The Bluegrass and Beyond

Earlier this year, there was a national celebration of the 200th birthday of Abraham Lincoln, the most famous of all Kentuckians.

But this is also a landmark year for perhaps the second-most famous Kentuckian — Daniel Boone, who was born 275 years ago this month.

Like many Kentuckians, I’ve always been fascinated by Daniel Boone.

When I got too old for Captain Kangaroo, my favorite TV show was Daniel Boone, where coonskin cap-wearing Fess Parker was always blazing trails and fighting Indians. I could only imagine how his Kentucky was so much different than mine. When I started first grade, I proudly carried a new Daniel Boone lunch box.

Of course, most of what we all think we know about Daniel Boone is wrong.

A celebration is planned next weekend at Fort Boonesborough State Park to mark Boone’s birth. Perhaps some of the reenactments, pioneer crafts, performances and talks by Boone authors will dispel the myths.

Unlike the tall, handsome TV actor, Boone was a rather ordinary-looking man who stood 5 feet, 8 inches. He hated coonskin caps and never wore one.

Boone fought Indians, but only when necessary. He once said he knew of only three Indians he killed, and he regretted that because Indians had often been nicer to him than white people, even though they killed his brother and two of his sons.

Some of Boone’s best friends were Indians. Once, while a prisoner of the Shawnee, Boone was adopted as the son of Chief Blackfish.

Boone was a hunter and explorer at heart. But at various times in his life, he also was a military leader, a surveyor, a tavern keeper, a land speculator, a farmer, a slave owner, a Virginia legislator and a Spanish government bureaucrat in Missouri. Unlike many frontiersmen, he could read and write. His favorite books were the Bible and Gulliver’s Travels.

Boone was also America’s first celebrity, thanks to John Filson, whose 1784 book, The Discovery, Settlement and Present State of Kentucke, contained a long appendix said to be the autobiographical adventures of Daniel Boone.

Filson, who would have been a great choice for Kentucky’s first commissioner of tourism or economic development, was a colorful writer. His account of Boone’s exploits created a sensation across the young nation and throughout Europe.

“Boone became a legend in his own time because he had a good PR man,” state historian James Klotter, a history professor at Georgetown College, said of Filson. “But Boone was important in his own right, and his story is worth telling.”

Boone was born in Pennsylvania on Oct. 22 or Nov. 2 (calendars changed in 1752) and raised in North Carolina. He was a loner who also could be a leader when needed.

Boone first came to Kentucky in 1769 and, four years later, led his first group of settlers here. The next year, he was hired to blaze the Wilderness Road through Cumberland Gap for the Transylvania Co., which hoped to make a killing on Kentucky land speculation.

He built Fort Boonesborough from 1775-78 as a way station for settlers. He later moved several places in Kentucky — including Maysville and Fayette and Greenup counties — but lost all of his land in legal disputes and went into debt. He moved to Missouri in 1799 and died there in 1820, a month short of his 86th birthday.

Boone was a wanderer who, from his teenage years until well into his 80s, would disappear into the wilderness for monthslong hunting expeditions. “That wanderlust was part of him, just like it has been part of the American spirit,” Klotter said.

“In one sense, he represented the common people who settled Kentucky,” he said. “He’s an everyday man often thrust into difficult circumstances and responding in mostly honorable ways. He’s kind of what we want our heroes to be.”

While Boone has been the subject of endless fascination, Klotter would like to know more about his wife of 57 years, Rebecca Bryan Boone.

She had 10 children of her own, took in six more to raise and kept the family together despite her husband’s long absences. No images of her exist, and there are only a few written descriptions.

“She was a heroine in her own right,” Klotter said. “The story that hasn’t been told is the story of the women on the frontier.”

A good place to begin separating the real Daniel Boone from his myth is at Ft. Boonesborough State Park, where a generally accurate fort was built in 1974, up the hill from the flood-prone original site that historians hope someday to fully excavate.

About 40,000 people visit the fort each year to see costumed craftsmen make soap, pottery, fabric and firearms using authentic frontier tools.

Bill Farmer has been coming to work at the fort for a decade in homespun clothing and period steel-framed spectacles. Besides being the fort’s manager, he is an accomplished blacksmith.

“The truth about Boone is even better than the fiction … if people would take the time to find out the person he really was,” Farmer said.

Not far from the fort’s small museum is a surveyor’s office, where performer Scott New, 45, has portrayed Boone for a decade.

“This man is one of our founders, but his life is drowned in myth and fiction and nonsense,” said New, who will be performing next weekend along with Michael Fields as Chief Blackfish. “We need to make the road straight, as it were.”

Still, Daniel Boone can never fully escape his myth. Even in his own fort, the gift shop is well-stocked with coonskin caps.

“That’s one of those things that goes to the bottom line,” Farmer said with a sigh. “I couldn’t tell you how many hundreds of those we sell in a season.”

FRANKFORT — Margaret Robinson Robertson lived in the Old Governor’s Mansion in the early 1840s, when son-in-law Robert Letcher was the governor. Legend has it that her ghost appears whenever evil befalls the house.

The way the place looks now, don’t expect to see her any time soon.

The 211-year-old mansion has just undergone a privately financed $1.5 million face lift so it can take on a new role as the state’s guest house and official entertainment space for the governor.

The magnificent renovation was a statewide, all-volunteer effort involving more than 300 people, including designers, decorators, contractors and donors who each adopted small parts of the mansion.

The renovation will be unveiled later this month with a series of big-ticket events, proceeds from which will benefit the Kentucky Executive Mansions Foundation and Kentucky Equine Humane Center. The home will then be open for $10 public tours Sept. 19 to Oct. 3.

“We wanted the house to be a welcoming spot for people who come to Kentucky,” said David Buchta, state curator and director of the Division of Historic Properties. His office oversaw the renovation with the mansions foundation and Kentucky Historic Properties Advisory Commission.

“It’s a great shrine to Kentucky’s history,” said Steve Collins, chairman of the commission and son of former Gov. Martha Layne Collins.

The home was first occupied in 1798, two years before the White House. For many years, it was the nation’s oldest executive residence.

The mansion housed 33 Kentucky governors until 1914, when the current governor’s mansion was built beside the “new” Capitol. From 1956 to 2002, the old mansion housed 10 lieutenant governors.

Eight U.S. presidents have visited the mansion, from James Monroe to Bill Clinton, as well as such notables as Henry Clay, Aaron Burr and William Jennings Bryan.

“There’s no other house in Kentucky that has been used like this one — that has the stories and history and reputation,” said Collins, a Shelbyville lawyer and funeral director.

The General Assembly put up money to build the governor’s mansion in 1795 after the state’s first governor, Isaac Shelby, convinced lawmakers that a rented log cabin just wouldn’t do. It was completed in 1798.

Although the mansion’s federal-style exterior was rather plain, it was called the Palace when Shelby’s successor, James Garrard, became its first occupant. It was the first home in Frankfort with carpet. A crowd gathered when the city’s first piano was delivered to its parlor.

Two men who helped build the house later lived there: Thomas Metcalfe, a stonemason who helped lay the foundation, was governor from 1828 to 1832; and Letcher, who helped lay the Flemish-bond brick, was governor from 1840 to 1844.

The house hasn’t been occupied since 2002, when then-Lt. Gov. Steve Henry moved out to make way for a renovation. Last year, the idea emerged to turn the home into a state guest house, like Blair House in Washington.

(Francis Preston Blair, by the way, was a Frankfort journalist who moved to the nation’s capital in 1830. Seven years later, he took up residence in the Pennsylvania Avenue house that now bears his name.)

First lady Jane Beshear, former first lady Phyllis George and Meg Jewett, owner of the L.V. Harkness & Co. gift shop in Lexington, led the renovation effort. They and others recruited volunteers and donors from all over.

Longwood Antique Woods of Lexington donated flooring for the downstairs powder room. The wood came from the Lexington barn of 1937 Triple Crown winner War Admiral.

Louisville artist Sandy Kimura donated nine weeks of her time to paint a mural around the main hall in the style of early 19th-century Zuber wallpaper. It incorporates Kentucky scenes, such as Daniel Boone looking across the Cumberland Gap and the gentlemen on the state seal shaking hands, for which Buchta and Collins posed in period wigs.

“I’m going to get it out and wear it to some of the events,” Collins joked.

The house now contains a treasure trove of Kentucky furniture and art. There’s a rare 1815 cherry Sheraton sideboard in the dining room, thought to be the work of a Maysville cabinetmaker. Other items include chairs from Henry Clay’s law office, and modern Appalachian furniture and crafts that furnish a third-floor bedroom.

Other furniture and art has been donated or is on loan from the state, the Kentucky Historical Society, the Speed Museum, the Filson Club, the Art Museum at the University of Kentucky, the Rebecca and Jay Rayburn Collection and several individuals.

Recognizable to many Kentuckians will be four original paintings by Paul Sawyier, whose Kentucky landscapes from a century ago remain popular as prints.

“Every room has something significant,” Buchta said. “Without the generosity of a lot of people, this project wouldn’t have been nearly as successful.”

As a former resident of the mansion, Collins said he is especially appreciative of all of the people who have made it a showplace.

Collins was a student at Georgetown College when his mother was elected lieutenant governor in 1979. He lived in a third-floor bedroom and remembers the mansion as a busy place that was used for many public functions.

Collins said he encountered many people in the mansion, but not the ghost of Margaret Robinson Robertson.

“We never saw her,” he said. “But we felt very safe when we lived here.”

• If you go

  Kentucky Mansion Celebration

  ■ First Ladies’ Luncheon, noon, Sept. 15, $110.

  ■ Brunch in the Garden with Jon Carloftis, 11 a.m. Sept. 16, $110.

  ■ Governor’s Barbecue & Unbridled Spirits, 7 p.m. Sept. 17, $210.

  ■ Preview Gala, 7 p.m. Sept. 18, $300.

  ■ Public tours, Sept. 19-Oct. 3. $10.

  For tickets and more information, go to www.kymansioncelebration.org or call (502) 226-6440.

  Click on each thumbnail to view complete photo:

  

  

  

  
  

  

  

  

  
  

  

  

  

  
  

  

  

  

  
  

  

  

  

  
  
  

BARDSTOWN — Gerald Smith, a Lexington native and University of Kentucky history professor, had never visited My Old Kentucky Home State Park before last summer.

Smith arrived early for a speaking engagement at the Nelson County Public Library and had a couple of hours to kill. So he and a student decided to take the park’s tour of Federal Hill, the Rowan family mansion where, legend has it, Stephen Collins Foster was inspired to write Kentucky’s state song.

“The people were very nice,” Smith said. But he noticed that the tour guide, dressed in a hoop skirt, kept referring to the “servants.”

“I finally said, ‘You mean the slaves?’” Smith recalled.

The tour didn’t include the mansion’s attic or basement, where slaves lived, or small rooms beside the kitchen, where they worked.

Finally, Smith asked where the slaves were buried. In the cemetery beside the garden? No, the guide said. Out back. Way out back.

Smith and student A.J. Hartsfield walked across a field to a stand of old trees. Underneath, inside a split-rail fence, were 22 small, unmarked stones and a plaque dedicated in 1945 to Judge John Rowan’s “faithful retainers.”

“As we approached the entrance to the little wooden fence, this guy was looking for his golf ball,” Smith said. The cemetery is in the bend of the 13th hole of the park’s golf course. Balls frequently land there.

“There was nothing sacred about it,” Smith said of the slave cemetery. “It was painful. It was sad.”

Smith went home and shared his experience with two other prominent African-Americans, Lexington writer Frank X Walker and Everett McCorvey, the UK Opera Theatre director who has sung My Old Kentucky Home many times in concerts here and overseas.

They decided to approach state officials with a simple message: We must do better. And, with the 2010 Alltech FEI World Equestrian Games about to focus the world’s attention on Kentucky, we must do it quickly.

“Folks sing the song; it stirs up such emotion,” Smith said. “It celebrates the state’s history and culture and hospitality and traditions. But this is the way we remember the people who built and lived and worked at this symbol, this monument, this shrine to Kentucky. The African-American presence here has been erased.”

Smith, McCorvey and Walker were hardly the first to complain. But their message seems to have been heard — loud and clear.

“We have already taken a number of steps to interpret things better,” said Gerry Van der Meer, the state parks commissioner. “There’s a bit of uncomfortableness, naturally, about slavery. But it’s a fact. It’s a part of history. We’re embracing this.”

Several changes are planned for My Old Kentucky Home. And Van der Meer has ordered a review of how African-American history is interpreted at all state-run parks and historic sites.

Historically, a raw nerve

My Old Kentucky Home, the place and the song, hold special significance, both for Kentucky’s international image and its complex history of race relations.

The mansion is one of Kentucky’s most recognizable landmarks, depicted on both the state’s postage stamp and quarter. It is the state’s most-visited historic site, with more than 55,000 people touring the mansion each year.

My Old Kentucky Home is the most famous song about the state, sung for an international television audience by more than 100,000 people in the Churchill Downs grandstand before the Kentucky Derby each May. But it wasn’t until 1986 that the word “darkies” in the song’s lyrics was officially changed to “people.”

Foster published the song in 1853, as Kentucky was in the cross-hairs of the national debate over slavery that would lead to the Civil War.

While many people love the song for its romanticized view of Kentucky, they rarely sing past the first verse. The complete song, which Foster originally called Poor Uncle Tom, Good Night, is actually about a slave being “sold down the river.”

While researching My Old Kentucky Home, Smith came across a journal article by the late Thomas Clark, Kentucky’s most eminent historian, published in 1936. It discussed parallels between the song and the controversial, anti-slavery novel of Foster’s time, Harriet Beecher Stowe’s Uncle Tom’s Cabin.

Many whites have always tried to portray slavery in Kentucky as somehow more humane than in the Deep South, but abolitionists of the 1850s argued just the opposite, Clark wrote. That’s because slavery in Kentucky was more personal.

Plantations were smaller, and Kentucky slaves had more interaction with their owners than in many Southern states. Whippings and runaways were common, and tens of thousands of Kentucky slaves were separated from their families each year and sold in the South for profit as the cotton, sugar and rice industries grew.

“It is significant,” Clark wrote more than 70 years ago, “that the author’s use of a title obscured his context sufficiently to cause Kentuckians, to whom Uncle Tom’s Cabin was anathema, to take the song to their hearts and claim it as their very own.”

For years after state officials opened Federal Hill to tourists in 1923, black men were hired to walk around portraying Foster’s song characters “Old Black Joe” and “Old Uncle Ned.”

“They fit that standard stereotype of the happy servant who was there to welcome the white guests to the mansion,” Smith said.

He sees the 1945 cemetery plaque honoring Rowan’s “faithful retainers” as part of the effort to soften Kentucky’s collective memory.

“If we allow the site to exist the way it is now, then we perpetuate the myth that slavery was a benign institution in Kentucky,” said Smith, who has been working for years on the Kentucky African-American Encyclopedia project. “This is not about compensatory history. It’s just about history.”

Park changes planned

Officials are working on several modifications at My Old Kentucky Home State Park, where the mansion has been meticulously restored and chimes broadcast Foster tunes across the grounds.

Tour guide scripts are being revised to reflect research on slaves at Federal Hill, who numbered from two to 100 at any given time between the 1790s and 1865. Interpretive displays are planned as money becomes available.

Eventually, the park would like to have audio tour equipment to supplement its small guide staff.

Park Director Alice Willett Heaton is seeking an archaeological survey to find cabin foundations and other evidence of where slaves lived and worked. It is thought the cabins were located near the amphitheater where a Stephen Foster musical has been performed since 1958.

Safety and accessibility issues may keep the attic and basement closed to visitors, Heaton said. But there are discussions about converting one of the rooms beside the kitchen into a place to explain slavery at Federal Hill.

Van der Meer said trees will be planted to screen the slave cemetery from the state park system’s most popular golf course.

“Somebody’s family is buried there,” Van der Meer said. “We want that to be treated more respectfully.”

Heaton is looking for money to build a path from the house to the cemetery. The park master plan she developed in 1987 called for the path, as well as moving the 1930s golf course further away from the cemetery.

She got money a few years ago to move a fairway that went between the house and cemetery. But she hasn’t been able to move the other hole, or build the path.

“It’s always been a money issue,” Heaton said. “But I’m thrilled with Dr. Smith’s interest. This could be a real opportunity for us.”

Smith said he has been pleased by the response from state officials. He plans to work with them to make sure changes are made.

Smith said he wants Kentucky’s international image to be positive — but historically accurate. “For me, it’s about telling the rest of the story,” he said. “So far, we’ve only been telling half of it.”

Perhaps enough time has passed, enough progress has been made, that both black and white Kentuckians can begin coming to grips with slavery and a racist past.

“I’m excited about the future,” Smith said. “I’m excited about the cemetery, about the possibilities and ways of including African-American history in that story of My Old Kentucky Home.”

As a historian, Smith acknowledges the difficulty of accurately interpreting African-American history at My Old Kentucky Home. Little physical evidence remains. Records are sketchy, and much is based on oral tradition.

But, he notes, Federal Hill’s very association with Stephen Foster is based on oral tradition among the Rowans, who were the songwriter’s cousins. There’s no written evidence that Foster ever visited the mansion, much less set his song there.

“We know the slaves were there,” Smith said. “But that other fellow, the one they’ve got the statue to out in the garden, we’re not sure about him.”

Click on each photo to enlarge

Former state Sen. Georgia Powers of Louisville was interviewed last week. Photo by Tom Eblen

In a darkened former courtroom on ground where slaves were once bought and sold, Georgia Powers sat in front of a video camera and told her story.

Born in the “Jim Crow Town” section of Springfield, she grew up in Louisville. Powers first realized African Americans were being treated as second-class citizens when she and a white friend had to attend different schools.

Powers grew up to be a community organizer and civil rights activist. When a state senator she was trying to lobby blew smoke in her face, she decided she needed a seat beside him. Powers became the first woman and first African American elected to the Kentucky Senate. There, she sponsored and fought for passage of the South’s first laws guaranteeing blacks equal rights to home ownership and public accommodations.

“I saw a need for someone to speak out for women, for African Americans, for children,” said Powers, now 85. She described a time that seems so long ago, but wasn’t, and the skillful political maneuvering it took to secure rights and freedoms Kentuckians now take for granted.

Powers’ story says a lot about the Kentucky experience — and the American experience. It is one of many stories that will be featured in a documentary film being made by five University of Kentucky professors, Academy Award-winning director and producer Paul Wagner and composer Kinny Landrum. The film will be narrated by the Kentucky-born actress Ashley Judd.

Filming for Kentucky — An American Story began last week with Daniel Blake Smith, a UK historian and the film’s executive producer, taping several interviews on UK’s campus and at the Lexington History Museum in the former Fayette County courthouse.

In addition to Powers and fellow civil rights activist J. Blaine Hudson, Smith interviewed journalists Al Smith and Maryjean Wall and historians Ron Eller, Tracy Campbell, Stephen Aron and John Mack Faragher.

Full-scale filming will begin in the spring, and Smith expects the documentary to be finished by mid-2010. The film will be either one or two hours, depending on how much more money the filmmakers’ non-profit corporation can raise. And it will be only one piece of a project that will include a companion book and a Web site with supplemental content that schools can use to teach Kentucky history.

Smith said the filmmakers want Kentuckians to learn more about their history — and take pride in it.

“We think Kentucky’s history is very revealing of the American experience,” he said. “So many people think that American history only happened in places like Washington and Philadelphia and Boston. But a lot of it happened in Kentucky. We want viewers to be surprised about what has happened in Kentucky and feel connected to it.”

Kentucky — An American Story won’t cover everything, and it won’t be a dry history lesson. Both Smith and Wagner, also a Kentucky native, have significant filmmaking experience. Their collaborators include two historians and authors, Campbell and Eller, who know how to tell a good story.

The film will focus on Kentucky people, land and politics, telling stories both familiar and surprising. Those stories include Kentucky’s pioneer settlement and early prosperity; how racial and religious conflict gave way to pioneering civil rights progress; the blessing and curse of coal and tobacco; the planning and marketing that created the thoroughbred horse industry; and even the rich history of girls’ basketball.

In his interview for the film, journalist Al Smith, the founding host of KET’s weekly public affairs program Comment on Kentucky, discussed the state’s many contradictions and challenges.

Kentuckians have long been stereotyped by outsiders as feuding mountaineers and poor hillbillies. Yet, Kentucky has produced some of America’s most acclaimed authors and intellectuals, people such as Robert Penn Warren, Harry Caudill, Harriett Arnow, Wendell Berry and Elizabeth Hardwick.

Many Kentuckians once rejected the science that shows tobacco causes cancer just as they now reject the science that shows burning coal causes global warming, Smith noted. And not far from one of the nation’s most remarkable collections of prehistoric fossils, fundamentalist Christians recently built the Creation Museum.

The Kentucky of 1784 was described by pioneer author John Filson as the “New Eden,” yet many parts of the state have since been despoiled by strip mining, excessive logging and overdevelopment.

For two and a half centuries, Kentucky has always seemed to be at the center of America — not only its geography, but its people’s successes and failures, challenges, hopes, dreams and cultural conflicts. Author Jesse Stuart described it this way: “If these United States can be called a body, Kentucky can be called its heart.”

For more information

For more information about Kentucky — An American Story and to see video clips of sample segments narrated by actress Ashley Judd, go to the film’s Web site: www.kentuckyanamericanstory.org