Like horses, stone fences and antebellum homes, the bronze boy and girl in Gratz Park have become frequently photographed symbols of Lexington.
But early this week or next, depending on the weather, a crane will carefully remove the life-size statues from their perch on the fountain across Third Street from Transylvania University.
The kids will spend the winter at Lexington’s Prometheus Foundry for repairs and refinishing. If all goes well, they will return to the park in May after the fountain’s crumbling concrete and Depression-era plumbing are replaced and the stone and brick surrounds are restored.
The fountain “is just falling apart with age,” said Michelle Kosieniak, superintendent of planning and design for the city’s Division of Parks and Recreation. “We figured that since we were moving the statues anyway, we should take a look at restoring them, too, and hopefully get them ready to be enjoyed for another half-century.”
There is an interesting story behind these playful children and their fountain that says a lot about Lexington’s history of tension between progressive thought and conservative religion. But it has nothing to do with the statues’ lack of clothing.
Allen became one of America’s most popular novelists and short-story writers in the 1890s. His tales, written in a flowery style popular in the late Victorian era, were often set in Kentucky and featured characters taken from early Bluegrass history.
One of his most famous tales, King Solomon of Kentucky, told the true story of how William “King” Solomon, an alcoholic vagrant, became a hero during Lexington’s 1833 cholera epidemic by staying to bury the dead while almost everyone else fled.
Novels such as A Kentucky Cardinal and The Choir Invisible became national best-sellers. But Allen’s 1900 novel The Reign of Law created controversy in Lexington because its protagonist accepted Darwin’s theory of evolution instead of a literal interpretation of the Bible’s creation story.
The Rev. John McGarvey, president of what is now Lexington Theological Seminary, castigated Allen in a widely publicized sermon. The Lexington Herald heaped on, opining that “dirt and dust” were “ruining the author’s mind.”
The criticism stung Allen, who wrote that Kentucky “never did appreciate its best people.” He never returned to Lexington — not even when the Lexington Public Library dedicated a portrait of him in 1916.
“My returning now would seem like vainly attempting to pass over into a vanished land,” Allen wrote his lifelong friend, M.A. Cassidy, the superintendent of Lexington’s public schools.
But Cassidy kept the author connected to his hometown. During the last decade of Allen’s life, Lexington schools celebrated his birthday each Dec. 21 and children would write notes and telegrams of good wishes.
Allen was touched, and he always sent thank-you letters. He ended a 1922 interview at his New York home with a journalism student from Lexington by saying, “Give my love to the Kentucky children.”
When Allen died in 1925, his will left his entire estate to Lexington to build a fountain dedicated to the city’s children. The estate was originally thought to be worth $12,000 — a lot of money in those days. Officials planned to build a swimming pool with a fountain in the middle.
But by the time the city actually got the money, Allen’s estate had shrunk by half because of the stock market crash and waning royalties as his books lost popularity. Lexington’s children had to settle for a fountain and statues.
The statues were sculpted by Joseph Pollia, an Italian-born artist in New York who had a distinguished career creating war memorials.
His sculpture depicts a boy showing his homemade boat to the girl, who expresses delight. The statues symbolize “the spirit of youth, with its tender dreams and delicate and beautiful aspirations, which found so much appreciation in the poetical soul of the author,” the Herald wrote when the fountain was dedicated Oct. 15, 1933.
But time and vandalism have aged those kids. The girl was pushed off her granite pedestal in 1969 and again in 1983, cracking her leg. Although the cracks were repaired, there is concern the statues may have corrosion inside.
“It has been likened to a muffler,” said John Hackworth, president of the Gratz Park Neighborhood Association. “It looks all right from the outside, but if you kick it, it might just disintegrate.”
Restoring the statues will cost $57,000 because their high lead content will require complicated safety procedures. The neighborhood association has given $30,000. Councilman Chris Ford recommended $150,000 in city funds for the rest of the work and restoration of the fountain with a new pump system.
The goal is to have everything finished by Gratz Park’s annual Mayfest celebration on Mother’s Day weekend.
“It’s a symbol of Lexington,” Hackworth said of the fountain, “It’s worth being preserved.”