House-flipping venture turns Victorian disaster into showplace

October 19, 2014

141009Rehab0027

Left to right, Josh Despain, Bennett Clark, Ryan Clark and Michael Hogan spent 16 months renovating a circa 1889 mansion at 515 North Broadway that was filled with trash and animal waste when a lender foreclosed on the previous owner last year. They sat on the front porch  with a photo of the house taken when they bought it.  After a complete renovation, the house is now for sale for $1.2 million. Photos by Tom Eblen

 

The business venture began innocently enough. Four young men with backgrounds in architecture and real estate decided to pool their money, buy an old house, renovate it and try to resell it at a profit.

They looked for a manageable project; perhaps a 1920s bungalow in need of a little updating.

What they ended up with was a three-story, 5,282-square-foot Queen Anne mansion built in 1889 that was such a disaster it made headlines. Over the next 16 months, this house-flipping project almost flipped them.

But the disaster at 515 North Broadway is now a beautiful, completely renovated showplace, listed for sale for $1.2 million. And the four young men have learned some valuable lessons about construction, historic preservation and business.

“This project literally was the epitome of everything: it took longer, was harder and cost more than what we expected it to,” said Josh Despain, a landscape architect.

140118BroadwayHouse0004Despain, architect Michael Hogan and soon-to-be architect Ryan Clark work together at Ross Tarrant Architects. They spend most of their days behind desks.

“We were interested in the idea of getting our hands dirty and doing some construction ourselves,” Hogan said.

And, as young married men hoping to start families, they were looking for some extra money, too. So they teamed up with Clark’s cousin, Bennett Clark, a single real estate agent and builder who had been thinking along the same lines.

They had looked at several old houses when 515 North Broadway made headlines in February 2013. The Federal Home Loan Mortgage Corp. foreclosed on the previous owner. Authorities put her belongings on the sidewalk, almost stopping traffic as passersby picked through it.

Everything was filthy and covered in animal waste, prompting city health and code enforcement officers to step in. The inside of the house was even worse. The smell sickened almost everyone who stepped inside.

141009Rehab0007But the mansion was well-located, structurally sound and retained a lot of its original character. The lender got a dozen offers, and the four guys bought it for $195,752.

“Until we started taking out the plaster and some of the damaged areas, we didn’t really know what kind of condition it was in,” Hogan said. “But, structurally, we felt really good about it.”

Also salvageable were most of the original windows, including some stained-glass ones, and most of the woodwork and flooring. There was a magnificent staircase that rose three stories through the middle of the house.

But the partners quickly realized that all of the plaster needed to be removed to make way for new insulation, plumbing, electricity and interior walls.

“We saw it as a unique opportunity to build a new house within the shell of an original Victorian,” Hogan said.

Added Bennett Clark: “Our mindset was to make the house modern in the places that you need for a house to be modern, but bring back the formal areas to their original glory.”

141009Rehab0002To save money, the partners did about 60 percent of the labor themselves — mostly demolition, basic carpentry, landscaping, paint scraping and other grunt work. They hired contractors for skilled work such as electricity, plumbing, HVAC, roofing and window restoration.

Bennett Clark, who was the general contractor, made the reconstruction project his full-time job. The other three worked nights, weekends and vacations there.

“Our wives hate this house,” Ryan Clark said, as the other three chimed in about how their own homes were neglected during the project.

Because the house is in a city historic district, the partners had to follow strict guidelines on the exterior renovation. They weren’t expecting any special treatment, either: the city’s rule book pictures their house on the cover.

But they said it turned out to be a pleasant experience.

“If you’re just up front with them from the get-go and you’re not trying to hide anything, they’re super easy to work with,” Despain said.

The partners’ challenge now is selling the house for enough to recoup their investment and make a profit. Although expensive, the price is within the range of similar downtown mansions, many of which have had less extensive renovations.

So, do they plan to do this again? They think so, but not anytime soon. Since beginning the work in mid-2013, the three married guys have all had their first children. They expect to have less free time in the near future for construction.

The partners said they learned that to be successful in the renovation business, it must be your business, not a hobby you do in your spare time. A property must be chosen wisely, and the cost of purchase and renovation carefully calculated.

“It was the first project we had done together, so we wanted to make sure we did it right,” Hogan said. “Not only were we trying to make money, but we were really trying to learn a lot about historic preservation. It turned out really well.”

Click on each image to see larger photo and read caption:


Here’s the local hero a forward-looking Lexington should celebrate

October 18, 2014

What holds Lexington back? Well, for one thing, we celebrate the wrong member of the Hunt-Morgan family.

That may sound trivial, but it’s not.

In my work, I talk with some of Lexington’s most innovative people. They are behind many of the exciting things now happening in this city. Privately, though, many say they feel as if they are swimming against the tide. Lexington resists change, is too comfortable with the status quo.

Lexington loves to celebrate its history, and rightfully so. But the value of studying history is not to dwell on the past; it is to better understand the present and find inspiration for the future.

As a boy growing up here in the 1960s, I considered Gen. John Hunt Morgan a local hero. The Confederate cavalry raider was the star of the Hunt-Morgan House museum, his mother’s home on Gratz Park. His statue was on the courthouse lawn.

But the more I learn about Morgan, the less I respect him. He stole horses and burned towns, all to further a cause that wanted to break up the nation and keep black people in slavery. To my adult mind, that’s not hero material.

Morgan was a colorful, controversial character, and if Civil War buffs want to celebrate him, that’s fine. I would never want to see his statue removed from what is now the old courthouse lawn, because he is a significant figure in our history.

THMBut it is a shame he is more famous and celebrated here than his nephew, Thomas Hunt Morgan, a pioneering scientist and the first Kentuckian to win a Nobel Prize.

Thomas Hunt Morgan came along two years after his uncle’s death in a Civil War ambush. He was born in the Hunt-Morgan House on Sept. 25, 1866 and grew up behind it, in another family home facing Broadway.

That house was in the news last week. The Woman’s Club of Central Kentucky has deeded it to the Blue Grass Trust for Historic Preservation, which plans to restore it for programming and events.

I was vaguely aware of Morgan’s accomplishments, but I didn’t fully understand his significance until I read an essay Tom Kimmerer, a Lexington forest scientist, wrote recently for the website Planetexperts.com.

“Thomas Hunt Morgan was to become the most important biologist of his time, and laid the foundations for all of modern biology,” he wrote.

After a childhood of collecting birds’ eggs and fossils, Morgan earned degrees from the University of Kentucky and Johns Hopkins University. He spent 24 years doing pioneering embryology research at Bryn Mawr College. He joined the faculty of Columbia University in 1904 and the California Institute of Technology in 1928.

Morgan exhibited the best traits of scientific skepticism. He didn’t just theorize, he experimented. His work challenged, and eventually affirmed, two major concepts of biological science: Darwin’s theory of natural selection and Mendel’s ideas about genetics.

At Columbia, Morgan used fruit flies in sophisticated experiments to explain how genetics and evolution work. He showed that chromosomes carry genes and are the mechanical basis of heredity.

“He did not believe any biological theory unless he could test it,” Kimmerer wrote. “Almost every biological scientist working today is the beneficiary of Thomas Hunt Morgan’s approach to research.”

Morgan won the Nobel Prize in Physiology or Medicine in 1933 and wrote seven books, all now classics of science. He died in 1945.

Kimmerer and I were talking recently about how Morgan may be one of the most accomplished Kentuckians in history. UK’s biological sciences building is named for him, and there is a state historical marker outside his boyhood home.

But I’ll bet if you asked most people in Lexington who Thomas Hunt Morgan was, they wouldn’t know.

Kimmerer has a great idea: Lexington should start planning now to celebrate 2016 as the year of Thomas Hunt Morgan, because it will be the 150th anniversary of his birth. This celebration could showcase Lexington as a city of modern scientific education, research and commercialization.

There could be Thomas Hunt Morgan banners on Main Street, exhibits and school science fairs. There could be a lecture series about his work, as well as the scientific research now being done in Lexington or by Kentuckians elsewhere.

Perhaps the Kentucky Theatre could show The Fly Room, a new scientifically accurate movie set in Morgan’s Columbia University lab, and invite filmmaker Alexis Gambis to come and speak. The film’s set, a recreation of that lab, was on display in New York this summer. Could it be brought here?

Could this attention help the Blue Grass Trust raise money to restore Morgan’s house? Could the Fayette County Public Schools’ STEAM (Science Technology Engineering Arts and Mathematics) Academy be named for him?

A statue of Thomas Hunt Morgan on the new Courthouse Plaza would certainly be appropriate. He should be a local hero, an example to future generations that a kid born in Lexington can grow up to change the world.


If you wrote your own obituary, what would you say?

October 14, 2014

Obituaries can be either the best or worst part of a newspaper.

We all recognize the bad ones; they contain dry lists of awards and accomplishments, saccharin sentimentality and euphemisms for death.

But good obituaries — whether news stories written by reporters or classified notices placed by families — offer vivid descriptions of what a person was like and how he or she lived. In a few paragraphs, they offer a glimpse into a rich life, and maybe even some advice for living our own.

I love well-written obituaries. My favorite annual issue of The New York Times Magazine, usually published the first Sunday of each year, is called The Lives They Lived. It has short essays about a couple dozen people who died the previous year. Some were famous, others obscure, but each of their lives had a big influence on society.

So I was intrigued when Neil Chethik, director of the Carnegie Center for Literacy and Learning, told me about a class he was teaching last Saturday called Writing Your Own Obituary. I decided to sit in.

“I think the more we talk about death and accept it as a part of our lives, the better off we will be,” Chethik told his 10 class participants. His own interest in death and its impact led him to write his first book, Fatherloss: How Sons of All Ages Come to Terms with the Deaths of their Dads.

People came to the obituary class for many reasons. Some didn’t trust their relatives to get it right, or they wanted to have the last word, so to speak. Others weren’t so much interested in producing an obituary for publication as writing a meaningful letter to leave for relatives and close friends.

Contemplating your own obituary forces you to put your life in perspective: your faith, values, relationships, accomplishments and regrets. It’s an opportunity to reflect, evaluate and sum up. It can even give you a feeling of some control over that time when you will lose all control.

Chethik shared obituaries he found in newspapers around the country that were effective and even inspiring. Some were written in the first person and included life lessons and short tributes to people who were special to the deceased.

“What we’re trying to do is get to a deeper level of what you care about,” Chethik told the class. “It’s easy to go further in writing than you might do personally, at least in some families.”

Chethik suggested several prompts: List 10 words you think describe you. What activities do you love most? What have been your most important relationships? What have been your “mottos” throughout life?

Some people might also want to consider including confessions, regrets or reminiscences from their “glory days.” Accuracy in the details is essential; no family wants to be haunted by errors.

There is always debate about photos — should you publish a recent portrait or a favorite from years ago, or both? — and whether to give the cause of death or leave readers to speculate.

Beyond those basics, good self-written obituaries reflect the writer’s authentic voice. They are clear and concise and avoid minutiae. Distilling accomplishments, feelings and emotions into a few well-chosen paragraphs is a good discipline.

Writing your own obituary also might spark a desire to compose a longer memoir for family, friends or even publication. People like to read tales well told about interesting experiences. It is why powerful memoirs have always been best-sellers.

Online resources for writing your own obituary, or that of a loved one, include Obituaryguide.com and Obitkit.com, which was created by a former colleague of mine at The Atlanta Journal-Constitution.

One more thing: Don’t avoid humor. The right touches of appropriate humor can lessen the pain of death, just as they make life more enjoyable, Chethik said.

When comedian Joan Rivers died at age 81 last month, many obituaries recalled the funeral instructions she left in her 2012 autobiography. “I want it to be Hollywood all the way,” she wrote. “I don’t want some rabbi rambling on; I want Meryl Streep crying, in five different accents.”

Like many of those in Chethik’s class, I found the process of contemplating my own obituary more enlightening than morbid. That’s because it made me think as much about how I want to live the rest of my life as how I want to be remembered.


Lexington should stand firm on protections for cable customers

October 11, 2014

timewarnerAssociated Press Photo by Mark Lennahan

 

Bravo to Mayor Jim Gray and a unanimous Urban County Council for taking on Time Warner Cable. It’s about time somebody stood up to the giant cable television and Internet companies and their frustrating game of monopoly.

For far too long, the cable industry has abused the local franchise system across America to provide mediocre service at ever-increasing prices.

Meanwhile, cities have become pawns in the industry’s merger-and-acquisition game, which has left fewer companies owning more of the nation’s critical broadband infrastructure.

The Urban County Council last Thursday gave first reading to resolutions that would deny transfer of ownership of the local cable system as part of the industry’s latest deal, which would split Time Warner’s assets between Comcast and Charter Communications in a $45 billion stock swap. The systems in Lexington, Louisville and Cincinnati would go to Charter.

Gray’s re-election campaign also is tapping into public anger at Time Warner. The campaign is urging voters to sign a petition demanding that the company “improve customer service, deliver better speeds and give us what we pay for.”

Few cities have taken as aggressive a stand as Lexington has. Not that others aren’t concerned.

The Federal Communications Commission and the U.S. Justice Department are both reviewing the deal proposed by Comcast, Time Warner and Charter, which are, respectively, the nation’s first, second and fourth-largest cable operators. Dozens of consumer advocacy groups have spoken out against it.

It’s hard to say how all of this will end. But here is how we got to this point:

Time Warner bought Insight Communications in 2012, but never negotiated a new franchise agreement with the city. It also has ignored some consumer-protection provisions of Insight’s franchise agreement, which the city has never enforced.

Since the acquisition, Time Warner has invested little in Lexington’s infrastructure while steadily raising prices. The company’s cost-cutting measures have hurt customer service, and public frustration has been rising. City officials say they have been flooded with citizens’ complaints about cable service and pricing.

Time Warner officials claim they have improved service, and their own surveys show high rankings for customer satisfaction. Yea, right. A J.D. Power & Associates’ survey last month of residential television service providers in the South ranked Time Warner dead last. (Comcast was second-to-last.)

Lexington officials say they are not seeking any new consumer protections in the franchise agreement negotiations — they just want to preserve the things Insight agreed to. Those include staffing the company’s customer service center beyond normal business hours, so customers with day jobs can actually get there.

The city also wants to preserve some way of holding the cable company financially accountable for service problems short of canceling the franchise agreement. Currently, the city can fine Time Warner $100 a day — although officials say that has never actually happened.

Time Warner has not been willing to agree to those modest terms, nor does it want to continue paying for the public-access television studio. It’s all pretty small potatoes, considering that Time Warner’s Lexington revenues probably exceed $100 million a year and the company has made little investment in its system.

If Time Warner and Lexington officials are unable to reach agreement by Oct. 23, when the council could take a final vote on the ownership transfer resolutions, it is unclear what will happen. Mostly likely, the issue would end up in federal court.

Time Warner, Comcast and Charter have deep pockets, but Lexington officials should not back down. Citizens these days need more protection from corporate abuse, not less.

More importantly, city officials need to make sure whatever agreements they reach leave the door open for more competition. With only two major Internet providers — Time Warner and Windstream — Lexington needs more broadband competition.

Cities such as Chattanooga, which are lucky enough to have municipally owned utilities, have invested public dollars in creating high-speed fiber-optic networks. Those networks are attracting entrepreneurs who are creating the high-tech jobs of the future. Unfortunately, that’s not a practical option in Lexington, whose existing utility infrastructure is privately owned.

Lexington officials must embrace creative approaches for seeking private investment in new fiber-optic networks, such as Gray’s proposed Gigabit City initiative. And they must stand firm in trying to hold accountable the revolving door of local cable and telephone monopolies.


New book tells sad, fascinating story of madam Belle Brezing

October 7, 2014

140929BelleBrezing0002Belle Brezing’s last and most famous house of ill repute, at 59 Megowan Street (now Eastern Avenue at Wilson Street).  The third story was added after an 1895 fire. She died there in 1940. Below, two undated portraits of Brezing. Photos courtesy UK Special Collections.

 

Belle Brezing closed her house of prostitution nearly a century ago. She died in 1940. So why is she still famous, the subject of endless fascination?

That question helped prompt Maryjean Wall to finish a biography of the notorious Lexington madam that she started as a University of Kentucky history student in the early 1970s.

“The more I heard about her, the more I wanted to do a book,” said Wall, who returned to UK and finished her doctorate in history after a long career as the Herald-Leader’s award-winning horse racing writer.

140929BelleBrezing0003“Here’s a person who lived in the shadows, but was so integral to this community that there is a big collection about her life in UK special collections,” Wall said in an interview. “The first thing you have to ask is why? Well, it’s because she was at the center of power in this community.”

Wall’s new book is Madam Belle: Sex, Money and Influence in a Southern Brothel (University Press of Kentucky, $24.95).

Brezing has long been a popular subject. The late E.I. “Buddy” Thompson, an auctioneer and local historian, wrote a biography of her in 1983 that went well beyond an earlier sketch by another local historian, lawyer William Townsend.

Brezing was clearly the model for Belle Watling, the generous madam in Margaret Mitchell’s classic Civil War novel, Gone With The Wind. Mitchell never confirmed her inspiration, but her husband, John Marsh, ate breakfast many mornings in Brezing’s kitchen while he was police reporter for the Lexington Leader.

Wall’s book adds new details about Brezing’s sad but financially successful life, most notably that she attempted suicide at least twice. Even as a 19-year-old prostitute, she was well-known enough in Lexington that her botched effort to swallow too much morphine in a suicide pact with another woman made the newspapers.

But the main contribution of Wall’s book, aside from a well-told tale, is that it adds context and perspective about the red-haired madam’s place in the power structures of both Lexington and the horse industry.

When Brezing died at age 80, copies of the Lexington Herald with the news quickly sold out. Time magazine even published an obituary.

She is buried beside her mother at Calvary Cemetery on West Main Street. Even now, her grave looks especially well-tended and is often decorated with flowers. The Catholic Diocese refused to let Wall see records related to Brezing’s grave, she said.

Looking back on Brezing’s early life, it is a wonder she succeeded at anything.

She was born Mary Belle Cocks in 1860 to a single, heavy-drinking prostitute in a rented house on Rose Street. When Belle was 18 months old, Sarah Cocks married George Brezing. He ran a saloon and grocery when he wasn’t beating his wife.

Belle was shunned at school, lost her virginity at 12 and had a child at 14. Sarah Cocks died when Belle was 15, leaving her alone with a mentally handicapped infant daughter, who would spend most of her life in institutions under an assumed name. After a brief marriage and divorce in her teens, Belle started working the streets.

Brezing then went to work for Jenny Hill, who operated Lexington’s most high-class house of ill-repute. It is now the Mary Todd Lincoln House museum, because Abraham Lincoln’s wife spent her childhood there a few decades before Hill arrived.

140929BelleBrezing0001“I’m very intrigued why she went from being a street prostitute on North Upper, which was then a bad neighborhood, trying to commit suicide with another woman — what was that about? — and then the same year she gets into Jenny Hill’s house,” Wall said. “She must have had to clean herself up.”

Brezing left Hill’s house in 1881 and opened her own on North Upper Street — a building now part of a Transylvania University athletic complex.

“I think in Jenny Hill’s she probably learned good language, good style, became sort of educated,” Wall said. “And she had a client list when she left, because she went back to North Upper under very different circumstances.”

Brezing moved to another North Upper house, then in 1890 to 59 Megowan St. — now Eastern Avenue — at the corner of Wilson Street. It was a mansion outfitted in elegant style that became the talk of the town and racing circuit.

Trotters were the popular sport then, and Brezing’s clients included many influential horsemen who passed through town. She had several wealthy patrons, most notably one — or perhaps both — of the Singerly brothers.

William and George Singerly of Philadelphia had inherited an industrial fortune. They fancied race horses and Belle Brezing. Singerly money not only bought and outfitted the Megowan Street house, but it allowed her to buy rental property around town. Brezing didn’t get rich on prostitution, Wall said, but with real estate investments.

Lexington had a large red-light district during this era of Victorian morality. Wall cites one grand jury report that said the city had 158 brothels. Brezing’s was fanciest, from its antique furnishings to the lavish parties she gave for wealthy customers.

When anti-vice crusaders periodically tried to close the red-light district, Brezing’s house would be shuttered briefly. But when Lexington filled with soldiers training for World War I, the Army did what city politicians would never do — put her out of business.

She lived her last two decades as a drug-addicted recluse in a crumbling mansion.

Brezing’s previous biographers were men of an earlier generation, who Wall says tended to portray her as a victim and social outcast.

“She was shunned by the women in this town for sure, but I don’t see her as ‘poor little Belle’ at all,” Wall said. “I see her as a person who could take circumstances and work them to her advantage. She did that all her life.”

The book tells how Brezing clawed her way to the top by using men, investing wisely and playing politics. It also explains how so many others made money from her illicit business: the liquor merchants, grocers, clothing retailers, furniture dealers and horse traders.

Wall said she tried to avoid glamorizing either prostitution or Brezing’s life choices.

“Never would I do that,” she said. “Belle fit a lot of the stereotypes we have of prostitutes. She was a drug addict. She had worked the streets. Because she was smart, she managed to succeed in spite of the gender prejudices of her time.”

Book signings

Oct. 11 — Cincinnati Books by the Banks Festival

Oct. 14 — Joseph-Beth Booksellers, Lexington

Oct. 15 — Kentucky Historical Society, Frankfort

Oct. 16 — Filson Historical Society, Louisville (Oxmoor Farm)

Oct. 23 — Paul Sawyer Public Library, Frankfort

Nov. 15 — Kentucky Book Fair, Frankfort


Ashland estate marks War of 1812 with artifacts, re-enactors

September 23, 2014

If you hear cannon and musket fire near downtown Saturday, don’t be alarmed. The colorfully costumed soldiers and Native Americans aren’t invading Lexington; they’re just performing for Living History Day at Ashland, The Henry Clay Estate.

Ashland this year is marking the bicentennial of the War of 1812. And, no, it’s not two years late. Among the many little-known facts of this often-overlooked war is that, while it began in June 1812, the fighting didn’t stop until February 1815.

Ashland is commemorating the Treaty of Ghent, which Clay, John Quincy Adams and other American representatives negotiated with the British and signed on Christmas Eve 1814.

ghentjacketAs the congressman from Central Kentucky and speaker of the U.S. House of Representatives, Clay was a politician for all seasons. He not only helped end the War of 1812, he helped start it, too. That dual role helped launch one of the most illustrious American political careers of the 19th century.

But Clay was hardly the only Kentucky connection to the War of 1812.

“Kentucky doesn’t have any battlefields for this war; the war itself didn’t happen here,” said Eric Brooks, Ashland’s curator. “But more than any other conflict this nation has fought, the War of 1812 was a Kentucky war.”

Kentucky contributed 25,000 soldiers to the War of 1812 — more than all of the other 17 states combined. About 60 percent of the war’s casualties were Kentuckians. At the battle of Wild Cat Creek in northern Indiana, almost every U.S. soldier was from Hopkinsville.

Much of the gunpowder used by American forces was made from saltpeter mined in Kentucky, including at Mammoth Cave. Newport was the U.S. Army’s major supply depot. Twenty-two of Kentucky’s 120 counties are named for War of 1812 veterans.

In 1812, Clay and other “war hawks” pushed for declaring war on Great Britain, which despite its Revolutionary War loss continued to mess with the new nation. Of greatest concern was Britain’s arming of Native American tribes, who were attacking white settlers who had taken their land.

While the War of 1812 settled most of those issues, it ended up being a military stalemate that came at high cost: British troops invaded Washington, D.C., and burned the White House and the Capitol.

“We as a state need to understand the role we played in solidifying this nation as a legitimate and survivable nation in the world,” Brooks said. “Prior to the War of 1812, there were a lot of countries that thought the United States was a flash in the pan, that democracy would never work.”

Saturday’s festivities at Ashland will include re-enactors from Ohio and Michigan portraying the 2nd Kentucky Militia. There also will be Native American re-enactors, who will demonstrate tomahawk throwing at their encampment on the 17 acres that remain of Clay’s 600-acre estate, most of which is now the Ashland Park and Chevy Chase neighborhoods.

There also will be farm animals, crafts, special activities and an actress portraying Charlotte Dupuy, a slave who filed a highly publicized lawsuit against Clay trying to win her family’s freedom.

Ashland has several important relics related to the War of 1812 that will be on display. They include a copy of the Treaty of Ghent in Clay’s own handwriting, his place card at the negotiating table and an ivory cane he received as a gift.

The mansion also has one of two paintings Clay won while playing cards with his fellow negotiators. (In addition to being a masterful politician, Clay was a party animal who loved to drink and gamble.)

Ashland’s most important War of 1812 relic is the military-style coat Clay wore during treaty negotiations in Ghent, which is now in Belgium. Clay’s coat set the style for American diplomatic attire for decades. It was last worn by a Clay descendant when Ashland opened to the public as a museum in 1950.

“That’s the last time it will be worn, too,” Brooks said. “If for no other reason than there are not a lot of 6-foot-2, 145-pound men around anymore. And, obviously, it’s very, very fragile.”

If you go

What: War of 1812 Living History Day

When: 10 a.m. — 5 p.m. Saturday, Sept. 27

Where: Ashland, The Henry Clay Estate, 120 Sycamore Road.

Cost: $14 adults; $7 younger than 18; $35 family.

More information: Henryclay.org, (859) 266-8581


State audit of Fayette schools shows need to restore public trust

September 20, 2014

Superintendent Tom Shelton and a majority of the Fayette County Public Schools board reacted to the state auditor’s report Wednesday by emphasizing that no money is missing and no criminal activity was found.

But if they think the auditor’s damning assessment of “chronic mismanagement” is any vindication of their performance, they should think again.

The auditor’s staff spent the summer combing through the school system’s books after budget director Julane Mullins sent board members an email in May alleging that a $20 million budget shortfall resulted from irregular accounting made worse by “numerous acts of mismanagement.” She also contacted the auditor.

“Auditors did not find any evidence of alleged criminal activity,” Auditor Adam Edelen’s office said. “However, they determined that poor financial management, weak policies and failed communications culminated in a weakened financial position for the district.”

The investigation found that errors and mismanagement left the board unaware of the district’s true financial situation, and that information was concealed from board members.

Auditors also cited a pattern of high pay, big raises and perks for top administrators with a lack of transparency at a time when school programs are being cut and teachers are scraping for needed classroom supplies.

The schools’ Department of Financial Services spent $115,212 on travel, training and reference books over a four-year period. And a trust fund left by a deceased teacher for “enhancement and enrichment of the educational program” was instead used for administrators’ travel and training.

The auditor also made note of the number of highly paid administrators. The district has 36 people making more than $100,000 a year — for a total of $4.35 million — including three new positions with salaries totaling $386,000.

Shelton’s first response to the audit was to push back. While acknowledging there were problems, he told parents in an email that “some of the state’s assertions are based on faulty calculations, factual errors, and false assumptions.”

But somebody must have reminded Shelton that the auditor’s office is one of the most respected in state government, and that this is hardly the first school system it has investigated. A second email to parents had a much different tone: “I recognize that winning back the trust of our constituents will require swift and bold action.”

Shelton’s first move was to hire two financial and management consultants — although he couldn’t say how much their services would cost.

Shelton is a certified public accountant; finance is supposed to be his strength. Last year, he created a new chief academic officer’s position and hired Jessamine County Superintendent Lu Young to fill it. That should have given him more time to focus on management.

Yet, most of the problems the auditor found related to finance and management.

The auditor blamed several problems on a “toxic” relationship between the finance and budget directors. Shelton said he became aware of the problem soon after becoming superintendent in 2011. So why, two years later, is it still a problem?

There is little in this audit to inspire confidence in Shelton’s leadership.

Parents, teachers and taxpayers (who just had their school tax assessment raised 2.3 percent) must be convinced that officials are more interested in educating Lexington’s children than in staffing central office with well-paid administrators.

Business leaders also need reassurance, because an excellent public school system is vital to Lexington’s economy. The auditor’s phrase “chronic mismanagement” is sure to resonate through the business community like fingernails on a chalkboard.

All of this comes at a critical time for Fayette County Public Schools, which has begun a major school redistricting process. Redistricting is a nightmare under the best of circumstances, guaranteed to make some people angry no matter how fairly the lines are drawn.

Efforts to restore credibility could be made more difficult by a divided five-member school board.

Chairman John Price and Vice Chairman Melissa Bacon voiced support for Shelton last week, as did board member Daryl Love. But board members Doug Barnett and Amanda Ferguson, whose persistent questioning of management was partially vindicated by the audit, expressed reservations about Shelton’s ability to continue as superintendent.

Shelton’s annual evaluation, which was postponed because of the audit, is now due. That should be interesting. His employment contract is up for renewal in June 2015.

But board members have as much work ahead of them as Shelton does. They must restore public trust in their ability to work together to provide effective oversight.

This audit is an embarrassment for Lexington as well as for the Fayette County Public Schools, and it should be a wakeup call. Our children deserve better.


Author of new William Wells Brown biography speaks in Lexington

September 16, 2014

William Wells Brown is a name few people recognize today. He may be best known in Lexington as the namesake of an elementary school and community center in the East End.

But Brown (1814-1884) became a celebrity in the 19th century as the first black American to publish a novel, a travelogue, a song book and a play. He wrote three major volumes of black history, including the first about black military service in the Civil War.

The Central Kentucky native, who spent much of his adult life as a fugitive slave, spoke widely in this country and Europe against slavery. After emancipation, he was an important voice for black self-improvement. He also became a physician.

But that summary of accomplishments gives no clue about the fact that Brown’s own life story was as complex and fascinating as any work of literature.

wwbEzra Greenspan, an English professor at Southern Methodist University who has edited two collections of Brown’s writing, next month will publish a groundbreaking biography of America’s first black literary giant, William Wells Brown: An African American Life (W.W. Norton & Co., $35).

As part of a national tour celebrating the bicentennial of Brown’s birth, Greenspan is in Lexington this week to talk about his biography, which sheds new light on a man whose life and work were often surrounded by mystery and controversy. Greenspan plans to speak to students at four Lexington schools, and he has two free public events Thursday: a 4 p.m. talk at Third Street Stuff coffee shop and a more extensive presentation at 6:30 p.m. at the Lyric Theatre.

I had been eager to read Greenspan’s book since last year, when I interviewed him for a Black History Month column about Brown. I recently got a draft and found it to be an engaging, well-written story, filled with new information from years of painstaking research.

Greenspan’s work was difficult because Brown left no personal papers — perhaps because of scandals involving his first wife and a daughter — and the fact that he often mixed fact with fiction when writing about himself. Because Brown was born a slave, early records are sparse.

Greenspan first came to Lexington in 2009, when he and his wife were traveling around the United States and Britain to places where Brown spent time. They came here because Brown’s first published work — a narrative about his life in slavery — began: “I was born in Lexington, Kentucky.”

Brown may have thought that, because he was taken from Kentucky when he was only 3. But Greenspan discovered that Brown was actually born in Montgomery County, the child of a black slave and his owner’s white cousin, George W. Higgins. Called “Sandy” as a youth, Brown later adapted his chosen name from that of a subsequent owner.

Greenspan’s book traces Brown’s life from Kentucky to Missouri, where he lived on a farm next to Daniel Boone, to his work on Mississippi River steamboats for various masters, including a notorious slave-trader. All this time, Brown was observing much that would eventually find its way into print.

Brown’s third and successful escape from slavery came in 1834, when he was 19, after he saw both his mother and sister “sold down the river.”

His accomplishments were remarkable on many counts. He taught himself to read as an adult. With no formal education, he became a stylish, sophisticated and unusually prolific writer and a speaker of such skill that he attracted huge audiences.

Brown also was a resourceful entrepreneur. He profitably managed most of his own publishing, and he fiercely guarded his creative and financial independence despite persistent racism.

As Greenspan’s book recounts, Brown took considerable literary license with facts and indulged in bold examples of using others’ material in his own work. As both an activist and writer, he was fearless.

Brown’s most famous book was the novel Clotel, or, The President’s Daughter: A Narrative of Slave Life in the United States, first published in London in 1853. It boldly cast its title character as the daughter of Thomas Jefferson, whose relationship with his slave Sally Hemings had long been the subject of gossip.

Clotel was heavily influenced by Harriet Beecher Stowe’s novel Uncle Tom’s Cabin, which was then an international sensation. Brown was always savvy about writing and rewriting his work to sell. But Stowe’s novel, which also was deeply rooted in Kentucky, had a profound impact on Brown.

“It was basically a retelling of his own life story,” Greenspan said. “It hit home in a very powerful way.”

 


Funeral home’s beautician still going strong at almost 92

August 30, 2014

margarethunterMargaret Hunter, who turns 92 on Sept. 2, at Kerr Brothers Funeral Home, where she has been the beautician for 52 years. Photo by Tom Eblen

 

When she tripped on a power cord at work and fell and broke her hip, Margaret Hunter said she thought, “Well, this is going to be it for me!” She wasn’t alone.

“We thought Margaret’s career was done,” said Tom Morton, a funeral director at Kerr Brothers Funeral Home on East Main Street.

But after surgery and a month of recuperation, Hunter got bored just sitting around her house. So, with her doctor’s permission, she started driving herself back to work at Kerr Brothers. That was a year ago.

This week, Kerr Brothers will help Hunter celebrate two big anniversaries: her 92nd birthday and her 52nd year as the funeral home’s staff beautician.

“I like what I do, and I’m good,” Hunter said with a wry grin. “I’m not ready to throw the towel in. And I’m not ready to go to a nursing home. No way!”

No way, indeed.

“I think she’s got more energy now than before she broke her hip,” said Brandon Haddix, another Kerr Brothers funeral director.

As a child growing up in Lexington, Hunter says she cut friends’ and neighbors’ hair with scissors and a straight razor and did home permanents. “I love doing hair,” she said. “I’ve always wanted to be a beautician.”

After beauty school, Hunter had her own shop at several downtown locations for about 15 years. Then one day someone asked her to do the hair of a deceased relative for the visitation. That first time was uncomfortable, she said, but then she realized what an important service she was providing for the family.

“Then some of my customers or their mothers would pass away and they would want me to do their hair,” she said. “Kerr Brothers saw my work and they offered me a job.”

Eventually, Hunter closed her shop and worked only for Kerr Brothers. She usually handles about 25 clients a month, but has done as many as seven in a day.

“I’m on call 24/7,” Hunter said. “I’ve missed a lot of reunions, a lot of get-togethers. I’m here when they need me, because when they have to be out they have to be out.”

Hunter said she works from photos, or meets with family members to get their suggestions. Hunter has a small, third-floor workroom at the funeral home, just big enough for a long table, some cabinets and a couple of hair dryers.

She does about 90 percent of Kerr Brothers’ clients; the rest have their own beautician fix their hair one last time.

“When I do a lady’s hair here, I want her looking nice, because that’s the last time her loved ones are going to see her,” Hunter said, adding that she often gets cards or kind comments from family members.

Hunter said her accident last August hasn’t slowed her much. Her only concession to the new, artificial hip joint is a walking cane, which Kerr Brothers’ employees have named Charlie.

“I’d go crazy if I stayed home every day,” said Hunter, who also takes pride in doing her own house cleaning. She has lived in her home in the Deepwood subdivision since it was new in 1962. Her husband, John, who was a maintenance worker for the city, died in 1996. She has a son, Garrett, who lives in Cynthiana.

Hunter doesn’t cut her own hair — although she says she could — but she mixes the coloring for her beautician to use. “I wouldn’t want to be your beautician,” Morton tells her.

In her free time, Hunter enjoys meeting friends for meals at Loudon Square Buffet, a longtime restaurant on North Broadway.

Kerr Brothers’ management has promised Hunter a job as long as she wants it, Morton said. She has no plans to retire.

“I love what I do,” she said. “I love working at Kerr’s. They’re just like family. To me, they are family. I call this my second home, because this will probably be the last door I go out of.”


‘Room with a view’ exhibit features Lexington scenes from 1990s

August 23, 2014

140821Tharsing0004The view out the bay window of painter Robert Tharsing’s second-floor studio on High Street in the early 1990s. Below, the old Fayette County Courthouse.  Photos courtesy of the artist and Ann Tower Gallery

 

Before he retired as an art professor at the University of Kentucky, Robert Tharsing did his personal painting in downtown studios, first in the upstairs room of an old house on High Street and then above Cheapside Bar & Grill.

When he was between paintings — or stuck trying to figure out where to go with an abstract canvas — he did what many people do when they need a break: he stared out the window. In Tharsing’s case, he also painted what he saw. The result was about 20 views of the Lexington skyline and scenes of downtown life in the 1990s.

In anticipation of retirement, Tharsing built a home studio in 2001. When he moved, he left most of these paintings stacked in the Cheapside space, which wife Ann Tower uses as storage for her gallery on Main Street. Tharsing never showed them in public — until now.

Robert Tharsing: Room With A View, an exhibit of 14 pictures painted over the course of a dozen years, went up last week in the East Gallery at UK Chandler Hospital. The free exhibit will be up for six months.

140821Tharsing0003“I had seen a few hanging in his studio a long time ago and thought they were interesting,” said Phillip March Jones, who curates the hospital’s art exhibits. “I also thought it was interesting they had never been shown as a body of work.”

Jones said viewers from Lexington will easily recognize these scenes, as well as what has changed, and appreciate the bird’s-eye view Tharsing had from his studio windows.

The vividly colorful scenes are awash in light, but often devoid of people. Most of the time Tharsing spent in these studios was at night and on weekends, before downtown became a popular destination for restaurants, bars and festivals.

“Wherever I’ve been, I’ve always painted the scene as well as other interests I have,” said Tharsing, 70, who has lived in Italy and spends summers in Nova Scotia.

Tharsing said these small pictures were often a release, a distraction when he was working on large, abstract paintings. “It was a way to paint something that’s very tangible that I knew what it was,” he said. “With an abstract painting, I often don’t know what it is. In that sense, it’s like being a novelist; you have to let the characters develop and see what they’re going to tell you about themselves. The painting has to do that, too. It has to tell you what it is, what it’s all about.”

The High Street studio had a big bay window that looked down on Vine Street and a cluster of 1980s office towers. Tharsing said he liked how light played off the buildings, streets and parking lots in different seasons.

“That part of Lexington is all about very simple geometry,” he said. “There’s hardly anything that distinguishes itself as being real architecture. So what you’re left with is these volumes and planes and reflections. More than half the buildings down there have got these mirrored windows, so it’s not only the building I’m looking at but I’m looking at myself through the glass across the street. That interested me.”

Cheapside had more people on the street, and a building that did interest Tharsing: the old Fayette County Courthouse, which was then still in use. The massive circa 1900 building or pieces of it appear in six of 14 paintings in the exhibit.

“I really liked it because there was a lot of coming and going,” he said. “It was very much small-town life.”

Tharsing said “the icing on the cake” came one day when he looked down and saw perennial candidate Gatewood Galbraith in his trademark hat. He was accompanied by a single sign-carrying supporter and was being interviewed by a TV news crew.

To accompany the exhibit, Jones is producing old-fashioned perforated postcard books with 10 of the pictures, for sale ($10) at Ann Tower Gallery, The Morris Book Shop and Institute 193, his nonprofit gallery.

These paintings are reminiscent of the plain, colorful style of Edward Hopper (1882-1967), who was one of Tharsing’s inspirations. Another inspiration was the Venetian landscape painter Canaletto (Giovanni Antonio Canal, 1697-1768).

But Tharsing said he resisted Canaletto’s occasional tendency to improve the skyline, tempting though it was in Lexington’s case. “He rearranged the city to suit himself,” he said. “It is like urban renewal; it’s an interesting idea.”


Facade, light show dress up Lexington’s ugliest parking garage

August 19, 2014

140818Helix-TE0025The Helix Garage downtown got a facade of lights to help mask the fact that it is one of Lexington’s ugliest buildings. Photo by Tom Eblen

Lexington tore down one of its most elegant public buildings in 1960 and replaced it with two of the ugliest — a parking garage and the office building now occupied by the Fayette County clerk.

So the new façade and colorful light display on Helix Garage on East Main Street at Martin Luther King Boulevard is a big improvement.

That corner was previously the site of Union Station, which opened in 1907. The imposing brick railroad terminal had a big center lobby and an arched stained-glass window over the front doors.

The last passenger train pulled out of Union Station on May 9, 1957. Three years later, the station was demolished and replaced by the garage — a powerful statement about changes in the way Americans travel.

The garage, originally built for the nearby Stewart’s department store, was never a thing of beauty. But it was literally falling apart when the Lexington and Fayette County Parking Authority (LexPark) put $3.1 million into a structural renovation last year.

LexPark realized the 389-space garage, with its low ceilings and dark interior, also needed a marketing makeover to attract customers and support downtown revitalization.

The name was changed from Annex Garage to Helix Garage, after the shape of the exit ramp that has terrorized generations of teenagers who had to drive down it with a state trooper in their passenger’s seat to earn their driver’s license. (I’ve always wondered how many people flunk their driving test before they even reach the street.)

LexPark spent $40,000 to improve interior lighting. But Gary Means, the authority’s executive director, said more was needed “to cover up what’s a really ugly parking garage in a prominent spot on Main Street.”

Vincent Lighting Systems of Erlanger installed $100,000 worth of colorful, energy-efficient LED lighting on the helix ramp. To improve the façade along Main Street, LexPark chose a design by Pohl Rosa Pohl architects, which worked with Vincent Lighting, Green Giant Lighting of Lexington, Randy Walker Electric of Lexington and ProClad metal of Noblesville, Ind.

That façade, finished last month, is stunning, especially during the nightly light show. (It cost $180,000. Like the other garage improvements, it was paid for with parking revenues, not taxpayer money.)

“The existing building was a concrete frame and little more,” said architect Graham Pohl, who worked on the project with colleague Adam Wiseman. They designed a skin using a steel frame and corrugated plates of various shapes, which house the LED lights.

Means said lighting designers are about finished with computer programming that will allow the garage façade to do a lot more than we have seen so far. He envisions elaborate light displays to the beat of music during the annual Thriller parade and other special effects for downtown festivals.

“At the end of the day, it’s marketing,” said Means, noting that many garage spaces go unused at night by downtown bar and restaurant patrons. “When people start talking about ‘that cool garage with the lights,’ they’ll start using it more.”


Lexington’s under-appreciated Modernist buildings worth a look

August 16, 2014

140814MidCenMod0002People’s Bank on South Broadway has been vacant for many years and is flanked on either side by an apartment building and a parking garage. Architect Sarah Tate says it is an excellent example of good Modernist architecture that has been altered little over the years. Photo by Tom Eblen 

 

Controversy over the demolition of several Mid-Century Modern buildings on the University of Kentucky campus this summer marked a change in Lexington’s conversation about historic preservation.

It made it clear that a building doesn’t have to be more than a century old to be architecturally or historically significant enough to be worth saving.

Architect Sarah Tate was most upset by UK’s destruction of the 1941 Wenner-Gren Laboratory, where early NASA space research was conducted. Its front façade featured elegantly curved walls of brick and glass block.

Tate has spent three decades documenting Modernist commercial structures in Lexington built during the 1940s, ’50s and ’60s.

“There is no doubt that the Modern movement is as extraordinary as any movement in architecture in the history of mankind,” said Tate, who became a registered architect in 1975 and retired five years ago from her firm, Tate Hill Jacobs Architects.

140814MidCenMod0003Modernism was the first architectural movement in centuries that didn’t draw its inspiration from the past. It was the result of wholly original thinking about how buildings should look and how people use them, with an emphasis on clean lines rather than classical forms from antiquity.

“These buildings show how we got where we are now from building Greek temples and office buildings that looked like Greek temples,” Tate said. “They tell a whole lot about the 20th century — how construction methodology changed as materials changed. The Space Age thrust imprinted America’s psyche, and these ’50s and ’60s buildings are the ones that really show that.”

In Lexington, at least, these buildings also reflect the rise of automobile culture and suburban growth — when a horse and university town rapidly expanded with the arrival of new industries and people from elsewhere.

Tate admits that some of these buildings are not great pieces of architecture. “Some of them are awkward,” she said. “Some of them are really bad.”

But others are very well done, said Tate, who hopes to educate people about the Modernist architecture that remains in Lexington in the hope that it can be sensitively reused rather than replaced.

Tate’s favorite Modernist commercial structure in Lexington is People’s Bank on South Broadway, which is almost hidden between an apartment tower and a parking structure beside the Rupp Arena parking lot. It was designed by Lexington architect Charles Bayless and finished in 1961.

Most recognizable for its blue tile walls and zig-zag roof, People’s Bank has been empty for years. But because it didn’t have another occupant after the bank, the building was never altered much.

“It’s just beautifully composed,” Tate said. “It was ahead of its time from the structural engineering aspect. And the detailing is like a jewel.”

Other Tate favorites include the Catalina Motel on New Circle Road, with its huge 1960s neon sign and Roto-Sphere evoking the Space Age; Chapman Printing Co. on Russell Cave Road, which has a curved wall of narrow brick laid “jack on jack” style without overlapping; and a former dairy processing plant on East Second Street.

Another remarkable example is Collins Bowling Center on Southland Drive, whose owners have preserved not only the building’s style but its iconic sign: a giant bowling ball suspended atop three pointed spikes. Tate also loves the clean lines of the bus stop and sign for Gardenside Plaza shopping center on Alexandria Drive.

Other Modernist landmarks in Lexington include the Paul Miller Ford showroom on New Circle Road, whose glass walls rise from the car lot in a dramatic “V” shape; and Lexington architect Ken Miller’s Southern Hills United Methodist Church on Harrodsburg Road, whose copper-roofed sanctuary looks like a space ship.

Tate said many people don’t like Modernist architecture, perhaps because they grew up with it and consider it commonplace — even though it is becoming increasingly rare because of demolition and remodeling.

“But when they understand what it is and how it got that way, they do like it and they can value it,” she said. “It’s hard for people to think of modern buildings as historic. But these tell a story about who we are and how we got where we are.”

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Photos from Bill Clinton’s campaign stop in Lexington today

August 6, 2014

Former President Bill Clinton was in Lexington today for a campaign fundraising luncheon at Carrick House for Alison Lundergan Grimes, a Democrat challenging the re-election of U.S. Sen. Mitch McConnell. Photos by Tom Eblen

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New book chronicles colorful history of Kentucky’s oldest church

August 5, 2014

140730Anders-TE0022Mickey Anders, the recently retired pastor of South Elkhorn Christian Church, in the 1870 old sanctuary. He recently wrote a book about the church’s history. Photo by Tom Eblen

 

Church histories are usually of little interest outside the flock. But when I heard about a new book telling the story of South Elkhorn Christian Church, I thought it would be worth a look.

The church has been located on the banks of South Elkhorn Creek — now 4343 Harrodsburg Road — since 1784. But the congregation was formed in Virginia in 1767, making it arguably the oldest in Kentucky.

“This church has an incredible story that needed to be told,” said Mickey Anders, who recently retired as pastor and is the author of An Ever Flowing Stream ($18, Amazon.com). “I felt like this could be my legacy gift to the church.”

Earlier books, in 1933 and 1983, had told some of the history. But Anders thought he could do a better job with the wealth of information now available on the Internet. It helped that he had access to almost all of the church governing board’s minutes going back to 1817.

Lewis Craig started Upper Spotsylvania Baptist Church near Fredericksburg, Va., in 1767. But he and other Baptist preachers soon angered officials of the Anglican Church, the government-sanctioned religion of colonial Virginia.

Craig was jailed for his preaching, and Patrick Henry is said to have interceded to free him. Craig soon led his congregation over the Appalachian Mountains to Kentucky in what became known as “The Traveling Church.”

Colonial Virginia’s persecution of Craig and other Baptists was a big reason framers of the U.S. Constitution in 1787 included the First Amendment, which guarantees the freedoms of speech, religion and the press.

Craig’s brother, Elijah, was also a Baptist minister who came to Kentucky. But he is more famous as an early distiller of bourbon whiskey. “We’re probably the only church with whiskey on display in our history cabinet,” Anders said, pointing to a couple of bottles of Elijah Craig bourbon amid other artifacts.

The church’s attitudes toward some social behavior have changed over time, Anders said.

South Elkhorn paid its second pastor on one occasion with 36 gallons of whiskey, and he was expected to keep an ample supply on hand for guests. A few decades later, the church dismissed members for excessive drinking. Now, Anders said, alcohol is usually “not an issue.”

Two South Elkhorn members were reprimanded for betting on horse races in 1895. A year ago, Anders preached the funeral of church member Robert Moore, a Thoroughbred trainer who broke four Kentucky Derby winners.

Lewis Craig and other early members owned slaves, who attended church with their masters. The 1819 minutes included this entry: “Lucy (Capt. Berry’s woman) charged with fornication and murdering her own infant. The church took up the matter and excluded her for the same.” Anders wonders: Was it her master’s baby?

South Elkhorn reached peak membership in 1801 during the so-called Second Great Awakening. The most famous of those revivals was at Cane Ridge in Bourbon County, but on the same day, 10,000 people gathered at South Elkhorn.

Anders was especially fascinated by 19th century theological disputes, which now seem esoteric but then caused bitter divisions in congregations and even families. They led to a split in South Elkhorn’s congregation in 1822.

“Reading the minutes, it was difficult to tell what the fight was about,” Anders said. “It took me months to piece together that it was really over Calvinism and Arminianism,” two views of Christian theology.

The Elkhorn Baptist Association expelled its mother church over theological differences in 1831. South Elkhorn became an independent Church of Christ and later affiliated with the Disciples of Christ denomination. Over the next century, congregational disputes would involve everything from instrumental music to evolution.

After the 1830s, the area’s religious center of gravity moved to a growing Lexington. South Elkhorn spent the next 150 years as a “sleepy little country church,” Anders said. It didn’t even have complete indoor plumbing until 1961, when the men’s outhouse mysteriously burned down one Sunday morning.

South Elkhorn began growing again in the 1980s, when it was surrounded by Palomar, Firebrook and other new subdivisions. In 1985, a larger worship center was built beside the historic 1870 sanctuary.

“I think it’s a story worth telling,” Anders said. “It connects with so much of Lexington’s history, with the nation’s history, with the history of religion in the area.”

 


Popular restaurant owner returns to Sav’s after kitchen accident

August 4, 2014

140729SavSavane-TE0056 Mamadou “Sav” SavanéŽ, left, talked with regular customer Ron Pen, a University of Kentucky music professor, and Erin Fulton last Wednesday. Photos by Tom Eblen

 

The regulars at Sav’s Grill & West African Cuisine got a pleasant surprise when they walked in for lunch last week. Sav was back.

Nearly two months after being badly burned in a kitchen accident, Mamadou “Sav” Savané has begun spending a couple of hours a day working the counter and walking around the dining room, greeting and thanking customers.

Sav’s Grill, 304 South Limestone, is known for the delicious food Savané learned to cook in his native Guinea. It also is known for his big smile and friendly manner.

“He’s quite the community-spirited person,” customer Alice Dehner said. “He always has that smile. He never forgets a face.”

Customers didn’t forget him, either, when news spread about his June 3 accident.

140728SavSavane-TE0025Friends at Smiley Pete Publishing created a fundraising page on the website Giveforward.com. They knew Savané did most of the restaurant work himself, and that his family would need to hire help in his absence — and pay medical bills not covered by their insurance.

Publisher Chuck Creacy set an ambitious fundraising goal of $50,000 in 90 days. That goal was reached in less than three days, and money keeps coming in. The page has raised more than $67,000 from nearly 1,200 donors. “It was an interesting and wonderful thing to watch,” Creacy said.

In addition, local businesses contributed food, beverages and silent auction items for a fundraiser at Smiley Pete’s office that attracted 1,500 people and raised $11,000.

Savané and his wife, Rachel, whom he met when she was a Peace Corps volunteer in Guinea in the early 1990s, have been overwhelmed.

“I don’t have words to describe how this community stand up for us,” Savané said. “What am I doing to make people so happy? When I think about it I just want to cry.”

Savané had just opened for lunch June 3 when he tried to move a huge pot of peanut chicken stew off the stove. Something caught it and caused some to spill on the floor.

Rather than wait for his son to arrive and help, Savané held the pot with one hand and reached for a cart with the other. He slipped, pulling the pot down on him. The boiling liquid burned his arm, torso and face. His screams alerted an employee to call for help.

Savané spent 10 days in the hospital, including six in ICU. His second-degree burns required skin grafts on his arm. He is just glad skin grafts weren’t needed for his torso, which would have required another two weeks in the hospital.

His wife cared for him at home while friends managed her jewelry shop, Savané Silver, 130 North Broadway. Their son, Bangaly, 20, stepped in to run the restaurant with help from employees, family, friends and Alex Ortiz, an experienced restaurant manager they hired.

Although his son had worked at Sav’s Grill for years, Savané had only recently taught him to cook his signature dishes.

“God knows how to do things,” Savané said. “For me to have an idea three months ago to say, ‘You know Bangaly, you know everything here except the cooking I do.’ In Africa, we don’t have recipes; it’s in our head. To put that in writing, that was the first time. It’s like something warned me: prepare this boy. I am so proud of my son and the job he is doing.”

Savané thinks it will be at least three weeks before he can resume normal work. The wounds are healing, but he is still in pain. There are mental scars, too. The first couple of times he stepped back in the kitchen, he said, “I had to sit down. I cry like a baby. I have a long way to go before I forget that memory.”

The restaurant’s security cameras recorded the accident. “I watched it once,” he said. “I don’t think I like to watch again.”

Savané said getting back to business will be the best therapy. And business is good.

Mark Hoffman said he had never eaten at Sav’s Grill until he read about the accident. He came in to show his support “and now I’m hooked,” he said. Bangaly Savané introduced Hoffman to his father last Tuesday as a new regular customer.

Savané said the accident has made him appreciate life more.

“It’s unfortunate you have to get hurt to know what the community’s about,” he said. “We are lucky. This city is exceptional. Today, honestly, I can proudly say I’m from Lexington.”

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Revenue Cabinet employee a finalist for Ireland’s Rose of Tralee

July 29, 2014

roseClaire Curran, left, of Frankfort, is as one of 23 finalists in the Rose of Tralee pageant, a 55-year-old competition next month for young women of Irish ancestry. Lexington’s Irish community threw a sendoff party for her Saturday night at McCarthy’s Irish Bar. Among the well-wishers was Penny O’Brien, right. Photo by Tom Eblen

What Miss America is to this country, the Rose of Tralee is to Ireland. And for the first time in the competition’s 55-year-history, a Kentuckian is a finalist for the crown.

McCarthy’s Irish Bar was packed Saturday night as the Lexington Celtic Association threw a sendoff “hooley” for Claire Curran, complete with traditional Irish musicians and the McTeggart step dancers.

Curran, 23, spent four days in Ireland in May competing against more than 60 young women of Irish descent from Ireland and as far away as New Zealand and Dubai. She will soon head back. The 23 finalists will make appearances around Ireland and take part in festival activities for two weeks before this year’s Rose is chosen during two televised broadcasts from Tralee’s Festival Dome, Aug. 18-19.

“For us, this is huge,” said Liza Hendley Betz, a Dublin native who owns Failte, The Irish Shop. “As a kid in Ireland, watching the Rose of Tralee on television was a family tradition. Now to think that our Kentucky Rose could win it all.”

The Rose of Tralee began in 1959 as a local pageant in County Kerry, taking its name from a 19th century love ballad. It soon went national, and in 1967 opened to young women of Irish descent everywhere.

Ireland has fewer than 4.6 million people — only about 255,000 more than Kentucky. But for two centuries, Ireland’s biggest export has been people.

More than 10 percent of Kentucky residents are of Irish descent. Early Irish stone masons built many of Central Kentucky’s iconic limestone fences. The horse industry has lured hundreds of recent immigrants, who say Central Kentucky reminds them of home because of its lush green meadows and stone fences.

Betz estimates the area has at least 300 “off the boat” Irish, as she calls them. Irish comfort food for expatriates is a big draw for her imports shop. It shares an old red-and-green building on South Upper Street with McCarthy’s, where the bartenders know how to properly pour a pint of Guinness.

Betz and other Irish immigrants started a Kentucky Rose organizing committee, called a centre, in 2012. It joined a dozen other U.S. centres, as well as eight in Britain, four in Canada, two in continental Europe, seven in Australia and New Zealand and four in the Middle East. All 32 Irish counties have them.

“The first year, we had our event on St. Patrick’s Day out in the mud at CentrePointe,” Betz said. “It was almost comical, so we said we need to get serious about this.”

Curran was chosen from among eight contestants March 22 at the second annual Rose Ball at Saints Peter and Paul School. Betz said she is thrilled that a Kentucky girl made the finals this quickly.

The Rose of Tralee International Festival says it is not a beauty pageant. There is no swimsuit competition, and while contestants perform, their talent is not judged. The winner is selected based on her personality and ability to be a “confident, hardworking, intelligent role model” and goodwill ambassador.

Carole Whalen, who went to the preliminaries in Port Laoise, Ireland, thinks Curran impressed the judges with her wit and humor. During her talent performance, she dramatically unrolled a long scroll to read a funny poem she had written.

Curran said she was born in California, grew up in Frankfort and graduated from Murray State University. She works for the Kentucky Revenue Cabinet where, she said, “I’m one of those people in the division of sales and use tax who writes letters that make people’s day all over the Commonwealth.” Her hobby is acting.

“Being Irish has always been an important part of our family,” she said. “If my grandparents were still alive they would be beside themselves about this.”

Lexington’s Irish community raised several thousand dollars to help pay for Curran’s festival expenses.

“There’s so many Irish here, we try to help each other out,” said one of her sponsors, Pat Costello, an owner of the Thoroughbred firm Paramount Sales. “We grew up at home with the Rose of Tralee as a huge contest.”


‘What’s behind the wall’ beside Jefferson Street restaurants?

July 27, 2014

140722Apiary

This rendering shows what the Apiary will look like when finished this fall. The catering company and event space is in the Jefferson Street restaurant district on the site of a special-effects company’s building that burned in July 2008. Photo: EOP Architects. 

 

Nobody paid much attention to the old industrial building on Jefferson Street until July 17, 2008, when a spectacular two-alarm fire gutted Star Light & Magic, a theatrical special effects company.

Jefferson Street is a much busier place now, having blossomed into a popular restaurant district, so a lot of people are watching and wondering about the construction going on there behind an elegant wall of brick, stone and wrought iron.

For nearly two years, the first phase of the project has been a commercial kitchen for Apiary Fine Catering & Events. When finished in October, the facility also will include The Apiary, an event space designed for an urban infill setting.

The Apiary is owned by Cooper Vaughan, 39, a graduate of Transylvania University and Le Cordon Bleu cooking school in London. Before moving back to his hometown in 2006, Vaughan was a chef at Blackberry Farm, the luxury resort in Tennessee.

140710Apiary0010

Cooper Vaughan

Working in partnership with his parents, Neal and Derek Vaughan of Lexington’s G.F. Vaughan Tobacco Co., he hopes to create a unique 15,500-square-foot food and beverage destination. And, as the name implies, Vaughan said he also wants it to be a hive of activity, a gathering place for people interested in food, wine and cooking.

“We want to be a place other chefs can use when they don’t have the facilities,” he said. “That’s the sort of energy we want around here.”

The Vaughans’ vision for the Apiary included special architecture and landscaping, a place with modern lines but a warm, timeless feel. To achieve that, they hired three top-notch local professionals: architect Brent Bruner, garden designer Jon Carloftis and interior designer Matthew Carter.

The Apiary’s biggest venue will be the 2,000 square-foot Orangery room, which has a 10-foot by 30-foot skylight and 18-foot-tall windows designed to match antique French shutters. When finished, the room will contain orange, lemon and pear trees. There also will be a 1,000-square-foot Winter Room, an intimate tasting room beside the kitchen and a French limestone terrace that can accommodate a big tent.

Salvage materials are a big part of the design. Reclaimed brick, wood flooring and beams came from old tobacco warehouses. Stone was salvaged from a farm that belongs to Vaughan’s uncle. Pavers were once part of a barn at Hamburg Place horse farm. Massive pine doors came from Argentina, and two antique stone fountains in the courtyard are from Europe.

The brick and stone courtyard walls are accented with custom wrought iron created by artists Matthew and Karine Maynard of Maynard Studios in Lawrenceburg.

“They wanted it to have a substantial feel that at the same time is modern and fits into an urban setting,” said Bruner, a principal at EOP Architects. “The level of craftsmanship they wanted is not what you see a lot these days.”

Good planning allowed Carloftis to get a head start on the landscaping so it wouldn’t look new when the Apiary opens. It includes a “green” wall of plantings in the courtyard and a well-established pear tree cultivated espalier-style.

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Brent Bruner of EOP Architects

Since the kitchen opened, Vaughan has given rent-free office space to Seedleaf, a Lexington nonprofit. Seedleaf works to increase the supply of affordable, nutritious and sustainably produced local food for people at risk of hunger in Central Kentucky. It sponsors community gardens, restaurant composting programs and classes that teach cooking and food-preservation skills.

The outdoor event spaces will include raised-bed vegetable and herb gardens designed by Carloftis and cared for by Seedleaf. Ryan Koch, Seedleaf’s founder and director, said they will both supply Apiary with food and subtly educate guests.

“It will be a unique opportunity to show how beautiful perennial herbs and some vegetables can be and how important local food is,” Koch said. “If we can help Apiary buy less food off the truck and get more out of their yard, I think people enjoying the space will appreciate that.”

The Seedleaf gardens and other landscaping will be irrigated with rainwater collected in a 12,000-gallon underground storage tank.

Vaughan declined to say how much his family is investing in the Apiary.

The designers’ goal with the building and grounds is to create indoor and outdoor spaces that gradually reveal themselves to visitors as they walk through. Vaughan hopes guests will notice something new each time they come.

“One thing we’ve been able to achieve is that not any one element screams,” he said. “A great event always has these elements of surprise. What’s behind the wall?”

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Nurse’s daughter wonders: whatever happened to ‘Baby Strand’?

July 19, 2014

140720BabyStrand0001Edna Lester was a nursing student at Good Samaritan Hospital when the Lexington Herald photographed her holding “Baby Strand”, an infant abandoned in Lexington’s Strand Theater on the afternoon of Aug. 24, 1945. Lester’s daughter, Ann Riegl of Seattle, had heard about Baby Strand all of her life. She found the Herald clipping while cleaning out a drawer after her mother’s death and created a Facebook page to try to find out whatever happened.

 

Every family has a drawer of important papers and keepsakes. When Ann Riegl of Seattle was growing up, her family’s drawer included a front-page clipping from The Lexington Herald of Aug. 25, 1945. It showed her mother holding “Baby Strand.”

Edna Lester of Perryville was a nursing student at Good Samaritan Hospital when Lexington police brought in a 5-week-old baby boy. He was thin and sickly, but neatly dressed and wrapped in a blanket. Nurses nicknamed him Baby Strand.

The clipping said witnesses told police they found the child in the darkened Strand Theatre on Main Street after he started crying. They remembered having seen a young woman handling a bundle, then leaving the matinee.

“This is something she always kept,” Riegl said of her mother’s newspaper clipping. “We talked about it a few times, and she told about how the nurses doted on Baby Strand. I think she wondered about whatever happened to him.”

Edna Lester Norris died in 2008. Among the things Riegl kept from her mother’s keepsake drawer were the clipping and a print of the newspaper photograph.

“But those things don’t do much good if they’re just sitting in a drawer,” Riegl said. “So I thought I would at least put this information out there in case Baby Strand, who would be 69 years old now, might be looking for it, or his family might be.

“It would be good to know if you were in that situation that while Baby Strand was abandoned, he wasn’t discarded,” she added. “He was left fully clothed in a place where he would be found, with an extra gown tucked into his little blanket.”

I contacted Riegl after she created a Facebook page called “Baby Strand’s Story.” Wayne Johnson, a researcher at the Lexington Public Library, found more stories about the case in 1945 issues of the Herald and The Lexington Leader. At the Mercer County Public Library, I combed through Harrodsburg Herald microfilm from that year. Here is what we found:

Six days after Baby Strand was left in the theater, his mother was arrested in Mercer County. She was brought to Lexington, charged with child desertion and jailed after being granted a request to visit her child in the hospital.

The woman told police she grew up near Harrodsburg and that her parents were dead. She said she was engaged to the baby’s father, a soldier from her hometown, but he had been shipped off to fight the Japanese before they could marry.

She had left Kentucky a year earlier to work in a munitions factory in Indiana, but got sick and had to quit her job before she gave birth. The child was malnourished, she said, because he wouldn’t take formula.

Alone with an infant and little money, she got a bus ticket home. But when she arrived in Lexington, she discovered her luggage was lost. After several hours in the bus station that hot day, she took her baby to the air-conditioned Strand Theatre. Then, on an impulse, she walked out alone. Police identified her after her luggage arrived.

“I don’t know why I abandoned my baby and I wish I hadn’t done it,” she told a Lexington Herald reporter. “I haven’t been well since he was born and haven’t been able to work. I didn’t have much money and I thought if I left him somebody might find him who would give him a good home.”

She told the reporter that police had promised to find and contact the baby’s father, who didn’t know about his son’s birth. “And I hope they’ll let me have him back so I can take him home,” she said of the child.

The woman was soon released to the custody of relatives. While she awaited a court hearing, Baby Strand stayed at Good Samaritan, where he gained weight and charmed the hospital staff. When the hearing date arrived in October, the prosecutor dismissed the charges and indicated that Baby Strand would be returned to his mother.

That’s where the story seems to end. The Lexington and Danville papers had a lot of other news to report: World War II was ending and servicemen were coming home from battle. In Mercer County, many were returning from prisoner-of-war camps after having survived the infamous Bataan Death March.

A couple of things are worth noting about the press coverage of Baby Strand. Newspapers gave different last names for the mother. The Lexington papers called her Valley Collins, while the Harrodsburg Herald identified her as Valley Collier. Some of the reporting would now be considered unacceptably sexist. The mother is described as an “attractive 23-year-old blonde … unwed mother. Her hair was curled, her nails polished.” The father’s name was never reported.

Many questions remain. Did the child go back to his mother? Did the father survive the war? Did they marry? What became of Baby Strand?

When I called Riegl back to tell her what we found, she wondered if her mother might have unknowingly crossed paths with Baby Strand again. Thomas and Edna Norris moved to Harrodsburg in 1952. He was principal of Harrodsburg High School and she was a public health nurse. They left for Sedalia, Mo., in 1958.

“I hope if someone is looking, or wants to be found, this will help them,” Riegl said. “I hope Baby Strand has had a long and happy life.”

 


Plan would create 200 miles of multi-use trails in Scott County

July 15, 2014

legacyGabe Schmuck, 9, left, Nate Schmuck, 5, and their father, Paul Schmuck, rode on the Legacy Trail in Lexington in 2012. Photo by Mark Ashley.

GEORGETOWN — The popular Legacy Trail out of Lexington now stops just short of the Scott County line at the Kentucky Horse Park. But what is now the end of the trail could someday be just the beginning.

Scott County leaders have worked for three years with the regional visioning group Bluegrass Tomorrow and the National Park Service to develop an ambitious plan for Kentucky’s most extensive trails network. Plans call for 200 miles of biking, hiking, horseback riding and waterway trails throughout Scott County.

“Our vision is that this is going to eventually branch out and include the whole region,” said John Simpson, director of Georgetown/Scott County Tourism.

The Bluegrass Bike Hike Horseback Trails Alliance unveiled a draft of the proposed master plan Monday at the monthly meeting of the Georgetown/Scott County Chamber of Commerce.

Alliance leaders hope to finish the plan by the end of the year and begin negotiating property easements, designing trails, raising private money and applying for federal transportation grants.

Some trails would be shared, with bike/pedestrian and horse paths side-by-side, but most would be separate. The plan was developed with help from interested residents during a June 2013 design workshop, and the alliance is eager for more public participation.

At this point, there are no cost estimates, but such a trails network would run well into the millions of dollars. Still, many officials think it would be a great investment.

“This has the potential to have a tremendous impact, economically and socially, on the community,” said Russell Clark, the alliance’s National Park Service representative.

Clark and Rob Rumpke, president of Bluegrass Tomorrow, cited the economic impact that trail systems have had on Damascus, Va., a once-depressed logging town where hikers and mountain bikers now flock to the Appalachian and Virginia Creeper trails; Loveland, Ohio; and Indiana’s Brown County.

The trails alliance has more than a dozen partners, including the cities of Georgetown, Sadieville and Lexington; Scott County Fiscal Court; the state tourism department; the Horse Park; the Kentucky Horse Council; Georgetown College; the University of Kentucky College of Agriculture; the Bluegrass Area Development District; St. Joseph Health System/Kentucky One; and several horseback-riding and cycling groups.

Rumpke said horse trails should be especially popular, given the number of local horse enthusiasts and the tourists who come to Central Kentucky to see horse farms and events.

“We’re the horse capital of the world; why are there so few horseback-riding facilities?” he asked. “This is an opportunity to address that.”

The first step in the plan is to extend the Legacy Trail 6.6 miles from the horse park to Georgetown. Christie Robinson chairs a steering committee that commissioned an engineering feasibility study, which was recently completed. The study estimates the total cost at about $8.3 million, including trailheads, bathrooms and other amenities. It could be built in four phases as money became available.

Georgetown recently awarded the Legacy Trail committee $25,000 as a match to a $100,000 federal grant that it will apply for this fall, Robinson said. That would move the design process forward.

Claude Christensen, mayor of Sadieville, said he sees the trail system as an opportunity to revitalize his town of 303 people at the northern tip of Scott County. Sadieville is applying for “trail town” status with state tourism officials. But it needs trails.

“It’s huge for Sadieville,” Christensen said. “It makes us a destination.”

Simpson, the tourism official, said many Scott County business and government leaders support trails development because they have seen the economic benefit that road cycling enthusiasts have had in the area.

The Bluegrass Cycling Club’s annual Horsey Hundred ride each Memorial Day weekend is based at Georgetown College. This year, more than 2,000 cyclists came from all over North America to ride Central Kentucky’s scenic back roads on marked routes ranging from 25 to 104 miles.

Georgetown hosted a downtown party for the cyclists, who filled Georgetown College’s residence halls and more than half of the 1,100 local motel rooms. A big group from Ontario, Canada, came for an entire week of cycling before the event.

An extensive trail network, along with Central Kentucky’s world-class cycling roads, could make Georgetown a major recreation destination, Simpson said.

“We’re at the starting point of something that could be phenomenal,” he said. “It could bring thousands of tourists to our community and enhance our own quality of life.”


Book chronicles Lexington’s early ‘contemporary’ homebuilder

July 13, 2014

140709Isenhour0001This house,built on Breckenwood Drive in 1958, shows characteristics of Richard Isenhour’s contemporary homes: native Kentucky stone, lots of glass, cathedral ceilings, exposed post-and-beam construction and an effort to integrate indoor and outdoor spaces.

 

Richard Isenhour was a chemical engineer at Dupont in the late 1940s when he questioned his career choice in a letter to the Lexington woman who he would marry.

“The kind of job I’d like would be one that’s creative and always changing, where I can see what I’m accomplishing,” he wrote Lenora Henry. “I’d like to work on things I can improve.”

The Isenhours moved to Lexington in 1952, and he took up the occupation of his father-in-law, homebuilder A.R. Henry. Before long, Isenhour began looking for ways to improve his houses with modern styles and materials, as well as new ideas about how a house should function.

Richard Isenhour

Richard Isenhour

Isenhour went on to earn an architecture degree at the University of Kentucky and design and build nearly 100 unique homes in Lexington between the mid-1950s and the late 1970s. Now locally famous, these “Isenhour houses” were some of the first contemporary-style homes built in Lexington.

Larry Isenhour, a retired architect and one of the Isenhours’ four children, has just written a handsome, well-illustrated book documenting his father’s work: The Houses of Richard B. Isenhour: Mid-Century Modern in Kentucky(Butler Books, $45) He will sign copies at 2 p.m., July 19, at The Morris Book Shop. Information about other book events: Greenschemedesign.com.

Inspired by Frank Lloyd Wright and later Modernist architects, as well as by contemporary homes he saw in magazines and on family vacations, Isenhour experimented. This was at a time when people from all over the country were moving to Lexington to work at IBM and UK’s new College of Medicine.

His first bold design was for his own family’s 1956 home on Blueberry Lane. It helped Isenhour find clients who wanted something different than a traditional brick box with shutters.

140709Isenhour0008Isenhour’s designs featured post-and-beam construction and open floor plans. They had exposed wooden beams, cathedral ceilings and walls of glass and local limestone. On building lots, he preserved as many trees as possible. His houses seem more spacious than their modest sizes, and they are as much about utility as style.

“Isenhour’s best work is full of light, creating an inspirational sense of the blending of outdoors and indoors,” Lexington architect Graham Pohl writes in the book’s forward.

Jan and Phyllis Hasbrouck, a physician and nurse, came to Lexington in 1962 for his internship. They had grown up in Ithaca, N.Y., admiring contemporary architecture, so when they were ready to build a home, they asked Isenhour to design it.

“I’ve loved every bit of it — the glass, the stone, the openness,” said Phyllis Hasbrouck, who has lived there since 1967. “I feel closed in when I’m in a regular home now where the ceilings are low.”

Larry Isenhour

Larry Isenhour

But Isenhour houses were not for everyone. The book reproduces a 1968 letter a Lexington bank officer sent to one Isenhour client, declining his loan application. “We have difficulty in making the maximum loan on contemporary style homes because they are usually custom designed for a limited market,” the letter said.

Larry Isenhour, who lives in a contemporary home of his own design, began working on the book soon after his father’s death in 2006, collecting old drawings, photos and documents. His goal was to create a chronological catalog of his father’s best work to show how it evolved.

“I worked in almost all of them, either as a kid picking up wood or drawing the plans,” he said. But he never interviewed his father about the thought processes behind his designs — and wishes now that he had. Isenhour also had never written a book. Fortunately, his got help from his wife, Jan, a writer and retired director of the Carnegie Center for Literacy and Learning.

Only one of the 98 Isenhour houses has been demolished. Most have been well cared for, expanded and updated as tastes and technologies changed. They have been especially sought-after in recent years with the renewed popularity of Mid-Century Modern style.

At least four of the houses are now owned by architects. One is Tom Fielder, who got to know Isenhour and his work when he was an architecture student at UK.

When Fielder moved back to Lexington in 1990, he wanted his three children to attend Glendover Elementary School. So he drove around that neighborhood, which has the largest concentration of Isenhour houses, until he found one for sale. Then he called his real estate agent and asked her to put in a contract on it.

“She said, ‘I can’t do a contract on a house when you haven’t even seen the inside,'” he recalled. “I knew that Dick had designed the house and it was next to Glendover school. That’s all the information I needed to know.”

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