PRHBTN festival shows the potential for more murals in Lexington

October 10, 2015
Meg Salesman's mural "Common Threads" dominates the side wall of a former school in Philadelphia being converted into 56 high-end apartments in a development called Mural Lofts. Photo by Tom Eblen | teblen@herald-leader.com

Meg Saligman’s mural Common Threads dominates the side wall of a former school in Philadelphia being converted into 56 high-end apartments called Mural Lofts. Photos by Tom Eblen

 

On a recent trip to Philadelphia, I saw what Lexington’s PRHBTN festival could grow up to become.

I love PRHBTN. The festival, organized by John and Jessica Winters, has made a huge contribution to Lexington in its first five years. It has brought some of the world’s best street muralists here to cover blank city walls with impressive works of art.

This year’s festival, which has been going on for the past week, added four new murals to our civic collection. Go see them at 266 Jefferson Street, 431 Jersey Street, 350 Short Street and 185 Elm Tree Lane.

My favorite this year is Portuguese artist Sergio Odeith’s image of the late jazz trumpeter Louis Armstrong on a 30-by-70-foot wall of Lighthouse Ministries at Elm Tree Lane and Corral Street. It is a warm smile for the whole East End.

My all-time favorite PRHBTN mural is the colorful rendering of Abraham Lincoln on the back wall of the Kentucky Theatre. It has been a local icon since Brazilian artist Eduardo Kobra’s spray paint dried two years ago.

I don’t like all of the PRHBTN murals; a few of them just seem creepy. My least favorite is the enormous piece depicting an “outlaw” street artist that was painted on the Old Pepper warehouse on Manchester Street last year.

That mural was done by European artist MTO, who seems to like creating controversy as much as art. While technically excellent, the mural strikes me as self-indulgent; a vanity piece that missed an opportunity to relate to its setting.

But those are just my opinions. I was discussing PRHBTN with a friend last week, and it turned out the murals I dislike are among his favorites. And that’s fine.

Good art often elicits strong emotions. That is especially true with public art, which is big and out there for everyone to judge. A piece that touches one person’s soul can turn another’s stomach. Public art without any edge is often boring and forgettable.

If you want to see some unforgettable public art, go to Philadelphia. And I don’t mean the “Rocky” statue near the steps Sylvester Stallone ran up in the movies, or Robert Indiana’s famous LOVE sculpture, with its right-leaning O.

Over the past three decades, Philadelphia’s Mural Arts Program has worked with artists and community groups to create more than 3,800 murals all over the city. Many of them are stunning works of paint and mosaic art that reflect a vibrant city in all its diversity.

The program began in 1984 as an anti-graffiti campaign when Philadelphia was a city in decline. Artist Jane Golden realized many of the young “taggers” defacing buildings across the city had both talent and a desire to create art. Mayor Wilson Goode hired her to redirect their energies into something positive.

The public-private partnership now works in every Philadelphia neighborhood to provide arts education to young people and pair artists with community and non-profit groups to collaborate on public art.

Many of the murals celebrate neighborhoods, the contributions of ethnic groups, workers, industries and other aspects of the 333-year-old city’s history and culture. Subjects run the gamut from universal themes of humanity to one mural on the side of a pet hospital celebrating dear, departed cats and dogs.

My family took a bus tour of several dozen downtown murals, and our guide talked about how they and the process of creating them had helped improve understanding and communication among Philadelphia’s disparate populations.

While many were painted directly on buildings, others were done in pieces on special cloth and later assembled on walls. That allowed schoolchildren, nursing home residents and even prison inmates to help with the painting.

Some of the most interesting murals are mixed-media pieces, combining various painting techniques with mosaic tile and glass.

Philadelphia’s Mural Arts Program has inspired many imitators. Cincinnati Mayor Mark Mallory in 2007 started the Artworks Mural program, which has created 90 murals in 36 Cincinnati neighborhoods and seven nearby cities.

The PRHBTN festival has shown that high-quality art murals can enhance Lexington and engage its citizens. How could we build on that?

 

What a difference this Philadelphia mural made to a corner otherwise notable for a convenience store. This 2002 mural by Meg Saligman is called "Theater of Life." Photo by Tom Eblen | teblen@herald-leader.com

What a difference this Philadelphia mural made to a corner otherwise notable for a convenience store. Meg Saligman’s mural Theater of Life.

 

Arturo Ho's mural about the history of Philadelphia's Chinatown.

Arturo Ho’s mural, History of Chinatown.

 

Michael Webb's mural, Tribute to Trades and Labor.

Michael Webb’s mural, Tribute to Trades and Labor.

 

Michelle Angela Ortiz's mural, Where Girls Grow Strong.

Michelle Angela Ortiz’s mural, Where Girls Grow Strong.

 

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Finding Home, by Josh Sarantitis and Katherine Penneckaker,

 

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A mosaic mural on an alley wall.

 

This 2008 mural by artist Willis Humphrey, called "Mapping Courage," honors black leader W.E.B. Du Bois and the Philadelphia Fire Department's Engine Co. 11, on whose building it is painted. Photo by Tom Eblen | teblen@herald-leader.com

Willis Humphrey’s mural “Mapping Courage,” honors black leader W.E.B. Du Bois and the Philadelphia Fire Department’s Engine Co. 11, on whose building it is painted.

 

Murals don't have to be gigantic, or painted. This mosaic mural was created on a small wall on a Philadelphia side street. Photo by Tom Eblen | teblen@herald-leader.com

Murals don’t have to be gigantic, or painted. This mosaic mural was created on a small wall on a Philadelphia side street. Photo by Tom Eblen | teblen@herald-leader.com

 

David Guinn's mural, Gimme Shelter.

David Guinn’s mural, Gimme Shelter.

 

Reach High and You Will Go Far, by Joshua Sarantitis.

Reach High and You Will Go Far, by Joshua Sarantitis.

To see even more Philadelphia murals, click here.


New mural an effort to overcome a disaster and a near-miss

October 6, 2015
Sergio Odeith, a Portuguese mural artist, began work Monday on a 30-by-70-foot mural of jazz great Louis Armstrong and his trumpet on the side of Lighthouse Ministries, 185 Elm Tree Lane. Photos by Tom Eblen

Sergio Odeith, a Portuguese mural artist, began work Monday on a 30-by-70-foot mural of jazz great Louis Armstrong on the side of Lighthouse Ministries, 185 Elm Tree Lane. Photos by Tom Eblen

 

Jazz great Louis Armstrong played at a private party at the old Phoenix Hotel in 1961 and, according to some people’s memories, he might have performed at the Lyric Theatre in its heyday.

Now, a larger-than-life Satchmo is starting a more public and permanent gig between those two historic venues.

Portuguese artist Sergio Odeith began work Tuesday on a photo-realistic mural of Armstrong and his trumpet on the 30-foot by 70-foot south wall of Lighthouse Ministries, 185 Elm Tree Lane.

Odeith is here as part of the fifth annual PRHBTN festival, which brings renowned street artists from all over the world to Lexington to create spray-painted murals.

This is Odeith’s second trip to PRHBTN. He returned because a mural of running horses that he painted on a Bryan Avenue building in November 2013 was accidently painted over in June.

Entrepreneur Griffin VanMeter’s North Limestone Community Development Corp. had contributed $2,500 toward the first mural on a building now occupied by Kentucky for Kentucky, another VanMeter venture, which sells Kentucky-themed merchandise.

But on June 9, as VanMeter was in Louisville to speak about “community place-making” and the value of public art, contractors he had hired to prime the wall beside Odeith’s mural for another piece of art painted over it instead.

“A picture of that mural was in my slide show as it was, unbeknownst to me, being covered up,” he said. “We just had this kind of ‘Oh crap’ moment.”

VanMeter quickly emailed an apology to Odeith and offered to bring him back to Lexington for another commission.

“He was really cool about it,” VanMeter said. “He was like, ‘These things happen.'”

But as Odeith returned Friday to paint a mural of singer Billie Holiday on a wall of the Limestone Street building that houses the Institute 193 art gallery and the French restaurant Le Deauville, the building’s owner backed out.

“These murals are almost like tattoos,” VanMeter said. “They have to really speak to you, because you live with them for a long time.”

That set off a desperate search for another available wall. VanMeter posted pleas on Facebook and contacted Lexington mural artist Dani Greene. She suggested the wall at Lighthouse Ministries, a social service agency, and approached its executive director, Tay Henderson, on VanMeter’s behalf.

Because that wall is bigger and more horizontal, Odeith decided the Billie Holiday image wouldn’t work. He suggested an image of Armstrong and his trumpet instead.

“I was elated,” said Henderson, who has operated Lighthouse Ministries from the building for 12 years. “He’s a world-renowned artist and he’s such a nice guy. I love his idea. I think it will help bring the community together.”

During a break from painting, Odeith, 39, said the Armstrong image will create a positive tone for people who come to Lighthouse Ministries for food and help rebuilding their lives. He said the image will include the title of Amstrong’s famous song, What a Wonderful World, and a message of love and encouragement.

“Like the Lincoln mural, I think this piece could really become an iconic image for Lexington,” VanMeter said.

Kentucky for Kentucky is paying about $10,000 toward the mural’s cost, including paint, lift machines, Odeith’s travel costs and artist’s fee. It is also making a $1,000 donation to Lighthouse Ministries.

VanMeter said he hopes to have a dedication ceremony for the mural early next week, as Odeith is finishing it. He was supposed to have begun Saturday, but bad weather, the search for a new wall and prep work delayed the start until Tuesday.

Odeith must leave town by next Wednesday; he has two commissions scheduled in Charleston, S.C., and one in Portugal, VanMeter said.

Despite his first mural being painted over, and almost not having a wall for his second, Odeith said he loves Lexington and was happy to return.

“I’ve been telling to Griffin and all the people that he was missing me,” he said. “So he found a way to bring me back.”

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If You Go

PRHBTN

What: Fifth edition of the popular street art festival

MURALS

MrDheo and Pariz One: Chase Brewing Co., 266 Jefferson St.

Odeith: Lighthouse Ministries, 185 Elm Tree Lane, Oct. 6-12.

Sheryo & The Yok: Oneness Boutique, 431 Jersey St. Oct. 6-10. Parking lot party 5-8 p.m. Oct. 7.

Hitnes: LexPark Garage, 350 Short St., Oct. 9-12.

CONCERT

Featuring Jon Dose and Jamples: 9:30 p.m. Oct. 9. Cosmic Charlie’s, 388 Woodland Ave. $5.

FESTIVAL

Live painting by area artists, food and beverage and other events: Noon-9 p.m. Oct. 10, Lexington Distillery District, Manchester Street.

More info: PRHBTN.com