Who’s protecting abusive payday lending? Follow the money.

March 29, 2015

Legislation to rein in payday lenders, who trap some of Kentucky’s most vulnerable people in cycles of debt, died last week in the state Senate, but federal regulators are now stepping up to the plate.

payday-loanSen. Alice Forgy Kerr, a Lexington Republican, sponsored a bill that would limit payday loan interest rates, which can approach 400 percent, to 36 percent, the limit the U.S. Department of Defense sets for loans to military personnel.

The bill was supported by consumer advocates, as well as by both liberal and conservative church groups on moral grounds. But it died in the State and Local Government Committee. Wonder if that had anything to do with the payday lending industry’s campaign contributions to some legislators?

Last Thursday, President Barack Obama and the U.S. Consumer Financial Protection Bureau announced plans for a federal crackdown on payday lenders.

U.S. Rep. Andy Barr, a Lexington Republican who has received several hundred thousand dollars in contributions from financial services companies, issued a press release March 19 about proposed legislation to curb the CFPB’s “reckless regulatory overreaches.”

Looks more like an attempt to muzzle a watchdog that protects citizens from Barr’s corporate benefactors.


New Lexington firm hopes to be link between makers, machines

February 8, 2015

MakeTimeThe MakeTime staff in Lexington. From left: Rick Spencer, Dima Strakovsky, Kasey Hall, founder and CEO Drura Parrish, Steve Adams and Brian Brooks. Photo by Tom Eblen

Suppose your company wants to make something, but you don’t have the equipment. Perhaps you can’t afford to buy it, or the quantity of goods you want to make wouldn’t justify the investment.

On the other hand, suppose your company has manufacturing equipment and staff, but they have blocks of idle time. Would you like to convert downtime into revenue?

That’s the idea behind MakeTime, a new Lexington company that has developed an online platform for matching manufacturers with excess capacity to customers willing to buy it. It is essentially a marketplace for by-the-hour machine time.

“The whole gist is to democratize manufacturing and the whole process of making things,” said Drura Parrish, the company’s Founder and CEO.

“Firms aren’t driving innovation anymore; people are,” he said. “There has to be a next step beyond prototyping so people can at least jump in and try out their ideas.”

MakeTime launched in November, and Parrish expects the company to arrange $2 million worth of gross transactions during its first year.

MakeTime has 14 full-time employees — half of whom are computer programmers in Ukraine; the rest work in Lexington — and Parrish expects to hire 11 more in the coming year.

So far, he said, MakeTime has signed up 80 manufacturing companies with $2 billion worth of capacity and is getting about 10 inquiries a day for buying their services.

I first met Parrish, 38, when he was teaching architecture and digital fabrication at the University of Kentucky’s College of Design. He came there with the former dean, Michael Speaks, from the Southern California Institute of Architecture.

Parrish then started a company, which was recently dissolved, that worked with artists to turn their designs into objects for museum installations around the world. Much of that work was done in an old industrial building on East Third Street, where Parrish also operated a contemporary art gallery called Land of Tomorrow, one purported translation of the Native American word for Kentucky.

Although trained in art and design, Parrish comes from a third-generation manufacturing family in Henderson. His grandfather was a tenant farmer who got into the lumber business, creating what is now Scott Industries.

Parrish said he started doing a sort of pre-Internet version of MakeTime when he was in graduate school.

“I noticed there were a bunch of people with a bunch of machines that sat idle at times, and a bunch of people who wanted to make things and thought they needed to buy equipment,” he said. “I became the literal marketplace. I bought up capacity time and started marketing it.”

Parrish and Dima Strakovsky, who had been a partner in Land of Tomorrow, started developing MakeTime’s online platform, where manufacturers can list their available capacity, clients can list their needs, and they can be quickly matched for jobs. MakeTime’s revenues come from a fee of 15 percent of the transaction amount, paid by the seller.

“Our DNA is still design and art,” Parrish said, noting that many of the company’s employees have design backgrounds, so are trained to be problem-solvers.

Parrish said Lexington is an ideal location for the company, although he couldn’t find enough local software programmers and ended up going overseas for help.

“Within a four-hour ring of Lexington you have just about every manufacturer in the country,” he said. “We’re committed to staying here. The only problem is with programmers.”

Parrish said he has had a lot of help getting started from the Kentucky Science and Technology Corp. and state and local economic development organizations.

But while MakeTime had a couple of Kentucky “angel” investors, much of its startup capital came from New York. Parrish said the shallow pool of local investment capital, and the conservative nature of many local investors, is limiting the ability of entrepreneurs to flourish here.

“It can be hard to believe in the people who are near you,” Parrish said. “But it’s a matter of getting the right resources to grow. The risk of loss is often small, and the potential return is great.”


Black History Month founder was also an Appalachian coal miner

February 3, 2015

For several years, I have written a series of columns each February about little-known aspects of the history of Kentucky citizens of African descent.

So it seemed fitting to begin this year’s series with a look at the man who created Black History Month, Carter G. Woodson. A prolific author, historian and activist, he was the key figure in the recognition of black history as an academic specialty.

150204Woodson0002But before all of that, Woodson grew up in Appalachia, worked as a coal miner and began his academic career as a student at Berea College.

Many people don’t know about Woodson’s Appalachian roots, said Alicestyne Turley, director of Berea’s Carter G. Woodson Center for Interracial Education and an assistant professor of African and African American Studies.

“In fact, I never knew he had been a student at Berea until I came here,” she said. “It just never came up on the radar.”

Woodson was born in 1875 near New Canton, Va., the oldest of nine children of former slaves. After the Civil War, his parents moved to West Virginia when they heard Huntington was building a high school for blacks.

Woodson studied on his own while working as a coal miner. He wasn’t able to enter that high school until he was 20, but it took him only two years to earn a diploma.

“He had everything you would normally think of in an Appalachian background — except that he was black,” Turley said.

“Honestly, historians have not done a lot of work on his early life,” she added. “I wonder: what was he doing then besides working in the coal mines?”

After high school, Woodson began teaching in Winona, W.Va., at a school that black coal miners started for their children. But he wanted more education, and Berea College seemed a logical choice.

Berea was founded in 1855 by abolitionist John G. Fee on land given him by Cassius Clay of Lexington, an outspoken emancipationist newspaper publisher. It became the first non-segregated, co-educational school in the South.

Woodson commuted from West Virginia by train and only studied part-time. Still, he managed to earn a bachelor’s of literature degree in 1903. His timing could not have been better.

150204Woodson0001The next year, Kentucky’s General Assembly passed the Day Law, which prohibited blacks and whites from attending school together. That law wasn’t repealed until 1950, and during the decades in between, Berea shifted its focus to white Appalachian students of modest means.

Woodson went on to earn another bachelor’s and a master’s degree in European History from the University of Chicago, and he studied at the Sorbonne in Paris. In 1912, he became the second black person, after W.E.B. Du Boise, to earn a doctorate from Harvard University.

Frustrated that white scholars were either ignoring or misrepresenting the history of his people, Woodson started what is now the Association for the Study of African American Life and History, which celebrates its centennial this year.

The association sponsored conferences, primarily to teachers of black children. Woodson edited the association’s Journal of Negro History until he died in 1950.

Woodson founded Associated Publishers in 1920, which was the nation’s oldest black-owned book publisher when it was dissolved in 2005.

In 1926, Woodson launched Negro History Week, sandwiched between the birthdates of Abraham Lincoln and Frederick Douglass on Feb. 12 and Feb. 20.

“He had to fight to get that week,” Turley said. But the concept gained acceptance and spread, eventually becoming Black History Month.

Woodson, who spent most of his academic career at Howard University in Washington, D.C., also became a political activist and a regular columnist for Marcus Garvey’s weekly newspaper, Negro World.

He wrote more than two dozen influential articles and books, the most famous of which was “The Mis-Education of the Negro,” published in 1933.

“When you control a man’s thinking you do not have to worry about his actions,” one of the book’s frequently quoted passages says. “You do not have to tell him not to stand here or go yonder. He will find his ‘proper place’ and will stay in it.”

After Woodson left Berea, he continued a correspondence with the college’s president, William Frost. Turley said those letters are revealing.

“He often talks about what he learned at Berea,” she said. “He understood Berea’s commitments of learning, labor and service. Those were things that stayed with him the rest of his life.”


Wendell Berry: Is anyone listening to Kentucky writers’ warnings?

January 31, 2015

150128KyWriters0027After being the first living author inducted into the Kentucky Writers Hall of Fame on Wednesday night, Wendell Berry, right, talked with Julie Wrinn, director of the Kentucky Women Writers Conference. At left is writer Jason Howard,  editor of Appalachian Heritage, a literary quarterly. Behind them, writer Bianca Spriggs. Photo by Tom Eblen

 

Elizabeth Hardwick was the eighth of 11 children born to a Lexington plumbing contractor and his wife. She grew up in a modest home on Rand Avenue and graduated from Henry Clay High School and the University of Kentucky.

From this ordinary Kentucky childhood, she went on to become a leading East Coast intellectual: an award-winning critic, essayist, novelist and founder of The New York Review of Books.

Hardwick earned a lengthy obituary in The New York Times when she died in 2007 at age 91. But if you stopped people on the street in Lexington today, I’ll bet at least nine out of 10 would never have heard of her.

That’s one reason the Carnegie Center for Literacy and Learning created the Kentucky Writers Hall of Fame three years ago.

“This state has so many negative stereotypes that we have to battle every day,” Lt. Gov. Crit Luallen said in remarks at the Hall of Fame’s induction ceremony Wednesday. “But the truth is, we have one of the finest and richest literary heritage traditions in the nation.”

Hardwick was one of six inductees at the ceremony, which attracted a standing-room-only crowd that included several acclaimed Kentucky writers likely to be chosen for the Hall of Fame someday.

Four other deceased writers inducted this year were: Hunter S. Thompson (1937-2005) of Louisville, who created “gonzo” journalism; Guy Davenport (1927-2005) of Lexington, a UK professor and MacArthur “genius” grant winner; Effie Waller Smith (1879-1960), a black poet from Pike County whose work filled three books and was published in Harper’s Weekly magazine; and Jim Wayne Miller (1936-1996), who taught at Western Kentucky University in Bowling Green.

They joined 13 other writers of the past inducted during the Hall of Fame’s first two years, including Robert Penn Warren, Thomas Merton, Jesse Stuart and James Still.

Most of the crowd Wednesday was there to honor Wendell Berry, the first living inductee. Berry, 80, of Henry County, has written more than 50 books of poetry, fiction and polemics. In the process, he has become an international icon in the land conservation and sustainable agriculture movements.

Luallen, who was appointed lieutenant governor two months ago after Jerry Abramson took a White House job, was probably a better representative of state government at this ceremony than Gov. Steve Beshear would have been.

Berry joined protesters who camped outside Beshear’s office in 2011 to protest state government collusion in the coal industry’s destruction of Kentucky’s mountains and streams. (Not that Beshear is unique; Kentucky’s governor and General Assembly have long been wholly owned subsidiaries of the coal industry.)

Luallen’s comments echoed the sentiments of many Kentuckians.

“When there are moments of darkness felt by those of us who cherish this land, a light has shown through that darkness, and the light has been the words of Wendell Berry,” she said. “Inspiring us, rekindling our spirit and reminding us of what we have lost as a people and what, without careful judgment and good reason, we have yet to lose.”

But in his acceptance speech, Berry gave a glum assessment of Kentucky writers’ consequence.

The state is “gravely and lastingly fragmented by divisions that are economic, social, cultural and institutional,” he said. “These divisions have given us a burdening history of abuse — of land abuse but also and inevitably of the abuse of people, for people and land cannot be destroyed or conserved except together.”

Berry complained that many good books by Kentucky writers critiquing the state’s problems have not received the media attention or sparked the public debate and policy changes he thinks they should have.

“This public silence ought to be a worry, especially to writers,” he said. “What is the effect or fate, Kentucky writers may ask, of Kentucky books devoted to urgent public issues — ‘Night Comes to the Cumberlands’ or ‘Lost Mountain’ or ‘Missing Mountains’ or ‘The Embattled Wilderness’?”

Afterward, Luallen said she thinks Berry underestimates those books’ impact. Without them, she said, things would be worse.

Berry’s speech gave a healthy edge to the evening’s celebrations. That was good, because another of the Carnegie Center’s goals for the Hall of Fame is to elevate the visibility and influence of writers in Kentucky’s public life.

Wendell Berry and his fellow writers are the conscience of Kentucky, not beholden to money or power. If we refuse to listen to them, we do so at our peril.


Ark park fiasco a wakeup call to aim higher with taxpayer incentives

January 11, 2015

ark3

 

The dispute over tax breaks for a proposed Noah’s Ark theme park is ridiculous on many levels, but it offers a good economic development lesson for Kentucky politicians and taxpayers.

In case you haven’t been following the story, the nonprofit organization Answers in Genesis, which opened the Creation Museum in Boone County in 2007, is trying to build the Ark Encounter attraction in nearby Grant County.

AIG believes in a literal interpretation of the Bible’s creation story that is contrary to both scientific evidence and the views of most Christians. Among other things, AIG’s followers believe the world is only 6,000 years old, and that humans and dinosaurs once lived side-by-side, just as in The Flintstones cartoons.

The Creation Museum drew a lot of tourists — believers and scoffers alike — so AIG announced plans in 2010 to build a big theme park around a 500-foot-long, seven-story-high version of Noah’s Ark.

This time, though, AIG wanted taxpayer subsidies. And it got a lot. But it wants more, even as the project has been scaled back because of fundraising shortfalls.

The city of Williamstown agreed to a 75 percent break on property taxes for 30 years and a $62 million bond issue. The Grant County Industrial Development Authority gave the park $200,000 plus 100 acres of land at a reduced price. The state has promised $11 million in road improvements for the park’s benefit.

The state also agreed to provide $18 million in tourism tax credits, but it withdrew the offer after it became clear that Ark Encounter jobs would go only to people who pass the group’s religious litmus test. You would think state officials could have seen that coming.

Kentucky politicians should never have agreed to these incentives in the first place. And you have to wonder: Would they have done the same for a Wiccan World theme park? Buddha Land? Six Flags over Islam?

AIG has threatened to sue, and it has rented billboards around Kentucky and in New York’s Times Square to wage a holy war of words against what founder Ken Ham calls “secularists” and “intolerant liberal friends” who object to his ministry feeding at the public trough.

The sad thing is, AIG might have a case. It doesn’t help that in 2013, the General Assembly foolishly passed a conservative feel-good law that protects religious groups from vague “burdens” imposed by state government.

So don’t be surprised if AIG — a tax-exempt group with more than $19 million in annual revenue and enough extra cash to rent a billboard in Times Square — argues in court that it is “burdened” by being denied millions more in taxpayer subsidies.

The ark park mess is a symptom of a bigger problem with Kentucky’s economic development strategy. Despite recent reforms, officials aim too low too often. Rather than focusing on high-paying jobs that will move Kentucky forward, they are often happy to subsidize jobs that don’t even pay a living wage.

It is an unfortunate reality that state and local governments must sometimes throw money at corporations to bring jobs to their areas. It has become quite a racket, as companies play cities and states off one another, demanding more and more concessions that shift the burden of public services to everybody else.

Sometimes, such as with the Toyota plant in Georgetown, incentives are good investments. But Kentucky has shelled out money for far more clunkers.

The ark park is a great example of a clunker. It would create mostly low-wage service jobs while reinforcing the stereotype of Kentucky as a state of ignorant people hostile to science.

Think about it this way: For every low-wage job the ark park would create, how many high-wage jobs would be lost because science and technology companies simply write off Kentucky?

But economic development incentives are only part of the problem. Kentucky’s antiquated tax code no longer grows with the economy, and it is riddled with special-interest loopholes that leave far too little public money to meet today’s needs, much less make smart investments for the future.

The ark park fiasco should be a wake-up call for Kentucky politicians to raise their standards.

This state will never become prosperous by spending public money to create low-wage jobs and reinforce negative stereotypes. Prosperity will come only through strategic, long-term investments in high-wage jobs, education, infrastructure, a healthy population, a cleaner environment and a better quality of life.

Everybody say amen.


Urban-rural divide will challenge Kentucky economy in 2015

January 5, 2015

141231Downtown0113b21C Museum Hotel is expected to open in late 2015 after renovation is completed on the century-old First National Building, right. But the old Fayette County Courthouse, left, will be one of Lexington’s biggest redevelopment challenges. Photo by Tom Eblen 

 

As a recent economic study notes, Kentucky’s economy is really nine very different regional economies that reflect a national trend: urban areas are doing well, but rural areas are struggling.

Lexington and Louisville together accounted for 45 percent of the state’s job growth over the past five years, according to a study by economist Paul Coomes for the Kentucky Chamber of Commerce.

That means Central Kentucky this year should continue to capitalize on several sources of momentum, including manufacturing growth, entrepreneurship and urban redevelopment, as well as Lexington’s growing reputation as a good place to live, work and visit.

The biggest manufacturing news this year is likely to be Toyota’s new Lexus assembly line. When the $531 million Georgetown plant expansion is finished late this year, 600 additional workers will make 50,000 Lexus 350 ES cars a year, in addition to the current Camrys, Avalons and Venzas.

But as manufacturing becomes more automated, the demand for higher-skilled workers increases. “Having a skilled work force is going to be a huge factor” in future growth, said Bob Quick, president of Commerce Lexington.

Central Kentucky continues to see an influx of workers and professionals from elsewhere. That is helping to fuel not only manufacturing, but business and professional services and entrepreneurial efforts, Quick said.

That also is good news for Lexington’s urban redevelopment initiatives, which finally seem to be hitting their stride. While the public’s attention was focused in recent years on the long-stalled CentrePointe project, a lot of good things were happening.

Victorian Square was renovated and rebranded as The Square, breathing new life into the downtown retail-restaurant development. This year will be a test of whether that concept can succeed.

A lot of small-scale urban redevelopment has been happening in places such as the Jefferson Street restaurant corridor, whose latest addition is the Apiary; the East End; National Avenue; South Limestone and North Limestone areas.

This could be a big year for the Newtown Pike corridor between downtown and the new Bluegrass Community and Technical College campus. Developers of Thistle Station, a proposed 16-story apartment building, hope to begin construction this year and open in fall 2016.

While the Rupp Arena and convention center reconstruction have been put on hold, city officials continue to move forward on Town Branch Commons, an innovative plan to create a linear park downtown that could attract new development.

“You’re seeing a deeper bench for the strategy of downtown,” Quick said. “Even when the Rupp piece didn’t work, we didn’t lose our downtown vision.”

Late this year, the 21C Museum Hotel should open after an extensive renovation of Lexington’s first skyscraper, the century-old First National Building.

But 21C is across the street from downtown’s biggest redevelopment challenge: the old Fayette County Courthouse. It was shuttered in 2012 because of lead contamination and structural problems from years of neglect. Officials this year need to come up with a plan for renovating and reusing this landmark.

The Breeder’s Cup at Keeneland Oct. 30-31 could pump $50 million into the local economy. It also should provide an incentive to finish a variety of projects, just as the Alltech FEI World Equestrian Games did in 2010.

Kentucky’s biggest trouble spot is Eastern Kentucky, where the coal industry is in permanent decline. Will the Shaping Our Appalachian Region initiative this year create jobs in Eastern Kentucky, or just more talk?

Dave Adkisson, president of the Kentucky Chamber of Commerce, said everyone also will be watching to see how Ft. Knox and Ft. Campbell fare as the military downsizes after long, costly wars in Afghanistan and Iraq.

Adkisson thinks Kentucky exports will remain strong. One of the fastest-growing exports is likely to continue to be bourbon whiskey, which is enjoying global popularity.

But international trade has been both a blessing and curse. The Kentucky Center for Economic Policy estimates that 41,100 jobs have been lost in the state since 2001 because of America’s growing trade deficit with China.

Will Congress and the president finally address China’s currency manipulation and other unfair trade practices? Or will new global export agreements now in the works simply ship more Kentucky jobs overseas?

One of the biggest issues facing every Kentucky region is the lack of real wage and per-capita income growth, which is below the national average and a drag on the economy. House Democrats have talked about raising the state’s minimum wage this year, but business groups and Republicans oppose it.


Historic homes on tour next weekend in Harrodsburg, Georgetown

November 30, 2014

141122Harrodsburg-TE0004The Burrus/Trisler House is on the 23rd annual Holiday Homes Tour on Dec. 6 from 1 p.m. to 6 p.m., sponsored by the Harrodsburg Historical Society.  Photos by Tom Eblen 

 

There’s no place like home for the holidays, especially when it is a grand old Kentucky mansion you don’t have to clean or decorate.

More than a dozen old houses, churches and public buildings in Mercer and Scott counties will be on tour next weekend. Plus, there will be candlelight tours and children’s activities at the circa 1848 Waveland mansion in Lexington.

This is the 23rd year for the Harrodsburg Historical Society’s Holiday Home Tour on Dec. 6. In addition to tours of seven Mercer County properties, there will be a mapped driving tour of the Salvisa community.

The Queen Anne-style Coleman House is owned by former state Rep. Jack Coleman and his wife, Cala. Before he bought it, Coleman didn’t know that his great-grandfather, Clell Coleman, a state auditor and agriculture commissioner, once lived in the 1880 brick-and-shingle mansion.

141125Georgetown-TE0026The Colemans have completed a restoration started by previous owners, adding their own special touches. A former porch was converted into a long, cozy kitchen with flooring salvaged from Lexington tobacco warehouses.

The attic was turned into a Western-themed den honoring Cala Coleman’s grandparents, a cowboy and postmistress in Utah. The oak postal cabinet she used now stands behind a bar.

“Everything is from our families,” Coleman said of the extensive antique collection in the house, which they plan to open next year as a bed-and-breakfast. “We say we’re the keepers of the stuff.”

Mercer County Judge-Executive John Trisler and his wife, Kay, have done extensive work on their Greek Revival farmhouse off Kirkwood Road, which dates to the 1830s and maybe earlier. They added a new kitchen and den on the back, making the elegant old place a more comfortable place to live.

Warwick, the former estate of the renowned architectural historian Clay Lancaster, will be included in the tour. The compound includes the circa 1809 Moses Jones House and two architectural “follies” Lancaster built, a tea house and a guest house based on the ancient Tower of the Winds in Athens, Greece.

Another unique property is Diamond Point, an elaborate Greek Revival structure that has been renovated as Harrodsburg’s welcome center and offices for the chamber of commerce, tourism bureau and two other local agencies.

Other stops are the circa 1850 McGee House on Jackson Pike; the 1881 Salvisa Christian Church; and Old Mud Meeting House, built in 1800 that is one the last remaining pioneer log churches in Central Kentucky.

Maps are available for a self-guided driving tour of other Salvisa-area historic homes that will not be open that day.

141125Georgetown-TE0032On Dec. 7, the Scott County Arts & Cultural Center will have its Tour of Historic Homes, featuring six properties in downtown Georgetown.

The tour is a fundraiser to restore one of Georgetown’s most interesting buildings: a Romanesque Revival jail built in 1892. Plans call for it to become an expansion of the Arts & Cultural Center now located in the adjacent old jailer’s house.

Two of the properties on tour are stately mansions built before the Civil War: the early 1800s Cantrill House beside the Georgetown College campus; and Walnut Hill, a Greek Revival-style mansion built as the summer home of James McHatton, who once owned eight plantations along the Mississippi River.

Beside Walnut Hill is a large, 1888 Italianate villa whose unusual double front door features four busts of big-busted women.

Georgetown’s 1899 City Hall, which like the Scott County Courthouse beside it is one of Central Kentucky’s most elegant old public buildings, will be part of the tour. So will Holy Trinity Church Episcopal, a Gothic Revival structure with a stone façade and red doors that has been in use since 1870.

The best option for parents with young children who want some history with their holidays may be the candlelight tours at Waveland State Historic Site, off Nicholasville Road just south of Man O’ War Boulevard.

In addition to decorations at the circa 1848 Greek Revival mansion, school choirs will perform and Santa will read stories and visit with children.

If you go

Harrodsburg Holiday Home Tour, 1 p.m. – 6 p.m., Dec. 6, $15, or $11 for seniors and groups of 20 or more. Tickets available at tour locations. More information: (859) 734-5985 or Harrodsburghistorical.org.

Scott County Arts & Cultural Center’s Tour of Historic Homes, 1 p.m. – 5 p.m., Dec. 7. $10. Tickets available in advance and at tour locations. More information: (502) 570-8366.

Waveland candlelight tours, 6 p.m. — 9 p.m., Dec. 5-6. $7 adults, $6 seniors, $4 students. Free for age 6 and younger. More information: (859) 272-3611.

 

Click on each image to see larger photo and read caption:

 


New book: diabetes epidemic should be treated like one

November 11, 2014

Diabetes is often called an epidemic, and no wonder. Over the past half-century, the disease has exploded.

In 1958, fewer than 1 in 100 Americans had diabetes; now, it is 1 in 11. Virtually all of the increase has been in obesity-related Type 2 diabetes, which can cause complications such as blindness, kidney failure and the need for limb amputations.

The problem is especially serious in Kentucky. The Centers for Disease Control reported in 2012 that the number of diabetes cases rose 158 percent in Kentucky over 15 years, outpacing every other state except Oklahoma.

A flu epidemic of this magnitude would create public alarm and swift official response. Ebola? If there were even a couple of cases in Kentucky, politicians and health officials would be running around like their hair was on fire.

141111DiabetesBook0002But diabetes — a slow-moving, chronic disease — is not being treated like an epidemic. That must change, two Lexington health policy experts argue in a new book, The Great Diabetes Epidemic: A Manifesto for Control and Prevention (Butler Books, $24.95)

The authors are Dr. Gilbert Friedell, former director of the Markey Cancer Center at the University of Kentucky and founder of the Friedell Committee, a statewide health care policy organization; and Isaac Joyner, a public health policy analyst who has worked on a variety of issues in Kentucky, Texas and the Carolinas.

They will speak about the book and sign copies at 5 p.m. Friday, which is World Diabetes Day, at The Morris Book, 882 E. High Street. They also are scheduled to testify Nov. 18 in Washington before the Congressional Caucus on Diabetes.

The authors say a major public health response is needed to stop diabetes’ rapid growth, deadly consequences and huge cost. Their book outlines specific steps that individuals, communities and the government could take.

“If we continue to treat diabetes on a one-patient-at-a-time basis, we can’t deal with an epidemic,” Friedell said. “Unless you take a public health approach to an epidemic, it doesn’t work.”

141111DiabetesBook0003

Gilbert Friedell

At its current rate, the authors say 40 percent of Americans alive today — and half of people of color — will eventually develop diabetes. The first step in changing that, they say, is widespread, routine screening.

“You have to find cases early, which means you have to screen people who seem well,” Friedell said. “The symptoms of diabetes come on maybe 10 years after the disease starts. But nobody knows they have the disease. We’re wasting 10 years that we could be doing something good for people.”

More than one-fourth of the people who have diabetes have not been tested or diagnosed, according to CDC studies. That means that while 370,000 Kentuckians know they have diabetes, another 137,000 may have it and not know it.

In addition to that, officials estimates that 233,000 Kentuckians have a condition called prediabetes, which means they will eventually develop the disease if they don’t take steps to stop it.

Health officials now recommend diabetes screening for people with high blood pressure, or anyone over the age of 45. Friedell and Joyner think everyone over age 20 should be screened.

One big problem with fighting diabetes is that it is viewed as an individual problem, rather than a societal problem. That despite the fact that the federal government alone spends $90 billion fighting the disease, mostly for treatment.

Isaac Joyner

Isaac Joyner

“There’s a tendency to blame the victim,” Friedell said. “If you don’t eat right and exercise and if you’re fat you’re going to get diabetes. That attitude doesn’t help. We need individuals to change their behavior, but it’s easier to do when the whole community says diabetes is our problem. It’s the way that we make change.”

Friedell and Joyner want the government and communities to invest more money and effort in proven programs for preventing or minimizing the damage of diabetes. It also would require changing insurance company reimbursement policies. But the long-term payoff would be huge.

“Your investment up front has a return that’s perhaps eight times,” Friedell said. “But you have to accept that it’s going to be over a few years.”

The biggest issue, though, is public awareness — and urgency.

“There has to be a sense of urgency, and there is no sense of urgency about diabetes,” Friedell said. “We need to do something to get the public involved, and the public has to feel that it’s important.”


Uniquely Kentucky: Closing essay from Friday’s special section

September 30, 2014

abeEduardo Kobra’s mural of Abraham Lincoln in downtown Lexington, with the moon over his shoulder. Photo by Tom Eblen

 

Kentucky has always been at a crossroads. Buffalo came looking for food and water. Native Americans came looking for buffalo. Pioneers and settlers came looking for land and opportunity.

Originally the Western frontier, Kentucky has been more or less at the center of the country geographically since the 1830s. Culturally, though, it remains a place unto itself. Many places, actually.

Early settlers came to the Bluegrass for fertile land and pure water to produce hemp, tobacco, strong-boned horses and good whiskey. Eastern Kentucky developed a rich, complex Appalachian culture as newer immigrants joined Anglo-Saxon settlers when railroads opened the mountains for timber and coal harvesting.

Communities along the Ohio River, long nourished by commerce, have created personalities all their own, as have those amid the farms of Southern Kentucky. Western Kentucky rolls out like a rumpled green carpet to the Jackson Purchase, encompassing many unique local cultures.

Ask someone in China what they know about Kentucky and they are likely to reply, “Kentucky Fried Chicken.” I went to church once with friends in a small Australian town and was introduced to the minister afterward. He immediately said, “Ah, the Kentucky Derby!”

The recent popularity of bourbon has given Kentucky another international claim to fame. Jimmy Russell, the master distiller at Wild Turkey, told me that when he travels to Asia, Europe and Australia he is treated like a rock star. As he should be.

Kentuckians know how to eat well. Nothing is better than Western Kentucky barbecue in the summer or spicy burgoo in the winter. Any morning that begins with country ham and biscuits is a good morning.

Louisville has the calorie-packed Hot Brown sandwich, otherwise known as “heart attack on a plate.” Want something lighter? Try benedictine, a cucumber spread long popular with Louisville ladies who lunch.

Immigration continues to enrich Kentucky’s culture and palate: Mexican, Indian, Chinese, Thai, Vietnamese and African. The newest menu item at the 134-year-old Fancy Farm Picnic in Graves County is barbecue nachos.

Abraham Lincoln was born in Kentucky, as was his Confederate counterpart, Jefferson Davis. America’s greatest sports car, the Corvette, is made in Bowling Green. The stoplight was invented Garrett Morris, a black man from Paris.

Country music owes much of its sound to old-time Kentucky fiddlers and the hard-charging mandolin of Kentuckian Bill Monroe. And don’t forget Loretta Lynn, Jean Ritchie, Ricky Skaggs and Sam Bush.

Lexington’s Carnegie Center for Literacy and Learning has started calling Kentucky the “literary capital of mid-America.”  Sure, it’s a big boast. But consider the evidence: Robert Penn Warren, James Still, Wendell Berry, Harriette Arnow, Bobbie Ann Mason, Barbara Kingsolver, Sue Grafton, Jesse Stuart, Silas House, William Wells Brown, Hunter S. Thompson, C.E. Morgan and too many more to mention. Outsiders may still joke that Kentuckians don’t wear shoes, but we sure can write.

That’s the good news. Now for some bad news: Kentucky lags most other states in many measures of health, education, social welfare and economic innovation.

Kentuckians tend to cling to what worked in the past rather than leveraging their unique assets, heritage, culture, location and know-how for a brighter future. We carelessly spoil beautiful landscape with strip mines and strip malls. We focus on fears instead of possibilities.

Remember what I said about Kentucky being at a crossroads?  It has never been more true than today.


Author of new William Wells Brown biography speaks in Lexington

September 16, 2014

William Wells Brown is a name few people recognize today. He may be best known in Lexington as the namesake of an elementary school and community center in the East End.

But Brown (1814-1884) became a celebrity in the 19th century as the first black American to publish a novel, a travelogue, a song book and a play. He wrote three major volumes of black history, including the first about black military service in the Civil War.

The Central Kentucky native, who spent much of his adult life as a fugitive slave, spoke widely in this country and Europe against slavery. After emancipation, he was an important voice for black self-improvement. He also became a physician.

But that summary of accomplishments gives no clue about the fact that Brown’s own life story was as complex and fascinating as any work of literature.

wwbEzra Greenspan, an English professor at Southern Methodist University who has edited two collections of Brown’s writing, next month will publish a groundbreaking biography of America’s first black literary giant, William Wells Brown: An African American Life (W.W. Norton & Co., $35).

As part of a national tour celebrating the bicentennial of Brown’s birth, Greenspan is in Lexington this week to talk about his biography, which sheds new light on a man whose life and work were often surrounded by mystery and controversy. Greenspan plans to speak to students at four Lexington schools, and he has two free public events Thursday: a 4 p.m. talk at Third Street Stuff coffee shop and a more extensive presentation at 6:30 p.m. at the Lyric Theatre.

I had been eager to read Greenspan’s book since last year, when I interviewed him for a Black History Month column about Brown. I recently got a draft and found it to be an engaging, well-written story, filled with new information from years of painstaking research.

Greenspan’s work was difficult because Brown left no personal papers — perhaps because of scandals involving his first wife and a daughter — and the fact that he often mixed fact with fiction when writing about himself. Because Brown was born a slave, early records are sparse.

Greenspan first came to Lexington in 2009, when he and his wife were traveling around the United States and Britain to places where Brown spent time. They came here because Brown’s first published work — a narrative about his life in slavery — began: “I was born in Lexington, Kentucky.”

Brown may have thought that, because he was taken from Kentucky when he was only 3. But Greenspan discovered that Brown was actually born in Montgomery County, the child of a black slave and his owner’s white cousin, George W. Higgins. Called “Sandy” as a youth, Brown later adapted his chosen name from that of a subsequent owner.

Greenspan’s book traces Brown’s life from Kentucky to Missouri, where he lived on a farm next to Daniel Boone, to his work on Mississippi River steamboats for various masters, including a notorious slave-trader. All this time, Brown was observing much that would eventually find its way into print.

Brown’s third and successful escape from slavery came in 1834, when he was 19, after he saw both his mother and sister “sold down the river.”

His accomplishments were remarkable on many counts. He taught himself to read as an adult. With no formal education, he became a stylish, sophisticated and unusually prolific writer and a speaker of such skill that he attracted huge audiences.

Brown also was a resourceful entrepreneur. He profitably managed most of his own publishing, and he fiercely guarded his creative and financial independence despite persistent racism.

As Greenspan’s book recounts, Brown took considerable literary license with facts and indulged in bold examples of using others’ material in his own work. As both an activist and writer, he was fearless.

Brown’s most famous book was the novel Clotel, or, The President’s Daughter: A Narrative of Slave Life in the United States, first published in London in 1853. It boldly cast its title character as the daughter of Thomas Jefferson, whose relationship with his slave Sally Hemings had long been the subject of gossip.

Clotel was heavily influenced by Harriet Beecher Stowe’s novel Uncle Tom’s Cabin, which was then an international sensation. Brown was always savvy about writing and rewriting his work to sell. But Stowe’s novel, which also was deeply rooted in Kentucky, had a profound impact on Brown.

“It was basically a retelling of his own life story,” Greenspan said. “It hit home in a very powerful way.”

 


When it comes to broadband, why is Kentucky stuck in slow lane?

August 17, 2014

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When Dr. Pamela Graber traveled in Uzbekistan and Turkey, she was surprised to find fast, reliable Internet connections. She just wishes she could get that kind of service at her home, 20 miles from Kentucky’s State Capitol building.

“I sit here and wait for things to come up” on the screen, said Graber, an emergency physician who lives in the Beaver Lake area of Anderson County.

She and neighbors have petitioned a major Internet provider in their area for service, with no luck. So they use a satellite dish service. With data charges, Graber’s monthly bill is more than $100 — much higher than she pays for excellent service in Florida, where she lives and works each winter.

While slow Internet is annoying for Graber and her husband, Melvin Wilson, it’s a serious problem for two neighbors who have home-based online jobs. “When there’s a wind storm, they can’t work,” she said.

“Internet’s the main infrastructure we’re going to need to work in the future,” Graber said. “It’s going to be a huge issue.”

It already is. Akamai Technologies’ quarterly State of the Internet report last week highlighted Kentucky — and not in a good way. It said that while Alaska has the nation’s worst average Internet connection speed, at 7.0 megabits per second, Kentucky, Montana and Arkansas are almost as bad, at 7.3 Mbps.

By comparison, 26 states have average connection speeds of 10 Mbps or above, which is now considered a minimum by tech-savvy homeowners. The fastest average speeds are above 13 Mbps in Virginia, Delaware and Massachusetts.

Kentucky also was near the bottom of the list when it came to improvement of average speeds over the past year. And when Akamai measured states’ “readiness” for ultra-high definition (4k) video streaming, Kentucky was dead last.

“Embarrassing, actually,” is how Brian Kiser described the report. He is executive director of the Commonwealth Office of Broadband Outreach and Development, and I called to ask him why Kentucky is so far behind.

“Our broadband speeds are left up to the providers, and I’m not sure the providers are investing enough in infrastructure,” said Kiser, who takes between three and 10 calls a day from citizens wanting help with Internet service.

Other studies rank Kentucky 46th nationally in broadband availability, with 23 percent of state residents having no access at all.

Part of the issue is a chicken-and-egg problem. Virtually all of Kentucky’s Internet providers are private companies, which are reluctant to invest in infrastructure if they can’t see a potential return on their investment. Providers usually want at least a dozen customers per mile in rural areas. “The problem is that 10 minutes outside our biggest cities it’s rural,” Kiser said.

Kentucky has one of the nation’s lowest demand rates for home Internet, at about 60 percent. “Surveys show people say either it’s too expensive or they don’t see a need for it,” he said.

(It’s worth noting that Kentucky has a high adoption rate for smart phones. Kiser said that’s because smart phones can be a more economical way for poor people to meet many needs — phone, Internet, camera, entertainment — especially in rural areas under-served by broadband.)

Kiser said his office has partnered with Community Action Kentucky to build 30 public Internet facilities in rural parts of the state to encourage technology literacy and use. The centers have proven quite popular for things such as résumé writing and social media use. “We just want people to not be intimidated by it,” he said.

Internet costs in Kentucky are comparable to neighboring states. But Internet all over the United States is much more expensive than in many other countries. “The real problem, I think, is we don’t have enough competition,” Kiser said.

Connected Nation, a national broadband advocacy group, says that improving Internet service requires a two-prong strategy: pushing Internet providers to offer better service and making the public more technologically literate and savvy, so they will create the business demand for that better service.

Tom Ferree, the president of Connected Nation, said the states with the best Internet infrastructure are those that have had strong leadership on the issue at both state and local levels, plus a lot of grassroots advocacy.

Many states got a jump on Kentucky because they were well-positioned with “shovel ready” broadband expansion plans in 2009 when Congress and the Obama administration put about $7 billion in economic “stimulus” money into data network development.

But there may be more funding opportunities ahead, Ferree said. The Federal Communications Commission is changing policy to shift subsidies away from traditional telephone service to digital data networks. That could be a big opportunity for states that develop good broadband plans.

As an outgrowth of the bipartisan Shaping Our Appalachian Region initiative, Gov. Steve Beshear and U.S. Rep. Hal Rogers have proposed a $100 million public-private effort to begin building a 3,000-mile, high-speed fiber optic network across Kentucky to connect with local Internet providers.

“I cannot emphasize enough the need for local planning and plan building,” Ferree said. “I think that plan holds great promise. I hope Kentucky makes the most of it.”


Before vacation season ends, experience wonders close to home

August 12, 2014

140731Maker'sMark0168This art glass installation in the ceiling of a barrel warehouse is the newest visitor attraction at the Maker’s Mark distillery in Marion County. Below, Ward Hall in Georgetown is a Greek Revival masterpiece. Photos by Tom Eblen 

 

There’s a chill in the air this week. Schools are back in session. Fall is beginning to arrive.

But if you want to stretch vacation season a little longer, here’s an idea: Find time to visit some Central Kentucky wonders. You know, the places tourists come from around the world to see but locals often forget about.

Here are a few suggestions. For more details on many of them, go to Visitlex.com, the Lexington Convention and Visitors Bureau’s website.

Horses. This may be the horse capital of the world, but when did you last see one? Spend a day at the Kentucky Horse Park (Kyhorsepark.com) or visit a Thoroughbred farm. Several farms welcome visitors who schedule in advance. Or you can do like out-of-towners do and book a horse farm bus tour.

Keeneland Race Course is the best place to see Thoroughbreds in action. The park-like grounds are open year-around. The yearling sales are Sept. 8-21. The fall racing meet is Oct. 3-25. More information: Keeneland.com.

Bourbon. More than 90 percent of this globally popular whiskey is made within a short drive of Lexington. The Kentucky Bourbon Trail is becoming a major tourist draw. My favorite distilleries to visit include Buffalo Trace in Frankfort, Wild Turkey and Four Roses near Lawrenceburg, Maker’s Mark near Lebanon and Woodford Reserve near Versailles. More information: Kybourbontrail.com.

Country roads. Some of my favorite places to enjoy Central Kentucky’s beauty are the country roads that connect the region like a vast spider’s web. These are perfect for scenic drives. I like to go by bicycle, but it takes experience to know which roads are safe and comfortable for cycling. The Bluegrass Cycling Club has well-managed group rides each week. Check the calendar: Bgcycling.net.

Photo by Tom Eblen | teblen@herald-leader.comArchitecture and history. This was a rich agricultural region before the Civil War, and remnants of that era can be seen in Central Kentucky’s grand mansions. Architectural styles include Federal, Greek Revival, Italianate and Gothic Revival.

Many historic homes are still private residences, but some of the best are open for tours. Among them: Ward Hall in Georgetown, White Hall in Madison County and these in Lexington: Waveland, the Hunt-Morgan House, the Mary Todd Lincoln House and Ashland, the Henry Clay Estate. Other must-sees: Shaker Village at Pleasant Hill in Mercer County and the Old Capitol in Frankfort.

Nature. Perhaps the least-known attractions in Central Kentucky are natural areas, but they can be spectacularly beautiful. I especially love the Palisades region of the Kentucky River, which stretches from Boonesboro to Frankfort.

Lexington’s Raven Run park is the most-visited natural area in the Palisades region. Others include Lower Howard’s Creek Nature and Heritage Preserve (lowerhowardscreek.org), Floracliff Nature Sanctuary (Floracliff.org) and Buckley Wildlife Sanctuary, all of which have more-limited public access.

Julian Campbell, a botanist and authority on native Kentucky plants, has begun leading monthly hikes to promote awareness and conservation of natural areas. More information: Bluegrasswoodland.com or email campmeet@gmail.com.

But you don’t have to go hiking in the woods to see Central Kentucky’s oldest and most magnificent natural specimens.

A unique feature of the Bluegrass landscape is huge burr and chinkapin oak, blue ash and kingnut hickory trees, some of which are thought to be 300-500 years old. Tom Kimmerer, a forest scientist, has launched a non-profit organization to study how to better care for these “venerable” trees, as he calls them. More information: Venerabletrees.org.

Because Lexington has literally grown up around these old trees, they can be found in some strange places.

Recent brush-trimming has highlighted a magnificent burr oak that Kimmerer is conserving for Ball Homes beside a new subdivision at Harrodsburg Road and Military Pike. In the 1990s, a parking structure for medical offices was built around another huge oak tree, near the corner of Harrodsburg and Mason Headley roads.

Other notable examples can be found in front of an Avis car rental office on South Broadway; on the lawns of Sullivan University and the mansion at Griffin Gate; and scattered among new buildings along Sir Barton Way in Hamburg.

Here’s an idea: as you drive around on your weekly errands, start an ancient tree scavenger hunt! Anything to make the lazy days of summer last a little longer.

140807Gainesway0018This burr oak tree on Gainesway Farm is likely several hundred years old. 


Photos from Bill Clinton’s campaign stop in Lexington today

August 6, 2014

Former President Bill Clinton was in Lexington today for a campaign fundraising luncheon at Carrick House for Alison Lundergan Grimes, a Democrat challenging the re-election of U.S. Sen. Mitch McConnell. Photos by Tom Eblen

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Crisis of children at the border brings out worst in some adults

July 22, 2014

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Child detainees sleep in a holding cell at a U.S. Customs and Border Protection facility in Brownsville, Texas, on June 18. Photo by Eric Gay/Associated Press.

 

I feel sorry for the tens of thousands of unaccompanied children who have crossed our Southern border, desperate to escape the widespread violence and poverty in Guatemala, Honduras and El Salvador.

But the people I pity are the adults in this country who — wrapped up in selfishness, mean-spirited politics or misguided patriotism — have tried to make the lives of these vulnerable kids more miserable than they already are.

Protesters have tried to block buses taking young refugees to shelters. They gathered in cities across the country last weekend — including a dozen or so on a New Circle Road overpass in Lexington — to hold up signs such as, “1 flag, language, country” and “Americans First.”

Some members of both parties in Congress are shamefully seeking to revoke refugee protections they passed during the Bush administration so these children can be deported without hearings.

Some Kentucky politicians fretted that these kids might be given shelter at Fort Knox pending deportation hearings, but Health and Human Services officials chose other locations. Texas Gov. Rick Perry, pandering to his right-wing base, called out the Texas National Guard at a cost of $12 million a month to assist the U.S. Border Patrol, which didn’t ask for his help.

Republicans are blaming President Barack Obama for lax border security. But the problem of child refugees has been building for more than a decade. Overall, illegal immigration is down and deportations are up in the six years since George Bush was president.

A former colleague, Mike Luckovich of The Atlanta Journal-Constitution, summed up my thoughts in a recent editorial cartoon. It showed the Statue of Liberty with a new inscription: “I’ll trade you your huddled masses for my racist nitwits.”

Immigration controversies are nothing new. “We have always been a nation of immigrants who hate the newer immigrants,” comedian Jon Stewart said recently.

“Why should Pennsylvania, founded by the English, become a colony of aliens?” Benjamin Franklin wrote in 1751, about the time some of my ancestors were arriving in Philadelphia from a village near Stuttgart.

Ignoring the fact that the English took Pennsylvania from Native Americans, Franklin added that “swarthy” Germans “will shortly be so numerous as to Germanize us instead of our Anglifying them, and will never adopt our language or customs, any more than they can acquire our complexion.”

America’s immigration policies have always been twisted by prejudice, politics and powerful economic interests. Chinese immigrants were banned for 60 years after thousands were allowed in to build the Transcontinental Railroad because they would work cheaper than Irish immigrants.

On the eve of World War II, a ship carrying nearly 1,000 Jewish refugees from Hitler was turned back from our shore amid anti-immigration public sentiment. Anyone feel good about that decision?

Many of today’s protesters insist they aren’t against legal immigration. And they point out — rightly so — that America can’t take in everybody. But our immigration system is broken, and protesters like those hanging banners that say “No Amnesty” are the biggest obstacle to fixing it.

Complex problems rarely have simple solutions. Progress in a representative democracy requires compromise, which today’s angry fringe abhors.

There are a couple of claims that need addressing. The first is that these children are “not our problem.” That assertion ignores the root causes of Latin America’s chaos: a violent drug trade whose demand we fuel, and more than a century of U.S. support for oppressive “banana republics” — either to advance American business interests or out of anti-Communism paranoia.

The second claim is that undocumented immigrants are a drain on our economy and society. In most cases, I would bet they give more than they take. If all the undocumented immigrants in Central Kentucky disappeared tomorrow, the equine, agriculture, construction and many low-wage service industries would be crippled.

No, the United States cannot take in every refugee and immigrant. But I cannot look at the pictures of these frightened children without thinking of my grandson and his mother and her sister when they were young.

The United States needs a just and rational immigration system. Until our dysfunctional elected leaders achieve that, I would much rather my tax dollars go toward treating these children with fairness and compassion than building more fences, which never have and never will solve the real problem.

This a humanitarian crisis, both on our Southern border and in our national soul. How we resolve it will say a lot about what kind of people we are.


Carnegie Center asks: Who is Kentucky’s greatest living writer?

July 5, 2014

WendellBerryThe Carnegie Center is asking for nominations of Kentucky’s greatest living writer for its Kentucky Writers Hall of Fame. My nomination is Wendell Berry, shown here at his Henry County home in December 2011.  Whom would you choose?  Photo by Tom Eblen

 

The Carnegie Center for Literacy and Learning has a new message as it seeks public nominations for its third class of inductees into the Kentucky Writers Hall of Fame: We’re not just for dead folks anymore.

In January, the center plans to add four more Kentucky writers who are no longer living to the 13 already in the Hall of Fame, plus its first living writer. So here is the question: Who is Kentucky’s greatest living writer?

“We are ready to show that great Kentucky writing is being created now,” said Neil Chethik, the Carnegie Center’s director. “It just doesn’t exist in the past.”

halloffamelogoThe criteria for all nominations is that a writer, living or dead, must be published; must have lived in Kentucky for a significant period or have a significant connection to the state; and must have produced writing of “enduring stature.”

Since he became director in 2011, Chethik has expanded the Carnegie Center’s mission of promoting literacy education, reading and writing to celebrating Kentucky’s literary heritage. One way has been by creating the Hall of Fame.

“People like lists,” he said. “They like awards.”

Nominations to the Hall of Fame are vetted by the Carnegie Center staff and inductees are chosen by a committee of writers and readers headed by Lori Meadows, director of the Kentucky Arts Council.

The first 13 inductees have reflected a diverse group of great writers spanning two centuries: Harriette Arnow, William Wells Brown, Harry Caudill, Rebecca Caudill, Thomas D. Clark, Janice Holt Giles, James Baker Hall, Etheridge Knight, Thomas Merton, Elizabeth Madox Roberts, James Still, Jesse Stuart and Robert Penn Warren.

“People have a lot of passion about who gets named to the Hall of Fame,” Chethik said. “We’ve even had some protests.”

For example, fans of two popular novelists of the late 19th and early 20th centuries, James Lane Allen and John Fox Jr., have lobbied for their inclusion. So have fans of the late “gonzo” journalist Hunter S. Thompson.

They and others will be considered in the future, Chethik said, along with perhaps one living writer each year.

“I think we’ve got five-to-10 who are truly great writers working right now who are nationally known,” he said. “You can start making a list, but as soon as you start … well, I’ll leave it to you and others to make the list.”

I can think of several Kentucky writers who have produced impressive bodies of work over several decades, including Barbara Kingsolver, Bobbie Ann Mason, Ed McClanahan, Sena Jeter Naslund, Nikky Finney, Gurney Norman and Gloria Jean Watkins, whose pen name is bell hooks.

Kim Edwards of Lexington has won many awards for her short stories and best-selling novel, The Memory Keeper’s Daughter. Louisville native Sue Grafton has attracted a national following with her detective novels.

There are many fine up-and-coming Kentucky writers, such as Frank X. Walker, Silas House, C.E. Morgan, Erik Reece, Crystal Wilkinson, Maurice Manning and Bianca Spriggs.

You probably can think of others worthy of consideration, too. But for me, this competition comes down to a search for Wendell Berry. No other Kentucky writer can match the quality, breadth and impact of his work over the past half-century.

Berry, who turns 80 on Aug. 5, has written dozens of novels, poems, short stories and influential essays and non-fiction books. A fellow in the American Academy of Arts and Sciences, he won the National Humanities Medal and gave the prestigious Jefferson Lecture in 2012.

The Henry County native and resident is revered internationally for elegant, no-nonsense writing that helped inspire the environmental, local food and sustainable agriculture movements.

Berry’s 1977 book, The Unsettling of America: Culture and Agriculture, has become a classic. The Unforeseen Wilderness in 1971 helped rally public opposition to flooding the Red River Gorge. In recent years, he has been an eloquent voice against destructive strip-mining practices in Appalachia.

That’s my nomination for Kentucky’s greatest living writer. What’s yours? Email your suggestion, plus your reasoning and any supporting material, before July 15 to Chethik at: neil@carnegiecenterlex.org.

“We figure that when you’re arguing about who the best writers are, you’re in the right conversation,” Chethik said. “We want to spark conversations that will get more people to read more.”


Kentucky needs leadership for change, not the politics of fear

June 8, 2014

I have had mixed emotions since the U.S. Environmental Protection Agency announced its long-awaited plan to reduce coal-fired power plant pollution, setting a goal to cut carbon dioxide emissions 30 percent by 2030 from 2005 levels.

I felt happy that my government was finally taking some action to fight manmade climate change, which threatens humanity’s safety, prosperity and future.

But I felt sad as I watched a bipartisan majority of Kentucky politicians fall all over each other to condemn this long-overdue action. Pandering to public fear may be good politics, but, in this case, it is an irresponsible failure of leadership.

SenateCandidatesRepublican Sens. Mitch McConnell and Rand Paul called the EPA’s plan illegal and vowed to repeal it. (It is legal, according to a 2007 U.S. Supreme Court ruling.)

Not to be outdone, McConnell’s Democratic challenger, Allison Lundergan Grimes, launched an ad blitz repeating the coal industry’s “war on coal” talking points.

“The Obama administration has doubled down on its war on Kentucky coal jobs and coal families,” said another industry parrot, U.S. Rep. Andy Barr, a Republican from Lexington.

State House Speaker Greg Stumbo, a Democrat from Prestonsburg, called the pollution-cutting plan “a dumb-ass policy.”

Let us review the facts:

An overwhelming majority of climate scientists think manmade carbon pollution is contributing significantly to climate change. We are already seeing the disastrous results: more frequent killer storms, droughts, shrinking glaciers and rising seas.

Public opinion polls show that a substantial majority of Americans, even in coal-dependent states, understand these realities and want stricter carbon limits.

In addition, health experts say the EPA plan will reduce cancer, heart disease and lung disease through fewer emissions of mercury, nitrogen oxide and sulfur dioxide. The American Lung Association says the plan will prevent as many as 4,000 premature deaths in its first year alone.

So why all the political nonsense? It’s simple: the coal, utility and business lobbies that fund these politicians’ campaigns will see their profits suffer, at least in the short term.

The coal industry’s disinformation campaign portrays the desire for cleaner air and water as a “war on coal.” In reality, there are two “wars” on coal, and environmental regulation has only a minor role in each.

The first “war” is one on coal-company profits. It is being waged largely by natural gas companies, whose fracking technology has produced cheaper energy and hurt coal sales. Solar, wind and other renewable energy sources pose another threat.

The second “war” is being waged by coal companies and their political allies against miners and their communities. Kentucky lost about 30,000 coal mining jobs between 1979 and 2006, mostly because of industry mechanization. Add to that a historic disregard for mine safety. Kentucky legislators recently cut the number of state safety inspections at mines from six per year to four.

It is worth noting that the EPA’s new rule could have hit Kentucky much harder had it not been for the coal-friendly administration of Gov. Steve Beshear, a Democrat. Energy Secretary Len Peters pushed a plan, which the EPA adopted, to give states flexibility in achieving carbon-reduction goals. It set different targets for each state. Kentucky will be required to cut power-plant emissions by 18 percent, much lower than the national average of 30 percent.

Kentucky now gets more than 90 percent of its electricity from coal. The state has some of the nation’s cheapest power because the true cost of coal mining and burning to our health and environment has never been reflected in the rates.

America is gradually moving away from coal toward cleaner energy sources. This will happen no matter how loud and long Kentucky politicians scream. Unless this state acts aggressively to develop alternative energy sources to eventually replace diminishing coal reserves, Kentucky will be left behind — again.

Entrenched business interests have always predicted that each new environmental regulation would destroy the economy. It has never happened. Instead, regulation has sparked innovation that created new jobs and economic opportunities and made America a healthier place to live.

More limits on pollution will raise electricity rates in the short term. But Kentuckians will be rewarded with better health, a less-damaged environment, more innovation and a stronger economy in the future.

Change is hard, but it is necessary. Forward-thinking business people and citizens must demand that our politicians stop pandering to fear and become the leaders we need to make this inevitable transition as painless as possible. A brighter future never comes to those who insist on living in the past.


NY photographer explores historic Bluegrass homes in new book

May 24, 2014

140525KyBook0009The walled garden and orchard at Gainesway Farm was added by owner Antony Beck, a longtime friend of photographer Pieter Estersohn.  Beck suggested that Estersohn do the book, Kentucky: Historic Houses and Horse Farms of Bluegrass Country, which has just been published.  Photo by Pieter Estersohn / Courtesy of Monacelli Press

 

Central Kentucky’s grand mansions and horse farms have been fodder for pretty picture books for more than a century, at least since Thomas A. Knight’s Country Estates of the Bluegrass came out in 1904.

Of the many books I have seen, the best has just been published: Pieter Estersohn’s Kentucky: Historic Houses and Horse Farms of Bluegrass Country (Monacelli Press, $60).

The photographs are stunning, as they should be. Estersohn, 53, is one of America’s top “shelter” magazine photographers. He has shot covers for Architectural Digest, Elle Décor, Southern Accents, Metropolitan Home and many other big magazines. This is his 23rd book.

140525KyBook0008What makes this book especially interesting and authentic are the places Estersohn chose to photograph. There are only a few of the usual suspects, too important to omit: Waveland, Shaker Village at Pleasant Hill, and Ashland, the Henry Clay Estate.

Many of the other 15 properties are not well-known, even to many Kentuckians, but they are some of the most precious architectural gems of the Bluegrass. That didn’t happen by accident. Estersohn had inside help.

In a telephone interview, Estersohn said he and Antony Beck, owner of Gainesway Farm, have been best friends since they were 19. The New York-based photographer said he and his son, Elio, 10, have been visiting the farm regularly for years.

“It’s sort of like our home away from home,” he said. “It’s just such a magical environment to be on that farm. Antony’s landscaping is amazing.”

Beck suggested the book, and Estersohn quickly agreed. For more than a year, the photographer made quick trips to Kentucky between other jobs, scouting locations and making pictures. The initial focus was on equine culture, but the emphasis soon shifted to the much-loved examples of historic preservation Estersohn found.

“I wanted to find a balance,” Estersohn said, “between some things that were more humble and some things that were more extravagant and some things that were really over the top.”

Beck opened doors for Estersohn, and his key local contact was antiques dealer Gay Reading, owner of The Greentree Tea Room. Reading, who wrote the book’s well-informed introduction, has a curator’s eye and extensive local connections.

“He wanted a variety of styles and periods, and I chose places I thought were special and different,” Reading said. “Unless you’re a friend, you don’t get to see many of these gems. They are places where people are really living.”

140525KyBook0006Estersohn said he was charmed by the houses he photographed, their owners and the houses’ varied stages of restoration. He was especially impressed by Ward Hall in Georgetown, one of the nation’s largest and finest Greek Revival mansions.

Other highlights were Walnut Hall, where Margaret Jewett has preserved the ornate Victorian decorations her grandfather put there in the 1890s, and Elley Villa, an elegant Gothic Revival mansion near the University of Kentucky campus that was condemned before being lovingly restored by James and Martha Birchfield.

“I loved Mary Lou’s place,” Estersohn said of the 1792 farmhouse restored in the 1960s by horsewoman and socialite Mary Lou Whitney. “It’s sort of like a time piece. It’s a very specific expression of decoration, which I think is amazing.”

Other featured properties include Gainesway Farm; the Simpson Farm in Bourbon County, built in 1785 as a pioneer station; Welcome Hall near Versailles; Clay Lancaster’s Warwick estate in Mercer County; Overbrook Farm; the Alexander Moore and Thomas January houses downtown; and Liberty Hall in Frankfort.

Estersohn photographed Botherum as its new owners, garden designer Jon Carloftis and Dale Fisher, were beginning their restoration. And he was moved by the much- damaged Pope Villa, the most significant house designed by America’s first great architect, Benjamin Latrobe.

“For Pope Villa, I hope we can elicit some financial attention so that it can be further renovated,” Estersohn said. “It is a very, very, very important piece of American architecture.”

Estersohn said he photographed the houses with a large-format digital camera. He used mirrors to even out natural light and illuminate dark corners and cavernous rooms.

Each chapter is accompanied by text that is well-researched and tightly written. Inexplicably, though, there is no text with the final chapter to explain the Iroquois Hunt Club.

“I thought the biggest challenge was going to be enrolling people to have their private residence shot, which is oftentimes the issue shooting for magazines in New York,” Estersohn said. “But I think there was such a regional pride and appreciation. Every single person was enthusiastic and wanted to contribute to the book.”

The photographer said what he enjoyed most about this project was “developing a very intimate experience” with the Bluegrass.

“I really feel like I know the area,” he said. “I can get around there very easily now. I know all the pikes. I know how to say Versailles.”

Click on each image to see larger photo and read caption:

 


Once Kentucky’s biggest cash crop, it’s high time hemp returned

May 19, 2014

hempknightPhotographer Thomas A. Knight took this photo of hemp stacks in the early 1900s. 

 

Kentucky Agriculture Commissioner James Comer last week sued the Drug Enforcement Administration, Customs and Border Protection and the Justice Department, seeking the release of 250 pounds of Italian hemp seeds for planting in Kentucky test plots this spring.

Kentucky is one of 10 states seeking to once again legalize the production of industrial hemp, which has been banned since World War II because of resemblance to its botanical cousin, marijuana.

Hemp has only a fraction of the chemical THC that makes marijuana narcotic, so it has virtually no drug value. But states seeking to re-establish America’s industrial hemp industry have met stiff resistance from the DEA.

Hemp was Central Kentucky’s biggest cash crop during most of the 19th century, because the plant’s oil, seeds and fibers were very useful for such things as rope, fabric and even paper. But after prohibitionists began outlawing marijuana in the 1930s, hemp fell victim to guilt by association.

Could hemp become a big Kentucky industry again? Probably not. Should it be allowed to make a comeback as part of agriculture diversification? Absolutely. Banning hemp has never made much sense. And since nearly half the states have acted to decriminalize or allow limited marijuana use, it makes even less sense.

 


Story magazine founder wanted to tell Kentucky stories

May 4, 2014

story1 Julie Wilson is founder, publisher and editor of Story magazine. Photo by Tom Eblen

 

How does a woman born in Detroit become the founder, editor and publisher of a magazine dedicated to telling Kentucky stories? Well, there’s a story there.

Julie Wilson’s father was born into a big family in the Harlan County community of Pathfork. Like thousands of Kentuckians after World War II, he migrated north to seek his fortune. And, like many of those thousands, he eventually got homesick and returned to Kentucky.

Wilson, who has lived in Lexington since she was 4 years old, thinks her father’s experience nurtured her love for Kentucky in all its diversity. She now shares that love in each quarterly issue of Story magazine.

“There are so many unique stories in Kentucky,” Wilson said. “And every time we go out and talk to somebody, we get two more story ideas.”

With nearly two years of publication under their belts, Wilson and her partners are expanding Story magazine into a broader brand built around Kentucky culture and pride.

Kentucky Educational Television on May 14 will show the first episode of backStory, a quarterly program about the making of the magazine. Story is producing the show with Lexington-based Locker Public Relations.

Another project in the works, called Sessions, will feature collaborations of Kentucky musicians from a variety of genres. For that, Wilson is partnering with the magazine’s National Avenue neighbor, Duane Lundy of Shangri-La Productions.

story2Musicians scheduled up for the first session, on June 25, include Willie Breeding of The Breedings; Mark Heidiger of Vandaveer; and Stephen Trask, composer of the 1998 rock musicalHedwig and the Angry Inch, a revival of which opened recently on Broadway.

Wilson said a limited number of tickets for each session will be sold through The Morris Book Shop. An edited video will be posted online soon afterward. Event details will be available soon at Storythemagazine.com.

Wilson, 43, is a graduate of the University of Kentucky journalism program who worked as a free-lance writer for the Herald-Leader and a reporter for the Richmond Register. Then she spent a decade learning the magazine business at Host Communications, where she edited business-to-business magazines for the tour and spa industries.

After a year and a half as publisher of Kentucky Bride magazine, Wilson got to thinking about all of the interesting Kentucky stories she heard about but wasn’t seeing in other publications.

The cover of Story magazine’s first issue, which Wilson wrote, was a profile of Ashley Brock, a successful young model who travels from her home in Leslie County to do photo shoots in Europe and Asia.

“We look for how we can tell stories about Kentucky that are debunking the myths that are out there,” Wilson said.

She seeks out stories about Kentuckians doing cutting-edge things. Some are famous, such as the current issue’s cover subject, the late Louisville-born journalist Hunter S. Thompson. But many stories are about people whom readers might never have heard about otherwise, such as Dr. Joseph Yocum, a Nicholasville veterinarian who is a pioneer in animal stem-cell therapy, or Tim Hensley and Jane Post, gourmet mushroom farmers in Madison County.

story3Regular features focus on successful Kentucky expatriates, artists and craftsmen, musicians, philanthropists and people doing good things in their communities. Wilson said she tries to include features from across the state “so people won’t think we’re just a Lexington and Louisville magazine.”

She developed Story’s concept with Tim Jones, who as creative director oversees the magazine’s sophisticated design, and Laurel Cassidy, the associate publisher, who focuses on advertising sales. Bart Mahan is chief operating officer, and Allison May and Sara Plummer are account executives.

Wilson said the business is close to breaking even. The magazine has a distribution of about 18,000 copies and 2,200 paid subscribers, many of them Kentuckians living out of state. Eventually, she hopes to publish bimonthly.

Wilson’s husband, David Wilson, is chief operating officer of Yonder Interactive Neighborhoods, a sustainability education consultant. They have a daughter, who turns 9 this week.

“And, yes, her name is Story,” Julie Wilson said. “She says she was the first Story — but we didn’t name the magazine after her.”

The Lexington chapter of the National Association of Women Business Owners recently gave Wilson an award as small business owner of the year.

“It has been more rewarding than I ever expected,” she said of the magazine’s first two years. “But I’m just doing this by the seat of my pants. I hope they know that.”


Celebrate 250th birthday of architect who shaped early Kentucky

April 26, 2014

130826PopeVilla0046The main parlor rooms of Pope Villa, which has been owned by the Blue Grass Trust for Historic Preservation since a 1987 fire. Benjamin Latrobe designed the house for U.S. Sen. John Pope. It was finished in 1813 but drastically altered in the years since.  Center, an 1804 of Latrobe by Charles Wilson Peale. Bottom, the Pope Villa exterior.  Photos by Tom Eblen

 

Thursday marks the 250th birthday of Benjamin Henry Latrobe, America’s first professional architect of renown and a man who left a lasting impression on Kentucky.

Latrobe, who is best known for his work in the nation’s capitol, had eight Kentucky commissions between 1802 and 1817, six of which were in Lexington and five of which were built. His designs influenced many Kentucky architects and builders, including Gideon Shryock and John McMurtry, setting the tone for much of the state’s most iconic architecture.

Only one of Latrobe’s Kentucky buildings survives, but it is among his most significant: Pope Villa in Lexington. The house will be open for free tours Thursday evening as the Blue Grass Trust for Historic Preservation, which is slowly working to restore it, throws a birthday party for Latrobe and marks the beginning of National Preservation Month.

Latrobe was born in England in 1764 to a British father and American mother. He came to America in 1796 and died in New Orleans in 1820 after an illustrious career. Early on, his neo-classical designs caught the attention of Thomas Jefferson. Latrobe’s work in Washington included the U.S. Capitol and White House porticos.

Patrick Snadon, a professor in the University of Cincinnati’s School of Architecture and Interior Design, has studied Latrobe’s Kentucky work, which he detailed in a chapter of the 2012 book, Bluegrass Renaissance: The History and Culture of Central Kentucky, 1792-1852.

Most of Latrobe’s Kentucky projects were the result of his friendships with Rep. Henry Clay and Sen. John Pope. Snadon thinks Latrobe, the nation’s most avant-garde architect of the time, found the Kentuckians willing clients for his ideas.

140501Latrobe0002Latrobe’s first project in the state, in 1803, was the First Kentucky Bank in Lexington, on Main Street just east of Wrenn Alley. It was demolished before the Civil War.

In 1807, Latrobe was asked to design First Presbyterian Church, which then was on Broadway at Second Street, where Broadway Christian Church now stands. But by the time Latrobe’s detailed plans arrived, the church had already been built using a design that may or may not have followed his initial proposal. That building was demolished in 1857.

Latrobe designed three projects for Clay. The first was his Ashland mansion, 1811-1814. It was demolished after Clay’s death in 1852 and rebuilt on the same foundation by Clay’s son, James, and his architect, Thomas Lewinski.

Clay’s influence led to Latrobe being asked in 1812 to design the Transylvania University building in what is now Gratz Park. But his plan was too big and costly, so trustees hired Lexington architect Matthew Kennedy instead. That building burned in 1829 and Transylvania moved north to its current location.

Clay asked Latrobe in 1813 to design several townhouses, shops and tenements for property he owned at the northwest corner of Short and Market Streets. Parlay Social and Dudley’s on Short are now located in late 1800s buildings there that replaced Latrobe’s structures.

140501Latrobe0001Latrobe asked to design Kentucky’s second state capitol when the first one burned in 1813. But when another project kept him from traveling to Kentucky, that job, too, went to Kennedy. Pope asked Latrobe in 1817 to design an armory for Frankfort, but it was never built.

Also in 1817, Latrobe designed a house in Newport for Gen. James Taylor. It was completed in 1819, but burned in 1842.

Pope Villa is perhaps the most significant house Latrobe designed. That is because Pope and his wife, Eliza, gave the architect freedom to express his radical ideas for what a “rational” American house should look like.

“Altogether, the Pope Villa is theoretically and spatially the most sophisticated house designed in federal-period America,” Snadon wrote.

Pope Villa was a perfect square with service rooms on the first floor and main rooms on the second floor, which had a domed center rotunda with a skylight. It had full-length, three-panel windows upstairs that were widely copied in other Greek Revival houses in 1800s Kentucky.

When Pope wasn’t re-elected to the Senate in 1813, he and his wife sold their new house. Later owners did everything they could to obliterate Latrobe’s unique design. The remodeling included addition of a back wing and center hall, two then-common design elements that Latrobe hated.

Pope Villa was divided into apartments in the early 1900s. The Blue Grass Trust acquired the building in 1987 after a fire did considerable damage. Restoration according to Latrobe’s original drawings has been slow, both because of a lack of money and uncertainty about Pope Villa’s future use.

One idea at a brainstorming session last November was to use the reconstruction-in-progress interior as gallery space for contemporary art. An initial installation is planned this fall by the Lexington Art League. Details are still being worked out.

“It’s going to be the first foray into the next step for the Pope Villa.” said Sheila Ferrell, the Trust’s executive director.