The Bluegrass and Beyond

Non basta una vita - Italian for “one life is not enough” - was the late John Regis Tuska’s motto to describe his artistic ambitions.

Now, his son is discovering that two lives may not be enough, either.

For the past dozen years, Seth Tuska has worked to preserve and publicize the legacy of his father, a prolific artist and University of Kentucky art professor who died in 1998 at age 67.

Seth Tuska, 51, turned the family home at the corner of Old Park and Central avenues into a museum of his father’s art. He engaged a filmmaker and curator to put together a documentary film about his father and catalog and traveling show of his work.

He sought commercial outlets for reproductions of Tuska pictures and sculptures, which depict the human form in motion. And he started a bronze foundry on Walton Avenue to support regional sculptors.

But last November, after a bronze-pouring at the foundry, Tuska said he went home with a ringing in his ears. Then, on Christmas morning, he awoke at 4 a.m. with an intense pain in his chest. Foolishly, he didn’t see a doctor for three weeks. When he did, he was taken straight in for quadruple heart bypass surgery.

But the worst was still to come.

Tuska said when he resumed normal physical activity in March, the ringing in his ears, which had never really gone away, got much worse. He now suffers from a severe case of tinnitus - a constant sound like cicadas in his head that makes it hard to sleep, read or concentrate.

Tuska said he now needs to deal with his medical crisis and entrust his father’s legacy to others. “I have to move on and figure out what’s ahead for the rest of my life,” he said.

The first public steps in that direction will come Friday. Mayor Jim Newberry is to issue a proclamation honoring John Tuska and his work, and he will accept the loan of a bronze figure, Energy Source, for display at city hall.

That evening, during Gallery Hop, the Kentucky Theatre Gallery will display 18 Tuska pieces. The theater will have two showings, at 5:30 p.m. and 6:30 p.m., of  Non Basta Una Vita, a 2008 documentary about John Tuska by Arthur Rouse and Kiley Lane.

Thanks to the event’s sponsors, attendees also will be given a film poster, popcorn and a drink. Tuska said he has worked with local arts educators to distribute many of the 600 tickets to students.

Where things go from there, Tuska said, depends on community interest - both artistic, and financial.

Tuska sold the foundary to artist Amanda Matthews Fields and enlisted a group of community leaders to advise him on how to proceed with setting up a non-profit Tuska Museum and Learning Center foundation to take over the family home and his collection of his father’s art.

Tuska lives upstairs in the home, but is in the process of moving out. He wants to keep the collection of his father’s work in Lexington.

His vision is to continue the home’s first floor museum. But, more importantly, he wants to use the upstairs apartment to house visiting artists and the 2,500-square-foot lower level for educational space.

Downtown developer Phil Holoubek, a member of the advisory group, said several strategies have been discussed. “Seth will have to decide what he feels most comfortable doing,” he said.

Holoubek said the Tuska collection includes outstanding art that could not only enrich the community culturally, but promote economic development.

LexArts President Jim Clark, who for six years directed the New York Public Art Fund, agreed. “If John Tuska had done this work in New York City he would have been a very prominent sculptor,” he said.

Clark sees a lot of potential for the Tuska Museum and Learning Center, if it gets the right leadership that can attract the necessary money.

“Having a house museum is perfect for Lexington,” Clark said. “It is intimate in scale. It’s in a beautiful neighborhood. Anybody flying into Lexington for the (horse) sales, that would be a perfectly lovely discovery. Part of that is just working with what they’ve got and marketing it.”

With more regular museum hours, more advertising and an experienced curator, Clark thinks the Tuska museum could become an important cultural destination. And he thinks Seth Tuska has the right idea about using his father’s legacy to encourage arts education.

In addition to the high quality of John Tuska’s work, Clark said, what made him special was his dedication to teaching. Great artists who also are great arts educators, like Tuska and Centre College’s Stephen Rolfe Powell, are rare.

A learning center that promoted arts education - and honored arts educators with a “Tuska prize” and residency - could put Lexington on the arts map. “That would be a very big deal in this country,” Clark said.

What’s needed now is for people to step up and help Seth Tuska make it happen.

Click on each thumbnail to see complete photo:

Theo Edmonds spent the first 15 years of his adult life chasing traditional success.

From his native Breathitt County, he moved to Lexington and earned an art and theater degree from Transylvania University.

Then he went to New Orleans, where he earned a master’s degree in health care administration and a law degree from Tulane University. He was admitted to the Louisiana Bar and had good jobs in corporate America.

Then, one day, it hit him: “I realized I was doing something that wasn’t making me happy on any level. I knew I needed to be creative. So I called in one morning and quit.”

He returned to Lexington, where he spent much of the past two years in a rented industrial building on Manchester Street writing poetry, painting and creating large mixed-media pieces of art.

Edmonds, 39, is now finding a new kind of success with his art, thanks to talent, hard work and a generous patron. For the past five months, he has been living and working in New York City, where he opens a two-week show Thursday in rented space in Manhattan’s trendy SoHo district.

After the show, Edmonds will move to France and create work for a solo show in September in Deauville, Lexington’s sister city, during its annual American Film Festival. After that, another show of his work is planned in Dublin, Ireland.

Edmonds was having modest success as an artist in Lexington, where he said the contemporary art scene has begun to blossom. “Lexington has immense potential,” he said. “It’s an amazing place; you never know what’s going to happen.”

But living and working in Harlem has been a whole ‘nother world.

“The influence and energy in New York has been incredible,” he said. “My work has fundamentally changed and evolved since I’ve been here. It has become much more varied. I have more confidence in my work. I feel very blessed; I don’t know how else to say it.”

Many of Edmonds’ pieces are a combination of paint and castoff items that tell stories, often Appalachian stories.

“The idea of things having a second life is authentic to me, and very Appalachian,” said Edmonds, whose father, Teddy Edmonds, represents Breathitt, Lee and Estill counties in the General Assembly.

Since moving to New York, Edmonds also has spent a lot of time in art museums. He has studied the work of fellow abstract expressionists such as Jackson Pollock and Willem de Kooning, and he has developed a new appreciation for the old masters.

“If you don’t know where you came from, you don’t know where you might be able to go,” he said.

Edmonds’ show is built around three themes: Appalachian storytelling pieces he created in Lexington; a series called Gabba Gabba Hey, inspired by New York street culture; and a series called Circus Maximus, which uses circus characters to tell universal human stories.

Edmonds’ work in New York and France is being made possible by patron Martine Head, who comes from a French horse-breeding family and now lives in Lexington.

Head said she met Edmonds last May at a show of his work in Lexington and was impressed. “I think that Theo has got depth,” she said. “He’s a true artist … a profound soul.”

Lexington has always embraced traditional art. Since moving to Lexington, Head has noticed a growing appreciation for contemporary art. Still, many fine local artists receive little recognition.

Head remembered the first time she visited Tuska Studio, which exhibits the work of the late Lexington sculptor John Tuska in his former home near downtown. “I walked into that house and thought, Wow! There is this gem in Lexington and nobody knows it’s here,” she said.

Head thought that living and working in New York and Europe would allow Edmonds to develop his artistic talent and receive more exposure.

While Edmonds has spent most of his time in New York painting, he also has been writing poetry. On April 5, three Kentucky poets flew up and joined him in a performance at the Bowery Poetry Club.

The opening reception for Edmonds’ show in SoHo will have a decidedly Kentucky flavor: Acoustic music, country ham hors d’oeuvres, bourbon and Ale 8 One.

Edmonds said he is proud of his Appalachian roots, and is surprised by how many other proud Kentuckians he has met in New York.

“It’s a city of people like me who have a burning desire to say something through their art,” he said. “But hopes and fears and joys are the same in New York as they are in Breathitt County.”