — Jerry Parton waded slowly down Station Camp Creek, scanning the rocky bottom beneath shallow riffles.

He carried a plastic bucket in one hand and a three-pronged rake in the other, using it to turn over stones now and then. Parton bent down, picked up one and rolled it in his hand. Then he shook his head.

“It’s just a piece of hamburger,” he said, referring to a round, ridged rock that looks like Kentucky agate but isn’t. “I always have high hopes for those.”

Parton, who lives in Mount Pleasant, Iowa, was part of a record crowd of 150 rock hounds from 13 states who came to Estill County last week for three guided hunts before the Kentucky Agate, Rock Gem & Jewelry Show.

The show is part of the Mountain Mushroom Festival, which began Friday and continues through Sunday. This is the 25th year Irvine has celebrated the tasty morel mushrooms that grow wild in the surrounding hills and the eighth year the festival also has showcased rare Kentucky agate.

Other events include a mushroom market and cooking demonstrations, car and craft shows, a beauty pageant, the Fungus 5k Run and the Speedy Spore River Run. Last year’s festival brought 20,000 people to this town of 2,400.

150421Agate-TE0003“These are things that make us unique, and we want people to see what a nice community we have here,” said Francine Bonny, the festival’s chairwoman. “We’re salt-of-the-earth people.”

Kentucky agate is found only in Estill and parts of five adjacent counties: Madison, Lee, Rockcastle, Jackson and Powell. Spring is the best time to find it. Heavy rains tend to wash chunks out of underground bedrock formations into creek beds freshly cleared of algae.

The General Assembly declared agate the state rock in 2000, even though it is mineral quartz and technically not a rock. (Legislators struggle with science. They also declared coal the state mineral, even though it is a rock and not a mineral.)

Geologists think Kentucky agate was formed as part of the Borden layer during the Mississippian period, about 350 million years ago.

Agate stones appear rather ordinary on the outside. When broken open, they look like translucent glass with irregular, concentric bands combining red, orange, yellow, black and gray. The coloration is caused by various chemical impurities.

Collectors often use rock saws to cut agate into slices. They then polish them for display or use in decorative items such as jewelry or bookends.

Rondle Lee was giving away pieces of unpolished agate last Tuesday morning to people who signed up for one of the festival’s three official hunts. Lee wanted everyone to know what they were looking for, because locals say the stretch of creek on his property contains some of the finest agate in Kentucky.

James Flynn of Irvine, who has been hunting agate for 35 years, led the group on a one-mile hike to the creek, followed by a long wade upstream.

Bright sunshine made it a good day for hunting, Flynn said, because the agate’s coloring would stand out better from limestone and sandstone. Hunters tried to be choosey: whatever they put in their bucket or backpack had to be worth carrying around all day.

“Until about the 1960s, nobody knew this agate was here,” Flynn said. “A lot of people come and hunt now. I’ve gone many a day and not found a piece. Other days, I’ve found a pack full.”

Dan Newbauer of Apple Valley, Minn., came to hunt last April and enjoyed it so much he returned this year. Others, such as Esta Helms of Columbia, Mo., and Richard and Linda Schlabach of Nashville came after hearing about it from other members of their rock hound clubs.

“It’s just a totally different kind of agate,” said hunter Chip Burnett, a retiree from Killeen, Texas, who collects rocks, makes jewelry and has sold his wares at the Irvine show for four years.

“If you want some of this stuff, this is where you have to come,” he said. “But it’s beautiful country with a lot of friendly people.”

Click on each image to see larger photo and read caption:


Can North Lexington revival avoid the pitfalls of gentrification?

April 24, 2015

Rand Avenue. Rock Daniels   Photo by Tom Eblen | teblen@herald-leader.comRecently renovated houses on Rand Avenue off North Limestone Street. Photo by Tom Eblen

 

My column last Monday about the quickening pace of renovations in the North Limestone corridor generated some heated discussions on social media about “gentrification.”

In case you aren’t familiar with the term, it was coined in the 1960s to describe the displacement of poor residents when people with more money move into a neighborhood, leading to higher property values, rents and taxes.

It is a politically charged word sometimes used to try to shame people interested in historic preservation, or who want to improve property in neighborhoods where they wish to live or invest.

As urban living has regained popularity in Lexington after decades of suburban sprawl, re-investment in old neighborhoods has led to worries about gentrification.

It is a legitimate issue, because business practices and trickle-down economic policies have created a widening gap between rich and poor. Many hard-working people struggle to make ends meet after years of stagnant wages.

But gentrification can be subjective and complicated, because it involves touchy issues of class, race and capitalism. There are no easy solutions.

Two thoughtful essays about gentrification in Lexington were written by Bianca Spriggs in Ace Weekly last June and Joe Anthony in North of Center in May 2012. Both are worth reading online.

Here’s my view:

Neighborhoods are not static. They are constantly changing for many reasons. Some of those changes are good and others are bad, depending on your perspective. I see a lot more good than bad happening in North Lexington these days.

Many of these neighborhoods were created a century or two ago for wealthy and middle-class homeowners. Suburban flight led to disinvestment, deterioration and crime. A lot of owner-occupied homes became low-income rentals owned by people who didn’t take care of their property.

There are many good houses and commercial buildings there worth preserving and reusing. There also is a lot of community fabric and culture worth respecting and nurturing.

The return of more owner-occupied housing in these neighborhoods is a good thing. It is a fact of life that homeowners have more political clout than renters. That often results in more investment, better policing and less crime in neighborhoods with a significant share of owner-occupied homes.

That doesn’t mean rental property is undesirable. In many neighborhoods, such as mine, renters contribute a lot to community life.

Thanks to investment by new residents, businesses, non-profit groups such as the North Limestone Community Development Corporation and some professional renovators, many of North Lexington neighborhoods are becoming safer and more economically diverse places to live.

That doesn’t mean I like every house-flipper’s craftsmanship or tactics. But some of them are doing good work.

It is inevitable that some renters will be displaced. But I think renovators and re-sellers have a moral obligation to treat people fairly and, when possible, help longtime residents stay in the neighborhood.

Lexington is still small enough that business people’s reputations precede them. Quality work and good ethics will pay off for those who practice it, especially if others in the community speak out about bad actors.

Some absentee landlords will be displaced, too, and that is a good thing. Poor people often pay high rents and utility costs for substandard housing — and then get kicked out if they complain to Code Enforcement.

There are better solutions to affordable housing than steadily deteriorating homes owned by absentee landlords. The Urban League, Community Ventures, Habitat for Humanity, AU Associates, churches and others have done a lot of good work on affordable housing over the past two decades.

This wave of private investment in North Lexington, and the city’s new affordable housing trust fund, provide a good opportunity to address some of these gentrification issues in new and creative ways.

For one thing, people who choose to live in urban neighborhoods rather than more homogenous suburbs are seeking cultural diversity. That’s because diverse neighborhoods are more interesting places to live.

How can the city, non-profit groups and developers work together to keep low-income people in these neighborhoods, while at the same time improving the quality of housing they can afford? How can neighborhood revitalization work for everyone?

Neighborhoods are like any natural environment: The more diverse they are, the more healthy they are and the more sustainable they will be over time.


New crop of ‘community supported art’ on sale this week

April 21, 2015

Central Kentucky’s farmers are just getting their plants in the ground, but a new crop of local art is ready for harvest.

For the fifth season, the Lexington Art League is selling 30 CSA “shares” of “community supported art” using a similar model to what local farmers have been doing for years with “community supported agriculture”.

csaThe 30 shares will be on sale through Thursday for $400 each. Each share includes an original piece by nine local artists: ceramics, paintings, leatherwork, screenprints and photography.

This year’s artists are Brian and Sara Turner of Cricket Press, Matthew D. Cook of Borderstate, Elizabeth Foley, Lennon Michalski, Joe Molinaro, Nadezda Nikolova, Brandon C. Smith and Melisa Beth.

The artists were chosen by the league’s curator, Becky Alley. Each artist is paid $600 for their work. Since the program began, the league says its CSA program has sold 1,890 pieces of locally produced art, providing $37,800 in income for local artists.

“CSA is a celebration of local talent and an investment in the artists whose creativity and unique abilities distinguish and enrich our community,” said Stephanie Harris, the league’s executive director.

Shares can be purchased online at Lexingtonartleague.org or by calling (859) 254-7024. Shares in future CSA “seasons” also are for sale.

The Lexington Art League, headquartered at Loudoun House in Castlewood Park, also sponsors the annual Woodland Art Fair each August.


Lafayette High celebrates school’s 75th anniversary this weekend

April 21, 2015

150420Lafayette750004Lafayette High School celebrates its 75th anniversary this Friday and Saturday. Below, banners honoring distinguished alumni, staff and school groups have been hung in the hallways recently. Photos by Tom Eblen

 

Lafayette High School’s 75th anniversary celebration this weekend will be tempered for me by the realization that it was not quite half that old when I was a student.

I met the current principal this week. He was born two years after I graduated.

At least I won’t be the oldest of the hundreds of alumni coming back to the school Friday and Saturday. Not by a long shot. There is a dedicated group of 80-something Lafayette Generals who graduated in the 1940s.

“We are a school that is deeply, deeply rooted in the community that surrounds us,” said Bryne Jacobs, 36, who is in his third year as principal.

“A lot of our students have parents who went here,” Jacobs said. “Some have grandparents. We even had a girl at freshman orientation last year whose great-grandmother attended Lafayette.”

Everyone is invited to attend the free festivities that begin at 5 p.m. Friday. Former faculty and staff members will greet alumni in the library. Then about 150 of the school’s 2,200 students will lead tours of the campus.

The main building dates to the school’s founding in 1939, but there have been several additions and at least two major renovations. After the tours and socializing, there will be a vintage sock-hop dance in the gym, featuring an all-alumni rock band organized by David Hinkle.

150420Lafayette750024On Saturday at 10:30 a.m., alumni will begin gathering by decade to visit before walking over to Ishmael Stadium at 1 p.m. for ceremonies and performances by Lafayette’s award-winning band, orchestra and chorus.

Former Govs. John Y. Brown Jr. (class of 1952) and Ernie Fletcher (class of 1969) will speak. Jacobs thinks Lafayette may be the only high school in the state with two former Kentucky governors as alumni.

The event’s master of ceremonies is Tom Hammond (class of 1962), a longtime NBC sportscaster. He is the voice of the Olympic Games and the Kentucky Derby, which he will be calling the next Saturday.

“For him to take time out of his schedule in the week before the Derby says a lot about his feelings toward our school,” Jacobs said.

Lafayette is the oldest active public school building in Fayette County, built on the grounds of a former orphanage that included an 1850s mansion, The Elms, which burned a few months after the school opened.

Lafayette replaced Picadome High School and was named for the Marquis de Lafayette, the French hero of the American Revolution who visited Lexington in 1825. Fayette County also is named for him.

Jacobs wants to use the anniversary to highlight the school’s history and distinguished alumni, including actors Harry Dean Stanton and Jim Varney, musician Ben Sollee and politician Gatewood Galbraith.

Lafayette also has produced many star athletes, including golfer Gay Brewer, sprinter Tyson Gay, Major League Baseball’s Austin Kearns and the NBA’s Dirk Minniefield. Retired basketball Coach Jock Sutherland is a Kentucky legend.

Banners have recently been put up in school hallways highlighting the accomplishments of alumni, staff and school groups.

Dwight Price, 84, principal from 1972-1987, thinks a big reason for Lafayette’s success has been its diversity of culture and family income. It was the first white school in Lexington to be integrated, in 1955.

“We have a cross-section of America,” Price said. “And the staff has been tremendous the whole time. The early teachers set a great example, and the rest of us tried to follow that.”

I have always felt like a beneficiary of that tradition. So much of my life was shaped by great Lafayette teachers, including Julie Dodd, J. Larry Moore, Loris Points and Anne Combs.

Band taught me everything about discipline and teamwork, plus a thing or two about music. Being editor of The Lafayette Times set me off on a rewarding journalism career.

Lafayette’s principal was raised in Memphis but graduated from the University of Kentucky. He and his wife, a teacher at Breckinridge Elementary, settled in the neighborhood and quickly came to appreciate Lafayette’s culture. So, after a dozen years at Dunbar High School, Jacobs jumped at the chance to lead Lafayette.

“I’m only the eighth person to sit in this chair, so there’s some opportunity for longevity,” he said. “If I could still be here when my boys come through these doors, in the classes of 2026 and 2028, I think that would be great.”

150422LafayetteHS1941Lafayette High School in 1941. It is the oldest active public school building in Lexington.


Rand Avenue renovations add to North Limestone renaissance

April 19, 2015

150416RandAve0008Real estate entrepreneur Rock Daniels has been buying, renovating and reselling former rental houses in the first block of Rand Avenue. His contractors are basically rebuilding many of the century-old bungalows, which were structurally sound and have nice architectural detals, but had badly deteriorated after years as rental units.   Photo by Tom Eblen

 

First it was downtown mansions. Then East Lexington bungalows. Now, North Lexington cottages. The popularity of in-town living has brought another wave to Lexington’s home renovation market.

With most of the antebellum houses and Victorian mansions redone and selling for more than $500,000, a good business has developed in complete renovations of homes built a century ago for working-class families.

The wave that started in neighborhoods such as Hollywood, Kenwick and Mentelle has washed up North Limestone.

150408RandAve0022Rock Daniels, a real estate agent who twice ran unsuccessfully for the Urban County Council, is buying and virtually rebuilding early 1900s houses in the first block of Rand Avenue, just north of Duncan Park, as well as some houses on nearby streets.

Laurella Lederer was doing the same thing before him. Having redone much of Johnson Avenue, she is now working on the second block of Rand.

Broken Fork Design has redone several houses and multi-family units, including the Fifth and Lime Flats. It was a much-needed renovation of an apartment complex built after the 1963 demolition of Thorn Hill, a circa 1812 mansion where Vice President John C. Breckinridge was born.

Chad Needham, who redid the old Spalding’s Bakery at East Sixth and North Limestone and the building that now houses North Lime Coffee & Donuts across from it, has done several other houses and commercial buildings in the area.

Needham’s most recent project is especially impressive: an early 1800s house at the corner of North Limestone and West Fifth Street that became commercial space long ago and had fallen into terrible shape. Beautifully renovated, it now houses Fleet Street Hair Shoppe.

Rand Avenue, created in 1892, still has most of its original houses. A notable exception is No. 264, a vacant lot since about 2001. It was the childhood home of Elizabeth Hardwick (1916-2007), whose father was a plumbing contractor.

Hardwick left Lexington for New York in 1939 and became a famous fiction writer, essayist and critic, a founder of the New York Review of Books and wife of poet Robert Lowell. She was recently inducted into the Kentucky Writers Hall of Fame.

Since the 1980s, though, Rand Avenue has largely been rental property. Broken Fork did one of the first renovations there — the house where the Spalding family started frying their famous donuts in 1929.

Daniels, who lives in the Hollywood neighborhood, saw Rand Avenue as a promising area for young professionals who wanted to live near downtown, wanted a house and yard rather than a condo, but couldn’t afford larger renovated houses.

The first house he renovated sold in November for $182,500. He is now doing nine more on Rand, three of which are already under contract, two to medical school residents and one to a physical therapist, he said.

Daniels showed me through one of them, a circa 1910 frame cottage with about 1,200 square feet. It had been a rental house for years. He bought it for $36,000, is investing about $80,000 in renovation and hopes to sell it for about $165,000. His nearby renovated houses are priced around $145,000.

With each house, his contractors install a new roof, take the house down to the studs and make any needed structural improvements. They preserve what historic fabric they can. But except for restored heart-pine floors, most things will be new: windows, wiring, plumbing, heating and air, insulation, kitchens and siding on the non-brick houses.

Many houses have small interior coal chimneys that can’t be reused. They are removed for a more open floor plan, but the bricks are reused for walks.

“We try to save and repurpose as much as possible,” said Daniels, who grew up in a National Register historic house in Bristol, Tenn.

Daniels wants to buy all of the rental houses he can on the street, he said, but none that are owner-occupied. In fact, he said, he has offered to make improvements on those houses at cost.

He will soon be building a new porch for homeowner Janice Hamilton and her husband. She has lived there since 1981 and likes what is happening on her street.

“When I first moved here it was a lot of older people, most of them homeowners,” Hamilton said. “And then a lot of them died out and it became rental property. So it became a little this and that.

“Now I’m glad to see it coming back to the way it used to be,” she said. “A lot of people give Rand Avenue a bad rap. We had some bad tenants years ago. But it’s quiet, it’s close to town. Everybody looks out for each other. I’m looking forward to new homeowners.”

Daniels sees a lot more potential for restoring North Lexington neighborhoods.

“Of course, we’re looking for what the next Rand Avenue is going to be,” he said. “There are so many people who want to move downtown.”

Click on each image to see larger photo and read caption:


New book chronicles colorful history of Lexington’s Iroquois Hunt

April 18, 2015

150329IroquoisHunt0115ADr. Jack van Nagell, joint-master of fox hounds for the Iroquois Hunt Club, leads the beginning of a hunt on his Fayette County farm March 29. Van Nagell is the current president of the national Masters of Fox Hounds Association, the first Iroquois club member to hold that post. Photos by Tom Eblen 

 

The Iroquois Hunt Club is one of those Lexington institutions most longtime residents have heard of, but few know much about.

It has always seemed like an odd bit of British tradition in the Bluegrass, these colorfully well-dressed equestrians who chase their barking hounds through the rugged farm fields along the Kentucky River.

Christopher and Glenye Oakford explain much of the mystery in their new book, The Iroquois Hunt: A Bluegrass Foxhunting Tradition (The History Press, $20). This thoroughly researched and well-written account describes the peculiarities of fox-hunting and traces the history of the third-oldest of the nation’s 160 hunt clubs.

Over the years, the club’s membership has been a who’s who of Lexington society. And the clubhouse is one of Fayette County’s oldest industrial buildings: Grimes Mill, built on Boone Creek in 1807.

“Even if you’re not interested in fox-hunting, we tell the story of these people who played a big part in the town,” said Christopher Oakford, a freelance writer who grew up around fox-hunting near Salisbury, England.

He met his wife, North Carolina native Glenye Cain Oakford, at a fox hunt in England. She is an equestrian journalist, longtime Lexington resident and Iroquois member since 1993.

The cover of "The Iroquois Hunt" by Christopher and Glenye Oakford.While people have hunted with hounds for centuries, fox-hunting acquired its now-traditional dress, lingo and complex etiquette in Victorian England as newly rich industrialists sought to create their own gentry, the Oakfords write.

The Lexington Hunting and Riding Club was founded in 1880 by Gen. Roger Williams, a businessman, soldier, buddy of Theodore Roosevelt and all-around character. The club’s name is thought to have been changed sometime in the 1880s to honor Iroquois, a horse that won the English Derby in 1881.

The club became inactive in 1914 while Williams was away on military duty, but it was restarted in 1926 by a group of prominent men. They included Maj. Louie Beard, later a founder of Keeneland, and Leonard Shouse, owner of the Lafayette Hotel, now city hall.

“We tried to give a glimpse of Lexington through several eras,” Glenye Oakford said, “and write about how fascinating some of these characters were.”

In 1928, the group bought Grimes Mill, thinking a clubhouse would give their organization the structure and longevity its predecessor lacked.

The rustically elegant building with three-foot-thick stone walls has lounging area on the first floor and a dining room on the second. Each member has a little padlocked cabinet in which to store liquid refreshment for after a hunt or during social events three times a month.

The Iroquois has hunts most Wednesdays, Saturdays and Sundays from fall through early spring, but this year’s snow played havoc with the schedule.

I got to attend the last hunt of the season, on a Sunday afternoon at the end of March. It was at the farm of Dr. Jack van Nagell, joint-master of fox hounds with the club since 1997 and current president of the national Masters of Foxhounds Association, the first Iroquois member to hold that post.

Some club members belong for the socializing, others for the riding. But dedicated hunters love to watch and listen to the hounds work as they chase the scent of a red fox — or, more commonly now, a coyote — across the landscape.

“It’s watching them work together, getting to do what they have been bred for centuries to do,” Glenye Oakford said.

What happens to a fox or coyote when it’s caught? Well, it doesn’t happen very often, she said. In fact, she has never seen it in her years of hunting.

But the hunt provides a service to farmers by keeping coyotes scattered, she said. When they get together in packs, they have been known to attack livestock and pets.

“The purpose of the hunt is to watch the hounds puzzle out the scent of a coyote’s line, and the hunt typically ends when the hounds can no longer follow that scent, either because the coyote has eluded them or because scenting conditions have become unfavorable,” she said.

Coyotes and foxes are often good at eluding their noisy pursuers, Oakford said, recalling the time she watched the start of a hunt in England.

“After the hunt moved off, we drove up the road and saw a big, beautiful red fox sitting by the road and watching the hounds and the field ride by across the road and down a hill,” she said. “That fox sat for a long time … then he trotted off very nonchalantly in the opposite direction.”

Click on each image to see larger photo and read caption:

 

Glenye Oakford’s video of the Iroquois Hunt Club:

Iroquois Hounds from Glenye Oakford on Vimeo.